Tag Archives: novels set in 1950s England

#BookReview ‘In a Summer Season’ by Elizabeth Taylor #classic #love

What a painful, heart-wrenching read is In a Summer Season by Elizabeth Taylor. It is about love – giddying heart-spinning young love, the intensity of teenage crush, the love and companionship of friendship, parental love, second love, age-gap love, tragic love and lust-love. Elizabeth Taylor Widow Kate is seen by friends and family to have married again, unwisely, to a younger man, the charming and feckless Dermot. Kate’s sixteen-year-old daughter Louise hates the way Dermot speaks to her mother, while Kate’s son Tom struggles to make his way in his grandfather’s business and retired teacher Aunt Ethel fears for the new marriage which she believes is founded solely on sex. As Kate adopts new hobbies to fit in with her husband – going to the races, the pub – Dermot feels excluded by the things he doesn’t know, and by Kate’s shared experience with first husband Alan. The household exists in an uneasy alliance. For the first half of the book, this calm is layered with a troubling current eventually brought to the surface by the arrival of Alan’s oldest friend, Charles, and his beautiful daughter Araminta. Tom becomes too caught up in his own calf love for Minty to worry about his mother, Lou falls for the local curate, while Ethel tells all in sensational letters to her friend Gertrude. ‘Ethel had a way of bending her head at closed doors, not listening, as she told herself, but ascertaining.’
None of the characters are endearing. Their paths to the truth, or not, about love – their own love and that of others – their assumptions, misjudgements and blindness, are beset with challenges. Some I forsaw, others I didn’t. Elizabeth Taylor draws a delicately coloured picture of life in a middle-class English family in the Home Counties in the fifties. Times are changing, post-war, particularly the role of women. Kate drifts, used as she was to being the junior partner to her first husband Alan, now she finds herself acting as both mother and lover to her second, younger, husband. Neither are truthful to the other.
More a story of consecutive scenes than a novel with increasing tension, In a Summer Season was published in 1961 and so combines the slower classic style of the older novel, injected with the new sexual tension appropriate to the times. The ending, so long awaited, finally arrived abruptly. My favourite Taylor novel, to date, is A View of the Harbour.

Read my reviews of other books by Elizabeth Taylor:-
A VIEW OF THE HARBOUR
A WREATH OF ROSES
ANGEL
AT MRS LIPPINCOTE’S
THE SLEEPING BEAUTY

If you like this, try:-
‘Touch Not the Cat’ by Mary Stewart
‘My Dear, I Wanted to Tell You’ by Louisa Young
‘The Confession’ by Jessie Burton

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview IN A SUMMER SEASON by Elizabeth Taylor https://wp.me/p5gEM4-5tQ via @SandraDanby

#BookReview ‘Here We Are’ by Graham Swift #theatre #Brighton

What a delightful slim story is Here We Are by Graham Swift. On the surface it’s a simple tale of a summer season at the theatre at the end of Brighton Pier in 1959. It’s a tale about a magician and his assistant. It’s also a tale about perception and delusion, truth and lies, what is real and an illusion. Graham Swift When young magician Ronnie Deane gets a job for a seaside summer season, he advertises for an assistant. Evie White has experience in the chorus line but has never worked for a magician before. They are both on a steep learning curve. Their guide in Brighton is Ronnie’s friend Jack Robbins, compere, listed on the bill as Jack Robinson. ‘Some patter, some gags, some of them smutty, a bit of singing, some dancing, some tapping of his heels.’ As Ronnie and Evie, listed as ‘Pablo & Eve’, perfect their act, work their way up the bill, they go out as a foursome in the evenings with Jack and his latest girl. They change so frequently Evie can’t keep track of their names, instead thinking of them simply as ‘the Floras’.
This is principally Ronnie’s story, how at the age of eight he left his mother and was evacuated to safety in Oxford. There he found a new home, new parents and a magician to share all the secrets and tricks of the trade. By the end of the war, when Ronnie returns home to London and to his mother, he is a man who knows what job he wants to do.
Like all Swift’s stories, this can be read on many levels. At its simplest it is about a love triangle.
Only 208 pages, it is a short novel. The language is beautiful with not an unnecessary word. Not much may happen, but as the events of 1959 unfold Swift tells us the story of Ronnie’s childhood and how it impacts on the man he has become. The lies told to prevent hurt, the lies told for self-protection, lies told for unknown reasons, and some lies which may actually be the truth. As unknowable as Ronnie’s Famous Rainbow Trick. Unpretentious, at its heart lies a mystery that is in itself mysterious.

Here’s my review of Swift’s MOTHERING SUNDAY.

If you like this, try:-
‘A View of the Harbour’ by Elizabeth Taylor
‘The Gustav Sonata’ by Rose Tremain
‘Redhead by the Side of the Road’ by Anne Tyler

And if you’d like to share a link:
#BookReview HERE WE ARE by Graham Swift https://wp.me/p5gEM4-5iB via @SandraDanby