Author Archives: sandradan1

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About sandradan1

Novelist. I blog about writing, reading and everything to do with books and writing them at http://www.sandradanby.com/. Come and visit me!

A poem to read in the bath… ‘Do Not Go Gentle into That Good Night’ by Dylan Thomas #poetry

Dylan Thomas’s most famous, arguably most familiar, poem is a villanelle with five stanzas of three lines followed by a single stanza of four lines, making a total of 19 lines. It is structured with two repeating rhymes, ‘Do not go gentle into that good night’ and ‘Rage, rage, against the dying of the light’. Written in 1947 when Thomas was in Florence with his family, it is popularly thought to refer to the death of his father though his father did not die until 1952. In contrast to many poems of death, popular for reading at funerals, this speaks clearly and strongly at the anger and resentment at dying.

Dylan Thomas

[photo: poetryfoundation.org]

Due to copyright restrictions, I cannot reproduce the whole poem here. Please search for the full poem in an anthology or at your local library.

‘Do Not Go Gentle into That Good Night’

Do not go gentle into that good night,
Old age should burn and race at close of day;
Rage, rage, against the dying of the light.

 
Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.

 
Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage, against the dying of the light.

Dylan ThomasBUY THE BOOK

Dylan ThomasThomas’s best known poem has been referenced frequently in popular culture. In the 1996 film Independence Day, the president gives a rousing speech to his bedraggled army as they prepare to fight the aliens, saying “We will not go quietly into the night.”
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Dylan ThomasIn the 2014 film Interstellar, the poem is quoted frequently by Michael Caine’s character, Professor John Brand, while Matthew McConaughey and Anne Hathaway are sent into hyper sleep with the words, “Do not go gentle into that good night.”
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Read these other excerpts and find a new poet to love:-
Dunt: A Poem for a Dried-Up River’ by Alice Oswald 
After a Row’ by Tom Pickard
My Mother’ by Ruby Robinson

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
A #poem to read in the bath: ‘Do Not Go Gentle into That Good Night’ by Dylan Thomas https://wp.me/p5gEM4-4bZ via @SandraDanby

#BookReview ‘Scratched Enamel Heart’ by Amanda Huggins @troutiemcfish #shortstories

Scratched Enamel Heart, the latest collection by award-winning short story writer Amanda Huggins, does not disappoint. Featuring ‘Red’, the story shortlisted for the 2019 Costa Short Story Award, the other stories include some gems. Amanda HugginsThere are three stories that stayed with me, returning to me at unexpected moments when I had moved on to another book.
‘Light Box’ is about Alice, a daughter grieving for the loss of her father but glad to be free of the stepmother she never liked, who had tried to wipe the house and their memories clear of Alice’s mother. Huggins has a wonderful simplicity of description that feels just right, such as the beach, ‘a slip of a thing, a nail clipping of pale sand beneath a wide sky.’
With a darker tone than any other story by Huggins that I recall reading before, ‘Uncanny’ is unsettling. When I remember it, it leaves a sense of discomfort. Like looking over your shoulder when walking in the dark, clutching your bag to your side. Perhaps she should try writing suspense fiction. Alan eats every night in the same café where Carol is a waitress. It starts when she comments that a blue shirt would suit him, would go with the colour of his eyes. He buys five.
The last story in this collection, ‘This Final Perfect Thing’ is unbearably poignant. A perfect, short, short story. This is what Huggins excels at, distilling human emotion into two pages that anyone can read and feel deeply too.
Huggins is a consummate story writer, as comfortable with the long form as with the briefest of flash fictions and poetry. Her settings vary from India to Japan, Istanbul to the English seaside and she makes each location real, real for her characters and real for me as I read.

Read my reviews of other work by Amanda Huggins:-
Novellas
ALL OUR SQUANDERED BEAUTY
CROSSING THE LINES
THE BLUE OF YOU
Short stories
AN UNFAMILIAR LANDSCAPE
BRIGHTLY COLOURED HORSES
EACH OF US A PETAL
SEPARATED FROM THE SEA
Poetry
THE COLLECTIVE NOUNS FOR BIRDS

If you like this, try:-
Staying Afloat’ by Sue Wilsea
The Dreams of Bethany Mellmoth’ by William Boyd
All the Rage’ by AL Kennedy

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:-
#BookReview SCRATCHED ENAMEL HEART by Amanda Huggins @troutiemcfish https://wp.me/p5gEM4-4ZY via @SandraDanby

#BookReview ‘The Bird in the Bamboo Cage’ by @HazelGaynor #WW2

What an engrossing story this is if you’re looking for a world to lose yourself in, a world more horrific and frightening than we can ever imagine. A war story that is at times both traumatic and heart-warming, The Bird in the Bamboo Cage by Hazel Gaynor tells the story of a teacher and pupil interned in China during World War Two, a story often forgotten and seldom told. Hazel GaynorBased on the true story of a real school – the China Inland Mission’s Chefoo School in Yantai, Shandong province in northern China – as the Japanese army invades and school life is changed overnight. Gaynor tells her fictionalised story through the viewpoints of teacher Elspeth Kent and pupil Nancy ‘Plum’ Plummer. Elspeth is struggling to write a letter of resignation, intending to return home and join the war effort, when war arrives at the school gates. At first Chefoo School proudly continues to operate under armed guard but after the Japanese attack of Pearl Harbour in December 1941 and the entry of America into the war, the school is moved to Temple Hill internment camp and later to Weihsien. At each step, privations, hardships, hunger, threat and sexual exploitation threaten teachers, pupils and the wider camp community.
Elspeth and Plum offer different perspectives on what is happening and we see the growing friendship and respect between the two women, because Plum starts off a child and grows as a woman unable to remember her mother, unsure if she will ever see her parents again. The teachers truly are ‘in loco parentis’ when the school is relocated and the children learn to support each other, to endure hardship by recognising there is always someone worse off than you and that everyone is a person in their own right [pupils, teachers, guards, fellow internees, night soil women] with their own hopes, dreams and fears. They face hunger, theft and personal attack. Gaynor portrays the school’s protestant ethic with a light hand, instead making Elspeth Brown Owl of Chefoo’s Guides and using the Girl Guide Handbook’s mottos as a thematic skeleton. For each new challenge they meet there is a guiding motto to help them face what must be done.
I am not a lover of all ends being neatly tied and certainly this book is not perfect – chunks of time pass in brief summary paragraphs and at times the action seems delayed with detail of the school day – but Gaynor has created a world of prisoners and enemy that made me want to read on. Of course, we know how the war ended but we so want to know what happens to each pupil and teacher.
Essentially this is a novel about the strength and value of friendship and loyalty, the love that binds people together and enables them to survive horrific situations.

Read my reviews of these other novels by Hazel Gaynor:-
THE COTTINGLEY SECRET
THE LAST LIFEBOAT … and try the #FirstPara of THE LAST LIFEBOAT.

If you like this, try:-
White Chrysanthemum’ by Mary Lynn Bracht
The Translation of Love’ by Lynn Kutsukake
The Gift of Rain’ by Tan Twan Eng

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview THE BIRD IN THE BAMBOO CAGE by @HazelGaynor https://wp.me/p5gEM4-4ZN via @SandraDanby

Great Opening Paragraph 130 ‘Gilead’ #amreading #FirstPara

“I told you last night that I might be gone sometime, and you said, Where, and I said, To be with the Good Lord, and you said, Why, and I said, Because I’m old, and you said, I don’t think you’re old. And you put your hand in my hand and you said, You aren’t very old, as if that settled it. I told you you might have a very different life from mine, and from the life you’ve had with me, and that would be a wonderful thing, there are many ways to life a good life. And you said, Mama already told me that. And then you said, Don’t laugh! Because you thought I was laughing at you. You reached up and put your fingers on my lips and gave me that look I never in my life saw on any other face besides your mother’s. It’s a kind of furious pride, very passionate and stern. I’m always a little surprised to find my eyebrows singed after I’ve suffered one of those looks. I will miss them.”
Marilynne RobinsonFrom ‘Gilead’ by Marilynne Robinson

Read my reviews of these novels by Marilynne Robinson:-
GILEAD
HOME
HOUSEKEEPING
JACK

Try one of these #FirstParas & discover a new author:-
Agnes Grey’ by Anne Bronte
The Big Sleep’ by Raymond Chandler
The Collector’ by John Fowles

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#Books #FirstPara GILEAD  by Marilynne Robinson https://wp.me/p5gEM4-4eD via @SandraDanby

#BookReview ‘The Diabolical Bones’ by Bella Ellis #historical #crime

If you’ve never read a novel by one of the Brontë sisters, it doesn’t matter. There is plenty to enjoy about the Brontë Mysteries by Bella Ellis without figuring out the innumerable references to Wuthering Heights, Jane Eyre and The Tenant of Wildfell Hall. The Diabolical Bones is second in the crime series after the impressive first, The Vanished Bride. This one is better, and darker. Bella EllisWhen bones are found interred in the walls of a local house on the moor, the three detecting sisters and reluctant brother Branwell set out to confirm the child’s identity so it can be respectfully buried. There are few clues; the location of the find, the father and son who live in the house, the age of the child, and a medallion found with the bones. Top Withens, the remote house concerned, is said to be Emily’s inspiration for the house of the Earnshaw family, Wuthering Heights.
Ellis has constructed a convincing world for the sisters; the parsonage, their blind father, housekeeper Tabby, the villagers in Haworth and wider circle of acquaintances. The charm of this portrayal of the Brontës is the strength of the series. Branwell’s presence is key as in 1852, lone women could not venture out as the sisters do here without the company of a man. The portrayal of the sisters is fascinating, the dynamic between the three, the shared history and understanding of each other, the irritations and the love, their intellectual capabilities, their doubts and bravery. Each has differing strengths which lend weight to the investigations. Emily is impulsive and inspired, Anne is calm and logical, Charlotte is clever but insecure. As Anne says, ‘Detecting does seem to involve a great deal of time looking for something that might not exist.’
It is winter and freezing cold and as the sisters wrap themselves in cloaks to adventure outdoors, the atmosphere is dark and Gothic. Social issues are addressed; the exploitation of orphan children, the plight of urban and rural poor, the prejudice against Irish immigrants, the privilege of wealth.
Of course, the reward when reading crime novels is to spot the murderer early in the tale. I admit to thinking ‘surely it’s not…’ This plot is well constructed; read it and see if you spot any early clues. The story skips along at a fair pace and when I put the book down, I was always longing to read just another chapter.
The series is fast becoming a favourite. Brilliant escapism.

Click the title below to read my reviews of these other Bella Ellis novels:-
THE VANISHED BRIDE #1BRONTEMYSTERIES
THE RED MONARCH #3BRONTEMYSTERIES
A GIFT OF POISON #4BRONTEMYSTERIES

And one by Rowan Coleman [aka Bella Ellis]:-
THE GIRL AT THE WINDOW 

If you like this, try:-
‘A Death in the Dales’ by Frances Brody
The Mystery of Three Quarters’ by Sophie Hannah
Yuki Chan in Bronte Country’ by Mick Jackson

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview THE DIABOLICAL BONES by Bella Ellis https://wp.me/p5gEM4-4YZ via @SandraDanby

#BookReview ‘How to Belong’ by Sarah Franklin #contemporary

How to Belong by Sarah Franklin considers what it is to belong – in a place, and within a family – and how not belonging affects one’s wellbeing. Like Franklin’s successful debut novel Shelter, How to Belong is set in the Forest of Dean, at times a stifling woodland location where community seems set beneath a magnifying glass in which everyone knows everyone else’s business and they rub along together. Except, they don’t if you don’t belong. Sarah FranklinThis is the story of two women who don’t belong; one believes she does, the other thinks she is too different. Jo Porter grew up in the forest, daughter of the local butcher, and close friends with Liam whose single mum sometimes struggled to cope. Liam grew up learning to recognise his mum’s good and bad times and what to do when the bad periods happened, knowing there was always sanctuary provided by Jo’s parents. When Jo leaves the forest for university and then to work as a lawyer, Liam stays at home, marries Kirsty and has two daughters.
Tessa is a farrier, loving her solitary job in the open air, working with horses. When her romance in Bristol with Marnie turns sour, Tessa retreats to the country and into herself, blaming her fainting fits, her memory losses and secretly afraid she is ill.
When Jo’s parents retire, Jo surprises everyone by leaving London and the law to return to the Forest and take over her parents’ business. She rents a room in Tessa’s remote cottage. Things don’t go as Jo expected. Butchering is not her natural occupation despite having practically grown up in the shop at her parents’ knees, her landlady proves herself silent and uncommunicative, and worst of all Liam seems to be giving her the cold shoulder. Meanwhile, Tessa has crashed her van and is earning barely enough to feed herself. When Jo tries to help diagnose Tessa’s illness, things don’t go according to plan. While Tessa keeps her secrets to herself, Jo doesn’t understand her own motivation in wanting to help her landlady. Neither woman appreciates the effect that their actions have on others, neither feels comfortable in the role of landlady/lodger perhaps because they are unsure of their own identity. It’s difficult to fit into a place if you’re not sure why you are there, whether you should be there, and if you are running towards or away from something.
The contemporary setting is very different from the wartime story of Shelter. This is a character study of two women lacking self-awareness who begin to understand themselves through their new friendship. When awareness arrives, it is raw and uncompromising. At times I grew impatient with each of them, perhaps because the author had to withhold some information about them in order to maintain the mysteries from their past until the end is reached. The end, when it came, felt like a rather quick shutting of the door.
The cover of How to Belong is one of my favourites of this year, but then I love trees.

Read my review of SHELTER also by Sarah Franklin.

If you like this, try:-
We Are All Completely Beside Ourselves’ by Karen Joy Fowler
Offshore’ by Penelope Fitzgerald
The Lost Lights of St Kilda’ by Elisabeth Gifford

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview HOW TO BELONG by Sarah Franklin https://wp.me/p5gEM4-4Qb via @SandraDanby

My Porridge & Cream read… Ian Gouge #books #writerslife

Today I’m delighted to welcome poet and novelist Ian Gouge.  His ‘Porridge & Cream’ read is EM Forster’s A Passage to India.

“My ‘Porridge & Cream’ novel is perhaps an unfashionable choice: EM Forster’s A Passage to India. I first read the novel in 1976 when, having dropped out of school two years earlier, I enrolled at a sixth-form college to study A Levels before going on to take English at university. A Passage to India was one of the set texts, and – along with Auden and Yeats – responsible for kindling my love of literature.

Ian Gouge

Ian’s copy of ‘A Passage to India’ by EM Forster

“I don’t re-read it that often, although I have done so this year – and, to be frank, was a little shocked by how dated it now seems. But for me it’s one of those books (like Heart of Darkness, which ran the Forster a close second!) where it is probably enough to know that it’s there should I ever need it. Perhaps my attachment to it is more about memory than anything. The images of the caves, a fantastic passage about wasps and heaven, the way Forster makes the landscape and environment resonate with the characters’ emotions – yes, it’s all of that, of course, but probably more important is the part it played in launching me on my literary journey.”

Ian Gouge

‘A Passage to India’ by EM Forster – Penguin current edition

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Ian’s Bio
Ian has been writing since he was five-years-old, and can still just about remember his first story! He enjoys both poetry and fiction and finds working at both genres simultaneously keeps them fresh. He always has at least two projects on the go. When he discovered indie publishing around eight years ago it was like finding his voice all over again. Since then he has not only published his back catalogue but has been particularly prolific in the last three years. He now has his own publishing label – Coverstory Books – and has branched out into publishing work by other writers.

Ian’s links
Author hub
Writing blog & website
Coverstory Books

Ian’s latest book
Ian GougeA Pattern of Sorts explores the difficulty we often encounter when trying to reconcile our memories of events with what actually happened. In the almost inevitable mis-match, our mind plays tricks on us, and what we have recently learned and how we have recently lived, gets in the way and colours the past. Pressed to recall his own life, the challenge of juggling myth and reality is dangerously fraught for Luke – especially given the story of his remarkable emotional high, and the catastrophe which followed it.
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What is a ‘Porridge & Cream’ book? It’s the book you turn to when you need a familiar read, when you are tired, ill, or out-of-sorts, where you know the story and love it. Where reading it is like slipping on your oldest, scruffiest slippers after walking for miles. Where does the name ‘Porridge & Cream’ come from? Cat Deerborn is a character in Susan Hill’s ‘Simon Serrailler’ detective series. Cat is a hard-worked GP, a widow with two children and she struggles from day-to-day. One night, after a particularly difficult day, she needs something familiar to read. From her bookshelf she selects Love in A Cold Climate’ by Nancy Mitford. Do you have a favourite read which you return to again and again? If so, please send me a message.

Discover the ‘Porridge & Cream’ books of these authors:-
Lev D Lewis’s choice is ‘Rogue Male’ by Geoffrey Household
Rob V Biggs chooses ‘Wind in the Willows’ by Kenneth Grahame
Heller with a Gun by Louis L’Amour is chosen by Simon Fairfax

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
Why does writer & poet Ian Gouge re-read EM Forster’s A PASSAGE TO INDIA? #books https://wp.me/p5gEM4-4SY via @SandraDanby

#BookReview ‘Trio’ by William Boyd #humour #Brighton

It is 1968. In Paris, students are rioting. The Vietnam war continues while in America, Robert Kennedy and Martin Luther King have been assassinated. This is the timeframe of Trio, the very readable latest novel from William Boyd. William Boyd.Set in Brighton where a film crew is shooting Emily Bracegirdle’s Extremely Useful Ladder to the Moon, the leading lady, Anny Viklund, is in bed with her co-star, pop singer Troy Blaze. The director’s wife, Elfrida Wing, is partaking of vodka from her secret stash in a Sarsons white vinegar bottle, rather than getting on with writing her next novel. The producer, Talbot Kydd, lays in his bath and tries to remember the dream he was having about a young man, pale and limber.
The story follows these three characters, each of which is living a life of pretence. Talbot has a wife in Chiswick and a secret apartment in Primrose Hill. Elfrida, once lauded as ‘the next Virginia Woolf’, writes lists of book titles but no more. Anny has an unfortunate taste in older men and when her ex-husband goes on the run, she finds herself questioned by the FBI. Day by day, Boyd weaves together the twists and turns of these three people, set against the filming of Ladder, the title of which incidentally no one understands. Sub-plots abound. When the film’s accountant warns Talbot that someone is stealing film stock, he employs an eccentric local detective. Meanwhile Elfrida, in search of the real Virginia, traces Woolf’s footsteps on the last day of her life. Anny, who cushions herself from the real world with a succession of uppers and downers, seems impossibly young. The film is the motif which unites the three but we see their individual character arcs develop in unexpected ways.
An entertaining quick read from a master of characterisation and humour who draws a recognisable picture of Brighton’s contradictions, style and sleaziness by the sea. Boyd has been a favourite of mine since A Good Man in Africa in 1981 and Trio reminds me of his early novels which showed the ability to combine a light comic touch with a darker, deeper emotional storyline.

Here are my reviews of other William Boyd books:-
ANY HUMAN HEART
LOVE IS BLIND
NAT TATE: AN AMERICAN ARTIST 1928-1960
ORDINARY THUNDERSTORMS
SWEET CARESS
THE BLUE AFTERNOON
THE DREAMS OF BETHANY MELLMOTH
WAITING FOR SUNRISE
… and try the first paragraph of ARMADILLO

If you like this, try these:-
How to Stop Time’ by Matt Haig
Wigs on the Green’ by Nancy Mitford
The Only Story’ by Julian Barnes

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview TRIO by William Boydhttps://wp.me/p5gEM4-4XP via @SandraDanby

First Edition ‘The Heat of the Day’ by Elizabeth Bowen #oldbooks #bookcovers

First published in the UK by Knopf in 1948 [below] and in the USA the following year, The Heat of the Day by Elizabeth Bowen is one of the ‘must read’ novels about London in World War Two. Written during the war and highly regarded for its authenticity, it is both a spy story and a mystery.

Time is a theme running throughout the novel both in the sense that war has severed the connection between the present and the past, and that time is precious and every minute is essential. Bowen liked to lift the lid from orderly life to see what lurked beneath.

Elizabeth Bowen

Vintage Classics 1998 – my copy

My dog-eared Vintage Classics paperback is the 1998 edition [above]. My favourite cover is probably the 1986 Penguin edition [see ‘Other Editions’ below] with its striking sketch of a young woman with her coat collar turned up.

Read my review of The Heat of the Day.

Elizabeth Bowen

Vintage Classics current ed

The current edition by Vintage Classics [above] is available as paperback and Kindle.
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The story
The story starts at a concert in a London park during The Blitz. Stella and Louie are displaced women in the city, both are unfaithful in their relationships. The main focus is on the triangular relationship between Stella and her lover Robert Kelway, and the interfering Harrison, a British intelligence agent. Robert, who loves with Stella, is convinced that Robert is a German spy.

Other editions

 

Films & Television

Elizabeth Bowen

Granada Television poster

In 1989, a Granada Television drama production featured Patricia Hodge, Michael Gambon, Michael York, Peggy Ashcroft and Imelda Staunton. Watch at You Tube.

If you like old books, check out these:-
Ulysses’ by James Joyce
Rebecca’ by Daphne du Maurier
The French Lieutenant’s Woman’ by John Fowles

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
First Edition THE HEAT OF THE DAY by Elizabeth Bowen #oldbooks #bookcovers https://wp.me/p5gEM4-4A1 via @SandraDanby

#BookReview ‘The Tuscan Contessa’ by @DinahJefferies #WW2

The Tuscan Contessa by Dinah Jefferies is a story of women at war where trust, between women, between strangers, is at the core of everything. Although the book’s title refers to Contessa Sofia de’ Corsi this is also the story of Italian-American Maxine, recruited by English special services to the fight against fascism in Tuscany. Once there and charged with assessing the ability and armaments of Italian partisans, Maxine she finds the fight is not only against the Germans but between Italian groups suspicious of each other. Dinah JefferiesIt is 1943 and in the exquisitely beautiful Tuscan countryside, trust is in short supply. Strangers may be spies or escaping Allied soldiers, the penalty for helping enemies has been followed by retaliation – massacres of villagers by the Nazis. Maxine, with her odd sounding Italian accent, must prove her worth if she is to do her job. She must also learn who to trust. When Maxine’s radio engineer James is wounded, he is sheltered by Sofia in her isolated castello. And so though very different characters, Maxine and Sofia find themselves on the same side; one is young, energetic and full of zeal, the other more cautious and concerned with protecting her husband’s legacy and castello. Neither can imagine the horrors they will see, and the risks they must take, before the war is ended.
The power of Jefferies’ story comes from the juxtaposition of the brutality and blood of war with the beauty of the Italian countryside. The stately villas of Sofia – Castello de’Corsi and in Florence – contribute both atmospherically and practically to the story, offering glimpses into the pre-war and wartime life, as well as hiding places and storage for contraband. And while the women hide their bottled fruit and vegetables, and knit secretly at night – jumpers and socks to keep the partisans warm throughout winters spent hidden in forests and caves – there is the uneasy feeling that some villagers continue to support the fascist cause and inform to the Germans. While Maxine goes on increasingly perilous missions with the partisans, Sofa must handle the unwelcome attention of a German officer whose smiles glint with the promise of sadism.
The book is the result of copious research and visits to locations and gives a clear and often difficult-to-read portrayal of real Tuscan villages during the German occupation. Jefferies shows the complicated moral dilemmas for Italians fighting first one enemy and then another, as the enemy hated at the beginning of the war becomes by 1943 the only hope of salvation. Every woman lives in a constant state of ‘not knowing’; not knowing who to trust, not knowing if a loved one is away fighting, injured, captured or dead. And meanwhile, daily life continues. Children are loved, babies are beget, love is declared and food is made and eaten. In the background is the gossip of reprisals and villagers killed, while in the foreground the women of Castello de’ Corsi continue to exist. As spring arrives with blue skies and beautiful wildflowers, the killing continues.
A moving story of women in wartime facing impossible odds, finding hidden courage and a dash of recklessness in order to fight the enemy. And the recognition of the line which, when crossed, means that your own life ceases to matter when the death of an enemy is preferable. Trust, between women, between strangers, is at the heart of everything.

And here are my reviews of some of Dinah Jefferies’ other novels:-
DAUGHTERS OF WAR #1DAUGHTERSOFWAR
THE HIDDEN PALACE #2DAUGHTERSOFWAR
NIGHT TRAIN TO MARRAKECH #3DAUGHTERSOFWAR

And these standalone novels:-
THE SAPPHIRE WIDOW
THE TEA PLANTER’S WIFE

If you like this, try these:-
The Burning Chambers’ by Kate Mosse
In Another Life’ by Julie Christine Johnson
The Tuscan Secret’ by Angela Petch

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview THE TUSCAN CONTESSA by @DinahJefferies https://wp.me/p5gEM4-4Xa via @SandraDanby