Tag Archives: Conn Iggulden

#BookReview ‘Tyrant’ by Conn Iggulden #historicalfiction #RomanEmpire

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Wow. Tyrant, book two of the Nero trilogy by Conn Iggulden, doesn’t disappoint. An ageing emperor who appeases his younger wife. A fatherless son, wild and untameable. His ruthless mother, single-minded, unscrupulous, determined her son should rule. This is the story of Nero’s ascent to the most powerful seat of all. Conn IgguldenIn his portrayal of Roman history, Iggulden’s writing bears his research lightly. Never once did I sense a fact included superfluously, everything was there for a reason. Where historical accounts are thin, Iggulden adds his own fictional interpretation. The result is a gripping story of political machinations not unfamiliar to today’s global governments, where ambition and dominion drive everything; loyalty is fragile, words have double meanings, while at the heart of it all are money and power.
Where Nero was the story of Agrippina, Tyrant is the story of her son Lucius, now re-named Nero. A headstrong teenager, Nero is out of control. His mother persuades her husband Emperor Claudius, and now Nero’s adoptive father, to name Nero as his heir in place of his natural son Britannicus who is the butt of Nero’s ridicule. An education is arranged at the hands of statesman and dramatist Seneca and praetorian Burrus.
A combination of political power struggles, subterfuge, a spot of teenage shoplifting and reckless charioteering, Tyrant shows Rome at its bloodiest and most dangerous. Plenty of plot twists, betrayals and plotting set against excessive wealth. I particularly enjoyed the portrayal of the naumachia, a naval battle in a flooded amphitheatre between ships crewed by prisoners of war. I was willing on Caractacus; first seen in Nero, as king of the Catuvellauni in Britain he fought the Romans many times but was captured and taken to Rome as a prisoner. He provides an interesting comparison on the nature of leadership, responsibility and power.
Conn Iggulden’s portrayal of Nero is compelling, despite the darkness, brutality and often insanity of the story. It’s a tribute to his storytelling that the writing does not descend into hyperbole. Tyrant is the story of Nero from boy to man, as he breaks free of the influence of his mother. A really entertaining read.
The final book of the trilogy is Inferno.

Read my review of NERO, first instalment of Conn Iggulden’s ‘Nero’ trilogy

If you like this, try:-
‘The Beasts of Paris’ by Stef Penney
‘The Last Hours’ by Minette Walters #1BlackDeath
‘The Lost Lights of St Kilda’ by Elisabeth Gifford

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview TYRANT by Conn Iggulden https://wp.me/p2ZHJe-8i1 via @SandraDanby

COMING SOON… THE NEXT BOOK I REVIEW WILL BE:- William Boyd

#BookReview ‘Nero’ by Conn Iggulden #historicalfiction #RomanEmpire

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Nero, first in the eponymous trilogy, is the first Conn Iggulden novel I have read. Why did I wait so long? I thoroughly enjoyed it and am now awaiting Tyrant to continue the story. Conn IgguldenNero is the title of the book but Nero the person is not named until the end. It turns out that Nero is a Roman nickname. As this is the first of the trilogy there is a lot of background – family, historical, political, emotional – to establish. Nero features three Roman emperors; Tiberius, Caligula and Claudius. The emperor we know as Nero is a child, Julius, throughout this book until he is re-named. The spine of the story belongs to Agrippina, great-granddaughter of Emperor Augustus I, sister of three brothers including Emperor Caligula, and niece of Emperor Claudius. Their line goes back to Julius Caesar. Step by step, through two husbands, threat, fear, poverty and extreme wealth, Agrippina protects Julius, son of her first husband, guarding his right to become emperor.
I am no expert on Roman history, my knowledge of Claudius is limited to the 1970s television series I, Claudius, which I enjoyed when young and am now tempted to re-visit.
AD 37, Nero begins as Agrippina’s husband Gnaeus Domitius Ahenobarbus, Barbo the celebrity charioteer and grandson of Mark Anthony, rides into Rome to face punishment possibly death. He is accused of adultery with a senator’s wife. It is the first glimpse of Agrippina’s influence, courage and ambition; if Barbo runs for the hills she and her son will be killed in revenge, if he rides to Rome to face judgement then likely he will die but she and her son may survive. Tension is on every page. Women are key characters; the wives, sisters, daughters and mothers of the Roman male elite, are victims, seducers, allies, murderers and heroes.
Agrippina is formidable, admirable in her protection of her child and of their rights, intimidating in the methods she will use to achieve security, Machiavellian in her tactical flexibility. This is a wonderful character-driven drama with a woman at the core, set within the unpredictable, lethal, cut-throat male world of Roman politics. Being unaccustomed to Roman names, I found some confusing and complicated; a family tree would be helpful. It would also be good to see the viewpoints of other female characters – particularly Agrippina’s aunt Domitia Lepida, and Messalina the wife of Claudius – to deepen the plot and add tension.
Rome at the time of Nero can be summed up in three words: treachery, ambition, danger. And it all happens at the speed of light. I loved it.
Bring on Tyrant.

If you like this, try:-
‘Sparrow’ by James Hynes
‘Glorious Exploits’ by Ferdia Lennon
‘The Wolf Den’ by Elodie Harper #1WolfDen

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview NERO by Conn Iggulden https://wp.me/p2ZHJe-84w via @SandraDanby

COMING SOON… THE NEXT BOOK I REVIEW WILL BE:- Fiona Leitch