A fascinating premise. A small, isolated island, the abandoned clothes of a man and a women found on a beach, no missing people. The Stranger’s Companion by Mary Horlock, set on the island of Sark, starts with a mystery based on true fact but merges into a blend of Mary Stewart and Agatha Christie.
The Stranger’s Companion is a ghost story set in a place where folklore is just below the surface, a story of two teenagers who meet again as adults and the history that lies between them, a disappearance story that spreads from regional to national newspapers. The story is unveiled in two timelines, 1923 and 1933, that uneasy inter-war period occupied by ghosts of the Great War and premonitions of 1939. Sark’s bleak geography adds to this; towering cliffs that fall to the sea, stark weather, empty space, the island almost divided in two by La Coupée, a thin isthmus of rock connecting Big Sark and Little Sark, a dangerously exposed footpath.
The start is slow, confusing because the two timelines involve the same two teenagers, Phyll and Everard, and it all swirls into one so 1923 and 1933 merge. The voice switches back and forth between different people, adding to the feeling of disorientation and the uncertainty about what is real. There is an undisputed oddness to the tale, things sensed, people glimpsed, strange noises, unexplained happenings. There are rumours of witches. And then there is the tale of the Stranger Woman, a female ghost always dressed in white.
It took a while to separate out the omniscient narrator from the various 1923 and 1933 voices. Phyll is an observer, at the edge of things, as a teenager she loves stories, true stories, ghost stories, her own inventions. As an adult she writes stories, news and fictional. I was less clear about Everard, a visitor rather than resident, but who clearly has secrets to hide. At times the disappearance of the unidentified couple, the owners of the clothes, is lost in the spooky atmosphere, vanishings, unexplained appearances, old stories. As the narrator says, ‘Doesn’t everyone love a ghost story? It means the ending is never that, because life continues, just in a new shape or form. We could argue that every story is a ghost story, because once a tale is told, it is over, it is past. All we can do is keep going back over it, to for from the end back to the start.’
I found the mystery more intriguing than the characters and remained slightly confused to the end about the historical connections and who was who. Perhaps too difficult themes are tackled in too many sub-plots, but at its heart is a most surprising secret. Sark is probably the most important presence in the book. A great promotion of the island. Despite its ghostly history, this novel made me want to visit the real place.
Here’s my review of THE BOOK OF LIES, also by Mary Horlock.
If you like this, try:-
‘The Lamplighters’ by Emma Stonex
‘Foxlowe’ by Eleanor Wasserberg
‘Thornyhold’ by Mary Stewart
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