Tag Archives: suspense fiction

#BookReview ‘The Stranger’s Companion’ by Mary Horlock #mystery #suspense

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A fascinating premise. A small, isolated island, the abandoned clothes of a man and a women found on a beach, no missing people. The Stranger’s Companion by Mary Horlock, set on the island of Sark, starts with a mystery based on true fact but merges into a blend of Mary Stewart and Agatha Christie. Mary HorlockThe Stranger’s Companion is a ghost story set in a place where folklore is just below the surface, a story of two teenagers who meet again as adults and the history that lies between them, a disappearance story that spreads from regional to national newspapers. The story is unveiled in two timelines, 1923 and 1933, that uneasy inter-war period occupied by ghosts of the Great War and premonitions of 1939. Sark’s bleak geography adds to this; towering cliffs that fall to the sea, stark weather, empty space, the island almost divided in two by La Coupée, a thin isthmus of rock connecting Big Sark and Little Sark, a dangerously exposed footpath.
The start is slow, confusing because the two timelines involve the same two teenagers, Phyll and Everard, and it all swirls into one so 1923 and 1933 merge. The voice switches back and forth between different people, adding to the feeling of disorientation and the uncertainty about what is real. There is an undisputed oddness to the tale, things sensed, people glimpsed, strange noises, unexplained happenings. There are rumours of witches. And then there is the tale of the Stranger Woman, a female ghost always dressed in white.
It took a while to separate out the omniscient narrator from the various 1923 and 1933 voices. Phyll is an observer, at the edge of things, as a teenager she loves stories, true stories, ghost stories, her own inventions. As an adult she writes stories, news and fictional. I was less clear about Everard, a visitor rather than resident, but who clearly has secrets to hide. At times the disappearance of the unidentified couple, the owners of the clothes, is lost in the spooky atmosphere, vanishings, unexplained appearances, old stories. As the narrator says, ‘Doesn’t everyone love a ghost story? It means the ending is never that, because life continues, just in a new shape or form. We could argue that every story is a ghost story, because once a tale is told, it is over, it is past. All we can do is keep going back over it, to for from the end back to the start.’
I found the mystery more intriguing than the characters and remained slightly confused to the end about the historical connections and who was who. Perhaps too difficult themes are tackled in too many sub-plots, but at its heart is a most surprising secret. Sark is probably the most important presence in the book. A great promotion of the island. Despite its ghostly history, this novel made me want to visit the real place.

Here’s my review of THE BOOK OF LIES, also by Mary Horlock.

If you like this, try:-
‘The Lamplighters’ by Emma Stonex
‘Foxlowe’ by Eleanor Wasserberg
‘Thornyhold’ by Mary Stewart

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
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COMING SOON… THE NEXT BOOK I REVIEW WILL BE:- Verity Bright

#BookReview ‘The Midnight Feast’ by Lucy Foley #mystery #suspense

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I’m at a loss how to describe the plot of The Midnight Feast, the latest mystery suspense story by Lucy Foley, without giving away anything critical. It is dark, it is gothic, there is West Country paganism, teenage friendship, spite and a bit of romance set at an ultra-glamorous cliff-top hotel in Dorset which opens at midsummer. Lucy FoleyTold in three timelines. In 2025 as The Manor, described as ‘Soho Farmhouse meets Daylesford Organics,’ opens its doors to guests. At the same location fifteen years earlier when the house was occupied by a retired Government chief whip and his wife. And again in 2025, the day after the opening night party, billed as a midnight feast with mystery musical guests, art in the gardens and a Midsommar theme inspired by the folk horror film.
This is a clever thriller juggling timelines and character arcs, at the heart of which is a them v us dynamic between the house and the locals. People are not who they claim to be, the fun is working out who is who. Untangling the true identities of Francesca Meadows, hotel owner, her guest, staff and villagers is a continuing puzzle as I tried to connect the 2025 and 2010 storylines together. There are a lot of characters to keep track of.
During the summer solstice of 2010, a teenage girl on holiday with her family at a caravan park in Dorset meets a rich girl who is cooler and more confident than her and wants to be her friend. The events of that summer, romance, manipulation, bullying, drugs and death have repercussions on everyone there. The bird theme is a creepy folklore thing attributed to the local villagers, a kind of vigilante group who dress up in black bird costumes to impose justice on wrongdoers. On midsummer night, the birds come into their own.
Francesca the hotelier is a control-freak Goop-influenced woman who sells a lie; locally grown organic produce, for example, that is bought-in from London not grown locally or on the hotel’s organic veg plot. Her husband Owen is a fitness-obsessed architect responsible for developing the woodland retreat lodges, set in the hotel grounds. She doesn’t know he’s installed a tracker on her mobile phone, he doesn’t know she commissioned hidden cameras throughout the hotel. There are loads of secrets, over-the-top opulence, silliness and eerie things happening in the woods. And there is murder.
The hotel’s setting next to ancient woodland adds a gothic darkness to this thriller that is a welcome relief from the champagne, meditation and crystals. I found it a little slow at the beginning but once the guests arrive and the midnight feast approaches, the pace takes off.
An entertaining thriller which kept me guessing, it’s not just a whodunnit but who-was-it-done-to.

Click the title to read my reviews of these other novels by Lucy Foley:-
THE GUEST LIST
THE INVITATION
THE PARIS APARTMENT

If you like this, try:-
‘The Last of Us’ by Rob Ewing
‘The Snakes’ by Sadie Jones
‘Summer House with Swimming Pool’ by Herman Koch

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview THE MIDNIGHT FEAST by Lucy Foley https://wp.me/p2ZHJe-8o0 via @SandraDanby

COMING SOON… THE NEXT BOOK I REVIEW WILL BE:- Kate Quinn

#BookReview ‘The Girls Left Behind’ by @EmilyGunnis #mystery #suspense

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Emily Gunnis is a new author for me and I wasn’t sure what to expect from The Girls Left Behind. With triple timelines – World War Two, the Seventies/Eighties and the Noughties – it’s a complicated mixture to handle and there are a lot of personalities and twists to hang on to. Emily GunnisIn the Prologue it is 1975. A month ago WPC Jo Hamilton attended the beach where a young girl had fallen from the cliffs and died. Gemma Smith, fifteen, lived at Morgate House, a children’s home in an imposing Victorian building on the cliffs at Saltdean. The ‘Morgate children’ are generally regarded locally as wild. Now Jo is called to a ‘domestic’ at a house in Wicker Street. When violence turns to fire, Jo rescues two young sisters from the blaze. They are the only survivors. She takes Holly and Daisy to Morgate House. The Girls Left Behind is the story of the Morgate girls, vulnerable teenagers open to exploitation and whose tragedies are woven into the life of a young policewoman.
In 2015 and now a superintendent, Jo Hamilton is in her last week at work before retirement. When human remains are found it takes Jo back to a case she worked on as a young policewoman, a case that was emotionally difficult to handle, when she felt her voice was ignored by the top brass. Jo has carried regrets with her all her career. Her week becomes extra intense when her elderly mother is moved from her care home to palliative care. Her relationship with her mother Olive, is prickly; she is close to her older brother and fellow police officer Charlie; with her daughter Megan, things are changeable.
Intertwined with the two slices of Jo’s life, is the story of her mother Olive who during World War Two worked at Bletchley Park as a motorcycle courier trusted with top secret packages. Olive lodges in the village with Lorna, another Bletchley girl who she met on the train journey. Olive’s world is small, just Lorna, her boss Commander Travis, Geoff Price, manager of the bike workshop, and a few of her fellow motorcycle couriers. Then Olive falls in love for the first time.
A slow-mover for me. The two girls, Gemma and Holly, and their similar storylines merged together. The frequent summarising and repetition meant I reluctantly skipped paragraphs. But oh my, at about 70% and in one of Olive’s sections, the story took off and didn’t stop until the end.
A good mystery thriller which would benefit from a reduced character list and from being cut in length with shorter snappier chapters to increase the tension. A sad story with dark complex characters, hidden secrets and lies told to protect important people.

If you like this, try:-
‘Stolen Child’ by Laura Elliot
‘Then She Was Gone’ by Lisa Jewell
‘The Guest List’ by Lucy Foley

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview THE GIRLS LEFT BEHIND by @EmilyGunnis https://wp.me/p2ZHJe-7FP via @SandraDanby

COMING SOON… THE NEXT BOOK I REVIEW WILL BE:- SJ Parris

#BookReview ‘Murder Under the Tuscan Sun’ by Rachel Rhys #mystery #suspense

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Against her son’s wishes, widow Constance Bowen travels to Tuscany to take a job as companion to an ill English gentleman in the Castello di Roccia Nera just outside Florence. Murder Under the Tuscan Sun by Rachel Rhys is set in an exquisitely beautiful place and the change of scenery is exactly what Constance believes she needs. It is very different from Pinner. Rachel RhysCarrying with her a double grief – for her husband, dead a year, and daughter Millie, five years earlier – Constance is wracked with nerves and doubt. Her patient, stroke-sufferer William North, proves irascible and sparing in his conversation. Constance has been employed by William’s niece, Evelyn Manetti. A flighty beautiful creature devoted to her Italian-American husband Roberto, Evelyn seems less enchanted with Nora, her daughter with her first husband.
The setting is voluptuous and it’s easy to fall for the delights of this Tuscan summer, as Constance quickly does. But all is not happy in this beautiful place and there are occasional unkindnesses and cruelty that make it uncomfortable. It is 1927 and fascism is rising. The castle is said to be haunted by a young girl, a talented violinist, denounced as a witch and bricked up alive in the castle walls.
The community of locals and ex-pats is populated with a collection of likeable and objectionable characters. When spooky things start to happen – mysterious music at night, the vision of a disappearing child dressed in white – which only Constance witnesses, I wanted to shout ‘leave now.’ The story is told in its entirety from Constance’s point of view. Her confusion at what she sees and experiences, and her inability or unwillingness to challenge anyone, becomes repetitive until her son James arrives and asks difficult questions of his mother.
So the title is misleading, this is not a thriller, not a crime novel. More a mystery suspense story in the vein of Mary Stewart or Daphne du Maurier. A strong sense of unease permeates the castle, something is not quite right – is Constance ill, vulnerable, suffering from exhaustion, or is there evil at work.
CLICK HERE TO READ MORE ABOUT THIS BOOK

And here’s my review of FATAL INHERITANCE, also by Rachel Rhys

If you like this, try:-
‘The Vanishing of Audrey Wilde’ by Eve Chase
‘The Paris Apartment’ by Lucy Foley
‘The Snakes’ by Sadie Jones

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview MURDER UNDER THE TUSCAN SUN by Rachel Rhys https://wp.me/p2ZHJe-6Bp via @SandraDanby

COMING SOON… THE NEXT BOOK I REVIEW WILL BE:- Mick Herron

#BookReview ‘The Lamplighters’ by @StonexEmma #suspense

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The Lamplighters by Emma Stonex is a difficult story both to describe and to compartmentalise in genre. I, mistaken by the Author’s Note at the beginning which refers to a true incident in 1900, thought I would be reading a historical story. The action is set in 1972 and 1992. The genre is variously described as horror, ghost, thriller, suspense and mystery. I saw no evidence of ghosts and it doesn’t feel to me like a thriller. It is a story of human emotions and the consequences of actions, set against the atmospheric backdrop of the sea. Emma StonexCornwall, 1972. The Maiden Rock, a lighthouse on a rock tower out at sea, is the scene of a mysterious disappearance. When the relief boat arrives, all three men who should have been on the rock have gone. Are they dead, kidnapped, drowned, or disappeared to start a new life? The story of principal keeper Arthur Black, assistant keeper Bill Walker, and supernumerary assistant keeper Vince Bourne is told in two timelines – the men’s stories in 1972 and that of their wives 20 years later when they answer the questions of a journalist researching a book about the disappearances. But why now? And what secrets does he think these women have hidden all these years?
Stonex writes beautifully about the sea, the rugged beauty, the loneliness it conjures in the minds of men alone, within sight of their loved ones on shore but a million miles from their touch. The men’s lives are driven by the sun and the moon, the regimen of keeping their light going. Arthur loves early morning the best; ‘The time I think of you the most is when the sun comes up. The moment before, the minute or two, when night yawns for morning and the sea starts to separate from the sky. Day after day the sun comes back. I don’t know why. I’ve had my light safe here, shining through the dark and I’ll keep it shining: the sun needn’t bother today. But still he comes and still come my thoughts of you.’
The three men are loners, they have to be to survive the rigours of their job and living conditions. Being a lighthouse keeper attracts a certain personality. Each man has his own way of coping with the empty time; Bill carves seashells, they all smoke constantly. They talk politics, the space race, the Cold War. Each man has his loves, regrets, secrets, guilts and griefs. Are these on-shore things irrelevant to life at the Maiden, or do real life events invade their isolated world-within-a-world? Each man dwells in his own mind and as the weather worsens, the mind begins to play tricks.
This is more a story about the three men on the Maiden and less a closed-room thriller, less a what-happened-here mystery. And I was drawn more to the characters of the three men – their life on the Maiden, the effect of their isolation surrounded by the might of the sea and weather – than on the three women ashore and the answer to the mystery.
CLICK HERE TO READ MORE ABOUT THIS BOOK AT AMAZON

If you like this, try:-
‘Wolf Winter’ by Cecilia Eckback
‘Little Deaths’ by Emma Flint
‘Himself’ by Jess Kidd

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview THE LAMPLIGHTERS by @StonexEmma https://wp.me/p5gEM4-5cz via @SandraDanby

#BookReview ‘Whistle in the Dark’ by Emma Healey #mystery #suspense

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Whistle in the Dark by Emma Healey begins with an ending; a sixteen-year old girl, lost in the Peak District, has been found and is in hospital with her parents. Healey tells the story of the aftermath as Jen, Lana’s mother, tries desperately to unravel the truth of what happened to her daughter. In the face of Lana’s reluctance to speak, Jen’s desperation evolves into obsession and the story circles into myth, obfuscation and misunderstanding. For the reader, there is a lot to unravel. Emma HealeyTold entirely from Jen’s POV, by halfway through I was beginning to question Jen’s state of mind and whether she was an unreliable narrator. There is a lot of smoke and shadows in the telling of this story, interwoven with the crystals of Jen’s friend Grace, the fibs of Lana’s schoolfriend Bethany, the pragmatic questioning and Instagram comments by Jen’s mother Lily, and Jen’s fertile imagination. There were times when it felt a little like being whizzed around in a washing machine. But through it all shines Healey’s ability to draw pictures with words, “The heavy summer foliage that lined the motorway seemed to have taken on its own light, as if the sun had splintered into a thousand pieces and hung, glowing, on the trees. The whites of things, of dresses and china cups and tablecloths, was dazzling.”
I admit there were times in the final third when I just wanted the story to get on with it, to find out where Lana had been for those four missing days. I became as mystified as Jen and could understand her distraction, her inability to judge the truth of what was happening around her as Healey loads on the mysteries. Did Lana return home with an invisible friend? Or a ghost? Jen reads speculation online that something mystical had happened to Lana; she was abducted by aliens, had taken the stairs down to Hell, or stepped into a time circle. This was coupled with my feeling of indulgence on the part of the author, that some short anecdotes were included because they were interesting rather than essential. And then comes a wonderful snippy sentence that brings you back to the heart of everything; for example, when Jen is driving north, “Well, if she cried enough, Jen thought, at least she might not need to wee again for another forty miles.”
An interesting read. A study of the parental difficulties caring for a troubled teenager, where the line stands between caring and invasion of privacy, of how and when to trust a troubled adolescent and when to step in. A veritable minefield. Lana has a history of cutting and an overdose attempt before the disappearance; post-disappearance, Jen alternates between anger and frustration, and treading on eggshells. The online stalking, the shadowing on the walk to school, the listening at the bedroom door, all reinforce the lesson that a snooper often finds something unexpected, something worse, something that should remain private until revealed. A reminder that often the most simple explanation is true.
An interesting read and competent second novel, but not a compelling page-turner like Healey’s wonderful debut Elizabeth is Missing. 

And read my review of ELIZABETH IS MISSING, also by Emma Healey.

If you like this, try:-
‘Reservoir 13’ by Jon McGregor
‘Himself’ by Jess Kidd
‘Doppler’ by Erlend Loe

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview WHISTLE IN THE DARK by Emma Healey https://wp.me/p5gEM4-3hx via @SandraDanby

#BookReview ‘The Wicked Cometh’ by Laura Carlin #historical #suspense

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In the dark alleyways of London, in 1831, people are disappearing; the vulnerable poor, children, elderly, homeless. Missing posters line the streets. But none are found. The Wicked Cometh by Laura Carlin is a 19th century crime thriller with two women, divided by class and background, who are determined to find the truth but who never once suspect the depth of wickedness they will uncover. Laura CarlinWhen 18-year old Hester White is hit by a carriage, physician Calder Brock takes her to his London home. Cared for by his servants, he questions Hester about her birth. Ashamed of her bad luck – growing up at a country parsonage, she was orphaned and taken in by her parents’ servants whose own income declined so now they live in an East End slum – Hester hides her education with a deftly-adopted London accent. Brock rescues her as an experiment in educating the poor. He takes Hester to Waterford, his childhood home in the country, where he lives with his sister Rebekah and their Uncle Septimus. Rebekah is to be Hester’s tutor. What follows is a story of lies laid upon more lies, murder, theft, friendship and love. As the women set out to discover what happened to Hester’s missing cousin, and two servants who worked for Rebekah, they enter into an underworld neither guessed exists. Being female hinders their attempts to investigate and they put themselves into increasingly dangerous situations in their efforts to gather evidence.
This is a melodramatic rollercoaster which in places grew so convoluted that I at first re-read passages, but then simply skipped paragraphs. It would benefit from some robust editing. At its heart is a gruesome Victorian murder mystery and the love of two women. The answer to the mystery that Hester and Rebekah set out to solve – and I started with high hopes of the two female investigators – is perhaps predictable but the details are dense and colourful though at times needlessly confusing. Some of the descriptions are unbelievably gory, unnecessarily so.
There are two endings, difficult to describe without giving spoilers. Suffice to say I found the final ending unsatisfactory; too neat and tidy for me. The part of the book I enjoyed the most was the beginning, with the development of Hester’s character, her stop-start relationship with Rebekah, and the whispers that unsettle Hester so she doesn’t know who to trust. The London setting is well-written; the filth so real you can smell it. The medical detail is gruesome so be warned, a few pages require a strong stomach. Another positive is the two strong female protagonists.
I particularly liked Rebekah. All of this is well done. What let it down for me? It simply didn’t hold my attention in places.

If you like this, try:-
‘The Quick’ by Lauren Owen
‘The Secrets of Gaslight Lane’ by MRC Kasasian #4GOWERDETECTIVE
‘The Taxidermist’s Daughter’ by Kate Mosse

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#BookReview ‘The Doll Funeral’ by Kate Hamer #mystery #suspense

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The Doll Funeral by Kate Hamer is a dark, despairing and at times confusing tale of identity and the creeping links of family and genetics across the generations. It is about the difficult adoptive families, about ‘not fitting in’, and how blood families sometimes don’t work either. Ultimately, family is where you can find it and make it. Kate HamerRuby’s mother Barbara is a cleaning lady who nicks small things she thinks won’t be missed. Father Mick knocks Ruby around, forcing her to miss school until the bruises fade. Then on her thirteenth birthday, they tell her she is adopted. Ruby’s response is to run into the garden and sing for joy. Of course nothing is as simple as it appears.
Ruby, determined to find her birth parents, runs away and makes her way to the creepy home of a strange schoolfriend Tom. I found the thread of Tom, Crispin and Elizabeth rather unrealistic and at times gruesome. It does however act as an alternative take on dysfunctional families, wild children and parental neglect. The budding relationship of Tom and Ruby, two outsiders, is touching.
Ruby’s tale is alternated with that of her mother Anna who falls pregnant as a teenager, first abandoned and then reclaimed by her boyfriend. Although I empathised with Ruby, I found her viewpoint rather mature at times for 13. For me, the story of her search for family was complicated by her ability to see ghosts. She doesn’t know their names or identities, so she gives them names such as Wasp Lady and Shadow. Shadow is the most present, speaking with Ruby and passing her information. At times, Shadow seems threatening, at others like a brother/sister. When the identity of Shadow is finally revealed, it was underwhelming and an aside from the key storyline. Almost as if the author had too many good ideas and didn’t want to drop anything. That said, the cover is beautiful.
The portrayal of the forest, both Ruby and Anna grew up in the Forest of Dean, is vivid, at times both reassuring and threatening. The significance of the title, though, passed me by, and I would have liked more of Nana’s folk magic.
This is not a novel I can honestly say I enjoyed. It considers difficult, slippery topics and so, thankfully, there is no neat ending.

If you like this, try:-
‘Mobile Library’ by David Whitehouse
‘The Last of Us’ by Rob Ewing
‘Beginnings’ by Helen J Christmas

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
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#BookReview ‘Chosen Child’ by Linda Huber @LindaHuber19 #suspense #thriller

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This is a thriller which starts at a stroll and ends like a train. In Chosen Child by Linda Huber, the lives of two married women crash together. Linda HuberThe story starts starts with a childless couple who are part-way through the adoption procedure. Ella is desperate for a child, any child. Her husband Rick wants a baby boy. The first crack appears at an adoption party – where approved adoptive parents mingle with available children and their carers – when Ella makes an instant connection with a feisty six-year-old girl. Meanwhile Amanda’s pregnancy test shows the blue line but she doesn’t know if the father is her husband or her lover. I worked out the connection between the two women pretty quickly, but there is so much more to the story. The lies get more complicated, decisions are made then regretted, time cannot be turned back. And all the while six-year-old Soraya starts to wonder if Ella and Rick really are her forever family.
This is a thoughtful thriller about adoption, promises and the reasons for having children. This is Linda Huber’s fourth novel, now I want to read the others.

If you like this, try:-
‘Stolen Child’ by Laura Elliot
‘Pretty Baby’ by Mary Kubica
‘Before the Fall’ by Noah Hawley

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#BookReview CHOSEN CHILD by Linda Huber @LindaHuber19 via @SandraDanby http://wp.me/p5gEM4-2bI

#BookReview ‘Pretty Is’ by Maggie Mitchell #mystery #suspense

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This is not your ordinary abduction tale. The truth mingles with re-invention and obfuscation. Pretty Is is a promising debut by Maggie Mitchell, a study in memory, an examination of our ability to move on from difficult experiences, and how today’s celebrity culture makes it impossible to avoid the past. Maggie MitchellTwo 12-year old girls – Louis and Carly May – go missing in separate incidents, they are assumed dead. This is the story of their abduction, their life with their abductor Zed, and more importantly their life afterwards. But is what we are reading the true story, a lie, an embroidered version of what happened, or total fiction?
The story of the girls is told in tandem with what is happening to the adult women today. Both girls tried to move on but inevitably they felt cut off from everyone else so, as adults, they re-invented their pasts, their names, their identities. And so, page by page, the true story of what happened to Lois and Carly May is told. Or is it? Which of the girls is the most reliable story-teller?
Carly May becomes actress Chloe Savage, Lois is a university lecturer but also writes novels under a pseudonym. Both are hiding from the cult of celebrity enabled by the internet’s ability to archive old news, true news, mis-reported news.
Things hot-up when Lois writes a thinly-veiled fictionalised account of their abduction. The novel is made into a film, inevitably Carly May is cast as a detective. The film brings the two women together for the first time andmystery, as well as facing the after effects of their abduction, they must deal with a stalker, Sean, a student too interested in Lois’s background.
Some questions are left unanswered. The motivations of Zed in particular are sketchy. And although there is no doubting the connection forged between the two 12-year old girls, they do seem to accept their abduction rather apathetically.
CLICK HERE TO READ MORE ABOUT THIS BOOK

If you like this, try:-
‘Reservoir 13’ by Jon McGregor
‘The Good Girl’ by Mary Kubica
‘Stolen Child’ by Laura Elliot

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview PRETTY IS by Maggie Mitchell http://wp.me/p5gEM4-1U8 via @SandraDanby