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About sandradan1

Novelist. I blog about writing, reading and everything to do with books and writing them at http://www.sandradanby.com/. Come and visit me!

#BookReview ‘The Book of Lies’ by Mary Horlock #Guernsey #WW2

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What is the truth and what is a lie? Is a fib a lie, is an omission a lie? And what would make you lie? To save yourself, to save a loved one? Is it okay to lie in war? I read The Book of Lies by Mary Horlock without keeping the title in my mind, but at the end I knew what the title meant. Mary Horlock The island of Guernsey is the setting for this family story told through the eyes of two children: in 1985, Catherine is 15; in 1940, her uncle Charlie is 12. He sees the German soldiers arrive to occupy the small island; a generation later, Cat still feels the after-effects of the lies told then. More lies are being told now, the difficulty is in identifying truth from lies.
Cat is central to the novel. She is an irreverent narrator who tells us not only her own story but also the history of the island and her family’s war story. She was told both stories by her father, and now that he is dead Cat wishes she had asked him more questions. Cat’s voice is a true teenager, her banter is littered with humour, insecurity, crushes, curiosity and indignation. Charlie’s story is told in flashbacks, but mostly through the transcripts of tapes made of his conversation with his brother Emile, Cat’s father’, telling the truth of what happened to him.
Keep reading, the twists and turns of this family, its tricks and lies, its love and secrets, ends in a twist I didn’t see coming. Forty-five years later, the truth still hurts.

If you like this, try:-
Mrs Sinclair’s Suitcase by Louise Walters
‘A Week in Paris’ by Rachel Hore
‘The Light Years’ by Elizabeth Jane Howard #1CAZALETCHRONICLES

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview THE BOOK OF LIES by Mary Horlock http://wp.me/p5gEM4-1LQ via @SandraDanby

A poem to read in the bath… ‘The Cinnamon Peeler’

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This is one of the most sensuous poems I have read, it conjures up love and desire and… cinnamon. By Michael Ondaatje [below], better known for novel and film The English Patient, it is an assault of the senses. I first read it in the anthology Staying Alive edited by Neil Astley [UK: Bloodaxe]. That’s why I love anthologies, I own all three of the Astley trilogy: Staying Alive, Being Alive and Being Human. All are excellent, a great way of finding new poets, great to dip in and out of.

Michael Ondaatje

[illustration: newyorker.com & Patrick Long]

Because of copyright restrictions I am unable to reproduce the poem in full, but please search it out in an anthology or at your local library.

‘The Cinnamon Peeler’
If I were a cinnamon peeler
I would ride your bed
And leave the yellow bark dust
On your pillow.
 

Your breast and shoulders would reek
You could never walk through markets
Without the profession of my fingers
Floating over you. The blind would
Stumble certain of whom they approached
Though you might bathe
Under rain gutters, monsoon.

To listen to The Cinnamon Peeler, read by Michael Cerveris for The Poetry Foundation, click here.

Michael Ondaatje

 

‘The Cinnamon Peeler: Selected Poems’ by Michael Ondaatje [UK: Bloomsbury] 

Read these other excerpts and find a new poet to love:-
‘The Dead’ by Billy Collins
‘Elegy of a Common Soldier’ by Dennis B Wilson
‘Poems’ by Ruth Stone

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
A #poem to read in the bath: ‘The Cinnamon Peeler’ by Michael Ondaatje http://wp.me/p5gEM4-1M4 via @SandraDanby

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#BookReview ‘The Truth Will Out’ by Jane Isaac @JaneIsaacAuthor #crime

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A great beginning, it made me want to check that the loft space of our house is sealed and inaccessible from outside. In The Truth Will Out by Jane Isaac, the lives of two young women are never the same again after a holiday to Italy. Jane IsaacThe truth of their trip dawns on them on their way home, and the days after their return are fraught. One is attacked, the other flees. Detective Chief Inspector Helen Lavery is on the case, hindered by the appearance of a central police team led by her ex-lover [odd that so many crime novelists feel the need to add a romance theme, is this because so many crime novels are read by women?]. So, a good combination of tension: will the baddies catch up with Eva, will the attacker strike again, and how will Helen cope with seeing her ex?
A competent crime thriller with a female detective who, refreshingly, is not an alcoholic, on the verge of a nervous breakdown or being bullied by male officers. A few plot weaknesses aside – I never fully bought-into Eva’s flight and lack of concern about Naomi – this was a good tale though perhaps it could have been a little shorter. A slightly lacklustre final few pages.

If you like this, try:-
‘An Uncertain Place’ by Fred Vargas #8COMMISSAIREADAMSBERG
‘The Accident’ by CL Taylor
‘Angel with Two Faces’ by Nicola Upson #2JOSEPHINETEY

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview THE TRUTH WILL OUT by Jane Isaac @JaneIsaacAuthor http://wp.me/p5gEM4-1Iw via @SandraDanby

My ‘Porridge & Cream’ read: Shelley Weiner

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Today I am pleased to welcome novelist, Shelley Weiner who will share her ‘Porridge & Cream’ read.

“Tiring of a well-worn book is like outgrowing a friendship, or a fashion statement, or a taste for cheap confectionary – depressing but, sadly, a fact of life. We change, our tastes change, the priorities that seemed so immutable ten years ago can alter or become irrelevant And so, having scoured my bookshelves to find a ‘Porridge & Cream’ read, I had to conclude that the old faithfuls by the authors I chose (sorry Carol Shields, apologies Jane Smiley …) no longer moved me.

Shelley WeinerI might have darted back to Dickens, to Austen, to Tolstoy, for classics of that calibre are beyond fatigue. Instead I consoled myself with a movie – the excellent screen adaptation of Colm Tóibín’s Brooklyn – and a large tub of popcorn. And as I sat in the darkness imbibing salty kernels and Irish angst, I recalled the spare beauty of Tóibín’s prose and resolved to return to the novel.

Which I did.

And – relief upon relief – it’s as I remembered it; as simple and quiet and engrossing as when I devoured it on publication eight years ago. It’s the kind of writing I identify with and aspire towards, confirming for me the power of understatement.

Brooklyn focuses on young Eilis, who ventures from the limitations of small-town Ireland to the strangeness and dislocation of New York. It’s a story of immigration, a rite of passage tale that reminds me how the deepest and most important universal truths can resonate through discipline and restraint. Tóibín has the rare ability to disappear into the heart and mind of his character; his lack of authorial ego means that no point does the reader stop to admire his turn of phrase or philosophical astuteness. We’re with Eilis entirely – feeling for her, laughing and crying with her, identifying in the most profound way with her plight. Tóibín revisits the same small-town community in the excellent Nora Webster – a more recent and slightly darker work, satisfyingly alluded to in Brooklyn.”

About ‘A Sister’s Tale’ by Shelley Weiner [Constable]
Shelley WeinerMia is dumpy, earthy and responsible, while her sister Gabriella is flighty and spoilt – a prima donna. Middle aged, their lives in a mess, they find themselves alone together in a parched Israeli town. Is it the promised land or a last resort? As the sisters wait together in the sultry heat for something, anything, to happen, they watch each other and remember. They think back to their isolated Jewish childhood in London; the devastation of their father’s sudden death; their mother languishing hopelessly in bed. They conjure up Mia’s Irish Catholic romantic lover, father of her child; and Gabriella’s well-heeled and ‘suitable’ husband. Meanwhile, at the entrance to their flat, an unexpected visitor arrives in time for a fish supper. A Sisters’ Tale is a wicked yet poignant story about the complex and powerful bond between sisters.

Shelley Weiner’s Bio
Shelley Weiner’s novels include A Sisters’ Tale, The Last Honeymoon, The Joker, Arnost, and The Audacious Mendacity of Lily Green.
Her 60-minute guides to writing fiction are published by The Guardian. She is a regular tutor for the Faber Academy and trusted mentor on the Gold Dust Mentoring Scheme. She has presented workshops for Guardian Masterclasses, Norwich Writers Centre, and the Cheltenham Literary Festival. A former Fellow of the Royal Literary Fund, Shelley has also taught fiction for – among others – Birkbeck College, Anglia Ruskin University, the Open University, the British Council, and Durham University Summer School.

Shelley Weiner’s links
Website
Facebook
Twitter

porridge_and_cream__rainyday_111_long

 

What is a ‘Porridge & Cream’ book? It’s the book you turn to when you need a familiar read, when you are tired, ill, or out-of-sorts, where you know the story and love it. Where reading it is like slipping on your oldest, scruffiest slippers after walking for miles. Where does the name ‘Porridge & Cream’ come from? Cat Deerborn is a character in Susan Hill’s ‘Simon Serrailler’ detective series. Cat is a hard-worked GP, a widow with two children and she struggles from day-to-day. One night, after a particularly difficult day, she needs something familiar to read. From her bookshelf she selects ‘Love in A Cold Climate’ by Nancy Mitford. Do you have a favourite read which you return to again and again? If so, please send me a message via the contact form here.

 

Discover the ‘Porridge & Cream’ books of these authors:-
Jane Cable
JG Harlond
Jane Lambert

Shelley Weiner

 

‘Brooklyn’ by Colm Tóibín [UK: Penguin]

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
Why does author @shelleyweiner love BROOKLYN by Colm Toibin? via @SandraDanby #books http://wp.me/p5gEM4-1QZ

#BookReview ‘Master of Shadows’ by Neil Oliver #historical

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Master of Shadows starts with a historical note about 1453 and the advance of the Ottomans on the eastern Christian empire of Constantinople. Rumoured to be among the city’s defenders was a Scot called John Grant. Author Neil Oliver takes the real life Grant and fictionalizes him in this, his debut novel; a novel rich in detail, historical context, colours and smells. Neil OliverIt starts with disparate snapshots: a boy lies in a meadow and feels invisible; a stranger arrives at a Scottish village; a woman, chopping wood, feels threatened; a young girl leaps from a high wall, expecting to die.
A Moorish solider, tall and imposing with his curved blade, arrives in Scotland at the castle of a Lord. Secretly he is seeking a specific woman. He had fought in wars alongside her husband and promised to keep her and their son safe if he should die. Badr becomes a surrogate father to the boy and teaches him everything he knows, later they fight side-by-side in battle. Leña lives amongst nuns. Given her name – which means ‘firewood’ in Spanish – I thought was a Spanish woman but in the memories of her childhood we learn she, too, has been to Scotland, and speaks French. So the mystery continues. The storylines are many and intriguing and for a long time I puzzled over how they connected. It is a story about the connections of blood, the duty owed to family. It is a long book (448 pages) but never seemed so long to be off-putting. There were passages a little too ‘history heavy’ for me, but I’m sure some readers will gobble it up.
All-in-all, a great debut. Not all historians can tell a page-turning fictional story, for some it takes three or four novels before they hit their stride, so I’m looking forward to Oliver’s next novel.
CLICK HERE TO READ MORE ABOUT THIS BOOK AT AMAZON

If you like this, try:-
‘The Surfacing’ by Cormac James
‘Gone Are The Leaves’ by Anne Donovan
‘Wilderness’ by Campbell Hart

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview MASTER OF SHADOWS by Neil Oliver https://wp.me/p2ZHJe-1Qr via @SandraDanby

Great Opening Paragraph 80… ‘Original Sin’ #amreading #FirstPara

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“For a temporary shorthand-typist to be present at the discovery of a corpse on the first day of a new assignment, if not unique, is sufficiently rare to prevent its being regarded as an occupational hazard.”
PD JamesFrom ‘Original Sin’ by PD James

Here’s my review of ORIGINAL SIN #9ADAMDALGLIESH

… and my reviews of the other Adam Dalgliesh mysteries by PD James:-
COVER HER FACE #1ADAM DALGLIESH
A MIND TO MURDER #2ADAMDALGLIESH
UNNATURAL CAUSES #3ADAMDALGLIESH
SHROUD FOR A NIGHTINGALE #4ADAMDALGLIESH
THE BLACK TOWER #5ADAMDALGLIESH
DEATH OF AN EXPERT WITNESS #6ADAMDALGLIESH
A TASTE FOR DEATH #7ADAMDALGLIESH
DEVICES AND DESIRES #8ADAMDALGLIESH
A CERTAIN JUSTICE #10ADAMDALGLIESH
DEATH IN HOLY ORDERS #11ADAMDALGLIESH
THE MURDER ROOM #12ADAMDALGLIESH … read the first paragraph HERE
THE LIGHTHOUSE #13ADAMDALGLIESH
THE PRIVATE PATIENT #14ADAMDALGLIESH

Here are my reviews of the two Cordelia Gray mysteries:-
AN UNSUITABLE JOB FOR A WOMAN #CGRAY1
THE SKULL BENEATH THE SKIN #CGRAY2

And two other books by PD James:-
INNOCENT BLOOD
TIME TO BE IN EARNEST

Try one of these #FirstParas & discover a new author:-
‘The Rainmaker’ by John Grisham 
‘To Have and Have Not’ by Ernest Hemingway 
‘A Bouquet of Barbed Wire’ by Andrea Newman 

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#Books #FirstPara ORIGINAL SIN by PD James http://wp.me/p5gEM4-1C3 via @SandraDanby

#BookReview ‘Due Diligence’ by DJ Harrison ‪@djharrison99‪ #crime

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An accountant, at the beginning of a crime novel? Stick with it because what at first appears to be a quiet first chapter takes off with a briefcase full of cash and leads to money laundering, assault, murder and all sorts of financial shenanigans. Due Diligence is first in the Jenny Parker series by DJ Harrison. DJ HarrisonSet in the business world, and underworld, of Manchester, accountant Jenny Parker is sent to conduct due diligence of a company’s finances. That briefcase full of cash, £20,000, is the beginning of the trouble for Jenny which sees her lover dead and risks her marriage, her son, and her life.
A quick-moving story, Jenny is a likeable heroine who finds toughness she never knew was harboured within herself. The storyline jolts around a little but DJ Harrison has drawn a support network around Jenny, including the wonderful security boss Gary. The financial and business background is well constructed, and the fraud all too believable.

If you like crime, try:-
‘Business as Usual’ by EL Lindley
‘An Uncertain Place’ by Fred Vargas
‘Eeny Meeny’ by MJ Arlidge #1HELENGRACE

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview DUE DILIGENCE by ‪DJ Harrison @djharrison99‪ https://wp.me/p2ZHJe-1Qj via @SandraDanby

#BookReview ‘Life Class’ by Pat Barker #WW1 #historical

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Pat Barker is one of my top five novelists. She writes sparingly with not a word wasted, but creates a world so real with detail and characterization. Life Class is the first of her #LifeClass trilogy of novels which tell the story of brother and sister Elinor and Toby, and Elinor’s fellow art students Paul and Kit, through the Great War. I first read this book when it was published in 2007 and devoured it. I have re-read it now to refresh my memory of the story and characters, before I read the newly published third volume of the trilogy, Noonday. Pat BarkerThe story starts in 1914 in a life-drawing class at the Slade School of Art in London. The class is taken by Professor Henry Tonks, a real-life character, artist and surgeon. Barker weaves her fictional story around the true story of Tonks, the Slade, and the outbreak of the Great War. For student Paul Tarrant, the presence of Tonks is intimidating, as he struggles to find his identity as an artist. This is a novel about young people and their journey from youth to maturity via art and love, brutally influenced by the horrors of war. Interwoven with Paul’s story – he volunteers as an ambulance driver and goes to Ypres, working in a hospital – is that of Elinor Brooke, fellow art student. Elinor’s journey to adulthood is different, given that she is a woman at a time when middle-class women are not expected to have a career. She remains in London, continues to paint and mixes with the society group of Lady Ottoline Morrell, another true character, mixing with pacifists, conscientious objectors and the Bloomsbury Group.
Essentially, this is a triangular love story set into the structure of war. As the students struggle to define themselves as artists, their safe world collapses around them and the abnormal becomes normal. As Paul undertakes gruesome nursing tasks, he questions the purpose of war art and what it can achieve. As his life becomes surreal, so he is cast adrift from his former life without context to judge either his ability as an artist, or his humanity in the face of war. Are some things simply too horrific to paint?

For my reviews of other Pat Barker novels, click the title below:-
ANOTHER WORLD
BLOW YOUR HOUSE DOWN
DOUBLE VISION
TOBY’S ROOM #2LIFECLASS
NOONDAY #3LIFECLASS
THE SILENCE OF THE GIRLS
THE WOMEN OF TROY
UNION STREET

If you like this, try:-
‘A Long Long Way’ by Sebastian Barry
‘The Lie’ by Helen Dunmore
‘Wake’ by Anna Hope

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview LIFE CLASS by Pat Barker http://wp.me/p5gEM4-1Q3 via @SandraDanby

#BookReview ‘Liar Liar’ by @mjarlidge #crimefiction

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I loved the ending… a tasty titbit to make me anticipate the fifth book in the series by MJ Arlidge about Southampton detective Helen Grace. Don’t start reading an MJ Arlidge novel, unless you have nothing to do but read. Because the story moves so fast you won’t want to put it down. Liar Liar is the fourth in Arlidge’s Helen Grace series set in Southampton, UK. MJ ArlidgeArlidge is an expert storyteller, he has created two likeable female detectives – DI Helen Grace and DC Charlie Brooks – and put them in a real, gritty, believable setting.
The writing is graphic. The theme of this book is fire – there’s an arsonist on the loose in Southampton, setting serial fires – so the description of fire in all its stages and its after effects is at times graphic. Is someone trying to cover up a crime? Could it be a revenge attack on one person disguised by multiple fires? Or is it an insider with a grudge?
It is a quick read, 448 pages. Arlidge writes TV drama and his skill at keeping the tension going is clear on every page.

Read my reviews other books in this series:-
EENY MEENY #1HELENGRACE
POP GOES THE WEASEL #2HELENGRACE
THE DOLL’S HOUSE #3HELENGRACE
LITTLE BOY BLUE #5HELENGRACE
HIDE AND SEEK #6HELENGRACE
LOVE ME NOT #7HELENGRACE
DOWN TO THE WOODS #8 HELENGRACE

If you like this, try:-
‘Big Sky’ by Kate Atkinson
‘Wolf’ by Mo Hayder
‘An Uncertain Place’ by Fred Vargas

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview LIAR LIAR by @mjarlidge http://wp.me/p5gEM4-1PW via @SandraDanby

A poem to read in the bath… ‘The Road Not Taken’

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You may perhaps be aware of this poem by New England poet Robert Frost, for it is often quoted and often misunderstood. But that doesn’t lessen its impact. I read this first as a student, and it has stayed with me since. In our lives we all face a choice at times, a forked path, take the left or the right? And so rightly this poem is thought fondly of at times of indecision, choice and how the uncertainty of the future. It speaks to everyone, I think, to poetry lover and poetry novice.

Robert Frost

[photo: poetryfoundation.org]

‘The Road Not Taken’
Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;
 

Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that, the passing there
Had worn them really about the same,
 

And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.
 

I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I –
I took the one less travelled by,
And that has made all the difference.

If you know someone who loves the woods, and nature, and being outside, then buy them an edition of Frost’s verse; it is easily-accessible and full of truths. This edition [below] is my own copy from university.

To listen to The Road Not Taken, read by David Garrison for The Poetry Foundation, click here.

Above is my beautiful Penguin copy of Frost’s Selected Poems, dating from my university days.

Robert Frost

 

‘The Road Not Taken’ by Robert Frost [UK: Penguin Classics] 

Read these other excerpts and find a new poet to love:-
‘Forgetfulness’ by Hart Crane
‘Poems’ by Ruth Stone
‘Happiness’ by Stephen Dunn

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
A #poem to read in the bath: ‘The Road Not Taken’ by Robert Frost http://wp.me/p5gEM4-1LY via @SandraDanby

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