Through the course of his story, Yip Tolroy founds out who he is and who he isn’t. My Name is Yip by Paddy Crewe is a historical novel with a difference, a first person narrative about an extraordinary, ordinary, boy and what he learns about friendship. 
Yip is 4 ft 8 in tall and unable to speak. His father disappeared on the night of Yip’s birth and so he and his mother muddle along together. He is assumed by everyone who lives in Heron’s Creek to be slow, with no understanding of what is going on around him. But the opposite is true. Yip watches and learns. He is a great observer. He is fifteen when old gentleman Shelby Stubbs recognises Yip’s intelligence, teaches him to read and write and presents him with a portable slate and chalk which Yip uses to communicate. A new world opens up before him but he must find the courage to take the first step.
The voice at first seemed awkward, but by the third or fourth page I knew this was Yip’s own voice and the awkwardness disappeared. Yip has a clear sense of right and wrong, of kindness and cruelty. As a growing child, he sits on a stool beneath a tree outside his mother’s store and watches the world go by. Until events conspire to change his world. Set in Georgia in 1830, gold is discovered near Heron’s Creek, a man disappears and Yip commits a crime. He goes on the run with a newcomer in town, Dud Carter; a man Yip has only seen once before. ‘A tall gangly figure with a crop of hair what the rain had plastered to his short forehead.’ These unlikely companions go on a road trip, with Yip’s constant horse Gussie, facing trials and danger, learning about themselves, each other and the things man is capable of doing to man.
This is an original story with an everyman message about being true to yourself. As Yip says at the end, ‘You got to keep yourself whole & be who it was you was set here to be.’
Very different. Don’t miss it.
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If you like this, try:-
‘Barkskins’ by Annie Proulx
‘At the Edge of the Orchard’ by Tracy Chevalier
‘Days Without End’ by Sebastian Barry
And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
MY NAME IS YIP by Paddy Crewe #bookreview https://wp.me/p5gEM4-5S4 via @SandraDanby
The life of Kiev resident Mila Pavlichenko, young mother and history student, changes when the Nazis invade. Already an accomplished shot with a rifle, she leaves her young son Slavka with her mother and goes off to war. In the 18 months of her time on the frontline as a sniper, the real Mila scored 309 official ‘kills’. She is injured fighting in Sevastapol and, once recovered, is ordered to join a diplomatic mission to the USA to persuade the Americans to join the European war. The action in America is probably the most fictionalised part of The Diamond Eye which is based in part on Mila’s memoir. Quinn states in her Author’s Note that parts of the memoir are clearly Mila’s own voice, other entries seem like Soviet propaganda.
I enjoyed the Jacobean setting, unusual in historical crime novels, but found it slow to get going. Daniel’s introduction – we first meet him imprisoned in Newgate – is negative. Why he’s imprisoned isn’t explained, nor do we learn about his life prior to being locked up. But we do know he’s a magician and this sleight of hand proves useful as the story unfolds. I finished the book with no clear idea who Daniel Pursglove is.
Holden, a former journalist, has done her research to portray the middle-aged American divorcee. Wallis arrives in London in 1928 with her second husband Ernest, determined to be a part of the party scene. Scrimping and saving, and with the quick mind and equally quick tongue of her mother, she learns to deal with the snubs, putdowns, cold shoulders and snobbishness, all the time backed by her steady husband. After a difficult childhood raised alone by her mother without much money, followed by an abusive first marriage, Wallis now reads the Court Circulars and newspaper stories about the parties of the Bright Young Things and longs to have fun. But she hadn’t bargained on the British class system. With her own sense of chic and by altering cheap dresses herself, Wallis catches the eye of Coco Chanel who offers some salutary advice.
This is a raw town of crime, racism, jealousy, blackmail and abuse. A detailed examination of the available facts, and a mysterious note she finds in her father’s diary, lead Eliza to places she cannot go. Fettered by conventions of the time, Eliza soon realises she needs a male companion to enter the disreputable parts of town. An outsider herself she chooses another outsider, German itinerant worker Axel Kramer, to help her. He can gain admittance to places where she should not be seen or is barred from entering. Alternating with Eliza’s investigations are two other passages – the hunt for Aboriginal crewman Balarri who is automatically assumed guilty of murder, and passages from her father’s diary in which he writes nature observations and notes about his pearl shelling business.
When veteran gangland boss Ma Coker is released from Holloway prison, a train of events is set in place. Her six children jostle for her attention, approval and power. The police at Bow Street station are either in her pay or are trying to convict her. Meanwhile, others are plotting the takeover of her rich kingdom – the five nightclubs the Amethyst, the Sphinx, the Crystal Cup, the Pixie and the Foxhole. Each is carefully targetted at specific clientele, each is managed by one of her five eldest children. The Amethyst is the jewel in the crown but Nellie, post-prison, is acting oddly and has taken to sitting alone in the immaculate, unoccupied, pink-decorated flat above the Cup. Is she losing it?
Alone in the midst of chaos, her husband Philip has been missing for ten months since the British army’s retreat from Dunkirk, Maddie takes Sarah and Alice to Knyghton in Norfolk to stay with Philip’s elderly Aunt Gussie. Maddie is caught in limbo, unable to grieve for Philip, unable to make decisions, not accepting his probable death, while living in an isolated country house – where Philip spent his childhood – which is the focus of long-held rumour and superstition in the nearby village.
The story starts today in Algiers as Taleb, sweating in his dingy un-air-conditioned office, considers approaching retirement. But when Wassim Zarbi, a former agent convicted of corruption, is released from prison and then disappears, it is feared he is reuniting with old colleague Nadir Laloul. Events in Paris in 1961 come alive again and Taleb is pulled into the dangerous search for Laloul, Zarbi and the truth of a cold case murder. The history and peoples of Algeria and France are entwined and Goddard puts at the heart of his story a shadowy organisation in Algeria named ‘hizb franca’, the ‘party of France’, dedicated to undermining the success of the fledgling Algerian republic. A small practical note, it would have been helpful to have the Glossary at the front of the Kindle edition rather than at the back. And, for a novice at Algerian politics as I am, a short historical context would also be useful. As a character in the book says, ‘No one learns anything from history in Algeria. They just keep repeating it in ever more exaggerated forms.’
This is 17th century Norfolk when England is riven by civil war. The story of Thomas and Esther, narrated by Thomas in two timelines – 1643 and 1703 – is ultimately a slow one. The beginning is excellent, ‘She is awake,’ and moves quickly as Thomas investigates the strange goings-on. When this moves from witchcraft to theology and the meaning of evil, the pace slows. The explanation of the title is remarkably late in arriving and I was distracted by trying to fit ‘the leviathan’ into the domestic story of the Treadwater family.
sandra danby 