The key protagonist in The Partisan by Patrick Worrall is a female Lithuanian resistance fighter who becomes a Cold War assassin. How nice to read a thriller set in the Baltic States, a fresh take on war and how to survive it. At the heart of the story is Greta, the partisan. I admired her, and feared her. 
An ambitious timeline ranges from the Spanish Civil War to the Sixties Cold War as Greta turns from wartime fighting, one of the Three Sisters, to post-war vengeance tracking down the war criminals on her list and eliminating them. Greta’s story intersects in 1963 with Yulia and Michael, Soviet and English teenage chess champions respectively, and a Soviet plot to win the Cold War. The 1963 chess sub-plot got in the way. Greta is the fascinating character, I wanted to read about her. Her story is thrilling enough.
I couldn’t help but wonder if a more limited reach would help the story’s rhythm. The story jumps around a bit. In the first half I would prefer spending longer with each character to understand them, before the pace picks up as tension rises and point of view gets snappier. I wanted to read about Greta’s story in one long narrative thread instead of a timeline jumping between 1940s and 1963. I particularly enjoyed Greta’s interviews with journalist Indrė in 2004 and was unable to get beyond the jumping around when I wanted to settle in with one character. The character list is long with many similar names to remember – who is on which side, who is double-crossing who – and this took me out of the story.
I’m always partial to a good thriller and like to find debut authors, so I’ll be watching out for the next book from Patrick Worrall. It’s different, try it.
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If you like this, try:-
‘The Diamond Eye’ by Kate Quinn
‘A Hero in France’ by Alan Furst
‘V2’ by Robert Harris
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THE PARTISAN by Patrick Worrall #bookreview https://wp.me/p2ZHJe-5T8 via @SandraDanby
The life of Kiev resident Mila Pavlichenko, young mother and history student, changes when the Nazis invade. Already an accomplished shot with a rifle, she leaves her young son Slavka with her mother and goes off to war. In the 18 months of her time on the frontline as a sniper, the real Mila scored 309 official ‘kills’. She is injured fighting in Sevastapol and, once recovered, is ordered to join a diplomatic mission to the USA to persuade the Americans to join the European war. The action in America is probably the most fictionalised part of The Diamond Eye which is based in part on Mila’s memoir. Quinn states in her Author’s Note that parts of the memoir are clearly Mila’s own voice, other entries seem like Soviet propaganda.
In 1945, Puglia, a young man awakes, injured, disorientated. He doesn’t know who he is or how he came to be in a trullo, a rural stone house, cared for by strangers. The teenage boy Anto explains how his grandfather Domenico saw him fall from a warplane. Called ‘Roberto’ by his rescuers, his memory stubbornly refuses to return. He can speak English and Italian but knows nothing about fishing or farming. As he helps them in their daily routines, gathering food, catching fish, tending vegetables, repairing the trullo, his nights are full of confusing dreams.
In the Dordogne live three sisters – Hélène, Élise and Florence – alone in their mother’s house during the German occupation. Hélène is the eldest, a nurse, the mother hen, the worrier. Élise is the rebel, helping the Resistance, disappearing at night. Florence, the youngest, is a gardener, a cook, a nature lover. They are tired of the war, terrified by the Germans and their increasingly violent and indiscriminate reprisals, desperate for a normal life without remembering what that might be.
In London, 1940, teenager Clara is woken by her mother as their home is bombed. Her mother presses into Clara’s hand a necklace, a St Christopher’s medal, with the promise that it will always protect her. Orphaned, Clara is taken in by her aunt and begins helping at a local hospital treating injured soldiers. When nurses and doctors ignore a wounded Indian soldier because of the colour of his skin, Clara nurses him to health. When the war ends, she decides to fulfil a long-held promise to herself. Inspired by sitting on her father’s knee and listening to his stories of India, Clara takes a job as nurse companion to a delicate boy whose parents are re-locating to India. And there, she falls in love.
This is the sixth in Clements’ thriller series about American historian-turned-spy Wilde who spends the war working for the English and American secret services, and each of them has been unputdownable. It is now late summer 1945 and the European war is over. Germany is defeated, in ruins, starving and with millions of Holocaust survivors, displaced people and refugees. The country has been carved up between the allied forces to bring security and discipline but it is a world in which it is easy to disappear, to reinvent yourself. It is a world in which lies are told for survival. As in the previous Wilde books, it is difficult to know who is telling the truth, who is lying and why. Clements is a consummate thriller writer who writes with emotional depth, political intrigue and historical research.
Mabs has grown up in Shoreditch but longs to escape. She follows her own plan of improvement – reading the classics, copying the accents of assistants in upper class shops – with the long-term aim of rescuing her younger sister Lucy from poverty. Osla is a Canadian society girl, rich, pretty, labelled as a dim deb who trains as a riveter to make Hurricanes. Both have mysterious interviews and are sent on a train journey to ‘Station X’. This turns out to be a large country mansion – Bletchley Park – where secret war work is undertaken. Both must sign the Official Secrets Act before they are admitted. At their lodgings, they meet Beth, downtrodden daughter of their strict religious landlady Mrs Finch.
sandra danby 