#BookReview ‘Pretty Is’ by Maggie Mitchell #mystery #suspense

This is not your ordinary abduction tale. The truth mingles with re-invention and obfuscation. Pretty Is is a promising debut by Maggie Mitchell, a study in memory, an examination of our ability to move on from difficult experiences, and how today’s celebrity culture makes it impossible to avoid the past. Maggie MitchellTwo 12-year old girls – Louis and Carly May – go missing in separate incidents, they are assumed dead. This is the story of their abduction, their life with their abductor Zed, and more importantly their life afterwards. But is what we are reading the true story, a lie, an embroidered version of what happened, or total fiction?
The story of the girls is told in tandem with what is happening to the adult women today. Both girls tried to move on but inevitably they felt cut off from everyone else so, as adults, they re-invented their pasts, their names, their identities. And so, page by page, the true story of what happened to Lois and Carly May is told. Or is it? Which of the girls is the most reliable story-teller?
Carly May becomes actress Chloe Savage, Lois is a university lecturer but also writes novels under a pseudonym. Both are hiding from the cult of celebrity enabled by the internet’s ability to archive old news, true news, mis-reported news.
Things hot-up when Lois writes a thinly-veiled fictionalised account of their abduction. The novel is made into a film, inevitably Carly May is cast as a detective. The film brings the two women together for the first time and, as well as facing the after effects of their abduction, they must deal with a stalker, Sean, a student too interested in Lois’s background.
Some questions are left unanswered. The motivations of Zed in particular are sketchy. And although there is no doubting the connection forged between the two 12-year old girls, they do seem to accept their abduction rather apathetically.

If you like this, try:-
‘Reservoir 13’ by Jon McGregor
‘The Good Girl’ by Mary Kubica
‘Stolen Child’ by Laura Elliot

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#BookReview ‘The Language of Others’ by Clare Morrall #contemporary

A young girl who prefers to be alone, who lacks the social skills to have friends, who marries young and rapidly becomes a mother. The Language of Others by Clare Morrall is the intense story of Jessica Fontaine who longs for the air in her house to be hers alone, who manages a difficult marriage and worries about how she is raising her son. Clare MorrallThis is a story of a lifetime of self-discover and self-acceptance. This description may make the book sound as if nothing happens but it does and, as in any Clare Morrall, subtlety is layered on subtlety. Jessica grows up at Audlands, a country house which is decaying around the family. Her father was a successful chocolate manufacturer and the house a symbol of his success. As he grows older and the company fails, so does the house. Jessica and her sister Harriet grow up side-by-side, loving the house, the dirt and cobwebs, but not really knowing or understanding each other. Only when Jessica discovers the piano does she find freedom.
This is a novel about Asperger’s and the autism spectrum and one woman’s acceptance of her own emotional issues and how they impact and intertwine with the emotional issues of her unpredictable husband Andrew and quiet solitary child Joel. As she grows older, through music and with a supportive friend, Jessica learns the tools to make life easier. ‘Pretence gives you room to get around obstacles without touching them, the space to observe that there are other sides to people, not just the abrasive, challenging attitude that you can’t cope with. You have to view people from new angles, see where the light falls, discover which edges have been worn down and softened with time. Otherwise you get so caught up in the negatives you can’t see anything else.’
There is a lot of wisdom in this book, insights in how to behave – and not behave – within relationships, and how to be forgiving of others.

Click the title to read my reviews of these other novels by Clare Morrall:-
AFTER THE BOMBING
NATURAL FLIGHTS OF THE HUMAN MIND
THE LAST OF THE GREENWOODS
THE MAN WHO DISAPPEARED
THE ROUNDABOUT MAN

Read the #FirstPara of ASTONISHING SPLASHES OF COLOUR .

If you like this, try:-
‘The Whereabouts of Eneas McNulty’ by Sebastian Barry
‘The Last Runaway’ by Tracy Chevalier
‘Girl Runner’ by Carrie Snyder

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
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Great Opening Paragraph 84… ‘Lucky You’ #amreading #FirstPara

“On the afternoon of November 25, a woman named JoLayne Lucks drove to the Grab N’Go minimart in Grange, Florida, and purchased spearmint Certs, unwaxed dental floss and one ticket for the state Lotto.
JoLayne Lucks played the same numbers she’d played every Saturday for five years: 17-19-22-14-27-30.”
Carl Hiaasen From ‘Lucky You’ by Carl Hiaasen

Try one of these #FirstParas & discover a new author:-
‘These Foolish Things’ by Deborah Moggach
‘Super-Cannes’ by JG Ballard
‘Herzog’ by Saul Bellow

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#Books #FirstPara LUCKY YOU by Carl Hiaasen https://wp.me/p5gEM4-1Uw via @SandraDanby

A poem to read in the bath… ‘The Dead’ by Billy Collins #poetry

A popular American poet, Billy Collins [below] was praised by John Updike for writing “lovely poems…Limpid, gently and consistently startling, more serious than they seem, they describe all the worlds that are and were and some others besides.” He has been Poet Laureate twice: the US Poet Laureate from 2001-2003, and New York State Poet Laureate from 2004-2006. I like his idea here of the dead looking down on those they’ve left behind, keeping an eye on us.

Billy Collins

[photo: poetryfoundation.org]

Because of copyright restrictions I am unable to reproduce the poem in full, but please search it out in an anthology or at your local library.

‘The Dead’
The dead are always looking down on us, they say,
While we are putting on our shoes or making a sandwich,
They are looking down through the glass-bottom boats of heaven
As they row themselves slowly through eternity.

I am new to Billy Collins, and found this poem in a Bloodaxe anthology. I ordered his first collection, Taking Off Emily Dickinson’s Clothes and was immediately won over by the endorsement by Carol Ann Duffy on the cover: “Billy Collins is one of my favourite poets in the world”. That’ll do for me then.
Here’s a Ted video of Billy Collins talking about what dogs think, probably. The second poem is hilarious.
Why have I not discovered him sooner?
CLICK HERE TO READ MORE ABOUT THIS BOOK

Read these other excerpts and find a new poet to love:-
‘Japanese Maple’ by Clive James
‘Digging’ by Seamus Heaney
‘Not Waving but Drowning’ by Stevie Smith

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#BookReview ‘Hiding the Past’ by Nathan Dylan Goodwin #familyhistory #crime #genealogy

An unusual hybrid of genealogy and record checking plus amateur detective stuff makes Hiding the Past by Nathan Dylan Goodwin a worthy page turner for a holiday week. Anyone who loves family tree research, and a good crime novel, will like this with its narrative stretching from World War Two to present-day politicians. Nathan Dylan GoodwinWithin days of taking on a new client, genealogist Morton Farrier knows this case is different: one, his client pays a fee of £50,000 straight into his bank account; two, the client shoots himself in the head. Or does he? Helped by his girlfriend Police Community Support Officer Juliette, Farrier studies the background of his, now dead, client, Peter Coldrick, a study which leads him to two key years: 1944 and 1987. Official records for Coldrick’s descendants have mysteriously disappeared, Morton is being followed by a glossy black 4×4, and it may be his imagination but a usually helpful archives officer is proving difficult to pin down.
Morton is an interesting character, adopted, rubbing along awkwardly with his widowed adoptive father and soldier brother, quick with a sharp word whilst knowing he should be kinder and hating himself for it. I also liked the clear drawing of his setting around the Kent & Sussex towns and villages of Sedelscombe, Rye, Tenterden and Lewes, an area I lived in and loved, Goodwin makes them feel real on the page. This is the first of, at the time of writing, four Morton Farrier novels, so expect to read more about Morton’s own adoption story in future books.

Read my reviews of the next books in the Morton Farrier series:-
THE LOST ANCESTOR #2MORTONFARRIER
THE ORANGE LILIES #3MORTONFARRIER
THE AMERICA GROUND #4MORTONFARRIER

If you like this, try:-
‘In the Blood’ by Steve Robinson
‘Mrs Sinclair’s Suitcase’ by Louise Walters
‘The Knife with the Ivory Handle’ by Cynthia Bruchman

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#BookReview ‘The Murder Room’ by PD James #crime

Written in 2003 The Murder Room, the 12th in the Adam Dalgliesh crime fiction series by PD James, is preceded by an excerpt from TS Eliot’s poem ‘Burnt Norton’:
‘Time present and time past
Are both perhaps present in time future,
And time future contained in time past.’ PD James Time is a theme layered throughout this book. Its setting is the Dupayne Museum on Hampstead Heath, so historical time is represented by the exhibits at the museum. Time, recently passed, is examined and re-examined as part of the murder investigation. Time future, is represented by the theme of Adam Dalgliesh’s love for Emma and his courtship of her, a path not easy or untroubled.
Like all Dalgliesh novels, murder happens within a tight community. The Dupayne Museum has a small community of owners, staff and visitors. At first glance the victims are not clearly attached to the museum, but this is a James novel: of course they are, we just don’t know how yet.
The murder doesn’t happen for quite a while as James takes her time introducing us to the circle of potential victims and criminals, their connection to the museum and their life outside it. There is an air of the past about it, as if it was written in the thirties, an antidote to modern fast-paced modern crime novels so in itself representing a portrait of changing crime fiction. Time is given to characterization, setting, motivation, and not to dramatic action scenes: more Christie and Sayers than James or Rankin.
In the course of reading The Murder Room, I considered why I enjoy reading detective novels and what I take from them. I like the mystery, the tension of the chase, the fitting together of disparate elements. I do not like violence, graphic sex or language. But most of all, I like the examination of human nature, the contradictions, the surprises, the privacy of the mind laid bare. PD James excels at all of this; she remains my favourite author of crime fiction, and Adam Dalgliesh my favourite detective.

Click the title to sample the first paragraph of THE MURDER ROOM.

Read my reviews of the other Adam Dalgliesh mysteries:-
COVER HER FACE #1ADAMDALGLIESH
A MIND TO MURDER #2ADAMDALGLIESH
UNNATURAL CAUSES #3ADAMDALGLIESH
SHROUD FOR A NIGHTINGALE #4ADAMDALGLIESH
THE BLACK TOWER #5ADAMDALGLIESH
DEATH OF AN EXPERT WITNESS #6ADAMDALGLIESH
A TASTE FOR DEATH #7ADAMDALGLIESH
DEVICES AND DESIRES #8ADAMDALGLIESH
ORIGINAL SIN #9ADAMDALGLIESH … read the first paragraph HERE
A CERTAIN JUSTICE #10ADAMDALGLIESH
DEATH IN HOLY ORDERS #11ADAMDALGLIESH
THE LIGHTHOUSE #13ADAMDALGLIESH
THE PRIVATE PATIENT #14 ADAMDALGLIESH

Here are my reviews of the two Cordelia Gray mysteries:-
AN UNSUITABLE JOB FOR A WOMAN #CGRAY1
THE SKULL BENEATH THE SKIN #CGRAY2

And two other books by PD James:-
INNOCENT BLOOD

If you like this, try:-
‘The Shadows in the Street’ by Susan Hill #5SIMONSERRAILLER
‘Due Diligence’ by DJ Harrison #1JENNYPARKER
‘The Truth Will Out’ by Jane Isaac 

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#BookReview ‘Dead Simple’ by Peter James @PeterJamesUK #crime #Brighton

A plot that twists and turns, a dramatic beginning, a likeable detective in Roy Grace and a cleverly-drawn setting. Brighton is full of potential for a crime writer looking for a setting and it is clear Peter James knows and loves the Sussex seaside city. Dead Simple is a page-turner with clever ideas and a couple of twists I didn’t see coming. Peter JamesThe story opens with a stag night which does not go to plan, a missing groom, a car crash, an absent best man and a frantic bride. As the horrible realities of the situation become clear, with no witnesses and no clues, the police struggle to find the missing groom before the wedding on Saturday. But a few things do not ring true and that, coupled with Detective Superintendent Roy Grace’s controversial use of a medium, bring fresh, if confusing, clues.
Peter James has created an authentic police community which feels real from page one, this is not the first in a series where the first novel is about setting the scene and the context. James hits the ground running with a believable detective. Roy Grace is a maverick, and I like him. James spends a day a week with the Sussex Police Force and this experience is evident on every page without shouting ‘research’.
I’ve found a new favourite crime writer. This is a long-running series.

And here’s my review of THE HOUSE ON COLD HILL, also by Peter James.

If you like this, try:-
‘Nightfall’ by Steven Leather #1JACK NIGHTINGALE
‘Unnatural Causes’ by PD James #3ADAMDALGLIESH
‘The Vows of Silence’ by Susan Hill #4SIMONSERRAILLER

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#BookReview ‘The Killing of Polly Carter’ by Robert Thorogood #crime

The Killing of Polly Carter is second in the ‘Death in Paradise’ series by Robert Thorogood, and the first that I have read. I picked it up, unaware of the TV series of the same name, so I am playing catch-up. Robert Thorogood My first reaction was that it seemed lightweight, but the story and the characters pulled me in. This definitely fits into the comfort crime category so effectively occupied by MC Beaton. Detective Inspector Richard Poole is a man out of place. An English policeman on a tiny Caribbean island, he is a proper chap who persists in wearing leather shoes and woollen suits even at the height of the summer heat. His team is small and their resources are limited, which makes this more of an old-fashioned tale as they put together clue after clue. The setting is luscious.
Supermodel Polly Carter is dead, is it suicide or murder? In the true Agatha Christie fashion, of whom Thorogood is a childhood fan, this is a ‘closed room’ mystery where few people have the opportunity and motive. One by one, each of Polly’s family and friends are suspected, cleared then suspected again. In true Christie fashion, when the culprit is unveiled I thought ‘oh of course’ without actually guessing the identity correctly.
The book covers are beautiful.

Here’s my review of the first book in this series:
A MEDITATION ON MURDER #1DEATHINPARADISE

… and my reviews of books in the Marlow Murder Club series by the same author:-
THE MARLOW MURDER CLUB #1MARLOWMURDERCLUB
DEATH COMES TO MARLOW #2MARLOWMURDERCLUB
THE QUEEN OF POISONS #3MARLOWMURDERCLUB
MURDER ON THE MARLOW BELLE #4MARLOWMURDERCLUB

THE MYSTERIOUS AFFAIR OF JUDITH POTTS #5MARLOWMURDERCLUB

If you like this, try:-
‘An Uncertain Place’ by Fred Vargas #8COMMISSAIREADAMSBERG
‘No Other Darkness’ by Sarah Hilary #2MARNIEROME
‘Business as Usual’ by EL Lindley #1GEORGIECONNELLY

And if you’d like to share a link, try:
#BookReview THE KILLING OF POLLY CARTER by Robert Thorogood http://wp.me/p5gEM4-1Tj via @SandraDanby

#BookReview ‘The Little Red Chairs’ by Edna O’Brien #war

The Little Red Chairs by Edna O’Brien is a fictional portrait, a ‘what if’ scenario: what if a war criminal, a Balkan war lord, was on the run and pitched up in a small town in the West of Ireland. What if the locals took him at face value. What if one woman saw him as a way to bring a child into her childless marriage. What if his true identity was revealed. What then… would happen to the woman. This is the story of Fidelma, to reveal more about her would be to giveaway the drama of the book. She is a sad character, unsatisfied with her lot, reaching for the unattainable and ultimately suffering for her need. Edna O’BrienThis book has attracted some outstanding reviews, but I hesitated. It sat for a while on my Kindle before I read it, I think because the subject matter is depressing and intimidating. O’Brien’s writing is at times flowing and lyrical especially when describing nature, at times her structure is a little wavy and the story a little flabby. Some passages are horrifying in their brutality, the war flashbacks are vivid. I find violence, when left to the imagination, more effective than violence written on the page or acted on stage.
I never really settled into reading this book. It is split into three parts, each with a different personality. The portrayal of small town life in Ireland in the first half was so full of sketchy characters I got confused. I longed for a simpler format to allow the moral dilemma to come through. In part two, Fidelma is in London, searching for healing, and for answers. She cleans a City tower block, and works in a kennel for abandoned greyhounds. At The Centre, where Fidelma goes for support, we hear the stories of abused refugees and asylum seekers, they are victims of war, genocide and physical assault and sexual abuse. For me, their stories sit uncomfortably alongside Fidelma’s own self-created dilemma and, I think because of this, I was left oddly untouched. In part three, Fidelma goes to see Vlad in The Hague at the war crimes tribunal. I admit to not understanding her motivation in going there, but it is a conversation in a bar with a victim of genocide which finally prompts Fidelma to complete the circle and return to Ireland to see the other victim in all this – her husband.
The power of O’Brien’s topic is undeniable. Is it a comment on our gullibility, how we can all be taken in by appearances; or a comment on how we avoid confrontation, not wanting to be the person to say the difficult thing, the one thing which afterwards people say ‘I thought that too.’ It is also a comment on a society which punishes and isolates the victim.

If you like this, try:-
‘Dominion’ by CJ Sansom
‘The Aftermath’ by Rhidian Brook
‘A Long Long Way’ by Sebastian Barry

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
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#BookReview ‘The Silent Twin’ by Caroline Mitchell #crime

Blackwater Farm, an isolated farmhouse outside the town of Haven, is a creepy place: things move, are thrown and rattle, and not just because of the wind. In The Silent Twin by Caroline Mitchell, the new owners of the farm, a young couple with identical twin daughters, have plans to convert the place. But all is not well. Caroline MitchellWhen nine-year old Abigail goes missing, the cracks become ravines. Detective Constable Jennifer Knight is a policewoman, a Family Liaison Officer with an unusual skill. This is the third book in the Knight series by Caroline Mitchell and the first I have read, so it was a while before I realized she is a psychic. Jennifer is not an unreliable narrator as such, but her ‘take’ on things for me at times conflicted with what I expected from a police investigation. Is she a psychic first or a police officer?
Everyone has something to hide and at one point I suspected each member of the family and their inner circle as the murderer. The story is told from three main viewpoints – Joanna, the young mother; Jennifer, who seems rather mysterious; and diary entries by an unknown person – and so starts the guessing game. Whose diary is it, whose viewpoint can be trusted?
If you often read crime fiction, then Jennifer will not seem a reliable narrator of a murder investigation. She belongs to a specialist team often on the periphery of the main case. In The Silent Twin, her commanding officer often seems to be operating to another agenda. But it is an interesting premise, a detective story that is just a little bit different.

If you like this, try:-
‘An Unsuitable Job for a Woman’ by PD James #1CORDELIAGRAY
‘A Medal for Murder’ by Frances Brody #2KATESHACKLETON
‘Murder Under her Skin’ by Stephen Spotswood #2PENTECOST&PARKER

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