Tag Archives: book review

#BookReview ‘A Hero in France’ by Alan Furst #thriller #WW2

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France 1941, British bombers fly every night to Germany, many aircraft don’t make it back home. The aircrew parachuting into Occupied France must somehow find their way home in order to fight again. A Hero in France by Alan Furst is a story of that individual battle within the wider war, seen from different sides by two ordinary men. This is the beginning of the French Resistance. Alan FurstThe man known as Mathieu – we don’t know his real name or identity until the very end of the book, this is the name by which he is known to his Resistance cell – escorts airmen along the north-south escape lines into Vichy France and onwards to Spain. Old clothes are sourced at jumble sales, innocent-looking shops serve as message drops, and a schoolgirl delivers messages by bicycle. In the beginning it was successful and relatively simple, but now the German command in Paris realizes there is a big problem. Word is getting around about the Resistance and people want to join, but how does Mathieu know who is genuine and who is a German spy?
In Hamburg, Otto Broehm, senior inspector of the police department, is transferred to the Kommandantur in Paris to stop the flow of downed airmen being returned to the UK by French people, working together in coordinated groups.
This is a huge subject and a story much-told, but by focussing on a few personalities and what happens to them, Alan Furst writes an engaging story which I read over a weekend. It is a low-key study of personalities, rather than a page-turning thriller.

Read my review of MIDNIGHT IN EUROPE, also by Alan Furst.

If you like this, try:-
‘Inflicted’ by Ria Frances
‘After the Bombing’ by Clare Morrall
‘The Paying Guests’ by Sarah Waters

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#BookReview ‘Mothering Sunday’ by Graham Swift #historical

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The title of Mothering Sunday by Graham Swift refers to the day on which the story takes place, rather to any essay about motherhood. It is March 30, 1924, Mothering Sunday, when servants are given the day off to visit their mothers. A young woman, an orphan and servant, meets a young man from a neighbouring house, who is betrothed to another woman. It is to be their last assignation before his marriage. Graham SwiftThis is a slim book, a novella, beautifully-written. I wasn’t sure at the beginning, I found the first page and the reference to Fandango the racehorse a little odd. But once I got past that, I read it in one sitting on an airplane.
It is a story about telling stories. This story is told by a novelist in her nineties who is used to be interviewed and asked repetitively about her life as a writer: when did she become a writer? The answer lies on Mothering Sunday in 1924. This is a treatise about the class system of the time, about sex and sensuality, about rebellion and about bucking the system. Jane – the housemaid and novelist – is a keen reader and with the permission of her master, she borrows books from his library. She prefers boys’ stories, adventure tales, and then she stumbles on Joseph Conrad and is smitten. Her reading sets her apart from her master, and her lover Paul. The Mothering Sunday on which the events happen takes place at a time of great transition between the wars, as the role of women was widening. Books give Jane a route out of her servile world, away from sex with the master’s son without hope of subsequent marriage, to a job as an assistant in a bookshop.
We only see the story from Jane’s point of view, Young Jane and Old Jane. Is she telling the truth, embroidering the story for fictional effect, layering on the emotions of the tragedy that occurs that sunny March afternoon?
A masterpiece, again by Swift. It stayed with me and will be re-read.
An aside, this hardback edition has the most wonderful cover design: a detail from Reclining Nude [red nude] 1917-18 by Modigliani. It will look well on my bookshelves for years to come.
CLICK HERE TO READ MORE ABOUT THIS BOOK AT AMAZON

Here’s my review of Swift’s HERE WE ARE.

If you like this, try:-
‘The Whereabouts of Eneas McNulty’ by Sebastian Barry
‘My Name is Lucy Barton’ by Elizabeth Strout
‘Lean Fall Stand’ by Jon McGregor

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#BookReview ‘Foxlowe’ by Eleanor Wasserberg @e_wasserberg #contemporary

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‘It’s hard to resist the pull of the shoal.’ Foxlowe is a strange, sinister book by Eleanor Wasserberg about the group dynamic of adults who should know better, experienced and observed by children who learn from this parenting and either accept or rebel. If they rebel, they have the Bad inside them. Eleanor WasserbergThis is not an easy read, not so much because of the story but I found the writing style obscure. The narrator is Green, a girl who grows up as part of the Family, a cult, living in a house called Foxlowe on a deserted moor. They share everything, their way of life is steeped in the land and ley lines. They have everything they will ever need at Foxlowe, there is no need to become a Leaver. Green knows no other life, has nothing with which to compare it.
For the first 15% [I read on Kindle] I struggled with a lack of clarity, an avalanche of seemingly unconnected facts. For example, ‘The Scattering is something we learned from the Time of Crisis. Remember that the Bad had come inside the walls.’ Characters have before and after names, which added to my confusion. It seemed like an alternative world, given the double sunset at Summer Solstice, and I couldn’t help comparing it with the opening technique of dystopian novels which got me straight away. The first page of The Hunger Games, for example, which starts with an intensely personal moment which lets you into the strange world in which it is set.
Once I reached 20% of Foxlowe, I was skipping the vague bits and the lack of dialogue punctuation – a pet hate of mine – and so turned the pages quicker. It is the story of a commune, the Family, where the outside world is excluded by means of myth, abuse and scare stories. Gradually I pieced the facts together. Despite my original confusion, it is not an alternative world; they have a car and drive to the supermarket. Some are painters or craftsmen who earn money, others grow vegetables and raise animals. This then is a conscious decision on the part of the adults to be there. The children are either born there, or more sinister, appear to be stolen from outside. This is the story of Green, a girl of undefined age, and that of Blue, who arrives at Foxlowe as a babe in arms. The arrival of Blue, and a man called Kai who remembers Foxlowe in earlier times, changes everything.
There are three parts, the second told by the adult Jess/Green, sandwiched between two Green childhood sections. The third part and Epilogue are truly dark and disturbing, with the sense of inherited abuse.

If you like this, try:-
‘Crow Blue’ by Adriana Lisboa
‘A History of Loneliness’ by John Boyne
‘The Quarry’ by Iain Banks

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#BookReview ‘Agatha Raisin and the Quiche of Death’ by @mc_beaton #cosycrime

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When a newly-retired PR executive arrives in the Cotswolds expecting a quiet retirement, she finds real life in Carsley is not as she expected. First of all, no-one likes her. Second, no-one seems to give a fig about who she is. Third, she is bored. And so begins Agatha Raisin and the Quiche of Death, first in this addictive series by MC Beaton. MC BeatonDesperate to make friends, she enters a village baking competition. Except Agatha can’t bake. So she buys a quiche and enters it as her own. So what, you may think. Lots of people probably do that. But when the competition judge dies of poisoning, Agatha is the key suspect. Desperate to clear her name, she turns detective.
And so a new crime series is born, featuring an overweight, pompous and self-important woman who always thinks she knows best. Why is this series so good? Because Agatha always gets her come-uppance and the story is very funny. A circle of village characters – her cleaner Doris, the vicar’s wife Mrs Bloxley, the deliciously disgusting elderly couple the Boggles, the real policeman Bill Wong – and London PR friend Roy, all contribute warning voices when Agatha gets carried away with her theories. And, there are lots of references to Agatha Christie. A policeman warns her: “You really must leave investigations to the police. Everyone has something to hide, and if you are going to go around shoving your nose into affairs which do not concern you, you are going to be hurt.” In true Agatha fashion, she ignores him.
This is a long series, lots more to read.

Read my reviews of some of the other novels in the Agatha Raisin series:-
AGATHA RAISIN AND THE VICIOUS VET #2AGATHARAISIN
AGATHA RAISIN AND THE POTTED GARDENER #3AGATHARAISIN
AGATHA RAISIN AND THE WALKERS OF DEMBLEY #4AGATHARAISIN
AGATHA RAISIN AND THE MURDEROUS MARRIAGE #5AGATHARAISIN

If you like this, try:-
‘ELIZABETH IS MISSING’ by Emma Healey
‘THE LOVE SONG OF MISS QUEENIE HENNESSY’ by Rachel Joyce
‘THE HUMANS’ by Matt Haig

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#BookReview ‘The Blood Detective’ by Dan Waddell #genealogy #crime #mystery

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I raced through The Blood Detective, a hybrid mixture of crime and genealogy mystery. Author Dan Waddell is also a journalist and genealogist, having written The Genealogy Handbook to accompany the Who Do You Think You Are? television series. So, he knows his stuff and it shows. Dan Waddell Usually a crime novel features a lead detective and team, here we have two lead characters: Detective Chief Inspector Grant Foster, and genealogist Nigel Barnes.
Waddell’s plotting is ingenious. The past really does come back to haunt the present. There is a serial killer in West London who leaves a clue carved into the skin of his victims. This clue prompts DCI Foster to call on the specialist help of researcher Barnes. The murder hunt takes parallel paths: Foster chases living suspects, Barnes searches the archives for the true 1879 story of a serial killer, his victims and their descendants. What is the link? The final chapters are a thrilling race against time.
I really enjoyed this. The linking of historical and present-day crime was clever, and the characterization was convincing and not of the stereotypical detective form. An enjoyable mixture of fast-moving crime novel with genealogical research and historical gems about this particular part of London, its transformation from Victorian times to the 21st century, and its dark history of crime.

Here’s my review of the second book in this series by Dan Waddell:-
BLOOD ATONEMENT #2BLOODDETECTIVE

If you like this, try:-
‘In the Blood’ by Steve Robinson
‘Innocent Blood’ by PD James
‘The Irish Inheritance’ by MJ Lee #1JayneSinclair

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#BookReview ‘The Taxidermist’s Daughter’ by Kate Mosse #historical

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I will say up front that the taxidermy sections in The Taxidermist’s Daughter were too much for me, too much gory detail. That aside, this is a mystery set in the South Coast marshes of Fishbourne in 1912. In fact it seemed timeless, difficult to place the action only two years prior to the outbreak of the Great War. The weather is ever-present to set the tone of the story: wind, rain and storms and Fishbourne is a real place. Author Kate Mosse, a Chichester resident, uses her local knowledge to good effect. But, I struggled to connect with the story and cannot put my finger on why. Kate MosseThe storyline focuses on 22-year old Connie Gifford and her father, the taxidermist and his daughter, who live in an isolated house on the marshes at Fishbourne. In the Prologue, the village gathers in the churchyard to celebrate the Eve of St Mark. At the end of the evening, a woman is dead. So, already there is one dead woman and some secrets. Connie, it turns out, had an accident 10 years earlier and she has no memory either of what happened that day or of her life prior to the accident… more secrets. Are the two events, 10 years apart, connected? Are the same people involved? And if Connie’s memory returns, will she have the answer to the odd goings-on?
I admit to losing track of some of the peripheral characters who, unlike the atmospheric setting, are not fully-rounded. It is a strange book, taxidermy is a rather odd subject [and risky in that it will deter some readers from even picking up the book] although it adds to the theme of reality versus false reality. There are lies between family and friends, lies between rich and poor; it is not only the guilty who lie, there are also secrets meant to protect the innocent. Amnesia is a difficult plot technique to use, too often it leaves the reader feeling cheated. I found the story rather drawn-out, the longer it went on the less mysterious it got. Kate MosseA note about front cover design. My hardback copy [above] has a beautiful design of feathers and a solitary bird skull, but perhaps the bird skull was decided to be too gory. The paperback edition [top] is more in keeping with the atmospheric seaside setting. Interesting also that the cover line ‘In death there can be beauty’ is missing from the paperback, to me the line felt incongruous given that the novel deals with murder, assault and torture.

And here are my reviews of other novels by Kate Mosse:-
CITADEL #3LANGUEDOC
THE BURNING CHAMBERS #1JOUBERT
THE CITY OF TEARS #2JOUBERT

If you like this, try:-
‘The Threshold’ by Anita Kovacevic
‘The House on Cold Hill’ by Peter James
‘The Little Red Chairs’ by Edna O’Brien

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#BookReview ‘The Noise of Time’ by Julian Barnes #music

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The Noise of Time by Julian Barnes is about big subjects: creativity and power, moral courage and cowardice, love and fear, autocratic government and political manipulation of the arts. Oh, and music. But I couldn’t work it out. Something didn’t work for me but I struggle to explain why. I started it, got bored, put it aside, picked it up and got through to the end. Julian BarnesThe subject matter is interesting – Soviet attitudes to art, creativity and music – the writing is eloquent, weighty and thoughtful, this is Julian Barnes after all. There is some drama as the book opens, a man, the Russian composer Dimitri Shostakovich, spends another night by the lift in his apartment building, waiting to be arrested. He is afraid for his life, but that fear seemed flat on the page. Like the reader, Shostakovich is left not knowing what is happening. At times it felt like reading an essay rather than fiction, albeit a fictionalised biography. Perhaps it is this fuzzy genre which is at the root of my inertia.
I read on because it is Barnes and because the exploration of music interested me. But I did not care about him. Is this because he was a real person and Barnes is effectively writing a historical novel? I know nothing about Shostakovich and cannot make judgement about the veracity of the portrayal here, but this is not a problem for me when reading a Philippa Gregory novel about a Tudor queen. I trust both authors to get it right but it feels as if Barnes wrote the character of Dimitri with the volume turned down.

Click the title below to read my review of another book by Julian Barnes:-
THE ONLY STORY

If you like this, try:-
‘Life Class’ by Pat Barker
‘A History of Loneliness’ by John Boyne
‘The Hen Who Dreamed She Could Fly’ by Sun-Mi Hwang

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#BookReview ‘Hiding the Past’ by Nathan Dylan Goodwin #familyhistory #crime #genealogy

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An unusual hybrid of genealogy and record checking plus amateur detective stuff makes Hiding the Past by Nathan Dylan Goodwin a worthy page turner for a holiday week. Anyone who loves family tree research, and a good crime novel, will like this with its narrative stretching from World War Two to present-day politicians. Nathan Dylan GoodwinWithin days of taking on a new client, genealogist Morton Farrier knows this case is different: one, his client pays a fee of £50,000 straight into his bank account; two, the client shoots himself in the head. Or does he? Helped by his girlfriend Police Community Support Officer Juliette, Farrier studies the background of his, now dead, client, Peter Coldrick, a study which leads him to two key years: 1944 and 1987. Official records for Coldrick’s descendants have mysteriously disappeared, Morton is being followed by a glossy black 4×4, and it may be his imagination but a usually helpful archives officer is proving difficult to pin down.
Morton is an interesting character, adopted, rubbing along awkwardly with his widowed adoptive father and soldier brother, quick with a sharp word whilst knowing he should be kinder and hating himself for it. I also liked the clear drawing of his setting around the Kent & Sussex towns and villages of Sedelscombe, Rye, Tenterden and Lewes, an area I lived in and loved, Goodwin makes them feel real on the page. This is the first of, at the time of writing, four Morton Farrier novels, so expect to read more about Morton’s own adoption story in future books.

Read my reviews of the next books in the Morton Farrier series:-
THE LOST ANCESTOR #2MORTONFARRIER
THE ORANGE LILIES #3MORTONFARRIER
THE AMERICA GROUND #4MORTONFARRIER

If you like this, try:-
‘In the Blood’ by Steve Robinson
‘Mrs Sinclair’s Suitcase’ by Louise Walters
‘The Knife with the Ivory Handle’ by Cynthia Bruchman

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#BookReview ‘The Killing of Polly Carter’ by Robert Thorogood #crime

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The Killing of Polly Carter is second in the ‘Death in Paradise’ series by Robert Thorogood, and the first that I have read. I picked it up, unaware of the TV series of the same name, so I am playing catch-up. Robert Thorogood My first reaction was that it seemed lightweight, but the story and the characters pulled me in. This definitely fits into the comfort crime category so effectively occupied by MC Beaton. Detective Inspector Richard Poole is a man out of place. An English policeman on a tiny Caribbean island, he is a proper chap who persists in wearing leather shoes and woollen suits even at the height of the summer heat. His team is small and their resources are limited, which makes this more of an old-fashioned tale as they put together clue after clue. The setting is luscious.
Supermodel Polly Carter is dead, is it suicide or murder? In the true Agatha Christie fashion, of whom Thorogood is a childhood fan, this is a ‘closed room’ mystery where few people have the opportunity and motive. One by one, each of Polly’s family and friends are suspected, cleared then suspected again. In true Christie fashion, when the culprit is unveiled I thought ‘oh of course’ without actually guessing the identity correctly.
The book covers are beautiful.

Here’s my review of THE MARLOW MURDER CLUB #1MARLOWMURDERCLUB by the same author.

If you like this, try:-
‘An Uncertain Place’ by Fred Vargas
‘No Other Darkness’ by Sarah Hilary
‘Business as Usual’ by EL Lindley

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#BookReview ‘The Little Red Chairs’ by Edna O’Brien #war

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The Little Red Chairs by Edna O’Brien is a fictional portrait, a ‘what if’ scenario: what if a war criminal, a Balkan war lord, was on the run and pitched up in a small town in the West of Ireland. What if the locals took him at face value. What if one woman saw him as a way to bring a child into her childless marriage. What if his true identity was revealed. What then… would happen to the woman. This is the story of Fidelma, to reveal more about her would be to giveaway the drama of the book. She is a sad character, unsatisfied with her lot, reaching for the unattainable and ultimately suffering for her need. Edna O’BrienThis book has attracted some outstanding reviews, but I hesitated. It sat for a while on my Kindle before I read it, I think because the subject matter is depressing and intimidating. O’Brien’s writing is at times flowing and lyrical especially when describing nature, at times her structure is a little wavy and the story a little flabby. Some passages are horrifying in their brutality, the war flashbacks are vivid. I find violence, when left to the imagination, more effective than violence written on the page or acted on stage.
I never really settled into reading this book. It is split into three parts, each with a different personality. The portrayal of small town life in Ireland in the first half was so full of sketchy characters I got confused. I longed for a simpler format to allow the moral dilemma to come through. In part two, Fidelma is in London, searching for healing, and for answers. She cleans a City tower block, and works in a kennel for abandoned greyhounds. At The Centre, where Fidelma goes for support, we hear the stories of abused refugees and asylum seekers, they are victims of war, genocide and physical assault and sexual abuse. For me, their stories sit uncomfortably alongside Fidelma’s own self-created dilemma and, I think because of this, I was left oddly untouched. In part three, Fidelma goes to see Vlad in The Hague at the war crimes tribunal. I admit to not understanding her motivation in going there, but it is a conversation in a bar with a victim of genocide which finally prompts Fidelma to complete the circle and return to Ireland to see the other victim in all this – her husband.
The power of O’Brien’s topic is undeniable. Is it a comment on our gullibility, how we can all be taken in by appearances; or a comment on how we avoid confrontation, not wanting to be the person to say the difficult thing, the one thing which afterwards people say ‘I thought that too.’ It is also a comment on a society which punishes and isolates the victim.

If you like this, try:-
‘Dominion’ by CJ Sansom
‘The Aftermath’ by Rhidian Brook
‘A Long Long Way’ by Sebastian Barry

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