Tag Archives: book review

#BookReview ‘A Thousand Acres’ by Jane Smiley #contemporary #family

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This is one of those books that I should have read years ago. I don’t know why I didn’t, and I wish I had. the latest book by Jane Smiley, Some Luck, is the first of a new trilogy and is currently sitting on my Kindle waiting to be read. But first, I felt I should read that book I wish I’d read years ago: A Thousand Acres. You know: the one that won the Pulitzer, the one that mirrors King Lear, etc etc. Jane SmileyThe setting is Iowa, remote farmland. The first page took me straight to that wonderful description of In Cold Blood, Truman Capote’s description of Kansas, more remote farmland. ‘The village of Holcomb stands on the high wheat plains of western Kansas, a lonesome area that other Kansans call ‘out there’.’
Being a farmer’s daughter, I was soon immersed in the detail of the Cook family’s daily life on their Iowa farm ‘out there’: the drainage of the land, spreading manure, moisture levels, the hogs, the purchase of a new tractor, yields, profit and loss.
Smiley had my attention straight away. Overlaid over the groundwork of farming are the daily lives of the family members: Larry, the aging father, and the two daughters, Rose and Ginny and their husbands, who stayed on the farm. A peripheral character is Caroline, the third daughter, the one who got away, now a lawyer, who visits her father but doesn’t interact much with her sisters. Both farming sisters are used to tragedy: Rose is recovering from breast cancer, Ginny has suffered five miscarriages. But they get on with life, because that’s the pragmatic approach to life they were taught.
Then two things happen and everything changes. Out of the blue, Larry says he is leaving the thousand acre farm to Rose and Ginny, nothing to Caroline. And the son of a neighbouring farmer, who had gone to Canada to avoid the Vietnam draft, returns. From this point, the family slowly unravels as the traumatic past stories are told alongside the unfolding modern-day traumas, set against the empty Iowa horizon and a neighbourhood where there are no secrets.
I couldn’t put this book down although it is in no way a page-turning thriller. It’s all about the characters: I wanted to know what happened to them in the past as children that turned them into the adults they are now. Is family everything? Will they stay together and keep the thousand acres together? There is a new generation of Cook children, Rose has two daughters. Will the thousand acres be preserved for them to inherit, or will they escape the empty landscape of rural Iowa as Caroline did?
CLICK HERE TO READ MORE ABOUT THIS BOOK AT AMAZON

Click the title below to read my reviews of other novels by Jane Smiley:-
A DANGEROUS BUSINESS
SOME LUCK [LAST HUNDRED YEARS #1]
EARLY WARNING [LAST HUNDRED YEARS #2]
GOLDEN AGE  [LAST HUNDRED YEARS #3]

If you like this, try:-
‘Housekeeping’ by Marilynne Robinson
‘Love is Blind’ by William Boyd
‘Poor Caroline’ by Winifred Holtby

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview A THOUSAND ACRES by Jane Smiley via @SandraDanby http://wp.me/p5gEM4-1kk

#BookReview ‘I Refuse’ by Per Petterson #contemporary

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I Refuse is the story of the friendship and un-friendship of two Norwegian men, their boyhood and manhood, told retrospectively as they meet by chance in 2006 on a bridge in early morning after many years apart. This subtle book is the first I have read by Per Petterson. Per Petterson Jim and Tommy are school friends, living in a small town outside Oslo. Both have difficult home lives. Jim lives with his single mother, a staunch Christian. Tommy’s mother disappears one night into the snow and as the eldest he copes with a violent father and three younger siblings. The two boys unite, until at 18 they are friends no more…
At that moment on the bridge, when the two men recognize each other, I wondered what had happened to separate them for 35 years. We learn the stories of their childhood and the hours before that meeting on the bridge, through their own flashbacks plus the voices of Tommy’s sister Siri, their mother Tya and his guardian Jonsen. Small incidents, unintended actions, everyday words, throwaway insults – the stuff of everyday life – all combine to affect the two boys in ways that last with them through adulthood. Things are said and unsaid.
Petterson’s style is distinctive, a long sentence followed by a short sharp sentence of five or six words used for emphasis. Occasionally I re-read a sentence and got more from it, Petterson’s perception of life is multi-layered and this is a novel which will reward re-reading. He has a way of putting his finger straight on the core point. In 2006 Jim is thinking of his own death, though at this point in the story the reader doesn’t know if he is actually ill or just contemplating mortality. “He knew that one day soon she would get over it and to everyone’s surprise, would have put it behind her, forgotten it already, or hidden it inside herself, the size of a shirt button.” Just as we don’t know if Jim is dying, we also don’t know who the ‘she’ refers to. “He dragged himself along on his knees, the cross was heavy and sharp against his shoulder. I’m so thirsty, he thought and they give me only vinegar to drink.”
The title I Refuse refers to both boys who refuse to compromise, refuse to forgive, refuse to forget. When they are 18, Jim and Tommy talk about friendship, “… it will last if we want it to. It depends on us. We can be friends for as long as we want to.”
I have another new author to explore.
CLICK HERE TO READ MORE ABOUT THIS BOOK AT AMAZON

If you like this, try:-
‘Doppler’ by Erlend Loe
‘The Horseman’ by Tim Pears [#1 West Country Trilogy]
‘Under a Pole Star’ by Stef Penney

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview I REFUSE by Per Petterson http://wp.me/p2ZHJe-1gh via @SandraDanby

#BookReview ‘The Surfacing’ by Cormac James #historical #Arctic

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The Surfacing by Cormac James is a consuming book about life on the edge of life, life on the edge of death. When you stand at that edge, there is not much difference between the two. Cormac JamesIn the 1850s, the Impetus sets out into the Arctic. It is part of a rescue party to find the missing Franklin expedition. Delays on shore, including parties and flirtation with the local girls on Greenland, mean the ship is late at the muster and is assigned the most difficult sector to search. Part way into their journey, they discover a stowaway. This woman changes the life of everyone on board, particularly second in charge Lieutenant Morgan. At first she is an intruder in their male world, then she is a nuisance, but finally they accept Miss Rink as one of them. And all the time, winter draws in and the ice clamps around their boat. And Miss Rink is pregnant.
They are caught in the ice for the winter. Ice is a character in the novel; it moves, it seems to breath, it thaws and re-freezes. Their lives depend on the ice. The options are endlessly reviewed, always tempered by the thought that they – the rescuers – are in need of rescuing themselves. And if they were, by some miracle this far north, to stumble on Franklin, would they be able to help the stranded crew?
I felt myself drawn into their daily lives, the need for routine and tasks in the long dark freezing cold days when there is nothing to do. The French cook made me smile, he promises them feasts at mealtimes and serves up mush. And all the time, the story is told by Morgan. His difficulties with Captain Myer, his friend Doctor DeHaven, and with Miss Rink.
Will they survive? Will they discover Franklin, or will they in turn be rescued? This is a wonderful novel, a very different read for me. The Arctic has such a presence, James describes the sea, the ice, the barren mountains and the extreme weather, with language at the same time poetic and powerful. Above all, it is a story of fatherhood as Morgan slowly accepts that Miss Rink’s child is his. In the midst of danger, trapped by the ice which pushes their boat so high above the ice’s surface that it must be supported by wooden posts, a new life is born.

If you like this, try:-
‘Under a Pole Star’ by Stef Penney
‘Burial Rites’ by Hannah Kent
‘Thin Air’ by Michelle Paver

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview THE SURFACING by Cormac James http://wp.me/p5gEM4-1fE via @SandraDanby

#BookReview ‘The Goldfinch’ by Donna Tartt #contemporaryfiction

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I knew it from the first page, The Goldfinch by Donna Tartt is the rare sort of book that you want to go on forever and when you finish it you want to start reading all over again for the first time. It is a book I will keep and re-read and re-read. Donna Tartt Three main reasons why I loved it. I liked Theo, it is his story and Tartt lets him tell it all the way through. No other viewpoint. It is about art and antiques, or specifically one painting and the effect it has on Theo’s life. The possession of it, the responsibility, the guilt, the value. The meaning of the painting itself, the tiny bird shackled by a chain at its ankle. And the painter, Carel Fabritius, student of Rembrandt, died too young in the Delft gunpowder explosion of 1654 when he was 32. And lastly, it’s one of those wide-ranging American novels – New York to Las Vegas to Amsterdam – that the Americans seem to do so well and the English are rubbish at [if you can think of a modern English novel that does do it, please let me know because I’d love to read it]. Tartt says she carries a notebook everywhere and is always jotting down ideas and facts. It shows. Each page is crammed with information. I have to admit early on I was wondering if 13-year old Theo would really remember details of a painter called Egbert van de Poel, but it is the adult Theo telling the child’s story so I cut her some slack.
It is about art, fate, the things life throws at us, love and friendship. It takes in alcoholism, drug addiction, art fraud, post-traumatic stress disorder, grief, unrequited love. At the heart of it is a mystery. As Theo’s feckless father, who gambles according to astrology, says: “sometimes you have to lose to win.” And it is chock full with popular references, from Boris referring to reading the ‘Dragon Tattoo’ books to Pippa’s Hunter wellies.
Of the peripheral characters, I loved Hobie, loved Boris. Pippa remains enigmatic to the end. Tartt’s characters are alive, her places are real. She makes you smell the dust. I’ve been to Las Vegas and have ventured beyond the Strip, but not to the outer edges where the desert reclaims the streets and where the teenage Theo and Boris meet. And I’ve been to New York, walked the streets Theo walks, been to the Met [thank goodness, un-bombed], and been to Amsterdam too with its circular canals. And that brings me to the first chapter, and the ending. I was so intrigued by that first chapter, why is Theo in the hotel room, anxiously scanning the Dutch television news. What has he done? What I imagined it to be… I was wrong, but I had to read almost to the end before I realised I was wrong. That’s really good going for a book that is 771 pages long. There is anticipation, numerous twists in the tale, and there is a little over-intellectualising [often the over-serious way of ‘the big American novel’] but nothing that stopped me reading on. For me, the book went on slightly too long, past its natural finishing point. I would have stopped at the end of the chapter where Theo and Hobie meet post-Christmas, post-Amsterdam.
It is a literary success, and a page-turner. A deserved winner of the Pulitzer, for me.

Read the #FirstPara of THE SECRET HISTORY also by Donna Tartt.

If you like this, try:-
‘A Little Life’ by Hanya Yanagihara
‘Purity’ by Jonathan Franzen
‘A Spool of Blue Thread’ by Anne Tyler

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview THE GOLDFINCH by Donna Tartt http://wp.me/p5gEM4-1cm via @SandraDanby 

#BookReview ‘Stolen Child’ by Laura Elliot #family #secrets #mystery

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Stolen Child by Laura Elliot wasn’t as I expected it to be. Given the title, I expected a detective hunt for a missing child, kidnap and perhaps murder. Instead it is a character study of two women encompassing grief, guilt, blame, anger, loss and redemption. Laura Elliot Susanna loses her own baby before term and steals one to replace it. Carla, a model who lives her life on the fashion pages, gives birth but days later her baby disappears from the hospital without trace. This is a page-turner but is so much more than that. It is a character study of two women at the extreme of horror and grief, not just in the immediate aftermath of the theft, but years later. Both experience loss, grief, guilt and dashed hopes.
Susanne steals baby Isobel and calls her Joy. Devastated mum Carla is dealing with an avid media which cannot believe its luck at the juicy headlines. Both women struggle to live day-to-day. Relationships crack, friendships shake. Susanne is over-protective of Joy. Carla refuses to let go, even after her husband leaves the country to ‘move on’. She changes her name, cuts her hair short and dyes it black. The years pass. But rural Ireland is a small place. The network of who-knows-who overlaps the lives of both women, now and in the past. Why did Susanne choose Carla’s baby to steal? Part of my motivation to turn the page was the curiosity about who would spot the strong physical likeness between Joy and Carla. As Joy/Isobel grows, her voice joins the story too: teenage angst, boyfriend trouble, rebellion and confusion.
Susanne and Carla are connected by an umbilical cord. I waited for the moment that the cord would be yanked, and the two pulled together. This book is an examination of what makes a family: blood, proximity, do they have to start with a birth or are they more loosely assembled?

Read my review of THE BETRAYAL, also by Laura Elliot.

If you like this, try:-
‘The Birdcage’ by Eve Chase
‘Ghost Moth’ by Michele Forbes
‘In Another Life’ by Julie Christine Johnson

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
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#BookReview ‘A Sudden Light’ by Garth Stein @garthstein #contemporary

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How to define A Sudden Light by Garth Stein? It’s a coming of age tale, a ghost story, it’s about forests and trees and about man’s responsibility to nature. I loved it, one of the best books I‘ve read this year and quite different from everything else. Garth SteinStein is a new author for me. I was attracted to this book by three features: the ethereal cover, the setting in the Pacific North-Western corner of the US, and the family/saga ghost story combination.
Trevor’s parents are separated. His mother has flown home to England for the summer while Trevor visits for the first time his ancestral home on the Olympic Peninsula outside Seattle. Trevor’s objective is to repair his parents’ marriage, he is not sure how. But from the first day he and his father, Jones, arrive at Riddell House on The North Estate, everything seems strange. The house is enormous, built by Trevor’s great-great-grandfather Elijah Riddell a century earlier, testament to Elijah’s riches earned from his logging business. It is a mansion, built from timber, set amongst trees, isolated and rotting. The house is at the centre of this story; its physicality, its history, what it meant to Elijah and his son Ben, and what the sale of it could mean to the current Riddell generation: much needed cash. Trevor meets his aunt Serena [she asks him to call her Simply Serena] and his Grandfather Samuel, who suffers from Alzheimer’s. The mysteries start from day one. Is the ghost of Jones and Serena’s mother dancing upstairs? What exactly is Serena’s agenda, is she trying to seduce 14-year old Trevor? Is Grandfather Samuel speaking rubbish, or not? And what secret is Jones hiding? Money is at the centre of this tale, a family who earned fortunes as the 19th century turned into the 20th by forging timber links with the railroads. That same family now has a mansion which is falling into ruin, while Jones is newly bankrupt after the failure of his boatbuilding business.
Everyone has an agenda at Riddell House that summer, including Trevor.

If you like this, try:-
‘The Ship’ by Antonia Honeywell
‘The Good People’ by Hannah Kent
‘Barkskins’ by Annie Proulx

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview A SUDDEN LIGHT by Garth Stein @garthstein via @SandraDanby http://wp.me/p5gEM4-1fc

#BookReview ‘Nora Webster’ by Colm Tóibín #historical

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Nora Webster by Colm Tóibín is such a slow burn. I came to it after reading a thriller, so perhaps that’s why the pace seemed so slow. And then I took a deep breathe and let myself sink into the deep pool of the story. Colm Tóibín Reading this book was a little like listening to my mother tell the story of her life, tiny baby steps. The everyday voice of Nora, a kind of everywoman, is so clear. An ordinary woman, she is grieving for her husband Maurice and living in a world of echoes. This is a novel about grief, living with grief, and the slow re-awakening of life. Tiny baby steps.
Nora cannot indulge her grief. For one thing, money is short and her two young sons must be cared for. Her two daughters too, though older, need their mother although they don’t think they do. Nora struggles to get through her own day in which every minute is shadowed by her loss, but life gets in the way, decisions must be made. Day to day she does the best she can, trying to get the everyday detail right but not seeing how her sons’ grief is manifesting itself. Instead she worries about paying the bills and avoiding people in the street who want to pay their respects. Tóibín has created a timeless rural Ireland where everyone knows everyone else from childhood, where the etiquette of grief is followed, where it is difficult to have secrets.
As readers we experience all of this in Nora’s own mind, we are inside her head: this is Tóibín’s real skill. It would be easy to say this is a book about the grief of an Irish woman, and not much else. And to be fair, there is not a lot of action in the first half of the book. Then, unable to say ‘no’ to an invitation as it would be impolite, Nora starts to sing. And that is the first baby step of her re-awakening.
At the beginning, I wondered if I would finish it. When I finished it, I wanted to start reading it again.

Read my reviews of these other novels by Colm Tóibín:-
BROOKLYN
HOUSE OF NAMES

If you like this, try:-
‘Himself’ by Jess Kidd
‘How to Belong’ by Sarah Franklin
‘Elmet’ by Fiona Mozley

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview NORA WEBSTER by Colm Tóibín http://wp.me/p5gEM4-1eW via @SandraDanby

#BookReview ‘A Death in Valencia’ by @Jwebsterwriter #crime #Spain

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A Death in Valencia by Jason Webster is about more than a singular death, it is an exploration of the nature of death and what constitutes murder. Max Cámara, the Valencia detective introduced by Webster in Or the Bull Kills You, cannot sleep: his street is being dug up as the new Metro line is being built, the summer heat pulsates, and Valencia is crazy as it prepares for the arrival of the Pope. Jason Webster The city buzzes with pro- and anti-Catholic emotions, with pro-life and pro-choice campaigners lining up their arguments for the Pope. Meanwhile the police force prepares security for the visit, as a developer is ripping up the old fisherman’s quarter El Cabanyal to build new apartment blocks. On the first page, a dead body is washed up on the shore. A well-known paella chef.
Max has eaten the chef’s paella but is taken off the case to help hunt for a kidnapped woman, a gynaecologist who performs abortions. The eve of the Pope’s visit is the worst possible time for this to happen. As always seems to happen in crime novels, two seemingly separate incidents are linked. The link, in this case, is carefully plotted so I didn’t spot it until the end. For me, this is a deeper more intelligent novel than the first in the Max Cámara series, perhaps because the author is settling into the genre and the character.
I must add that Valencia simply rocks in this book, it comes alive off the page, the heat, the tension, the grief. I can smell the summer dust.
CLICK HERE TO READ MORE ABOUT THIS BOOK AT AMAZON

Read my reviews of other books in Webster’s Spanish detective series:-
OR THE BULL KILLS YOU #1MAXCÁMARA
THE ANARCHIST DETECTIVE #3MAXCÁMARA
BLOOD MED #4MAXCÁMARA

If you like this, try:-
‘Wilderness’ by Campbell Hart
‘The Ice’ by Laline Paull
‘In the Blood’ by Steve Robinson

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview A DEATH IN VALENCIA by @Jwebsterwriter via @SandraDanby http://wp.me/p5gEM4-19d

#BookReview ‘The Soul of Discretion’ by @susanhillwriter #crime

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Lafferton, England. A naked child wanders down a street. A woman is raped at a black tie Freemansons’ Dinner. This is the beginning of The Soul of Discretion by Susan Hill. Detective Simon Serrailler is coming to terms with his girlfriend moving into his flat which now seems very small and confined, no longer his own private space. His widowed sister is struggling for money and must decide what to do about it. His stepmother is struggling to deal with the detective’s increasingly irritable and irascible father. Serrailler’s girlfriend feels like the lodger in her boyfriend’s flat. And then Serrailler is posted undercover. Susan HillThis is the eighth novel about detective Simon Serrailler and as far as I’m concerned, Susan Hill can continue writing them until kingdom comes. I have read them all over the years, but this is the first I have reviewed [something I will remedy over the coming year]. Serrailler is a thoughtful, solitary-minded detective, surrounded by a family which, in The Soul of Discretion, has its own crises. But the central thread of the book, which kept me reading late into the night, was Serrailler going undercover. In this book, you wonder if he will live or die. I read this book in 24 hours, including a night’s sleep. The subject matter is difficult, the nastiest child abuse, and to go undercover Serrailler must know his subject, be able to act the part of a ‘nonce,’ he must look as if he likes the nasty stuff.
Susan Hill doesn’t show us the unpleasantness, she lets us imagine it by showing us Serrailler’s reaction. He becomes Johnno Miles and we take every step with him as he goes to prison, the aim to get close to a prisoner who it is hoped holds the key to unlocking a prolific child abuse ring. With him is a James Bond-style watch with coded buttons to send messages to HQ, except it is a cheap black plastic watch, not a Rolex. There are a lot of heart-in-mouth passages, Hill’s writing makes you turn page after page. And just when you get to a key bit, the chapter ends and the attention switches – to Cat who is trying to decide whether to work for a hospice or a GP practice, or his stepmother Judith on holiday in France with his father, or Serrailler’s girlfriend Rachel who is opening a bookshop – and you get an emotional breather from the tension. But all the stories are linked, in the end.

Read my reviews of the other novels in the series:-
THE VARIOUS HAUNTS OF MEN #1SIMONSERRAILLER
THE PURE IN HEART #2SIMONSERRAILLER
THE RISK OF DARKNESS #3SIMONSERRAILLER
THE VOWS OF SILENCE #4SIMONSERRAILLER
THE SHADOWS IN THE STREET #5SIMONSERRAILLER
THE BETRAYAL OF TRUST #6SIMONSERRAILLER
A QUESTION OF IDENTITY #7SIMONSERRAILLER
THE COMFORTS OF HOME #9SIMONSERRAILLER
THE BENEFIT OF HINDSIGHT #10SIMONSERRAILLER
A CHANGE OF CIRCUMSTANCE #11SIMONSERRAILLER

And also by Susan Hill, HOWARD’S END IS ON THE LANDING

If you like this, try:-
‘Referendum’ by Campbell Hart #3ARBOGAST
‘The Silent Twin’ by Caroline Mitchell
‘Agatha Raisin and the Quiche of Death’ by MC Beaton #1AGATHARAISIN

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview THE SOUL OF DISCRETION by @susanhillwriter via @SandraDanby http://wp.me/p5gEM4-1dD

#BookReview ‘The Sunrise’ by Victoria Hislop @VicHislop #Cyprus #historical

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I’m a big fan of Victoria Hislop’s previous three novels, The Thread, The Return, and The Island so was expecting a lot from the new one, The Sunrise. I was a little disappointed and it’s difficult to pin down why. Victoria HislopThe Cyprus setting is great, the historical setting is stirring, the characters… I didn’t connect as well with them as I did with Alexis and Eleni in The Island. Finally, I decided that the difference between The Sunrise and the Hislop’s earlier books is that it wears its history a little too heavily. That said, it is a fascinating period and one I knew little about, except a memory of a distant cousin who lived near Kyrenia at the time. He and his family were forced to flee their house, empty-handed, running across open countryside towards a cave, dodging bullets being fired from an airplane
The Sunrise tells the story of three families in Famagusta from the sunny days of 1972 when tourism brings riches to Cyprus, to 1974 when a Greek coup forces the island into chaos. Greek Cypriots flee in one direction, Turkish Cypriots flee in the other, and the Turkish army invades to protect the Turkish Cypriot minority. The city of Famagusta empties as people run for their lives. Today, 40 years later, the city is still empty. This is the setting for Hislop’s novel.
Two of the families in The Sunrise – the Georgious and the Ozkans – remain behind in Famagusta, hiding, scavenging for food, keeping silent to avoid capture. One is Greek Cypriot, the other Turkish Cypriot. Initially suspicious of everyone, the families are brought together by the two mothers and encouraged to support each other. This is a story of survival on the edge of war, of starvation, ingenuity, bravery and fear. Sons disappear, the city is bombed, soldiers patrol the streets, and a baby is born. The third family – the Papacostas, owners of the sparkling new hotel The Sunrise – flee to their apartment in Nicosia, locking up their stronghold hotel and leaving valuables in its safe, but taking the danger and emotional attachments with them.
Though the book at times drifts towards impersonal reportage and can feel a little like reading a history book or newspaper report, the accuracy of the complicated political and social situation is clearly explained. The island is heft in two and its population uprooted with possessions, without warning. They are attacked, raped, killed, simply for being ‘the other kind’. Finally they settle into North and South, either side of the east-west dividing line.
Victoria Hislop always writes about places she knows well and that knowledge shines off the page in every sound, smell and touch she conjures up. She was not able to go to Famagusta, the city is still closed off, and had to be content with looking through the wire fence. In The Sunrise she has tackled a hugely complex political and emotional subject. For me, the story took off in 1974 once the Georgious and Ozkans were trapped in the city and fighting to survive. I found Savvas and Aphroditi Papacosta less sympathetic, I’m afraid, perhaps because the story starts in 1972 when they develop their luxury hotel, two years before the Cypriot coup takes place. Perhaps that’s just me, impatient for the action to start.

Read my reviews of other these books by Victoria Hislop:-
THE FIGURINE
THE STORY
THOSE WHO ARE LOVED

If you like this, try:-
‘The Ballroom’ by Anna Hope
‘Mrs Sinclair’s Suitcase’ by Louise Walters
‘The Lightning Tree’ by Emily Woof

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview THE SUNRISE by Victoria Hislop @VicHislop http://wp.me/p5gEM4-1dx via @SandraDanby