Tag Archives: contemporary fiction

#BookReview ‘Spring’ by Ali Smith #SeasonalQuartet #contemporary

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Spring is the third in the Seasons quartet by Ali Smith and the most experimental of the books so far. Set in today’s disorientating, chaotic times, Spring is at times both disorientating and chaotic. The most political of the three, it felt at times like the author was shouting. It left me feeling rather flat, which I didn’t expect as I am an Ali Smith fan. Ali SmithThe book is rather difficult to summarize, partly because so soon after reading it the story disappeared from my mind. Two story strands start off independently, inevitably merging and impacting on each other. In between are passages of social media language, phrases listed, nasty, full of bile and hatred; I can imagine Smith trawling Twitter, pencil in hand, making notes.
Richard Lease, a film producer, is contracted to make a film about Katharine Mansfield and Rainer Maria Rilke, but is struggling with the script. He holds imaginary conversations with his – professional, and sometime romantic – partner Paddy who died recently. Richard also holds conversations with an imaginary daughter. Both women test him with awkward questions about his behaviour.
Brittany is an officer at an SA4A immigrant detention centre, a predictable, challenging job in a depressing place. And then she meets Florence, a kind of wonder child. Florence is 12 years old. She achieves mythical status, of a kind with Greta Thunberg, by persuading the centre director to steam clean all the toilets. No one knows where she came from; is she a detainee, did she blag her way into the building? Brit and Florence go on a road trip to Scotland where they meet Richard Lease and Alda, driver of a coffee van, possibly member of an underground movement to rescue detainees from immigrant detention centres, possibly Florence’s mother. These four key characters meet in Edinburgh and agree to go to Culloden.
I was left feeling that Smith’s political message would be stronger if it wasn’t so confusing. She vents her anger and the words on the page read as if they poured from her mind without sub-editing. This interrupts the flow of Richard and Brittany’s stories, taking my mind off the page and away from the book. I didn’t feel close to any of the characters and consequently didn’t care about them.
Ali Smith is one of the freshest, experimental voices we have today; reading one of her novels is not an easy read for the beach, they need concentration. So I will re-read Spring and hope for a smoother read. I await Summer, wondering if it will bring enlightenment on Spring’s storyline but not expecting it. To date, each novel is completely independent of each other. The only context for calling it a quartet are the titles, the seasonal themes. It is a difficult thing Smith is doing with this quartet; writing about a country in the process of cataclysmic political change – the anger, the depression, the fear – and writing quickly without the usual gap of years between writing and publication which allow a book to mellow. For me, Spring does not quite work. But I do love the Hockney cover art.

Click the title to read my reviews of other books by Ali Smith:-
AUTUMN #1SEASONALQUARTET
WINTER #2SEASONALQUARTET
SUMMER #4SEASONALQUARTET
COMPANION PIECE #5SEASONALQUARTET
HOW TO BE BOTH

If you like this, try:-
‘A Sudden Light’ by Garth Stein
‘A Thousand Acres’ by Jane Smiley
‘All My Puny Sorrows’ by Miriam Toews

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview SPRING by Ali Smith https://wp.me/p5gEM4-44W via @SandraDanby

#BookReview ‘On a Night Like This’ by @BarbaraFreethy #romance #contemporary

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On a Night Like This is the first in The Callaways series by Barbara Freethy about the extended American-Irish Callaway clan in San Francisco. Freethy is a new author for me, a best-selling American author of romantic drama. I would class this as a feel-good holiday romance, so not my usual choice. Freethy is an expert at writing series, which lock the reader into the characters. Barbara FreethyThe basis of the story is the relationship between Aiden Callaway, smokejumper, and Sara Davidson, lawyer, who grew up next to each other in San Francisco. Aiden is an alpha-male, adventurous, a risk-taker, who has never taken a woman with him to his secret camping ground in the wilds north of Napa Valley. Sara is a workaholic New York lawyer who rarely lets anyone get emotionally close. This is a story of opposites attract. At times I found their connection unconvincing, as it seemed to be purely chemical and physical. Sara had a teenage crush on Aiden which re-emerges when she revisits her widowed father in her childhood home next door to the Callaways. When a fire damages the house and her father is in hospital, Sara and Aiden are thrown together. This is a light romance mixed with a little mystery: three weeks before the two meet, Aiden is involved in a tragic fire where his best friend and fellow smokejumper Kyle died. Aiden’s colleagues blame him for Kyle’s death but Aiden cannot remember what happened and so refuses to defend himself. His loyalty to Kyle is admirable, but misguided. Sara, as the clear-thinking lawyer, encourages him to question the facts of what happened.
The setting and storyline reminded me of Anita Shreve, but without the depth of story or emotional heft, and with too many sculptured abs. The longing of Sara for Aiden became repetitive and needy, they seem such an unlikely pairing. The storyline of Sara’s rift with her father, however, was worth more page space. So, this is a pleasant light romantic read. I enjoyed the interaction of the feisty Callaway family and wanted more of them; particularly fire investigator Emma and the story of the disappearing nun and burnt-down primary school [sadly, this storyline was left unresolved]. Freethy is a hugely popular author but this book felt rather as if she was writing by numbers.

If you like this, try:-
‘Butterfly Barn’ by Karen Power
‘59 Memory Lane’ by Celia Anderson
‘The Stars are Fire’ by Anita Shreve

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#BookReview ON A NIGHT LIKE THIS by @BarbaraFreethy https://wp.me/p5gEM4-35f via @SandraDanby

#BookReview ‘Vanishing Acts’ by Jodi Picoult #contemporary

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This is the first book by Jodi Picoult which I have read, so I wasn’t sure what to expect. I would describe Vanishing Acts as long, intriguing, multi-layered. Is it the greatest? No, but it makes me want to read more of her books. Her multiple-perspectives mean you get a 360° view of a situation and see how different people view the same thing, something we are not always privy to in real life. Jodi PicoultDelia Hopkins lives in New Hampshire with her widowed father Andrew and her daughter Sophie. She works with her own search-and-rescue bloodhound to find missing people. She is about to marry Eric, a friend since childhood. Everything seems happy, except for strange dreams which she cannot explain. ‘I am little, and he has just finished planting a lemon tree in our backyard. I am dancing around it. I want to make lemonade, but there isn’t any fruit because the tree is just a baby. How long will it take to grow one? I ask. A while, he tells me. I sit myself down in front of it to watch. He comes over and takes my hand. Come on, grilla, he says. If we’re going to sit here that long, we’d better get something to eat.’ Fitz, a journalist, who also grew up with Delia and Eric, cannot explain the significance of the lemon tree. But the puzzles keep coming, after a policeman knocks on the door and arrests her father for kidnapping.
This is a story about repressed memory and triggered memory, the difference of which is central to the court case which is the core of this novel. It is about trust, instinct and loyalty and how sometimes the hardest thing to do is the right thing to do.
It is a long book and some sections felt over-written, a style I sometimes find with American authors; using two metaphors where one will do. But the plotting is excellent and the rope of tension pulls you mercilessly onwards.

And read the first paragraphs of VANISHING ACTS and NINETEEN MINUTES, both by Jodi Picoult.

If you like this, try:-
‘Somewhere Inside of Happy’ by Anna McPartlin
‘Something to Hide’ by Deborah Moggach
‘Crow Blue’ by Adriana Lisboa

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
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#BookReview ‘Winter’ by Ali Smith #SeasonalQuartet #contemporary

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Winter by Ali Smith is second in her Seasonal Quartet but unconnected to its predecessor Autumn in terms of character and location. Ali SmithLike all Smith’s novels, it pays to read with patience. The story is at times choppy and sections seem unrelated; but have faith, it will make sense, connections will link up, characters will coincide and small details laid down early will connect to something much later. And simmering beneath the words is Smith’s anger at our unjust messed-up modern world where we don’t notice what’s going on around us and don’t seem to care.
So much fiction today looks back at our history, Smith’s Seasonal Quartet is so modern if feels as if she is writing a page ahead of the one I am reading. First we meet two sisters, Sophia and Iris who are as unalike as sisters can be. Art, Sophia’s son, has had his Twitter identity stolen by his angry girlfriend. Charlotte is posting incorrect tweets about Art’s ‘Art in Nature’ blog and these untruths are now trending. Art, who has committed to taking Charlotte to his mother’s house in Cornwall for Christmas, instead invites a girl he sees sitting at a bus stop. Lux, who starts off pretending to be Charlotte but then admits the deception to Sophia, is a catalyst in the wintry household. It is Lux who encourages Sophia to eat, Lux who discovers an outbuilding full of old stock from Sophia’s retail business, Lux who insists Art call his Aunt Iris. And so these four mis-matched, total and almost strangers, spend Christmas together.
As in Autumn there are some passages which made me laugh out loud. This time it was Sophia’s eye test at the optician after having seen a disembodied head floating in her peripheral vision; and the incident with her Individual Personal Advisor at the bank who was unable to give her advice. There is the grumpiness of growing old, observing a youth obsessed by irrelevances while forgetting the basic things that matter, and things that don’t work. There is the dislike of big business selling us stuff we don’t need in the guise that it’s essential, un-missable, while re-making new stuff so it looks like more valuable old stuff. “But now the world trusts a search engines without a thought. The canniest door-to-door salesman ever invented. Never mind foot in the door. Already right at the heart of the house.” The theme of winter runs throughout; the death of autumn, the decay that comes from lack of care and effort, the decline of relationships, the winter of ageing, nuclear threat and political division.
If you like a linear story and loose ends tied, then perhaps Ali Smith is not for you. If you are prepared to relax into a story, trust the author and wait to see what happens, then try her. She is experimental, quirky, not afraid to try something different.

Click the title to read my reviews of other books by Ali Smith:-
AUTUMN #1SEASONALQUARTET
SPRING #3SEASONALQUARTET
SUMMER #4SEASONALQUARTET
COMPANION PIECE #5SEASONALQUARTET
HOW TO BE BOTH

If you like this, try:-
‘Barkskins’ by Annie Proulx
‘In Another Life’ by Julie Christine Johnson
‘The House at the Edge of the World’ by Julia Rochester

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview WINTER by Ali Smith https://wp.me/p5gEM4-3eb via @SandraDanby

#BookReview ‘The Believers’ by Zoe Heller #contemporary

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The Believers by Zoe Heller is the story of a New York family and how serious illness challenges each person to consider in what they believe. The Litvinoffs are a Jewish family used by Heller as a prism to question our beliefs, not just religious but also motherhood, fidelity and politics. Zoe HellerThe story starts with the meeting of English student Audrey and American lawyer Joel, at a party in London in the Sixties. The action then shifts swiftly to 2002. Audrey and Joel live in New York, he is a prominent and outspoken radical lawyer, she does good works. They have two daughters, Rose and Karla, and adopted son Lenny. On the day he is due to appear in court representing a controversial defendant, Joel has a stroke. As he lays in a coma, Heller shows each of the family confronting the situation, its impact on their own lives, or not as the case may be. None of the characters are particularly likeable, and the storyline can be difficult in places, but I found the pages turned quickly as I wanted to know the ending. Of course, like life, there is no neat finale only more life to follow as the stories of the family continue.
Audrey is a deliciously outspoken and brutal mother to her daughters, though she mollycoddles her son to a ridiculous degree. Rosa is re-discovering her Jewish roots, having been raised in a non-observant Jewish family. We follow her exploration of the oddities of Orthodoxy, as she wrestles with the concept of accepting things she doesn’t understand. Karla, unhappily married and trying for a baby, is the recipient most frequently of Audrey’s caustic tongue. Not looking for an affair, she nevertheless stumbles into one, and has difficulty believing and accepting her suitor could possibly be attracted to her. Lenny is a drug addict who believes in nothing except his next hit. Meanwhile, Joel in his hospital bed is the cog of the wheel around which they all move.
I was left loving Heller’s writing, she has a wonderful turn of phrase. ‘Depression, in Karla’s experience, was a dull, inert thing – a toad that squatted wetly on your head until it finally gathered the energy to slither off. The unhappiness she had been living with for the last ten days was quite a different creature. It was frantic and aggressive. It had fists and fangs and hobnailed boots. It didn’t sit, it assailed. It hurt her.’
But, I finished the book dissatisfied with the story. Audrey’s Englishness did not come into play, except in the first chapter which feels unrelated to the rest of the book, and she seems unnecessarily harsh and unfair without real justification. What made her so bitter? Something which happened between the Prologue in 1962, and the main story in 2002? The big surprise, when it comes, is perhaps predictable to everyone except Audrey.

Read the opening paragraph of NOTES ON A SCANDAL, also by Zoe Heller.

If you like this, try:-
‘Purity’ by Jonathan Franzen
‘A Spool of Blue Thread’ by Anne Tyler
‘A Little Life’ by Hanya Yanagihara

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview THE BELIEVERS by Zoe Heller http://wp.me/p5gEM4-2BZ via @SandraDanby 

#BookReview ‘The Last Day’ by Claire Dyer @ClaireDyer1 #contemporary

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Love is complicated, modern families are complicated, and a line cannot be drawn before and after. Whenever there is a last day, there is a first day too. That’s the theme of The Last Day by Claire Dyer, a deftly managed part-study of grief and mourning, part-teaser about how past events always affect the present. Claire DyerBoyd and Vita were married, now separated; Boyd owns an estate agency, Vita paints portraits of pets. Both have new relationships. Added to the mix is Boyd’s elderly mother irascible mother. When Boyd has a big tax bill, he and his girlfriend move back in with Vita. The collision of these three people has unforeseen results. So much of what we see at the beginning of this novel is unexplained, unravelling as the pages turn. It is tightly written with a minimal cast of characters. When you think you’ve got it worked out, there is another twist. Everyone is hiding something.
At the heart of the book is Honey Mayhew, except that’s not her real name. She is the catalyst of change. Wearing charity shop clothes and a smiling assured attitude, she goes for an interview at Harrison’s Residential and gets the job. Her connection with Boyd, as they sit in the car as it goes through a car wash, is transforming. Dangling in front of her is the temptation of a new life with an older man. Conformity. Security. Love. But Honey, addicted to horoscopes and superstition, a young twenty-seven year old, is mercurial. At times she seems more like the feisty troublesome teenager she was not so long ago. What happens to Honey as she is thrown into the very adult world of Boyd and Vita’s romance/marriage/separation/amicable friendship changes everything; it wouldn’t be a novel if it didn’t.
Living together, none of the three have bargained for the re-stirring of old memories in the house, and the tugging of anger and regret. Honey, because she is young and inexperienced; Boyd, because he is emotionally blocked; and Vita, because she considers she has moved on with her painting and her convenient relationship with Colin next door. Dyer is good at portraying the small details, the daily things. How Honey sits upstairs in bed in the morning, hearing Boyd and Vita reassume their old morning habit of coffee and crossword clues. How Boyd buys his mother some handkerchiefs for Christmas. How Vita watches families play in the park, and her bones feel heavy in her body.

Read my review of Dyer’s THE PERFECT AFFAIR and her poetry anthology YIELD.

If you like this, try:-
‘The Last Days of Rabbit Hayes’ by Anna McPartlin
‘Etta and Otto and Russell and James’ by Emma Hooper
‘Please Release Me’ by Rhoda Baxter

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview THE LAST DAY by Claire Dyer @ClaireDyer1 https://wp.me/p5gEM4-38t via @SandraDanby

#BookReview ‘Anything is Possible’ by Elizabeth Strout @LizStrout #contemporary

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Anything is Possible by Elizabeth Strout is an extraordinary book about normal people living normal lives. On the outside, people live private, God-fearing lives, they get by, they smile, they work. Inside, they hide secrets, horror, misgivings, sadness and love. With the same vision and delicacy she displayed in My Name is Lucy Barton, Strout tells us about the people of Amgash, Illinois, the small rural town where Lucy Barton grew up. Elizabeth StroutIn Anything is Possible, as in real life, threads of small town life are tangled together, generation after generation, each seemingly isolated but all connected by invisible tendrils of family, neighbourhood, school, farming. The shared history of living together through the years in close proximity, a community where everyone knows everyone else, their shame, their success, their failure, their betrayal and loyalty, is a community it is impossible to escape. Where adolescent misdemeanours, which may or may not have happened, are remembered as fact and decades of distrust attached. But as well as secrets and shame, there is redemption and love for those who face change and find a way to the other side.
This is more a collection of inter-connecting stories rather than a novel with a single narrative spine, but it is finely written with care and grace. A companion novel to My Name is Lucy Barton, it is not essential to have read that novel first but in some ways it does help.
There are nine chapters each focussing on one character and each, you realize at the end, are firmly entwined like the roots of a closely-planted grove of trees. In the first we see Tommy Guptill, elderly now, but once the caretaker at Lucy’s school. In the second, school counsellor Patty Nicely is insulted by student Lila Lane, daughter of Lucy’s sister Vicky. And so the stories keep coming as you gradually build up a picture of the Amgash citizens. After seventeen years away, writer Lucy is drawn back to the dirt-poor family farm where her brother Petie still lives. There, like the other characters in this novel, she discovers how your history cannot be left behind because it is hard-wired within you.
In her portrayals of these straightforward straight-talking Amgash citizens, Strout poses questions for the reader and does not give answers, expect to do some work yourself when reading her novels.

Read my reviews of these other books by Elizabeth Strout:-
AMY & ISABELLE
LUCY BY THE SEA
MY NAME IS LUCY BARTON
OH WILLIAM!
OLIVE KITTERIDGE
OLIVE, AGAIN
TELL ME EVERYTHING

If you like this, try:-
‘A Thousand Acres’ by Jane Smiley
‘The Stars are Fire’ by Anita Shreve
‘Barkskins’ by Annie Proulx

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview ANYTHING IS POSSIBLE by Elizabeth Strout @LizStrout http://wp.me/p5gEM4-2TA via @SandraDanby

#BookReview ‘Skin Deep’ by Laura Wilkinson #contemporary

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Skin Deep by Laura Wilkinson is a thoughtful, difficult book to read about modern-day notions of beauty, ugliness and society’s fascination with appearance. At times it made me feel uncomfortable. It is the sort of book which you find yourself thinking about long after you have finished reading it. It will make you think about your own attitudes to others, do you unconsciously leap to judgement based on their outward appearance, and how much do you worry about your own looks? Laura WilkinsonHulme, Manchester, 1984. Students Diana and Linda start university, Diana is studying art, Linda art history. Diana is keen to make her mark for something she can do with her hands, rather than how she looks. A former child model, people stare at her in the street such is her beauty. Via Jim, Linda’s boyfriend, Diana meets Cal, a four-year old boy neglected by his drug addict parents. He has a severe facial disfigurement and is kept from sight. He does not know a normal life. ‘Normal’ is a word which crops up often. In the child, Diana finds someone dealing with a mirror image of her own challenge: as Cal hides his face from strangers, Claire tried to avoid people ogling her beauty. I found the beginning a little slow and the story takes off once Diana is inspired by Cal to create a different kind of art.
Throughout time, artists have had muses. Cal becomes Diana’s muse, unwittingly at first when he is a child. The book treads a difficult, uncomfortable line. Diana loves Cal and tries to do the best, but what if her best is wrong? Of course, that is the thought process the author wants the reader to explore. As Diana’s success as an artist grows and Cal becomes a teenager, he starts to resent being ‘used’. Is she ultimately any different from her mother, Bunny, who forced her to enter beauty competitions, to refuse biscuits because they would make her fat?
The viewpoint switches between Diana and Cal and jumps around in time, particularly in the second half, which was disorientating. The main voice is Diana’s. I found her exploitative and unlikeable and would have liked to hear more from the adult Cal and the child Diana. Nonetheless this is a powerful, difficult read with underlying imagery of decay hidden by beauty.

If you like this, try:-
‘Orphans of the Carnival’ by Carol Birch
‘Life Class’ by Pat Barker
‘The Museum of You’ by Carys Bray

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#BookReview ‘Girl in Trouble’ by Rhoda Baxter @RhodaBaxter #romance

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Funny, sad and believable: Girl in Trouble by Rhoda Baxter is the third in her Smart Girls series and, though some of the characters have cameo appearances throughout the series, can be read alone. Which is what I did, quickly, particularly enjoying the second half of the story. I was worried that the first chapter, in which we meet Olivia at a stag night, meant the book would be too chick lit for me but as the story progresses the themes become darker and complex. Rhoda BaxterOlivia is thirty, relationship-phobic and surrounded by friends. She is quite independent, thank you very much and does not need a man to look after her. She has never been in love, never allowed herself to be in love and knows this dislike/distrust of men can be traced back to her father who left her and her mother when she was a child. She also has a health issue that makes pregnancy a big risk, though to be honest I was a little in the dark about the specifics of this. Instead she is a serial one-night girlfriend. When she falls accidentally pregnant, Olivia thinks the decision to have an abortion is straightforward and sensible. Of course life gets in the way, in two ways. Firstly her absent landlord Walter, who lives in the upstairs flat, returns home and is hot and funny and makes her feel comfortable in a cosy sexy way; a first for Olivia. And then her absent father arrives on her doorstep.
This is a fast-paced well-written novel which runs the gamut of emotions from chuckles to tears to pain. Relationships within broken families, as the years pass, are not simple and Baxter explores the unresolved tension and anger of Olivia and her mother Liz towards her father Trevor. Graham, her stepfather, has been a calm and loving influence on Olivia since her teens, but she only starts to appreciate this once Trevor returns to the scene. The father/daughter theme is echoed also in Walter’s storyline. His divorced wife Charlotte is to remarry and take their daughter, Emily, to live in America. Walter, absent because of work through many of Emily’s baby years, realises what he has missed just as he is about to lose it.
If you like your girls to be girly then Olivia does not fit that profile. She keeps her thoughts to herself and is quite complex in her behaviour. She does not want children and, in discussions with her friend Ruchi, the for/against options for abortion are explored with Ruchi, at first, unhappy at her friend’s viewpoint. So although the cover design is bright and cheerful, Girl in Trouble touches on some serious topics in a balanced and thoughtful manner. I would have liked to know more about Olivia’s work life as a solicitor though, in fact Walter’s career as a marine biologist is explained in much more detail.
If you’re going on holiday, or a long train journey, you will devour this.

Read my review of PLEASE RELEASE ME, also by Rhoda Baxter.

If you like this, try:-
‘Butterfly Barn’ by Karen Power
‘One Step Too Far’ by Tina Seskis
‘Stormy Summer’ by Suzy Turner

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview GIRL IN TROUBLE by Rhoda Baxter @RhodaBaxter http://wp.me/p5gEM4-2Wf via @SandraDanby

#BookReview ‘Autumn’ by Ali Smith #SeasonalQuartet #contemporary

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Uplifting, enlightening, funny, clever, depressing, sad and heartwarming. The mischievous Autumn by Ali Smith is an ingenious novel, the first of the ‘Seasonal Quartet’ telling the story of the UK fragmented after the post-Brexit vote in 2016, when ugliness and prejudice rose to the surface setting brother against sister, friend against friend, dividing streets, neighbourhoods and towns, a binary split with each side convinced it is right and the other, wrong. Ali SmithDaniel Gluck is 101 years old and in a nursing home, we see from his wonderful lyrical dreams that he teeters on the edge of death. Smith builds her world around Mr Gluck and Elisabeth Demand who, with her mother Wendy, lived next door to Daniel when Elisabeth was a child. Their relationship starts in 1993. Elisabeth, aged eight, must interview a neighbour for a homework project. Her mother is not keen and tries to bribe her to invent a neighbour instead. The following day Elisabeth meets Mr Gluck and, despite her mother’s misgivings (single man, dodgy, must be gay, might be unsafe etc) they become firm friends. Now he is 101 and she tells a lie to the nursing home – yes, she is his grand-daughter – in order to gain a visitor’s pass. She sits by his bed and reads Brave New World.
Smith compares and contrasts modern life with past times in the twentieth-century, we see modern life through Elisabeth’s storyline countered by Daniel’s memories and dreams, and his interpretations of books, art and song for the child Elisabeth. The story wings its way through contemporary references from television antiques programmes and passport applications to celebrity Christine Keeler, sculptor Barbara Hepworth and pop artist Pauline Boty.
This is all very interesting but, with the lightest of hands, Smith gives a warning about the danger of nationalism, populism and the easy appeal of accepting political lies rather than asking difficult questions of the politicians and ourselves. One passage in particular underlines it all: Daniel’s younger sister Hannah is captured in Nice, France, in 1943 despite carrying papers which identify her as Adrienne Albert.
Running throughout are the themes of truth v lies [juxtaposed often, with lies often being throwaway and easy whilst truth can be awkward and difficult to say] and identity. There is a hilarious passage where Elisabeth tries to renew her passport application at the Post Office, an all-too-believable portrayal of officialdom. Some of the historical sections, particularly about Keeler and Boty, seemed rushed and I would have liked more of Daniel’s songwriting background which was mentioned fleetingly.
Short, at 272 pages, Autumn can be read in one sitting. It is a joy to read. Next in the quartet comes Winter.
Autumn was shortlisted for the 2017 Booker Prize.

Click the title to read my reviews of other books by Ali Smith:-
WINTER #2SEASONALQUARTET
SPRING #3SEASONALQUARTET
SUMMER #4SEASONALQUARTET
COMPANION PIECE #5SEASONALQUARTET
HOW TO BE BOTH

If you like this, try:-
‘Moon Tiger’ by Penelope Lively
‘Darktown’ by Thomas Mullen
‘Shelter’ by Sarah Franklin

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview AUTUMN by Ali Smith http://wp.me/p5gEM4-2SX via @SandraDanby