Tag Archives: women’s fiction

A poem to read in the bath… ‘Because I could not stop for Death’

#BookReview ‘Whistle in the Dark’ by Emma Healey #mystery #suspense

Whistle in the Dark by Emma Healey begins with an ending; a sixteen-year old girl, lost in the Peak District, has been found and is in hospital with her parents. Healey tells the story of the aftermath as Jen, Lana’s mother, tries desperately to unravel the truth of what happened to her daughter. In the face of Lana’s reluctance to speak, Jen’s desperation evolves into obsession and the story circles into myth, obfuscation and misunderstanding. For the reader, there is a lot to unravel. Told entirely from Jen’s POV, by halfway through I was beginning to question Jen’s state of mind and whether she was an unreliable narrator. There is a lot of smoke and shadows in the telling of this story, interwoven with the crystals of Jen’s friend Grace, the fibs of Lana’s schoolfriend Bethany, the pragmatic questioning and Instagram comments by Jen’s mother Lily, and Jen’s fertile imagination. There were times when it felt a little like being whizzed around in a washing machine. But through it all shines Healey’s ability to draw pictures with words, “The heavy summer foliage that lined the motorway seemed to have taken on its own light, as if the sun had splintered into a thousand pieces and hung, glowing, on the trees. The whites of things, of dresses and china cups and tablecloths, was dazzling.”
I admit there were times in the final third when I just wanted the story to get on with it, to find out where Lana had been for those four missing days. I became as mystified as Jen and could understand her distraction, her inability to judge the truth of what was happening around her as Healey loads on the mysteries. Did Lana return home with an invisible friend? Or a ghost? Jen reads speculation online that something mystical had happened to Lana; she was abducted by aliens, had taken the stairs down to Hell, or stepped into a time circle. This was coupled with my feeling of indulgence on the part of the author, that some short anecdotes were included because they were interesting rather than essential. And then comes a wonderful snippy sentence that brings you back to the heart of everything; for example, when Jen is driving north, “Well, if she cried enough, Jen thought, at least she might not need to wee again for another forty miles.”
An interesting read. A study of the parental difficulties caring for a troubled teenager, where the line stands between caring and invasion of privacy, of how and when to trust a troubled adolescent and when to step in. A veritable minefield. Lana has a history of cutting and an overdose attempt before the disappearance; post-disappearance, Jen alternates between anger and frustration, and treading on eggshells. The online stalking, the shadowing on the walk to school, the listening at the bedroom door, all reinforce the lesson that a snooper often finds something unexpected, something worse, something that should remain private until revealed. A reminder that often the most simple explanation is true.
An interesting read and competent second novel, but not a compelling page-turner like Healey’s wonderful debut Elizabeth is Missing.

And read my review of ELIZABETH IS MISSING, also by Emma Healey.

If you like this, try:-
‘Reservoir 13’ by Jon McGregor
‘Himself’ by Jess Kidd
‘Doppler’ by Erlend Loe

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview WHISTLE IN THE DARK by Emma Healey https://wp.me/p5gEM4-3hx via @SandraDanby

First Edition: Rebecca

#BookReview ‘Vanishing Acts’ by Jodi Picoult #contemporary

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This is the first book by Jodi Picoult which I have read, so I wasn’t sure what to expect. I would describe Vanishing Acts as long, intriguing, multi-layered. Is it the greatest? No, but it makes me want to read more of her books. Her multiple-perspectives mean you get a 360° view of a situation and see how different people view the same thing, something we are not always privy to in real life. Delia Hopkins lives in New Hampshire with her widowed father Andrew and her daughter Sophie. She works with her own search-and-rescue bloodhound to find missing people. She is about to marry Eric, a friend since childhood. Everything seems happy, except for strange dreams which she cannot explain. ‘I am little, and he has just finished planting a lemon tree in our backyard. I am dancing around it. I want to make lemonade, but there isn’t any fruit because the tree is just a baby. How long will it take to grow one? I ask. A while, he tells me. I sit myself down in front of it to watch. He comes over and takes my hand. Come on, grilla, he says. If we’re going to sit here that long, we’d better get something to eat.’ Fitz, a journalist, who also grew up with Delia and Eric, cannot explain the significance of the lemon tree. But the puzzles keep coming, after a policeman knocks on the door and arrests her father for kidnapping.
This is a story about repressed memory and triggered memory, the difference of which is central to the court case which is the core of this novel. It is about trust, instinct and loyalty and how sometimes the hardest thing to do is the right thing to do.
It is a long book and some sections felt over-written, a style I sometimes find with American authors; using two metaphors where one will do. But the plotting is excellent and the rope of tension pulls you mercilessly onwards.

And read the first paragraphs of VANISHING ACTS and NINETEEN MINUTES, both by Jodi Picoult.

If you like this, try:-
‘Somewhere Inside of Happy’ by Anna McPartlin
‘Something to Hide’ by Deborah Moggach
‘Crow Blue’ by Adriana Lisboa

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview VANISHING ACTS by Jodi Picoult via @SandraDanby http://wp.me/p5gEM4-2uE

#BookReview ‘The Last of the Greenwoods’ by Clare Morrall #contemporary

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Clare Morrall is so good at writing about people on the margins. In The Last of the Greenwoods, Johnny and Nick Greenwood are estranged brothers who live separately in two abandoned, adjacent railway carriages; with shared kitchen and bathroom. They are adept at avoiding each other. Nick lives in Aphrodite on the right, Johnny in Demeter on the left. Aphrodite has horizontal blinds at the windows, open at a slant so someone inside can look out but no-one outside can see in. Demeter’s windows are unknowable with permanently drawn curtains. The carriages sit amidst trees and shrubs, hidden from the main road in Bromsgrove, West Midlands. They have been the brother’s world since they were boys. Until one day, into the lives of these emotionally separated but geographically close brothers comes a letter which reignites haunted memories. “The floor is vibrating under his feet, there’s a sensation of motion, as if the train has started to move. What’s happening? Is he slipping backwards, losing his place in the present and tumbling back to the past? How can this be?”
The letter is from their older sister, Debs; the sister who was murdered when the boys were children. As the brothers consider whether the letter is real, a fake, or a joke we learn more about their background via Zohra, the postwoman who delivered the letter. Zohra has a past of her own which she tries to forget. What brings together these seemingly disparate story strands? Trains? And what effects change in the lives of the Greenwoods and Zohra? Trains.
Slowly, with exquisite and often humorous detail, Morrall unravels the mysteries of the past, building a picture of these people’s lives. They are ordinary people but in telling their story she makes them extraordinary, reminding us that the life of each of us has a story to tell and that elements of life can be repetitive. “Are they doomed to repeat the same mistakes over and over again – play, replay, round and round on an endless loop?”
Running throughout is the question of verifiable identity: the woman who returns could be Deb, or Deb’s friend Bev pretending to be Debs; and who are the girls who harassed Zohra on social media, did they use their real names or not? The brothers consider how they can accept Debs, do they need evidence, DNA proof, or can they trust their instincts? And why are the two brothers not talking?
Another masterful Morrall novel.

Click the title to read my reviews of these other novels by Clare Morrall:-
AFTER THE BOMBING
NATURAL FLIGHTS OF THE HUMAN MIND
THE LANGUAGE OF OTHERS
THE MAN WHO DISAPPEARED
THE ROUNDABOUT MAN

Read the first paragraph of ASTONISHING SPLASHES OF COLOUR here.

If you like this, try:-
‘If I Knew You Were Going to be This Beautiful, I Never Would Have Let You Go’ by Judy Chicurel
‘The Lie of the Land’ by Amanda Craig
‘Skin Deep’ by Laura Wilkinson

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview THE LAST OF THE GREENWOODS by Clare Morrall https://wp.me/p5gEM4-3iT via @SandraDanby

#BookReview ‘The Night Child’ by Anna Quinn #mystery

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The Night Child by Anna Quinn caught me by surprise and took off racing from the first page so that I read half the book at my first sitting. But it is not a thriller, it was simply that I didn’t want to stop reading. I confess to selecting the book on my Kindle having forgotten the book blurb; perhaps I should do that more often. Nora Brown teaches teenagers about Shakespeare and poetry; so she knows about the imagination, imagery and dreams. Then one day at work, floating in front of her she sees the face of a blue-eyed girl, a face without a body. Quinn writes about Nora’s fear, panic, guilt, shame, with an insight into the private mind and this made me believe Nora from page one. Seeking answers, she talks to a psychiatrist and so starts an unravelling of Nora’s past, a past buried so deep she had no idea of its existence. As the revelations pick up pace, she must deal with a damaged teenager at school, decide whether to confront her unfaithful husband Paul, and reassure her six-year-old daughter Fiona. Stress layered on top of stress, which makes the child’s face appear more often. Soon she hears the accompanying voice too.
Why have Nora’s difficulties started now? Is there a connection with Fiona, who has just celebrated her sixth birthday? Is the trigger to do with Nora’s own sixth birthday? At the root of it all, perhaps not surprisingly, is the death of her mother and the subsequent abandonment by her father. The only constant in her life is her younger brother James. Raised by their grandfather in Ireland, Irish myths and Catholic saints are woven throughout Nora’s story. The present day action takes place between Thanksgiving in November 1996 and February 1997.
This is the sort of book which makes you think ‘please not that’ and turn the page to see if you have guessed correctly. The subject is not new but Quinn approaches it from a fresh angle which shows how the impact of childhood unhappiness can be repressed only to reappear with a vengeance decades later. I liked Nora. She is not a victim. At first she is afraid she is going ‘crazy’. Her primal instinct is to protect her own child, she constantly reassures Fiona that she loves her ‘beyond the stars and back’. But as the memories begin to return thick and fast in her sessions with psychiatrist David, things also unravel at home as Paul accuses her of being ‘a zombie’. David reminds her that she is in control but to ‘be careful not to scare yourself’. Where will the memories lead her and will she be able to cope?
I really enjoyed this book. It came as a bolt out of the blue after having read a series of historical novels. It is a powerful and sensitive portrayal of emotional damage and a person’s capacity to face it and recover. This is a debut, but I would never have guessed, it is written with a steady hand and full heart. The juxtaposition of Quinn’s beautiful prose, and her subject matter, is startling.
CLICK HERE TO READ MORE ABOUT THIS BOOK

If you like this, try:-
‘The Hoarder’ by Jess Kidd
‘The Crows of Beara’ by Julie Christine Johnson
‘Something to Hide’ by Deborah Moggach

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview THE NIGHT CHILD by Anna Quinn https://wp.me/p5gEM4-36G via @SandraDanby

#BookReview ‘Highland Fling’ by Nancy Mitford #satire #historical

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First published in 1931, Highland Fling is the first novel by Nancy Mitford and the first I have read, determined to read them in order. What a breath of fresh air it was after reading two detailed historical novels, this light frothy concoction made me chuckle. An amusing observer of manners, Mitford excels at that peculiar type of incomplete conversation between two people gossiping about mutual acquaintances in which each completes the other’s sentences. This is a novel of its time, upperclass wealth, upperclass lack of wealth, centuries of families and traditions the roots of which have been forgotten, and the juxtaposition of bluff country old-timers with Bright Young Things from London. Highland Fling is set in a Scottish castle, a closed-room setting, loved by crime writers, which Mitford uses mercilessly to compare and contrast. It is a world with which the author knows well and at which she gently pokes fun.
Young artist Alfred Gates returns from Paris to London and visits his newly-married friends Walter and Sally. Sally’s parents are called away and the three friends go to Scotland to host the parent’s shooting party. As well as the shooting guests, including stodgy old-fashioned military and aristocratic types, the younger guests include Jane Dacre who fancies herself in love with the effete Albert. Albert, who dresses in brightly-coloured flamboyant clothing which offends the traditionalists, searches Dalloch Castle for examples of Victorian decorative accessories which he photographs for his book. While the shooting guests are up at dawn and tramp around the moorland, the youngsters rise at midday and drink champagne for breakfast. Teasing, of old by young, is inevitable with the hapless victims suspicious but unable to produce proof of their tormenters. Mitford mines the humour by placing both groups in close proximity and letting them clash, on a shoot, and a visit to the local highland games.
As a first novel this gave me a taster of Mitford’s acerbic wit and observation of social manners, acute in its sharpness of both old and young, wealthy and not, though crude in some instances.
CLICK HERE TO READ MORE ABOUT THIS BOOK

Read my reviews of these other novels by Nancy Mitford:-
CHRISTMAS PUDDING
LOVE IN A COLD CLIMATE
PIGEON PIE
THE BLESSING
THE PURSUIT OF LOVE
WIGS ON THE GREEN

Read the first paragraph of THE PURSUIT OF LOVE here.

If you like this, try:-
‘Curtain Call’ by Anthony Quinn
‘Miss Pettigrew Lives for a Day’ by Winifred Watson
‘Quartet’ by Jean Rhys

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview HIGHLAND FLING by Nancy Mitford http://wp.me/p5gEM4-2TH via @SandraDanby

#BookReview ‘The Last Day’ by Claire Dyer @ClaireDyer1 #contemporary

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Love is complicated, modern families are complicated, and a line cannot be drawn before and after. Whenever there is a last day, there is a first day too. That’s the theme of The Last Day by Claire Dyer, a deftly managed part-study of grief and mourning, part-teaser about how past events always affect the present. Boyd and Vita were married, now separated; Boyd owns an estate agency, Vita paints portraits of pets. Both have new relationships. Added to the mix is Boyd’s elderly mother irascible mother. When Boyd has a big tax bill, he and his girlfriend move back in with Vita. The collision of these three people has unforeseen results. So much of what we see at the beginning of this novel is unexplained, unravelling as the pages turn. It is tightly written with a minimal cast of characters. When you think you’ve got it worked out, there is another twist. Everyone is hiding something.
At the heart of the book is Honey Mayhew, except that’s not her real name. She is the catalyst of change. Wearing charity shop clothes and a smiling assured attitude, she goes for an interview at Harrison’s Residential and gets the job. Her connection with Boyd, as they sit in the car as it goes through a car wash, is transforming. Dangling in front of her is the temptation of a new life with an older man. Conformity. Security. Love. But Honey, addicted to horoscopes and superstition, a young twenty-seven year old, is mercurial. At times she seems more like the feisty troublesome teenager she was not so long ago. What happens to Honey as she is thrown into the very adult world of Boyd and Vita’s romance/marriage/separation/amicable friendship changes everything; it wouldn’t be a novel if it didn’t.
Living together, none of the three have bargained for the re-stirring of old memories in the house, and the tugging of anger and regret. Honey, because she is young and inexperienced; Boyd, because he is emotionally blocked; and Vita, because she considers she has moved on with her painting and her convenient relationship with Colin next door. Dyer is good at portraying the small details, the daily things. How Honey sits upstairs in bed in the morning, hearing Boyd and Vita reassume their old morning habit of coffee and crossword clues. How Boyd buys his mother some handkerchiefs for Christmas. How Vita watches families play in the park, and her bones feel heavy in her body.

Read my review of Dyer’s THE PERFECT AFFAIR and her poetry anthology YIELD.

If you like this, try:-
‘The Last Days of Rabbit Hayes’ by Anna McPartlin
‘Etta and Otto and Russell and James’ by Emma Hooper
‘Please Release Me’ by Rhoda Baxter

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview THE LAST DAY by Claire Dyer @ClaireDyer1 https://wp.me/p5gEM4-38t via @SandraDanby

#BookReview ‘Then She Was Gone’ by Lisa Jewell @lisajewelluk #thriller

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Then She Was Gone by Lisa Jewell is a delight, the page-turning story of a disappeared teenager whose experience was something I did not expect. An excellent un-thriller; that’s a phrase I use after giving it some thought. This is not a psychological thriller in that it is frightening. It didn’t make my pulse race with a sense of danger, but it did make me very curious. Ellie Mack is fifteen the day she fails to come home from the library, she is due to take her GCSE examinations the following week. She is a clever student, a golden girl. But she disappears, never to be seen again. Life goes on. Except it doesn’t for her family, each being trapped in some way by Ellie’s absence. Until ten years later when Ellie’s mum Lauren, now divorced, meets a nice bloke in a café. Her ex, Paul, has a new partner and so do Ellie’s siblings. Laurel is the one who is really stuck, visiting her elderly mother bed-ridden after a stroke. Then she meets Floyd and his daughters Poppy and SJ, and she blossoms.
I would like to say from the beginning I had unsettling feelings of the ‘that’s not quite right’ variety, but I didn’t. Instead the doubts crept in stealthily until the full truth dawned on me at 72% on my Kindle. And then it hit with a sledgehammer.
This is a clever book written by an author who has matured enormously over the years in the subjects she tackles.
Then She Was Gone doesn’t set out to be frightening, at least I don’t think that is the author’s primary intent. I think she started with a ‘what if’ scenario and let it unfold from there. It is a puzzle involving characters so real you feel you know them, that it could be happening to you; and that’s what makes it so powerful.

And here are my review of two other thrillers by Lisa Jewell:-
I FOUND YOU
THE GIRLS

If you like this, try:-
‘The Good Girl’ by Mary Kubica
‘Chosen Child’ by Linda Huber
‘Stolen Child’ by Laura Elliot

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview THEN SHE WAS GONE by Lisa Jewell @lisajewelluk http://wp.me/p5gEM4-2Td via @SandraDanby

#BookReview ‘Girl in Trouble’ by Rhoda Baxter @RhodaBaxter #romance

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Funny, sad and believable: Girl in Trouble by Rhoda Baxter is the third in her Smart Girls series and, though some of the characters have cameo appearances throughout the series, can be read alone. Which is what I did, quickly, particularly enjoying the second half of the story. I was worried that the first chapter, in which we meet Olivia at a stag night, meant the book would be too chick lit for me but as the story progresses the themes become darker and complex. Olivia is thirty, relationship-phobic and surrounded by friends. She is quite independent, thank you very much and does not need a man to look after her. She has never been in love, never allowed herself to be in love and knows this dislike/distrust of men can be traced back to her father who left her and her mother when she was a child. She also has a health issue that makes pregnancy a big risk, though to be honest I was a little in the dark about the specifics of this. Instead she is a serial one-night girlfriend. When she falls accidentally pregnant, Olivia thinks the decision to have an abortion is straightforward and sensible. Of course life gets in the way, in two ways. Firstly her absent landlord Walter, who lives in the upstairs flat, returns home and is hot and funny and makes her feel comfortable in a cosy sexy way; a first for Olivia. And then her absent father arrives on her doorstep.
This is a fast-paced well-written novel which runs the gamut of emotions from chuckles to tears to pain. Relationships within broken families, as the years pass, are not simple and Baxter explores the unresolved tension and anger of Olivia and her mother Liz towards her father Trevor. Graham, her stepfather, has been a calm and loving influence on Olivia since her teens, but she only starts to appreciate this once Trevor returns to the scene. The father/daughter theme is echoed also in Walter’s storyline. His divorced wife Charlotte is to remarry and take their daughter, Emily, to live in America. Walter, absent because of work through many of Emily’s baby years, realises what he has missed just as he is about to lose it.
If you like your girls to be girly then Olivia does not fit that profile. She keeps her thoughts to herself and is quite complex in her behaviour. She does not want children and, in discussions with her friend Ruchi, the for/against options for abortion are explored with Ruchi, at first, unhappy at her friend’s viewpoint. So although the cover design is bright and cheerful, Girl in Trouble touches on some serious topics in a balanced and thoughtful manner. I would have liked to know more about Olivia’s work life as a solicitor though, in fact Walter’s career as a marine biologist is explained in much more detail.
If you’re going on holiday, or a long train journey, you will devour this.

Read my review of PLEASE RELEASE ME, also by Rhoda Baxter.

If you like this, try:-
‘Butterfly Barn’ by Karen Power
‘One Step Too Far’ by Tina Seskis
‘Stormy Summer’ by Suzy Turner

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview GIRL IN TROUBLE by Rhoda Baxter @RhodaBaxter http://wp.me/p5gEM4-2Wf via @SandraDanby

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SANDRA DANBY'S BOOK REVIEWS

Sharing thoughts on the books I read, new authors, favourite authors, classics re-visisted

Tag Archives: women’s fiction

A poem to read in the bath… ‘Because I could not stop for Death’

#BookReview ‘Whistle in the Dark’ by Emma Healey #mystery #suspense

First Edition: Rebecca

#BookReview ‘Vanishing Acts’ by Jodi Picoult #contemporary

#BookReview ‘The Last of the Greenwoods’ by Clare Morrall #contemporary

#BookReview ‘The Night Child’ by Anna Quinn #mystery

#BookReview ‘Highland Fling’ by Nancy Mitford #satire #historical

#BookReview ‘The Last Day’ by Claire Dyer @ClaireDyer1 #contemporary

#BookReview ‘Then She Was Gone’ by Lisa Jewell @lisajewelluk #thriller

#BookReview ‘Girl in Trouble’ by Rhoda Baxter @RhodaBaxter #romance

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