Author Archives: sandradan1

About sandradan1

Novelist. I blog about writing, reading and everything to do with books and writing them at http://www.sandradanby.com/. Come and visit me!

Great Opening Paragraph 124… ‘The Camomile Lawn’ #amreading #FirstPara

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“Helena Cuthbertson picked up the crumpled Times by her sleeping husband and went to the flower room to iron it.”
From ‘The Camomile Lawn’ by Mary Wesley

Read my reviews of these novels by Mary Wesley:-
JUMPING THE QUEUE
THE CAMOMILE LAWN

Try one of these #FirstParas & discover a new author:-
‘For Whom the Bell Tolls’ by Ernest Hemingway
‘A Month in the Country’ by JL Carr
‘Back When We Were Grown-Ups’ by Anne Tyler

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#Books #FirstPara THE CAMOMILE LAWN by Mary Wesley https://wp.me/p5gEM4-48b via @SandraDanby

#BookReview ‘The Ninth Child’ by Sally Magnusson @sallymag1 #historical #Scotland

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The Ninth Child by Sally Magnusson is a Scottish historical mystery featuring a doctor’s wife, Queen Victoria, an infrastructure project to bring clean water to Glasgow from the wild and beautiful lochs, and the sithichean (fairies). It is a story of water and the fate of two different women, both expecting their ninth child, and their husbands; one who is ignorant until the end, the other who looks the threat in the eye and shivers. The pregnant women, who have never met, are the Queen and Isabel, wife of Dr Alexander Aird, physician to the water construction project. The Airds live on the remote and basic construction site in a stone cottage called Fairy Knoll, alongside the drilling and tunnelling of the water project. There are two stories here – a historical saga about health and living conditions for the families which struggle both in Glasgow tenements and of the navvies that work on the water project; and a mystical story of a preacher stolen by the fairies in 1692 who returns 167 years later to talk and walk with Isabel Aird. His purpose is not clear but he is egged on by a fairy voice with whom he has made an unearthly deal. The link with Queen Victoria is tenuous and, after a strong introduction, this strand goes silent for a long time.
The tale is told by the Aird’s neighbour and servant Kirsty McEchern, alternating with Robert Kirke the preacher and, briefly, Prince Albert. At times the transition between viewpoints is sudden and confusing and I admit to skipping over some of the Robert Kirke passages. Sometimes his dialect merged into a following section by Kirsty and this took me away from the story. But I did like the character of Isabel Aird and the portrayal of her journey through the grief for her eight miscarriages. Inspired by contemporary women such as Florence Nightingale and Anne Lister, Isabel fights against her husband’s expectations that she pursue a gentlewoman’s traditional life. The juxtaposition of the Queen, Isabel and Kirsty demonstrates that women, whatever their class and education, face many of the same trials in life and have the similar mental and physical fortitude when called upon.
Magnusson is a confident writer in this period and I believed in the construction site she describes near Loch Chon and Loch Katrine. Many characters and incidents are based on real people and events including many places in the Trossachs national park which to this day bear fairy names. The Queen Victoria strand promised much but was under-used. I wished the story had more pace and for this reason the first three-quarters of the book was a 3* for me, rising to 4* for the last quarter which races along. A special mention goes to the glorious purple thistle cover.
CLICK HERE TO READ MORE ABOUT THIS BOOK AT AMAZON

If you like this, try:-
‘The Good People’ by Hannah Kent
‘The Threshold’ by Anna Kovacevic
‘The Crows of Beara’ by Julie Christine Johnson

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview THE NINTH CHILD by @sallymag1 https://wp.me/p5gEM4-4sR via @SandraDanby

A poem to read in the bath… ‘A Shropshire Lad II’ by AE Housman #poetry

#BookReview ‘The Inheritance of Solomon Farthing’ by @mspaulsonellis #WW1

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A group of Great War soldiers is waiting for orders. During the last skirmishes of the war, men are still dying. Will the men receive orders to retreat or advance? Who will live or who will die? There are two strands to The Inheritance of Solomon Farthing by Mary Paulson-Ellis and the title refers to the second. A contemporary man in Edinburgh, an heir hunter, finds a pawn ticket amongst the possessions of Thomas Methven, an old soldier who died alone. This is a detailed story with many layers and many characters introduced as the two strands are told and hesitantly connected. At times the detail became confusing with so many descriptive repetitions I found myself skipping forwards. Paulson-Ellis writes scenes so well – the soldier’s gambling scene with the chicken is totally believable, and her portrayal of the foundling school in NE England is heart breaking. As Solomon tracks the life story of the deceased soldier, we see flashes of his own story, orphaned at seven and sent to live with his grandfather. Though interesting I found this distracting, it took me away from the story of the soldiers and added even more characters and family trees to remember.
The message is that the debts of the past do not disappear. Captain Godfrey Farthing is waiting, always waiting; to live to die, to advance, to retreat. He is simply trying to keep his men safe to the end of the war, which they suspect may come at any time. But Farthing’s intentions may be wrecked by enemy attack, by orders to attack, or by his own men themselves who are confined and bored. ‘A strange peace was coursing through his veins; that terrible calm that comes when a man knows the end is coming, but not in the way he had imagined when he began.’
Gambling is a continuous theme throughout the WW1 strand, and I lost track of the treasures gambled, won and lost, coveted, stolen and hidden. There are 11 soldiers involved, surely too many. Like The Lord of the Flies, the boredom of the men, their jealousies, petty rivalries and guns come to dominate their world, as if the war is already over. The treasures they gamble can be the smallest thing which to us may seem irrelevant but in war is crucial. Not monetary value as known at home, but representing an emotional or practical value.
Different rules apply during wartime and items that are significant then are cast into the spotlight when they survive across the generations to be found by modern day relatives. I admit to confusion about who was related to who and perhaps the cutting of a few peripheral characters would help. Given my interest in family history and WW1, I expected to love this book but longed for a firmer editing hand.
CLICK HERE TO READ MORE ABOUT THIS BOOK AT AMAZON

If you like this, try:-
‘Life Class’ by Pat Barker
‘A Long Long Way’ by Sebastian Barry
‘Half of the Human Race’ by Anthony Quinn

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview THE INHERITANCE OF SOLOMON FARTHING by @mspaulsonellis https://wp.me/p5gEM4-4tz via @SandraDanby

First Edition ‘It’ by @StephenKing #oldbooks #bookcovers

My Porridge & Cream read… Jessie Cahalin @BooksInHandbag #books

A poem to read in the bath… ‘Out Chasing Boys’ by Amanda Huggins #poetry

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Recently published is this small poetry chapbook, The Collective Nouns for Birds by Amanda Huggins, with 24 poems. Huggins is an award-winning writer of flash fiction and short stories, so knowing her skill with the short form I looked forward to this first poetry chapbook with anticipation. And I wasn’t disappointed. I’ve chosen the first poem in the book as it struck a chord from my own childhood. I can smell the salt in the breeze, hear the lapping of the summer waves on the shore and taste the tang of vinegar as I lick my fingers after eating haddock and chips. This poem is subject to copyright restrictions. Please search for the full poem in an anthology or at your local library. A ‘poetry chapbook’ is a slim pamphlet of poems, usually no more than 40 pages.

‘Out Chasing Boys’
We spent summer on the seafront,
two stranded mermaids
killing time.
We rolled up our jeans,
carried our shoes,
blew kisses at the camera
in the photo booth.
Always out, chasing boys,
as if we had forever.

Read my reviews of other work by Amanda Huggins:-
Novellas
ALL OUR SQUANDERED BEAUTY
CROSSING THE LINES
THE BLUE OF YOU
Short stories
AN UNFAMILIAR LANDSCAPE
BRIGHTLY COLOURED HORSES
EACH OF US A PETAL
SCRATCHED ENAMEL HEART
SEPARATED FROM THE SEA

Read these other excerpts and find a new poet to love:-
‘A Thousand Years You Said’ by Lady Heguri
‘The Cinnamon Peeler’ by Michael Ondaatje
‘After a Row’ by Tom Pickard

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#Poetry ‘Out Chasing Boys’ by Amanda Huggins @troutiemcfish https://wp.me/p5gEM4-4v6 via @SandraDanby

#BookReview ‘Home’ by Marilynne Robinson #classic #Americanwriters

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Home by Marilynne Robinson is the story of two adult children who return home, coincidentally at the same time, who feel the shame of not living up to the standards set by their minister father, Reverend Robert Boughton. It is a profoundly sad book; the slow winding tale towards the inevitable ending is curiously addictive. It is a three-hander, concentrating on father, son and daughter. Glory and Jack Boughton grew up in a clerical family home in Gilead, Iowa. We learn of their country childhoods, quite different as siblings go, from their conversations and the memories prompted by visits from neighbours Reverend John Ames, his wife Lila and son. The story is told from Glory’s viewpoint. Jack takes lots of ‘dark nights of the soul’, long solitary walks in the dark to which we are not privy, and his true thoughts remain a mystery to the end. Just when you think you have worked him out, he confounds you.
Robinson draws a picture of rural America at a time of great change. There are demonstrations in Montgomery, but Gilead seems insulated from the outside apart from occasional telephone calls to their father by Glory and Jack’s siblings, and news reports of violence. Jack is drawn to the news coverage; his father dismissive. Jack is a contradiction; he struggles to believe yet knows his Bible backwards, plays hymns on the piano, and quotes scripture at Ames.
Slowly, piece by piece, we find out the details of Glory’s shame. Why she really came home, why she is no longer teaching. But Jack is more opaque, hiding his past, unable to share, he is spiky when offered help and understanding. Does he feel unworthy? He is spiritually isolated from his family, unable to connect though at times he longs to, other times he kicks out. A to-and-fro battle proceeds as Jack opens up a little to Glory, then slamming shut again when faced with his father’s well meaning but blunt questions. There are parallels between the siblings; Glory is recovering from a failed relationship with an unscrupulous man who sounds rather like Jack, while Jack mourns the loss of a good woman who sounds rather like Glory. This book tells the story of how the brother and sister come to understand themselves, and each other, more clearly, but based on fractured pieces of the truth.
As the book progresses, Boughton grows weaker as death approaches. He is one moment gentle towards Jack; the next, angry. Does he think that in striving for achievement for his children he also failed them, by channelling them towards a path they might not otherwise have followed, by not allowing them to develop naturally. I’m not sure Boughton sees it like that. They all live within the constraints of a family entwined in the strait-jacket of belief.
Robinson is best at the detail of ordinary life, the garden, the fruit and vegetables, the weather, the faded house, drawing pictures as clearly as Leonardo da Vinci drew pencil sketches of hands. “Glory made up a batch of bread dough. Brown bread was her father’s preference. Something to lift the spirits of the household, she thought. The grocer brought her a roasting hen. She opened the windows to cool the kitchen and air out the dining room a little, and the breezes that came in were mild, earthy, grassy, with a feel of sunlight about them.”
How many adults can return to visit their parents in the family home in which they grew up and find that home unchanged? “It was in fact a relief to have someone else in the house. And it was interesting to watch how this man, gone so long, noticed one thing and another, as if mildly startled, even a little affronted, by all the utter sameness. She saw him put his hand on the shoulder of their other’s chair, touch the fringe on a lampshade, as if to confirm for himself that the uncanny persistence of half-forgotten objects, all in their old places, was not some trick of the mind. Nothing about that house ever did change, except to fade or scar or wear.” The unchanging nature of the family house mirrors the unchanging nature of the family that lives in it; the patriarch with his rules and expectations, the children trying to please him but falling short and feeling guilty. Each not wanting to worry the other, protective of the myth of their family, sensitive to their father’s opinion, fearful of striking out on their own again away from Gilead and what they know. Wanting to leave, wanting to stay.
Home will stay with you a long time after reading, whether you have faith or none. It is a companion to Gilead which won the Pulitzer Prize.
CLICK HERE TO READ MORE ABOUT THIS BOOK

Read my reviews of Robinson’s other novels:-
GILEAD
HOUSEKEEPING
JACK

Try the #FirstPara of GILEAD here.

If you like this, try:-
‘A Little Life’ by Hanya Yanagihara
‘The Witchfinder’s Sister’ by Beth Underdown
‘Skin Deep’ by Laura Wilkinson

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview HOME by Marilynne Robinson https://wp.me/p5gEM4-3gf via @SandraDanby

#BookReview ‘59 Memory Lane’ by @CeliaAnderson1 #romance #contemporary

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59 Memory Lane by Celia Anderson has a cozy tone reminding me immediately of MC Beaton’s Agatha Raisin series, but without the crime. Anderson has created the sort of feelgood destination you long to live in, to get away from it all. Pengelly is an isolated seaside village in Cornwall with an infrequent bus service. When a local do-gooder starts an Adopt-a-Granny scheme pairing people together, 110-year old May Rosevere is paired with her eighty year old neighbour Julia. Except unbeknown to everyone else, these two women harbour a long held grudge against each other.
The central premise of the novel is that May’s long life – and she is free of the medical complaints experienced by other older characters in the book – is thanks to her magical ability to collect other people’s memories and extract energy from them; this is described as a kind of frission, naughtiness, a buzz. May, determined to reach her 111^th birthday, steps up her ‘thought harvesting’ and so is delighted to learn that Julia has discovered a large collection of family letters going back decades.
This book has two major storylines spliced together – the feelgood seaside life in Pengelly and the adventures of the community, the romances, the illnesses, the community spirit; and the flip side, the unexplored darkness of May’s theft of other people’s memories. I found the latter quite difficult. It feels as if May is basically stealing other people’s lives; when she takes Julia’s letters, Julia becomes forgetful, vague and weak. May’s ‘thought harvesting’ is not clearly defined, described variously as a power, skill, ability, talent. May’s father tells her, as a child, about her ‘power’ but we see her doing nothing positive with it. It is not a force for good, she simply uses it for a feeling of well-being. In the beginning she gets her buzz from handling secondhand possessions at fairs and sales and by picking up rubbish and forgotten objects. But when did the stealing start?
The community at Pengelly is large and so the first half of the novel includes lots of scene setting and explanation of who is who. For this reason, this feels like the first novel in a series. The story really took off for me in the second half when May’s ‘talent’ comes back to bite her and she starts to feel guilty at taking people’s memories from them when it clearly causes damage. Anderson does an excellent job in creating the world of Pengelly, the community spirit for a village often cut-off, its residents have become supportive and innovative. There is romance for young and old, and support and friendship for everyone when illness strikes.
At the end I would have liked more explanations; to the mystery of Julia’s letters, the death of May’s husband, the mysterious Will who went off to be a priest, or the meaning of the missing ring. I can’t help but think this is a missed opportunity to turn this novel into something more than a Cornish village romance. Pengelly is definitely an escapist village with its beach walks, barbecues, cake, biscuits and mugs of hot chocolate, and it was good to see a cast of characters across the age spectrum, from six-year old Tamsin to 110 year-old May and lots of 50-80+, all getting along together. But I was left feeling I had been led, by the cover design, to expect one novel but got another.

If you like this, try:-
‘The Lost Letters of William Woolf’ by Helen Cullen
‘On a Night Like This’ by Barbara Freethy
‘Butterfly Barn’ by Karen Power

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview 59 MEMORY LANE by @CeliaAnderson1 https://wp.me/p5gEM4-46l via @SandraDanby

#BookReview ‘The Moon Sister’ by Lucinda Riley #romance

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Fifth in the Seven Sisters series by Lucinda Riley, The Moon Sister is the story of Tiggy, wildlife conservationist and warm-hearted introvert. Each of the D’Apliese sisters is different with diverse skills, interests and hugely varying birth stories. Tiggy’s story alternates between a Highland estate where she is managing the rewilding of Scottish wildcats, and the flamenco world in Spain during the 1930s. The Kinnaird Estate is a beautiful, isolated, wild place. The four wild cats move into their custom-built enclosure and Tiggy moves into a shared estate cottage with fellow worker Cal. Riley builds the Kinnaird community quickly and skilfully from new Laird Charlie to housekeeper Beryl and old retainer Chilly. It is Chilly – speaking in a muddled mixture of English, Spanish and Romani – who introduces the first hints of premonition, seeing and herbal remedies. He tells Tiggy she has healing hands. Caught up in the twists and turns of the Kinnaird family, the frictions in Charlie and Ulrika’s marriage and their tempestuous daughter Zara, Tiggy grieves for Pa Salt and is curious about her own birth family. In his farewell letter, Pa Salt tells her she comes from a gifted line of seers. She must go to Granada in Spain, to the gypsy area called Sacromonte, where she must knock on a blue door and ask for Angelina. Tiggy delays, unsure of the truth, attracted to Charlie. But when she is injured in a poaching incident on the estate, Tiggy feels upset, confused and wronged. She flies to Granada. This is a quick reminder that Tiggy, who lives the most normal, ordinary life of the sisters so far, is far from a normal girl and when times get tough, the D’Apliese wealth is ever-present.
The second storyline is that of Lucia, Tiggy’s grandmother, who rises from a tiny girl living in deepest poverty in Sacromonte to a world-famous flamenco dancer. Though Tiggy’s character and situation is appealing, I found Lucia a more difficult character. By nature energetic and stubborn, Lucia turns into a selfish, spoiled woman who rides roughshod over others. Exploited by her feckless father who keeps control of her money and career, Lucia’s few moments of caring for others were not enough for me to warm to her. But the world in which she lives, the Sacromonte community, the gypsy brujas, and the violence and depravities of the Spanish Civil War were fascinating to read. As with the stories of the other sisters, Riley concentrates most of the birth family story on a generation further back than the birth parents and there were times when I longed for less flamenco and more bruja. I also wanted to know Chilly’s story and how he came to work on a Scottish estate.
There are more teasers in this book about the truth of Pa Salt’s identity and death, but nothing concrete. There is also the reappearance of Zed Eszu, who can only be described as a sleazy millionaire cad, who first appeared in Maia’s story. What lies behind his fascination with the six D’Apliese sisters. And is Pa Salt really dead?

Read my reviews of some of the other novels in Lucinda Riley’s ‘Seven Sisters’ series:-
THE SEVEN SISTERS #1SEVENSISTERS
THE STORM SISTER #2SEVENSISTERS
THE SHADOW SISTER #3SEVENSISTERS
THE PEARL SISTER #4SEVENSISTERS
THE SUN SISTER #6SEVENSISTERS
THE MISSING SISTER #7SEVENSISTERS

… plus my reviews of these standalone novels, also by Lucinda Riley:-
THE BUTTERFLY ROOM
THE GIRL ON THE CLIFF
THE LOVE LETTER

If you like this, try:-
‘The Bear and the Nightingale’ by Katherine Arden
‘The Penny Heart’ by Martine Bailey
‘Rush-Oh!’ by Shirley Barrett

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview THE MOON SISTER by Lucinda Riley https://wp.me/p5gEM4-46t via @SandraDanby

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SANDRA DANBY'S BOOK REVIEWS

Sharing thoughts on the books I read, new authors, favourite authors, classics re-visisted

Author Archives: sandradan1

About sandradan1

Great Opening Paragraph 124… ‘The Camomile Lawn’ #amreading #FirstPara

#BookReview ‘The Ninth Child’ by Sally Magnusson @sallymag1 #historical #Scotland

A poem to read in the bath… ‘A Shropshire Lad II’ by AE Housman #poetry

#BookReview ‘The Inheritance of Solomon Farthing’ by @mspaulsonellis #WW1

First Edition ‘It’ by @StephenKing #oldbooks #bookcovers

My Porridge & Cream read… Jessie Cahalin @BooksInHandbag #books

A poem to read in the bath… ‘Out Chasing Boys’ by Amanda Huggins #poetry

#BookReview ‘Home’ by Marilynne Robinson #classic #Americanwriters

#BookReview ‘59 Memory Lane’ by @CeliaAnderson1 #romance #contemporary

#BookReview ‘The Moon Sister’ by Lucinda Riley #romance

About sandradan1

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