Tag Archives: writing

A poem to read in the bath… ‘May-Day Song for North Oxford’

John Betjeman is an English poet so identified with his times and interests. Born in 1906, his family ran a firm in the East End of London making furniture and household items distinctive to Victorians. Betjeman remained fascinated by Victoriana, its architecture, English nature and society, and this is evident in his poetry. He was a founding member of the Victorian Society, and became Poet Laureate in 1972. In his introduction to his collection Slick But Not Streamlined, published in 1947, he wrote of himself ‘so at home with the provincial gaslit towns, the seaside lodgings, the bicycle, the harmonium.’

John Betjeman

Sir John Betjeman (1906-1984)

I read ‘May-Day Song for North Oxford’ on a freezing cold February morning, in a public library in West London. It was the sort of day on which you doubt you will ever be warm again. In a few words, I forgot my surroundings and was with Betjeman on a spring day.

Because of copyright restrictions I am unable to reproduce the poem in full, but please search it out in an anthology or at your local library.

‘Belbroughton Road is bonny, and pinkly bursts the spray
Of prunus and forsythia across the public way,
For a full spring-tide of blossom seethed and departed hence,
Leaving land-locked pools of jonquils by sunny garden fence.

And a constant sound of flushing runneth from windows where
The toothbrush too is airing in this new North Oxford air
From Summerfields to Lynam’s, the thirsty tarmac dries,
And a Cherwell mist dissolveth on elm-discovering skies.’

John Betjeman

 

‘Collected Poems’ by John Betjeman [UK: John Murray]

Read these other excerpts, and perhaps find a new poet to love:-
‘The Unthinkable’ by Simon Armitage
‘Happiness’ by Stephen Dunn
‘The Death of the Hat’ by Billy Collins

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
A #poem to read in the bath: ‘May-Day Song for North Oxford’ by John Betjeman https://wp.me/p5gEM4-3fX via @SandraDanby

#GuestPost ‘Short Story Talk’ by Amanda Huggins @troutiemcfish #shortstories #amwriting

A warm Yorkshire welcome today to my blog to short story writer Amanda Huggins, a 2018 Costa Short Story Award runner-up, who has clear ideas about writing the short form. Welcome Amanda! Amanda Huggins“There’s been talk in recent years of a short story renaissance. In January 2018The Bookseller magazine reported that sales of short story collections were up 50%, reaching their highest level in seven years. However, this turned out to be largely due to a single book — Uncommon Type by Tom Hanks. This January the news was all about poetry — sales were up 12% in 2018, for the second year in a row.

“It’s great to see a renewed interest in both forms — certainly a couple of independent bookshops I’ve talked to this week have confirmed that short story sales are up — and more collections are being featured in review columns. There was also the buzz around Kristen Roupenian’s short story, ‘Cat Person’, published in the New Yorker at the end of 2017, which really resonated with a younger audience. Whatever you thought of that story, it was all good publicity for the short form.”

Amanda Huggins

Four books on Amanda’s ‘To Read’ pile

“As a writer, I know that crafting a two thousand word story requires a different set of skills to novel writing, and the former should never be seen as practice for the latter — a short story isn’t a miniature novel any more than a novel is a protracted short story. Although short fiction is suited to the pace and attention span of the modern world, some readers say they don’t read shorts because they can’t lose themselves in the story the way they can in a novel. It is true that they demand your fine-tuned focus, they seek to be read straight through, and every sentence weighs in heavy because it has to earn its place. Yet all these things bring their own rewards. A cracking story will repay your time and attention by leaving you with something to think about for days after you’ve read it.

“When I’ve finished reading a novel I often pass it on, however I usually keep short story collections and return to them over the years in the same way that I do with poetry. I have countless favourites, many by established authors, but also a growing number by emerging short story writers. The collections on my shelves include books by William Trevor, Tessa Hadley, Helen Simpson, Helen Dunmore, Raymond Carver, AL Kennedy, Wells Tower, Stuart Evers, Miranda July, Yoko Ogawa, KJ Orr, Ernest Hemingway, Taeko Kono, Haruki Murakami, Richard Ford, Alice Munro, Flannery O’Connor, Anton Chekhov, Nikolai Gogol, Annie Proulx, Isaac Babel, Angela Readman, and AM Homes.”

Amanda Huggins

Amanda’s laden bookshelf

“Stylistically, Hemingway’s short stories are near the top of my list — his concise, declarative sentences; his restricted choice of words and sparing use of adjectives; the cadence, the deliberate repetition — all deceptively simple. He summed it up perfectly himself: “If a writer of prose knows enough about what he is writing about, he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them.”

“For fresh contemporary writing, I really like Miranda July. Her stories are unsettling, quirky, alternately grounded and surreal, oddball, off-beat, skewed. Yet they betray vulnerability, and are both raw and poignant.

“I’m also a huge fan of Japanese writing — novels, novellas and short stories. Japanese literature is often poetic, quiet, unhurried, and that way of writing suits the short story form. Sparing and effective use of language, subtlety and nuance, a certain elusiveness, all demand that the stories are read slowly, and that they are re-read and savoured. These are the qualities that draw me back again and again, and the tales of yearning and loss, of not quite belonging, all resonate with the themes I explore in my own fiction. I admire Murakami’s short stories, and really enjoyed his recent collection, Men Without Women. Murakami is renowned for his surreal writing, yet I prefer his stories when he writes of single men and smoky bars, lonely hearts and enigmatic women. I also love the short stories and novels of Yoko Ogawa. Like Murakami, her writing is often surreal, and can be unsettling and even grotesque. She is adept at self-observation and dissecting women’s roles in Japanese society. Taeko Kono explored women’s roles too, burrowing deep beneath the routines of daily life to reveal a disturbing underbelly — and who could resist a collection called Toddler Hunting and Other Stories?

“One of the funniest scenes I’ve ever come across in a short story is in Kazuo Ishiguro’s ‘Come Rain or Come Shine’, from his collection, Five Nocturnes. The description of the protagonist pretending to be a dog in order to cover up the accidental damage he has caused in his friend’s apartment made me cry laughing. I’ve only read the story once — I think I’m frightened something will be lost if I read it again, that the humour was somehow magnified by my particular mood at the time I read it!

“To conclude, I’d like to talk a little about my favourite collection from last year, which was Helen Dunmore’s Girl Balancing. I’m a big fan of Dunmore’s writing and The Siege is one of my all time favourite books. My favourite stories in this final collection of her short fiction are in the first section, ‘The Nina Stories’— and in particular I love the title story, ‘Girl Balancing’. These stories are almost notes for a novel-in-waiting; a sequence of vignettes centred around a girl called Nina, set in the 60s/70s. They are painstakingly intense; attention is paid to Nina’s every moment and action, and there are some lovely period details that evoke a strong sense of place. The writing turns the mundane into something beautiful, and the final story soars. Seventeen-year-old Nina is left alone on Christmas Day in a house at the seaside. She goes roller skating along the seafront with her friend, Mal, and when the mood turns, she must outwit him. I’ll leave you to find out for yourself if she succeeds.”

Amanda’s Bio
Amanda Huggins is the author of the short story collection, Separated From the Sea (Retreat West Books), and the flash fiction collection, Brightly Coloured Horses (Chapeltown Books). She was a runner-up in the 2018 Costa Short Story Award, and has been shortlisted and placed in numerous other competitions, including the Colm Toibin International Short Story Award and the Bath, Bridport, and Fish flash fiction prizes. She is also a published poet and award-winning travel writer, currently shortlisted for this year’s Bradt New Travel Writer of the Year Award. Amanda grew up on the North Yorkshire coast, moved to London in the 1990s and now lives in West Yorkshire. She works full-time in engineering and is writing her debut novella.

Amanda’s Links
Blog
Twitter @troutiemcfish
Retreat West Books
Chapeltown Books 

Amanda’s books
Amanda Huggins
Read my reviews of Separated from the Sea
Amazon

Amanda Huggins… and Brightly Coloured Horses.
Amazon

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
Talking #shortstories with prizewinner @troutiemcfish #amwriting https://wp.me/p5gEM4-3Qu via @SandraDanby

A #poem to read in the bath… ‘I loved her like the leaves’

The sense of loss in this Japanese poem is unquenchable. Written by Kakinonoto Hitomaro in 7th century Japan, it speaks of emptiness so great there is no hope or comfort. Hitomaro was a poet of the Asuka period [538-710], serving as court poet to the Empress Jitō, and is considered to be one of the four greatest poets in Japanese history along with Fujiwara no Teika, Sōgi and Bashō.

Kakinonoto Hitomaro

Kakinomoto Hitomaro by Kikuchi Yosai

‘I loved her like the leaves,
The lush green leaves of spring
That pulled down the willows
on the bank’s edge
where we walked
while she was of this world.
I built my life on her.
But man cannot flout
the laws of this world.
To the shimmering wide fields
hidden by the white cloud,
white as white silk scarf
she soared away like the morning bird,
hid from our world like the setting sun.
The child, the gift she left behind –
he cries for food; but always
finding nothing that I might give him,
I pick him up and hold him in my arms.
On the pillow where we lay,
My wife and I, as one,
I pass the daylight lonely till the dusk,
the black night sighing till the dawn.
I grieve and grieve and know no remedy.
I ache and know no road where I might meet her.

[NB. This poem features in two editions of poems that I own and, owing to different translations, there are variations]

The poem features in many anthologies, including my own The Picador Book of Funeral Poems and The Penguin Book of Japanese Verse.
Amazon


Read these other excerpts, and perhaps find a new poet to love:-
‘Alone’ by Dea Parkin
‘A thousand years, you said’ by Lady Heguri
‘After a row’ by Tom Pickard

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
A #poem to read in the bath: ‘I loved her like the leaves’ by Kakinonoto Hitomaro https://wp.me/p5gEM4-3dY via @SandraDanby

A poem to read in the bath… ‘My Mother’

I was hooked from the first line here, I think because of the familiarity of the cornflake cake. So what came next was a surprise, not something my mother said to me when I made her a cake! This is My Mother by Ruby Robinson [below] from Every Little Sound. Published in 2016, Robinson’s first collection of poems was shortlisted for the Felix Dennis Forward Prize for ‘Best First Collection’, and the TS Eliot Prize for ‘Best Collection’. Ruby Robinson

Here is the first stanza of My Mother. Because of copyright restrictions I am unable to reproduce the poem in full, but please search it out in an anthology or at your local library.

She said the cornflake cake made her day,
she said a man cannot be blamed for being
unfaithful: his heart is not in tune with his
extremities and it’s just the way his body
chemistry is. She said all sorts of things.’
Source: Poetry (October 2014)

Read more about Ruby Robinson here.

Ruby Robinson

 

‘Every Little Sound’ by Ruby Robinson [UK: Pavilion Poetry]

Read these other excerpts, and perhaps find a new poet to love:-
‘Runaways’ by Daniela Nunnari
‘Tulips’ by Wendy Cope
‘Cloughton Wyke I’ by John Wedgwood Clarke

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
A #poem to read in the bath: ‘My Mother’ by Ruby Robinson https://wp.me/p5gEM4-3eq via @SandraDanby

First Edition: Ulysses

In 2009, a well-preserved first edition of Ulysses by James Joyce, first published in 1922, was sold for £275,000. It had hardly been read, except for the racy bits. The book had previously been lost, having originally been bought surreptitiously in a Manhattan bookshop despite it being banned in the USA. The book was banned throughout the 1920s in the UK and USA. Another first edition [below right] was defaced by a reader who condemned the book as pornographic; the book was still valued at €13,500. The novel was banned in the UK until 1936. James Joyce

Ulysses was first serialised in parts in the American journal The Little Review between March 1918 and December 1920, before being published in its entirety by Syliva Beach [above left] in Paris on February 2, 1922 [Joyce’s 40th birthday]. Ulysses is the Latinised name of Odysseus, the hero of Homer’s epic poem Odyssey. The novel has a number of parallels with the poem including structure, characters. Leopold Bloom echoes Odysseus; Molly Bloom/Penelope; Stephen Dedalus/Telemachus; taking place in the 20th century. James Joyce

A first edition dated 1922 [above] by Shakespeare & Company in Paris is for sale [at time of going to press] at Peter Harrington for £87,500. Number 136 of 150 copies, this is noted in Syliva Beach’s notebook as being one of three copies sent to James Whitall on March 28, 1922. It is signed and dated by Joyce

The story
Set in Dublin, June 16-17, 1904, the action starts at about 8am. Stephen Dedalus wakes up and talks with his two housemates, Buck Mulligan and student Haines. The action continues for 24 hours when Stephen, having politely refused lodgings at the home of two other principal characters, Leopold and Molly Bloom, discovers he is no longer welcome to stay with Mulligan and Haines. During the course of the day the characters move through their day in Dublin.

The film
James Joyce A 1967 film of Ulysses [above] starring Milo O’Shea as Leopold Bloom was nominated for an Oscar for Best Adapted Screenplay. Watch Molly Bloom’s soliloquy here.

In 2003, another film, Bloom [below] starred Stephen Rea. Watch the trailer here.

James Joyce

Other editions

James Joyce

 

‘Ulysses’ by James Joyce [UK: Wordsworth Classics]

If you like old books, check out these:-
The French Lieutenant’s Woman’ by John Fowles
‘The Sea The Sea’ by Iris Murdoch
‘Jane Eyre’ by Charlotte Bronte

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
First Edition: ULYSSES by James Joyce #oldbooks https://wp.me/p5gEM4-3aq via @SandraDanby

A poem to read in the bath… ‘The Unthinkable’

This poem grabbed me from the first line. It has action, it has colour, it has place. I could see the purple door, I could see the beach. And I wanted to write my own story about it. This is ‘The Unthinkable’ by Simon Armitage [below], included in his latest anthology The Unaccompanied. Simon Armitage

Here is the first stanza of The Unthinkable. Because of copyright restrictions I am unable to reproduce the poem in full, but please search it out in an anthology or at your local library.

A huge purple door washed up in the bay overnight,
its paintwork blistered and peeled from weeks at sea.
The town storyteller wasted no time in getting to work:
the beguiling, eldest girl of a proud, bankrupt farmer
had slammed that door in the face of a Freemason’s son,
who in turn had bulldozed both farm and family
over the cliff, except for the girl, who lived now
by the light and heat of a driftwood fire on a beach.’
Source: Poetry (May 2013)

Simon Armitage

 

‘The Unaccompanied’ by Simon Armitage [UK: Faber]

Read these other excerpts, and perhaps find a new poet to love:-
‘Digging’ by Seamus Heaney
‘Alone’ by Dea Parkin
‘A thousand years, you said’ by Lady Heguri

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
A #poem to read in the bath: ‘The Unthinkable’ by Simon Armitage https://wp.me/p5gEM4-3ek via @SandraDanby

My Porridge & Cream read: @authormaryg #books #womensfiction

Today I’m delighted to welcome contemporary women’s novelist Mary Grand. Her ‘Porridge & Cream’ read is It Shouldn’t Happen to a Vet by James Herriot.

“My mum introduced me to James Herriot’s books in my early twenties. Fresh out of college I was living in a bedsit in Bethnal Green in London, cycling to work each day through heavy traffic to the school where I was teaching. These books were my escape into a different world, a different time. This was the world of 1930’s rural Yorkshire that was disappearing even as James Herriot wrote about it, although thankfully the hills and dales he describes with such love remain. He tells his stories with humour, charm and honesty; he is not frightened to talk about his mistakes and laugh at himself. When I was taking a picture of my copy of this book I realised this is quite an up to date cover…my early paperbacks have sadly collapsed! Mary Grand“I have read and re read these books throughout my life. In particular, when life has been difficult; after weeks of sleepless nights with babies; when my parents were very ill; when I had to stop work because life temporarily overwhelmed me. Gosh, as I write that list it makes me realise how important this ‘porridge and cream’ book has been for me!

“I have loved all the books in this series. I particularly like the romantic element in It Shouldn’t Happen To A Vet, when he meets his wife Helen. I think the main thing that brings me back to these books is the story telling, the way James Herriot mixes humour with the hard reality of farming in the dales. I have never watched adaptations for film or TV, as I have created my own pictures of the characters and wouldn’t want to spoil that.

“Describe the plot in an elevator pitch: A wonderful memoir from James Herriot, filled with entertaining stories of his work as a young vet in rural Yorkshire in the 1930s.”
Amazon UK

Mary Grand’s Bio
I was born in Cardiff and have retained a deep love for my Welsh roots. I now live on the beautiful Isle of Wight with my husband, where I walk my cocker spaniel Pepper and write. I have two grown up children.
Free to Be Tegan was my debut novel. The second Hidden Chapters is set on the spectacular Gower Peninsula, and the third Behind the Smile, published in March 2018, is set on the Isle of Wight. I have also published two short books of short stories Catching the Light and Making Changes.

Mary Grand’s links
Facebook
Twitter
Amazon Author Page
Goodreads
Author website

Mary Grand’s latest book
Mary GrandBehind the Smile is the story of Lowri , who, alone and pregnant, agrees to ‘settle’ with estranged husband, Jack, and move to idyllic village the Isle of Wight. She is befriended by Heather, the popular café owner and Carina, the beautiful Italian wife of the owner of Elmstone manor. Both appear to Lowri to have perfect lives. However, Lowri slowly discovers that, behind the smiles, lie secrets, addiction and an obsession which threatens to destroy them all.
Amazon UK

What is a ‘Porridge & Cream’ book? It’s the book you turn to when you need a familiar read, when you are tired, ill, or out-of-sorts, where you know the story and love it. Where reading it is like slipping on your oldest, scruffiest slippers after walking for miles. Where does the name ‘Porridge & Cream’ come from? Cat Deerborn is a character in Susan Hill’s ‘Simon Serrailler’ detective series. Cat is a hard-worked GP, a widow with two children and she struggles from day-to-day. One night, after a particularly difficult day, she needs something familiar to read. From her bookshelf she selects ‘Love in A Cold Climate’by Nancy Mitford. Do you have a favourite read which you return to again and again? If so, please send me a message.

Discover the ‘Porridge & Cream’ books of these authors:-
Carol Cooper loves ‘Please Don’t Eat the Daisies’ by Jean Kerr
Tracey Sinclair chooses ‘Dangerous Liaisons’ by Choderlos de Laclos
JG Harlond re-reads ‘Race of Scorpions’ by Dorothy Dunnett

 And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
Why does @authormaryg re-read IT SHOULDN’T HAPPEN TO A VET by James Herriot #books https://wp.me/p5gEM4-3yI via @SandraDanby

A poem to read in the bath… ‘Because I could not stop for Death’

This lyrical poem by Emily Dickinson sees the poet meet Death who, as a gentleman caller, takes a leisurely carriage drive with her. It was first published posthumously under the title ‘The Chariot’ in Poems: Series 1 in 1890, the edition assembled and edited by her friends Mabel Loomis Todd and Thomas Wentworth Higginson.

Here are the first two verses.
‘Because I could not stop for Death –
He kindly stopped for me –
The Carriage held but just Ourselves –
And Immortality.

We slowly drove – He knew no haste
And I had put away
My labor and my leisure too,
For His Civility.’

The poem has since been set to music by Aaron Copland as the twelfth song of his cycle The Twelve Poems of Emily DickinsonEmily Dickinson

Emily Dickinson

 

‘The Picador Book of Funeral Poems’ ed. by Don Paterson [UK: Picador]

Read these other excerpts, and perhaps find a new poet to love:-
‘Happiness’ by Stephen Dunn
‘Lost Acres’ by Robert Graves
‘The Roses’ by Katherine Tempest

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
A #poem to read in the bath: ‘Because I could not stop for Death’ by Emily Dickinson https://wp.me/p5gEM4-3dG via @SandraDanby

My Porridge & Cream read: Jackie Baldwin

Today I’m delighted to welcome Scottish crime writer Jackie Baldwin. Her ‘Porridge & Cream’ read is Little Women by Louisa May Alcott.

“The book that has never failed to delight and soothe me over the years is Little Women by Louisa May Alcott. I must have been in my early teens when I first read it and so embarking on a turbulent adolescence of my own alongside those of the March girls. At a girls school and with no brothers, the world of boys was something of a mystery to me too so I loved the character of Laurie and the subtle shifts and turns in his relationships with all the girls over the scope of the novels. Jackie Baldwin“I have had many copies of the book over the years but this one [above] is my favourite as it contains all three books in the series. Part of its enduring appeal for me is the characters who are all just flawed enough to make them endearingly frail and human. My favourite character is Jo who is unruly and tempestuous and rails against the confines of poverty and the expectation that women should conform to the domestic role expected of them rather than pursue any ambitions of their own. There is also a small broken piece of my heart that will forever be in thrall to Beth who shows just how much a small life can matter and influence those around it.

“I have read it a few times over the years and the types of things that might encourage me to pick it up are if life feels a bit too overheated and I want to escape for a while into another gentler time where courage and strength of character always triumph over adversity.

“If I had to sell Little Women in an elevator pitch it would run something along these lines. ‘The story of a family who are in poverty but not impoverished and rise to meet adversity with an outstretched hand and a warm smile.’

“Thanks for reminding me how much I love this book, Sandra! In fact, now that it’s off the shelf, I think it might be time to meet up with some old friends again…”

Jackie Baldwin’s Bio
Jackie Baldwin is a Scottish crime writer. Her debut crime novel Dead Man’s Prayer was published by Killer Reads, Harper Collins on 2ndSeptember 2016. The second in the series, Perfect Dead was published on 15thJune 2018. For most of her working life, she has been a solicitor specialising in Family and Criminal Law. However, she now practices in Dumfries as a hypnotherapist which is where her novels are set. Married, with two grown up children, she has filled her empty nest with Golden Retrievers. She can often be found in a forest walking the dogs, covered in mud and with twigs in her hair.

Jackie Baldwin’s links
Facebook
Twitter

Jackie Baldwin’s latest book
Each murder brings him one step closer to the perfect death. Ex-priest, DI Farrell is called on to investigate a gruesome death in rural Scotland. All evidence points to suicide, except for one loose end: every light in the cottage was switched off. Why would he kill himself in the dark?

The question sparks a murder investigation that leads to the mysterious Ivy House, home of ‘The Collective,’ a sinister commune of artists who will do anything to keep their twisted secrets hidden.

And when the remains of a young girl are uncovered on a barren stretch of coastline, Farrell realises that there is something rotten in this tight-knit community. Now he must track down a ruthless killer before another person dies, this time much closer to home…

‘Perfect Dead’ by Jackie Baldwin, #2 DI Frank Farrell [UK: Killer Reads]

 

What is a ‘Porridge & Cream’ book? It’s the book you turn to when you need a familiar read, when you are tired, ill, or out-of-sorts, where you know the story and love it. Where reading it is like slipping on your oldest, scruffiest slippers after walking for miles. Where does the name ‘Porridge & Cream’ come from? Cat Deerborn is a character in Susan Hill’s ‘Simon Serrailler’ detective series. Cat is a hard-worked GP, a widow with two children and she struggles from day-to-day. One night, after a particularly difficult day, she needs something familiar to read. From her bookshelf she selects ‘Love in A Cold Climate’ by Nancy Mitford. Do you have a favourite read which you return to again and again? If so, please send me a message.
Jackie Baldwin

‘Little Women’ by Louisa May Alcott [UK: Penguin English Library]

Discover the ‘Porridge & Cream’ books of these authors:-
Lisa Devaney chooses Do Androids Dream of Electric Sheep by Philip K Dick

Tracey Sinclair chooses Dangerous Liaisons by Choderlos de Laclos 

Helen J Christmas chooses Camellia by Lesley Pearse

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
Why does Scottish crime writer @JackieMBaldwin1 re-read LITTLE WOMEN by Louisa May Alcott? #books https://wp.me/p5gEM4-3v1 via @SandraDanby

First Edition: Rebecca

Never out of print, Rebecca by Daphne du Maurier is loved for its opening line: “Last night I dreamt I went to Manderley again.” It is a timeless combination of romance, jealousy, intimidation, mystery & death. First published in 1938 it was an immediate hit and sold nearly 3 million copies between 1938 and 1965. Ultimately, there are a lot of secondhand editions out there. It has been translated into Chinese, French, Italian, Japanese, Russian, German, Portugese, Spanish, Persian, Hungarian, Romanian, Polish, Greek, Latvian, Dutch and Czech. That’s quite a list. Daphne du Maurier

This first UK edition [above right] comes with a Menabilly headed letter from du Maurier which briefly discusses her Christmas and New Year, and is signed ‘Yours sincerely, Daphne du Maurier’. Rare, it is for sale [at time of going to press] by John Atkinson Books for £2,750.

The story
A naïve young woman marries wealthy older widower Maxim. When he takes her to his home, Manderley, the unnamed narrator, the young wife, learns about the first Mrs de Winter, Rebecca. Housekeeper Mrs Danvers continually tries to undermine the second Mrs de Winter, showing her contempt for the young woman, her inefficiency, her mousiness, her naivety. Believing Maxim still loves Rebecca, the new wife is encouraged by Mrs Danvers to wear a replica of one of Rebecca’s dresses to a costume ball.

The film
The best known film adaptation of Rebecca is the 1940 movie starring Laurence Olivier and Joan Fontaine. Daphne du MaurierDirected by Alfred Hitchcock, Rebecca won 11 Oscar nominations and won two – for Best Picture and Cinematogrophy. Watch the trailer here.

https://youtu.be/t3YJcW2UQiw

Daphne du MaurierVarious television adaptations include the 1979 BBC production [above] starring Jeremy Brett as Maxim, Joanna David as the second Mrs de Winter, and Anna Massey as Mrs Danvers. Watch the first episode here.

In 1997, a Carlton Television production [below] cast Joanna David’s daughter, Emilia Fox, as the second Mrs de Winter, with Charles Dance as Maxim and Diana Rigg as Mrs Danvers. Daphne du Maurier

Other editions

Read here why Rebecca is the ‘Porridge & Cream’ comfort read of novelist Jane Lambert.

Daphne du Maurier

 

‘Rebecca’ by Daphne du Maurier [UK: Virago]

If you like old books, check out these:-
‘Jane Eyre’ by Charlotte Bronte
‘A Passage to India’ by EM Forster
‘Watership Down’ by Richard Adams

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
First Edition: REBECCA by Daphne du Maurier #oldbooks https://wp.me/p5gEM4-39q via @SandraDanby