This crime thriller is the first of a trilogy billed, as many thrillers are, as the new Millennium Trilogy. Butterfly on the Storm by Walter Lucius does feature horrific examples of abuse, it does feature a campaigning journalist, but for me it fell short of Stieg Larsson’s trilogy. Without that expectation, I would probably have enjoyed this thriller while at the same time being irritated that so much was crammed in.
The action starts from page one and doesn’t stop to breathe. A young girl is the subject of a hit-and-run accident in the Amsterdam woods. In hospital, it becomes clear the girl is a young boy, dressed as a girl dancer and sexually abused by Afghan men now living in Holland. I found the portrayal of immigrant life in Holland fascinating and almost wish the author had examined this in more depth but the story spreads out to South Africa and Russia and its tentacles become confusing.
Accompanying the child to hospital is Dr Danielle Bernson who, following medical experience in Africa, is traumatized when she sees the child suffer. At the hospital, they meet journalist Farah Hafez, originally from Afghanistan, Farah’s identity was changed when she arrived as a child in Holland. She too has a lot of emotional baggage. Farah’s boss teams her with a more experienced journalist, Paul Chapelle, who she knew in Afghanistan. On the police side we have the pair of detectives assigned to the hit-and-run case, Joshua Calvino and Marouan Diba, a sort of young/old, idealistic/world-weary, good cop/bad cop pairing. There is a huge list of characters to accommodate the various storylines which include child trafficking, police corruption, political corruption, Russian violence and international terrorism. There is too much going on.
In the Millennium Trilogy, the first book had a clear distinctive story which allowed the reader to get to know the key characters which would move forward to book two. In Butterfly on the Storm, the first book feels like the episode of a television series where the ending has a hook to make you watch next week. This may work with television, but it left me feeling the novel was incomplete.
If you like this, try:-
‘Summer House with Swimming Pool’ by Herman Koch
‘The Long Drop’ by Denise Mina
‘The Accident’ by Chris Pavone
And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview BUTTERFLY ON THE STORM by Walter Lucius via @SandraDanby http://wp.me/p5gEM4-2Kf


Other editions
There have been many editions of this novel, here are some of the other British and US covers.


The novel focuses on the twin Chance sisters, Dora and Nora, their mad theatrical family and their romp through musical hall, early Hollywood and aging disgracefully. It combines fairy tales, Shakespeare, magical realism and brilliant characters and is funny, sad and wicked in equal measure. I have read it many times, it is so multi-layered there is always something new to find, and am usually drawn back to it when I want to be reminded how good writing can play with the reader. Dora and Nora are beautifully-written, wicked women but it is also the setting I love: the early days of Hollywood were an entrancing time. I also taught the novel which is a testament to the writing – any book that can survive the kind of dissection that A level teaching requires and not make you want to throw it through the window after the fifth time is a great story. Interestingly I taught it a couple of times in a boys’ school and was advised against it as the boys wouldn’t get it, it’s too female. They loved it – it’s pretty rude.






