Tag Archives: books

#BookReview ‘Wildwood’ by Roger Deakin #trees #nature

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Wildwood: A Journey Through Trees is the first nature book by Roger Deakin I’ve read, now I want to read more. I’ve always loved trees, in nature, in art, the timber, wooden objects. As we know, it is beneficial to lose ourselves outside in nature, breathing in the fresh air, absorbing the quiet, acknowledging the trees and flowers, and so I found the experience of reading this book. It will make you want to camp outside in the woods. Roger DeakinThe first half of this book is a journey through the woods of Suffolk around Deakin’s home, talking to woodlanders and slipping in literature, poetry, woodworking and science. The second half is travel writing… about trees. Deakin travels to Kazakhstan in search of wild apple groves, the founding trees on which all our domesticated apples are based. In complete contrast are the chapters about Australia. Deakin lives and travels with local people in both places, enthusiasts and specialists in their subject, and this comes through in his writing. Both parts of this book are fascinating, just different. In the UK he talks to artists, woodcarvers, naturalists and thatchers in East Anglia, the New Forest, Wye and the Forest of Dean. His memories of schoolboy camping trips to the New Forest analysing and chronicling a small part of woodland show how young minds can find a fascination that lasts a lifetime.
At times quite dense with detail, I read this in short bursts rather than in one long reading session. Deakin inhabits his book with real people, he describes what they look like and how they speak, their cabins [often rough shacks in woodland], their tools, the timber they grow, manage and work with. Many are scientists others are artists. It is a homogeneous read in that everyone featured loves trees.
A delightful read. I was particularly pleased to read about artist David Nash, whose work I saw at Yorkshire Sculpture Park and instantly fell in love with.

If you like this, try:-
‘Underland’ by Robert Macfarlane
‘Woods etc’ by Alice Oswald
‘Fiends Fell’ by Tom Pickard

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#BookReview WILDWOOD by Roger Deakin #trees #nature https://wp.me/p5gEM4-40D via @SandraDanby

#BookReview ‘Companion Piece’ by Ali Smith #SeasonalQuartet #contemporary

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Companion Piece by Ali Smith is about truth, the telling of stories, real stories, fake stories, fairy stories, perceived truth and real truth, and how language and data can be used and abused. Smith tackles some of the biggest issues facing society today, not so much providing answers but making us ask questions about life and the modern concept of ‘truth.’ A ‘companion’ novella to Smith’s lockdown-themed Seasonal Quartet, Companion Piece sings from the beginning. Ali Smith Twining together present and past stories, two motifs run throughout. ‘Curfew,’ the idea of restriction of physical movement, on access and egress, the feeling of being constrained and the invasion of our space. And ‘curlew’, the freedom of nature, the bird’s odd-shaped bill, a reminder that there is room in nature for things that don’t quite fit the norm, the ever presence of wildlife whatever happens in the human world, the familiar pattern of a bird’s day, of nature’s life cycle and therefore also of ours.
Artist Sandy is struggling during lockdown to distance-visit her sick father who is in hospital. She must stay isolated and free of the virus so she doesn’t prejudice his health and is accompanied only by Shep, her father’s dog. Into this closed world comes Martina, an acquaintance from university many decades since, who telephones with an odd tale concerning an incident at border control when she recently returned to the UK with the Boothby lock (a medieval artefact for which Martina is responsible). Held in an immigration detention room, she hears (or imagine she hears) a mysterious message – ‘Curlew or curfew.’ Martina wants Sandy’s advice to decipher the message, as Sandy is good at words. Sandy, who barely remembers Martina, tries to help while simultaneously trying to end the call. There are flashbacks to their university days, to Sandy’s childhood.
Then Sandy’s peaceful isolation is shattered by the arrival on her doorstep of Martina’s twin daughters, Lea and Eden, whose speech is littered with text-speak abbreviations. They dismiss Sandy’s concerns about covid distancing and accuse her of upsetting their mother who is acting strangely and is changing information about historical artefacts in the digital database at work.
The second story (whether it is told by Sandy is unclear, like many things in this book) set in another pandemic, this time the Black Death. An unnamed young girl, a blacksmith’s apprentice, is lying in a ditch after being attacked by men. There she meets a curlew chick, an ungainly beautiful bird she begins to care for. As people around her die of plague, she remembers the stories told to her by the blacksmith Ann Shaklock and these help her to survive.
Any novel by such an experimental writer as Smith needs to be read with a loosening of expectations, acceptance of the abandonment of normal commercial fiction norms. Passages are beautifully written but incomprehensible, others are simple and sweet, some made me laugh out loud. Punctuation, speech marks, forget about them all and sink into the story of Sandy the artist who paints words layered on top of words.
Don’t expect answers at the end. As Sandy says, ‘A story is never an answer. A story is always a question.’ It is a plea for us all to ask more questions, to not simply believe what we are told but to analyse and strip back stories in order to separate fact from fiction, fake news from truth.

Click the title to read my reviews of other books by Ali Smith:-
AUTUMN #1SeasonalQuartet
WINTER #2SeasonalQuartet
SPRING #3SeasonalQuartet
SUMMER #4SeasonalQuartet
HOW TO BE BOTH

If you like this, try:-
‘In the Midst of Winter’ by Isabel Allende
‘Blow Your House Down’ by Pat Barker
‘New Boy’ by Tracy Chevalier

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#BookReview ‘This is the Night They Come for You’ by Robert Goddard #thriller

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Robert Goddard is a thriller writer with a particular skill at writing mysteries where the past remains entangled with today. This is the Night They Come for You features Algerian police Superintendent Mouloud Taleb; believable, likeable, he’s the type of character you instantly root for. Robert GoddardThe story starts today in Algiers as Taleb, sweating in his dingy un-air-conditioned office, considers approaching retirement. But when Wassim Zarbi, a former agent convicted of corruption, is released from prison and then disappears, it is feared he is reuniting with old colleague Nadir Laloul. Events in Paris in 1961 come alive again and Taleb is pulled into the dangerous search for Laloul, Zarbi and the truth of a cold case murder.The history and peoples of Algeria and France are entwined and Goddard puts at the heart of his story a shadowy organisation in Algeria named ‘hizb franca’, the ‘party of France’, dedicated to undermining the success of the fledgling Algerian republic. A small practical note, it would have been helpful to have the Glossary at the front of the Kindle edition rather than at the back. And, for a novice at Algerian politics as I am, a short historical context would also be useful. As a character in the book says, ‘No one learns anything from history in Algeria. They just keep repeating it in ever more exaggerated forms.’
There are two strands to the story and I admit to temporary confusion about who is who, on which side, in the first half of the book. But Goddard portrays a situation and politics disrupted, with truths sewn together by deception. I trusted Goddard to make it all clear, and he does. The various allegiances become aligned as the story progresses, until the twists occur.
Taleb finds himself assigned to work with Souad Hidouchi, an agent from the Algerian secret service. Neither trusts the other, unsure of their unstated objectives. It is a delight to watch the development of their relationship, their suspicions, the small details of friendship, the willingness to take a risk on placing trust. In comparison, the second strand featuring Stephen Gray and Suzette Fontaine, is less dynamic. Stephen has dedicated his life to uncovering the truth about his sister Harriet who disappeared in Paris in 1961. Suzette meanwhile has received a strange call from a Swiss solicitor. A document, claimed to be a memoir written in Algeria by her bookseller father, Nigel Dalby, tells the truth of what happened in Paris in 1961.
As Goddard alternates the viewpoints with excerpts from Dalby’s typewritten manuscript, at times the reader knows more than the characters. But the characters are not all telling the truth, motivations and secrets are hidden, and Goddard juggles the tensions and unveilings like a master.
A thoroughly enjoyable historical thriller. Knowing little of Algerian politics, it’s so good to read fiction that makes me turn the pages while teaching me something new. A small design note, I hated the cover which trivialises the subject matter of the novel and is befitting a young adult title.

Read my reviews of Robert Goddard’s other books:-
PANIC ROOM
THE FINE ART OF INVISIBLE DETECTION #1UMIKOWADA
THE WAYS OF THE WORLD #1WIDEWORLD
THE CORNERS OF THE GLOBE #2WIDEWORLD
THE ENDS OF THE EARTH #3WIDEWORLD

If you like this, try:-
‘Waiting for Sunrise’ by William Boyd
‘The Museum of Broken Promises’ by Elizabeth Buchan
‘Exposure’ by Helen Dunmore

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#BookReview ‘The Paris Apartment’ by Lucy Foley #thriller

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I read The Paris Apartment, the latest thriller by Lucy Foley, in two sittings. It kept me guessing nearly to the end, with some unexpected twists along the way. Lucy FoleyWhen penniless Jess arrives in Paris to spend some time with her half-brother, he has disappeared. What follows is a page-turning story of the apartment block where Ben has been living, its inhabitants and the confusing discoveries Jess makes as she tries to find him. It makes her question if she really knows her brother and why he has been so distant from her. This is a book about secrets, small ones, shameful ones, old and new secrets. And one huge one. Jess, at times vulnerable at times recklessly brave, attempts to be pleasant to Ben’s neighbours in this surprisingly elegant old Parisian apartment block. The snobbish couple in the penthouse, the two young women sharing on the fourth floor, a thug and his wife, the silent concierge plus Ben’s old university friend, Nick. The viewpoint swaps quickly between Jess and the other residents as Foley pushes the action quickly from event to event. The chapters are short and snappy and this makes it easy to read just one more, and one more. As Jess struggles to make a connection with these neighbours, she doesn’t know who to trust; and neither did I. I didn’t like any of them and Jess herself is difficult to connect with. But the mystery led me on.
The apartment block offers a kind of ‘closed room’ setting, well-used in crime stories, and it does its job well. It is grand yet mysterious with hidden doors and stairs, spooky attic and cellar, a cranky old lift and a C-shaped construction around a courtyard allowing residents to observe each other. I had a clear picture of it in my head.
Where is Ben? Did someone see him leave? Why hasn’t he answered his phone? And why is he living in Paris anyway? Nick offered him the flatshare but the two men haven’t been in touch for years. Given we don’t see Ben’s viewpoint except a brief Prologue, some things are hidden until the very end. The lines between current time and flashbacks at times seemed blurred and I got a little irritated with Jess’s naivety. A couple of scenarios I thought might be possible turned out to be wrong, but it was fun guessing.
Lucy Foley uses glamorous Paris alongside the sinister apartment building, riots on the streets, juxtaposing Parisian elegance with the seedier side streets and alleys, clubs and bars. As Jess considers each of her neighbours, trying to work out who knows what, shuffling up and down stairs trying to eavesdrop, she inevitably lands in trouble.
A satisfying fast read, helped by short chapters in different viewpoints which gradually construct the mystery like layers of filo pastry.

Click the title to read my reviews of two other novels by Lucy Foley:-
THE GUEST LIST
THE INVITATION

If you like this, try:-
‘These Dividing Walls’ by Fran Cooper
‘Smash All the Windows’ by Jane Davis
‘The Quarry’ by Iain Banks

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#BookReview ‘Love in a Time of War’ by @adriennechinn #WW1

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Love in a Time of War by Adrienne Chinn is the story of three sisters during wartime, how the inconveniences of war can shatter dreams and promises, disguise lies, hide secrets and offer opportunities previously unimagined. Adrienne ChinnIn 1913, Cecilia Fry, eldest of the three Fry sisters, is nineteen when this story starts. She has fallen in love with her young German teacher and must decide whether to spend the summer with Max in Germany or in London working for the suffragist movement. Eighteen-year old Jessie is studying at nursing school and has been offered an amazing opportunity of which her mother disapproves. Jessie’s twin Etta visits the Summer Exhibition at the Royal Academy of Arts where she meets an Italian artist. All three sisters have dreams for the future, but those dreams are to be thrown into disarray by the Great War.
Love in a Time of War starts with a Prologue set in Italy in 1891. A young Englishwoman called Christina, visiting her Italian family on the island of Capri, falls in love with a young tourist. What happens during this Italian summer reaches through every page of this novel with its themes of the life of women at the dawn of the twentieth century, the new possibilities for women, promising independence, a voice and freedom of expression, weighed down by society’s traditional expectations of their role and behaviour. This is a view of a prosperous middle-class family, though the plight of working-class women is glimpsed via Milly, the Fry’s maid of all work who leaves to work in a munitions factory, and Jessie’s nursing friend Ivy. The three sisters choose completely contrasting paths in life and their stories are followed as war is declared and the family separates. Each in turn faces a difficult choice and then must learn to live the life they have chosen. Little do they realise how their own decisions echo the choices their mother also faced at a similar age.
Towards the end there are number of coincidences which enable the tying up of loose ends, these felt awkward and abrupt. But the Acknowledgements at the end explains how the novel was inspired by the author’s own three great-aunts and grandmother who lived in Britain, Canada and Egypt. So perhaps real life does provide coincidences that are presumed good, or bad, luck.
A gentle, romantic war story, ideal for reading on holiday. As the first book in a family saga series, ‘The Three Fry Sisters’, this book ends as life after war begins and the sisters face the new lives they have chosen. Book Two will cover the Twenties and Thirties, while Book Three will span World War Two into the Seventies.

If you like this, try:-
‘Waiting for Sunrise’ by William Boyd
‘The Inheritance of Solomon Farthing’ by Mary Paulson-Ellis
‘My Dear, I Wanted to Tell You’ by Louisa Young

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#BookReview ‘The Leviathan’ by Rosie Andrews #historical 

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Soldier Thomas Treadwater returns home on leave from the army, summoned to Norfolk by a pleading letter from his sister Esther. ‘Our home is under attack by a great and ungodly evil’, she writes. The Leviathan by Rosie Andrews is a tale of religious extremism and intolerance, fear of witches, superstition and the power of evil. Rosie Andrews The atmosphere at all times is full of foreboding. As Thomas approaches his father’s farm at dawn, he sees dead animals in the field. This is 17th century Norfolk when England is riven by civil war. The story of Thomas and Esther, narrated by Thomas in two timelines – 1643 and 1703 – is ultimately a slow one. The beginning is excellent, ‘She is awake,’ and moves quickly as Thomas investigates the strange goings-on. When this moves from witchcraft to theology and the meaning of evil, the pace slows. The explanation of the title is remarkably late in arriving and I was distracted by trying to fit ‘the leviathan’ into the domestic story of the Treadwater family.
According to Esther, their religious father has been corrupted by their servant Chrissa Moore who is with child. Richard Treadwater is now insensible after suffering a stroke and cannot explain. Chrissa, since accused of witchcraft and imprisoned, denies she is pregnant. When Esther must give evidence in front of the Justice of the Peace, Sir Christopher Manyon, and his assistant John Rutherford, Thomas realises Esther herself may be charged as a deviant. Struggling to understand what is happening, he turns to his former tutor John Milton, for help. It was only after finishing The Leviathan that I made the connection with the real poet and author of Paradise Lost.
Steeped in historical detail and the superstitions of the time, the early mystery of the unexplained deaths and the accusations of witchcraft are well written but this momentum is lost as the story transitions to one about possession and evil. All of it is a metaphor for the cruel and intolerant acts of war when sensible men behave without reason.
I struggled for an emotional connection to the story and wonder if a second viewpoint – perhaps of Mary – may help, also sharper transitions between the three phases of story which seem oddly disconnected. But the early passage of Thomas walking home with his horse Ben is particularly lovely. I finished it not knowing what to think, wanting to like it more, in awe of the scope of subject matter and the intensity of writing.

If you like this, try:-
‘The Almanack’ by Martine Bailey
‘The Witchfinder’s Sister’ by Beth Underdown
‘Rush Oh!’ by Shirley Barrett

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#BookReview ‘Spook Street’ by Mick Herron #spy #thriller

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Read in entirety on a train journey, Spook Street by Mick Herron is an absorbing tale of 21st century spies and terrorists combined with old-school tactics of indoctrination. The story, fourth in Herron’s ‘Slough House’ spy series, opens straight into the action with a flash mob bomb attack unsuspected by the security services. Mick HerronWhen the ‘OB’ – the elderly former-spy grandfather of slow horse employee River Cartwright – says stoats are on his trail, his claims are dismissed as advancing senility. Until a man is shot at the OB’s house and the old man disappears. This a story with a tight timeline, everything takes place within a couple of days of the first page. This brings an urgency to the danger and also makes the pages turn quickly. For Slough House fans, there are a couple of new characters to adjust to – Moira Tregorian has taken over the administrator’s desk previously occupied by Catherine Standish, and River now shares an office with the silent, hoody-wearing JK Coe. No one is sure why the latter is there, ie what he has done wrong to deserve being sent to Slough House, or the nature of his particular skill. Jackson Lamb may be a sarcastic, shabby, foul-mouthed drunk but he is also a skilled and wily operative. So when one of his team is threatened, he leaves no stone unturned.
Witty, sharp and fast-paced, this bunch of passed-over has-beens once again demonstrates that the compulsory tradecraft training required of all new recruits to the security services is never forgotten. There are less of the political jibes which were a feature of the earlier books but the darkly funny ping-pong sparring between office colleagues continues. Slough House is a place of painfully slow boring work, digital paper shuffling, of dirty coffee cups and closely-defended territories [desks], it’s a place where even the radiators work slowly. But when one of the slow horses is threatened, everyone leaps into action grabbing whatever unlikely weapons that are to hand.
The storylines are unpredictable, the characters are oddities who somehow manage to work together, and the humour is wicked. Excellent.

Click the title to read my reviews of the other books in the Slough House series:-
SLOW HORSES #1SLOUGHHOUSE
DEAD LIONS #2SLOUGHHOUSE
REAL TIGERS #3SLOUGHHOUSE
LONDON RULES #5SLOUGHHOUSE
JOE COUNTRY #6SLOUGHHOUSE
SLOUGH HOUSE #7SLOUGHHOUSE
BAD ACTORS #8SLOUGHHOUSE

If you like this, try:-
‘The Farm’ by Tom Rob Smith
‘The Second Midnight’ by Andrew Taylor
‘Panic Room’ by Robert Goddard

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#BookReview ‘Darling Blue’ by @AuthorTracyRees #historical

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The Blue of the title is Ishbel Camberwell but Darling Blue by Tracy Rees is not the story of one woman but three. Although the main voice is that of Blue’s, this is really an ensemble piece about a year in the life of a wealthy family living in Richmond-upon-Thames in the 1920s. Tracy Rees At her 21st birthday party, Blue’s father makes a startling announcement. Suitors interested in marrying Blue must woo her by letter within the next twelve months. Blue, who wants to be a writer and has no pressing desire to marry, is horrified by her father’s challenge. She’s even more appalled when she receives three letters. Determined to make her own decisions, she gets a temporary job as a reporter on the local newspaper.
Delphine Foley is trapped in a violent marriage. Desperate to escape and determined to protect her mother and sister from potential threats from her husband, she forges a secret plan. When her plan takes an unexpected turn, she finds herself in Richmond-upon-Thames, a beautiful place only miles from where she lived but somewhere she didn’t know existed. When an accident throws her into the path of the Camberwell family, she senses a chance of a new start.
The third woman whose story this is, is Midge, Blue’s step-mother, who spends the first part of the book involved in a plan to redecorate their grand townhouse, Ryan’s Castle. As a new bride, her husband Kenneth brought her home to the house he shared with his first wife Audra. The presence of the deceased Audra remains and puts pressure on Midge’s sense of inferiority and she becomes more lost as the story progresses.
The character I found most fascinating was Delphine, a stranger whose path crosses with the Camberwell family in the most unexpected manner. An enjoyable and quick read, this is by no means a Bright Young Things light portrayal of the Twenties. The author lived in Richmond and it shows in her accurate portrait of the town. The story is set in a time of confusion and change as the effects of the Great War continue to affect the population, with opportunities and hardships affecting people unequally. Blue is accused of taking work away from ex-soldiers when she doesn’t need the money. Workers are about to go on strike, and domestic violence and prejudice against homosexuals add darker undertones.
Tracy Rees always tells a good story built on a solid historical foundation and Darling Blue is no different. Despite the romantic cover design, there is a strong focus on the lives of women and their struggles to overcome their lot in life, featuring experiences not identified at the time but recognised now a century later.
CLICK HERE TO READ MORE ABOUT THIS BOOK

Note: I bought this hardback copy of Darling Blue in the Book Aid for Ukraine charity auction in spring 2022. The book is now published as The Love Note. Tracy Rees

Click the title below to read my reviews of three other novels by Tracy Rees:-
AMY SNOW
THE ELOPEMENT
THE HOUSE AT SILVERMOOR
THE ROSE GARDEN

If you like this, try:-
‘The Glass House’ by Eve Chase
‘The Cottingley Secret’ by Hazel Gaynor
‘The Ballroom’ by Anna Hope

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#BookReview ‘The Silver Wolf’ by JC Harvey @JCollissHarvey #historical

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The Silver Wolf by JC Harvey is first in the Fiskardo’s War series set in 17th century Europe during the Thirty Years War. If, like me, your history is a little hazy, the author’s note at the beginning is helpful. This was a time of sprawling wars and disputes, religious, political and national plus local personal grudges being settled. Into this soup of battle, Harvey has inserted the story of Jack Fiskardo. And what a story this is. JC HarveyYoung Jack is an orphan, surviving on his wits in the Amsterdam docklands. Around his neck he wears a silver token of a wolf. He knows neither its provenance nor its meaning. People who meet him and recognise it, look at him askance. Jack is a brilliant hero. Feisty, brave yet considered, he has a fondness for the bullied and those weaker than himself. And he is also something of a horse whisperer.
This is a long book – 560 pages, though not as long as Ken Follett’s The Pillars of the Earth – and slowly we pick up hints about the relevance of Jack’s wolf necklace. There is a huge cast of characters, but a limited number in each place that Jack tarries awhile. All of the time, he is on the move, looking for answers to the mysterious deaths of his parents, seeking the murderer. He slips quietly into each new community, clearly different, attracting curious glances but earning respect and affection. And all the time, war is raging somewhere in Europe. Troops are on the move, battles are won and lost, soldiers must be fed and watered, billets found. Around the troop movements, a village of suppliers grows; food, alcohol, whores, horses, munitions. Jack slips in and out of groups, sometimes changing his name.
Once I stopped worrying about the true historical context and relaxed into Jack’s story, the pages turned easily despite the occasional lull in pace. There are occasional flashbacks to Jack’s childhood in the seaside village of Belle-Dame, near Rochelle in France. Some names are similar and therefore confusing – I constantly got Bronheim and Bertholt confused – others have names and nicknames.
Excellent. Such an ambitious novel for a debut. The research and world-building is extensive, but the real star is Jack. The series can only get better.

Here’s my review of THE DEAD MEN, second in the Jack Fiskardo series.

If you like this, try:-
‘The Burning Chambers’ by Kate Mosse #1JOUBERT
‘The Evening and the Morning’ by Ken Follett #PREQUELKINGSBRIDGE
‘Winter Pilgrims’ by Toby Clements #1KINGMAKER

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#BookReview ‘Pod’ by @LalinePaull #contemporary

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Pod by Laline Paull is an environmental allegory for the ocean today, for the state of the world, the climate and for humanity. The topics are huge. Man’s misuse of the ocean and its creatures. Migration and our treatment of refugees who are different from us. Violence against women. Drug addiction. Selfishness and the betrayal of trust and respect for others. The connections of family and the meaning of home. It reminded me of Watership Down, not read since childhood but which made a lasting impression on me. Laline PaullThere are several narratives. The main voice is Ea, a spinner longi dolphin whose inability to hear the music of the ocean prevents her from spinning beautifully. Unable to take part in the annual Exodus ritual, she feels a failure. When tragedy happens in her small pod, she flees and finds herself alone in the ‘vast’. When she joins a huge pod of bigger bottlenose tursiops dolphins, Ea finds a society completely alien to the world she knows. The First Alliance is ruled by lord Ku who, with his second in command lord Split, maintains a strict structure of order using the vira military officers. Devi, first wife and head of Ku’s harem, is a bully who enjoys her power and the hold she has over the co-wives. She plots against rivals and controls the harem’s access to sarpa, the small fish which when eaten have a calming, hallucinogenic effect.
Other voices in Pod include a misplaced humphead wrasse, separated from his kind, who switches gender. A refugee fugu fish who re-starts her cleaning station business in a new unfamiliar home. A prophetic rorqual baleen whale who sings a warning of doom. Google, a dolphin trained, exploited and mis-treated by the military, used by humans as an attack weapon.
And hovering above them all are the anthrops, the humans, recognisable by the noise from their boats and the plastic pollution which the dolphins call ‘moult’. The brutality and cruelty, sometimes unthinking sometimes conscious and glorifying, of man to animals in this book is shaming. Paull doesn’t withhold the brutality of nature, the fights, the sex, the survival of the fittest, the expulsion of the weak who it is assumed will soon die. But there is hope too, the idea that through adaptation, a group can fight to survive. That the oppressed can gain power and strength by combining together.
Quickly read, this book is emotional, shocking and the parallels with the human race are thought-provoking. It has stayed with me long since finishing it.

Read my review of Laline Paull’s climate change thriller, THE ICE.

If you like this, try:-
‘The Horseman’ by Tim Pears #1WESTCOUNTRYTRILOGY
‘A Dangerous Business’ by Jane Smiley
‘The Hen Who Dreamed She Could Fly’ by Sun-Mi Hwang

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#BookReview POD by @LalinePaull https://wp.me/p5gEM4-5Dv via @SandraDanby