Tag Archives: fiction

#Bookreview ‘The Marriage Plot’ by Jeffrey Eugenides #romance

The title of this, the third novel by Pulitzer Prize-winning author Jeffrey Eugenides, refers to the entanglements of three students and the plotting of Victorian romance novels. The Marriage Plot tells of the romantic, sexual, philosophical, religious and literary coming togethers/going aparts of a literature student Madeleine Hanna, scientist Leonard Bankhead and theology student Mitchell Grammaticus at Brown University in 1982 America. Jeffrey EugenidesIt is a tale of youthful assumptions, experimentations, dreams and disappointments. Perhaps it is a tale which will strike a chord with people of the same age as Madeleine, Leonard and Mitchell, rather than those who are older.
None of the three main characters are particularly likeable and at times the book gets bogged down in literary theory, philosophy, science and religious theory. Leonard is brilliant but a manic depressive, something which colours the entire book. The portrayal of his illness is convincing and shows the knife edge of pharmaceutical dosage needed to maintain a healthy mental balance. Leonard yo-yo’s back and forth, coping and not coping, at times allowing his manic tendencies to win. Madeleine accuses him of liking being depressed all the time. Mitchell is the idealistic one who goes to India to work for Mother Theresa’s Calcutta hospice and confronts some unpalatable truths. In comparison, Madeleine seems rather spoiled. Both men dote on her however and this is the spine which holds the story together: who will Madeleine finally choose?
Eugenides describes mundane things so beautifully. “Outside, the temperature, which had remained cold through March, had shot up into the fifties. The resulting thaw was alarming in its suddenness, drainpipes and gutters dripping, sidewalks puddling, streets flooded, a constant sound of water rushing downhill.” Simple writing at its best. But at other times the writing feels manic and not just in Leonard’s sections. There is an authorial indulgence with many clever asides from the plot and characters. I soon learned to read these parts slightly out-of-focus, not worrying for example that I didn’t grasp Leonard’s sections on yeast or Mitchell’s constant references to Something Beautiful for God, Malcolm Muggeridge’s book about Mother Theresa. The last third of the book passed much quicker than the first two.
The Marriage Plot is ambitious, as Middlesex was, and rightly so, but is perhaps the inevitable ‘difficult’ book after such a huge success. This will not deter me from reading Eugenides again.

Click the title to read the first paragraph of MIDDLESEX, also by Jeffrey Eugenides.

If you like this, try these:-
‘If I Knew You Were Going to Be This Beautiful, I Never Would Have Let You Go’ by Judy Chicurel
‘A Sudden Light’ by Garth Stein
‘Barkskins’ by Annie Proulx

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#BookReview ‘Gilead’ by Marilynne Robinson #classic #Americanwriters

Gilead by Marilynne Robinson is a read like no other. A slow, contemplative journey through the memories of one man’s life, as he waits to die. In 1956, the Reverend John Ames writes a letter to his young son. It tugs the heartstrings. Marilynne Robinson Robinson writes with a clear unadorned style drawing heavily on biblical texts but it is not a religious tract, it is the story of a man’s life, his memories, his regrets and loves. The first few lines grabbed me and didn’t let me go. Do not start reading this book if you are feeling impatient. Some passages are easy and quick to read, others deserve more thought. It unwinds slowly like a length of thread, telling us the story of John Ames, his father and grandfather, the legacy of the Ames family which has been inherited by the Reverend’s seven-year old son.
I am not religious and some of the references will have passed me by. In the first half of the novel, I would think ‘oh no not another section about religion’, but as I read deeper into the book I became drawn into the stories of John Ames and his forebears and how their beliefs shaped their lives. I wanted to know what happened to John Ames Boughton, the troublesome son of his best friend and fellow reverend. I wanted to know how the Reverend Ames met his second wife. Some of the questions posed are not answered until the very end.
It is a peaceful novel, set against the backdrop of Fifties Iowa, which draws on local history including the Underground Railroad. Robinson draws a picture of the Gilead community, the people, their kindnesses, their grievances. She paints a clear picture. ‘We were very pious children from pious households in a fairly pious town.’
At times, the writing was so sublime I re-read. For example, ‘Sometimes I have loved the peacefulness of an ordinary Sunday. It is like standing in a newly planted garden after a warm rain. You can feel the silent and invisible life.’
Gilead, the second novel by Marilynne Robinson, won two prizes in 2005: the Pulitzer Prize for Fiction, the National Book Critics Circle Award. I came to it with trepidation, having respected the writing style of her first novel, Housekeeping but struggled with the pace of the narrative.

Try the #FirstPara of GILEAD here.

Read my reviews of Robinson’s other novels:-
HOME
HOUSEKEEPING
JACK

If you like this, try:-
‘Barkskins’ by Annie Proulx
‘Did You Ever Have a Family?’ by Bill Clegg
‘The Past’ by Tessa Hadley

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
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#BookReview ‘The Seven Deaths of Evelyn Hardcastle’ by Stuart Turton #crime #thriller

The Seven Deaths of Evelyn Hardcastle by Stuart Turton is a whodunnit version of Groundhog Day set at a country house party. There is a twist: the Bill Murray character must live each day in a different body, a host, and solve a murder or never escape back to his normal life. I found this to be a tortuous, convoluted and mystifying plot, impossible to review without giving away clues (intentionally or not), but I will have a go. Stuart TurtonIf you like conventional detective stories which follow the rules of crime fiction, presenting a challenge to be solved, this may not be for you. If you like going on a mystery journey where nothing is as it seems, you will like it. Mysteries work when the reader has something to cling onto, to make them identify with a character, to make them care, to give them someone to root for. This story has so many unknowns I spent most of the story in a state of confusion. Like Coco Chanel dressing for the evening and then removing two elements to ensure she wasn’t over-dressed, I finished this book wishing the author had undertaken a similar cutting exercise. The solution to the murder, and the fate of the protagonist were not the elements I found most fascinating; I enjoyed the challenge faced by Aiden – if that is his true name – when he inhabits the body of a host, a stranger. The obese body but sharp mind of Lord Ravencourt; the over-excited Jonathan Derby who acts without thinking and molests the chambermaids; the beaten-up butler who knows a lot but lays in bed drifting in and out of consciousness.
The list of characters is so long – with too many similar names, Millicent/Madeline, Daniel/Donald – plus others who are simply unnamed background extras, I couldn’t remember which each one was. This is complicated by the fact that the hero – whose name might be Aiden Bishop – doesn’t know who is who either. He doesn’t know who can he trust, who has he already met at Blackheath House, and who he knew before arriving at the party – as he also has amnesia about his real identity and previous life. Two/three other people are also experiencing this mobile bodied state, and Aiden is competing with them to solve the crime. Because only one, he is told by the mysterious fancy dress Plague Doctor, will survive. Oh and there’s a mysterious footman too who may or may not be trying to kill Aiden. Oddly, none of the other time-trapped people appear in Aiden’s body.
By a quarter through I was seriously confused and becoming seriously irritated. Is this a story best read in one sitting, so you are better able to remember all the twists and obfuscations? But the book is not short, 528 pages. Or could it be that there is just too much going on? A closed room mystery, each day repeating itself, a hero with amnesia who must relive each day in a different host body and be influenced by the stranger’s body and personality, a murder that happens every night meaning the victim cannot be rescued, a competition to solve the murder in order to survive, obtuse threats from sinister unidentifiable figures, key characters introduced rather late in the game. There is no doubting the planning skills of the author but at times I did suspect he set out to wilfully confuse rather than tease the reader. I ran through various scenarios: is it a game show, is it a wind-up like Candid Camera, is Aiden the murderer and doesn’t know it, is Aiden the murderer and cleverly duping everyone?
Ambitious, overwhelming, fantastical, mysterious, I can’t help but admire the ambition of the author and the scope of his story. Hidden beneath the machinations are two serious questions: how far will a person go in order to escape an intolerable situation, and is it ever possible to escape your own past? A Marmite book: love it or hate it.

If you like this, try these:-
‘Himself’ by Jess Kidd
‘The Last of Us’ by Rob Ewing
‘Curtain Call’ by Anthony Quinn

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#BookReview ‘The Mermaid and Mrs Hancock’ by Imogen Hermes Gowar #historical

Quite a few things in The Mermaid and Mrs Hancock by Imogen Hermes Gowar are not as they seem. The mermaid, which may or not be real, is actually dead and quite gruesome. And the story starts with shipping merchant Mr Hancock, not Mrs. He is a widower. Imogen Hermes GowarThis story about London in 1785 is a full-on feast for the senses and at first is a bit overwhelming: wind ‘sings’, raindrops ‘burst’, skin is ‘scuffed and stained’, a face is ‘meaty’. But then I fell into the life of Jonah Hancock and wondered when the mermaid, and Mrs Hancock, would appear. Soon the captain of the Calliope, one of Jonah’s ships, returns homes without the ship but with a mermaid.
The Mermaid and Mrs Hancock overflows with contrasts: Deptford and Mary-le-Bone are villages outside London, whales are dismembered and rendered beside the river but in nearby Blackheath the air is to be treasured. It seems unlikely that the path of Jonah, conservative, hard-working, will intersect with Angelica Neal, a former upper class prostitute. But thanks to the mermaid, they meet and their lives take different turns as a result. Gowar juxtaposes sumptuous silks, satins and pearls of the girls at Mrs Chappell’s high-class brothel, where they are tutored at some expense in dancing and singing, performing masques for their high-paying clientele; with the potatoes peeled and stockings darned by Jonah’s niece Sukie and maid Bridget. The beauty of the whores, the ugliness of the mummified mermaid. Contrasts are everywhere.
The story is slow to build and I admit to skipping some paragraphs of description, many dedicated to situations and characters with no bearing on the main storyline. But then I would stop and admire a sentence like this, ‘Overnight, Deptford’s heady miasma had begun to settle, like silt in a puddle, but sunrise stirs it back up again and Mr Hancock stumps through that great rich stink of baking bread and rotten mud and old blood and fresh-sawn wood with the cat trotting on her tiptoes beside him.’ Over-stuffed with imagery, but beautifully written. I enjoyed the final third but was left regretting threads and characters left dangling that could have enriched the story; Tysoe Jones and Polly particularly.
This is a bawdy morality tale set in Georgian London that issues the warning to be careful what you wish for and compares inner and outer beauty, man’s treatment of women and the exploitation of a mermaid for money. The story is predictable, given the tradition of mermaids, and because of this the pacing would benefit from more audacious plot twists and turns. I liked Jonah and wanted to shout to him, ‘have nothing to do with her.’ He is simply too nice.

If you like this, try:-
‘The Quick’ by Lauren Owen
‘An Appetite for Violets’ by Martine Bailey
‘The Wicked Cometh’ by Laura Carlin

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#BookReview ‘Offshore’ by Penelope Fitzgerald #contemporary

This is a slim, powerful novel about a small community of people living on houseboats on the River Thames at Battersea Reach in 1960s London. Anchored on the southern shore, next to the warehouses, brewery and rubbish disposal centre, they long to be positioned on the prosperous Chelsea shore opposite. In Offshore, Penelope Fitzgerald draws you into the world of Dreadnought, Grace, Maurice, Lord Jim and Rochester – those are the boats – and their occupants. Penelope FitzgeraldThey live in close, intimate proximity as the boats are tied to each other, only one is fastened to the wharf. Despite this, each person lives in an individual island of loneliness caused by marriage, poverty, sexuality, or just being different. Their lives are governed by tidal movement. ‘On every barge on the Reach a very faint ominous tap, no louder than the door of a cupboard shutting, would be followed by louder ones from every strake, timber and weatherboard, a fusillade of thunderous creaking, and even groans that seemed human. The crazy old vessels, riding high in the water without cargo, awaited their owner’s return.’
The people are inter-dependent but don’t know it until a crisis happens. The catalyst is Nenna, a young mother separated from her husband. She lives on Grace with her two children, Tilda and Martha, who run wild in the mud. One day, when they find antique painted tiles and sell them at an antiques shop on King’s Road, the two children seem more mature and capable than their mother. Nenna’s neighbours act as counsellors, offering marriage advice, boat help, and babysitting services. Richard, the de facto leader of the boat community, worries that his wife is bored and wants to retire to a house advertised in Country Life magazine. Meanwhile Willis, a struggling artist, who lives on Dreadnought, has a leak. This endangers his plan to sell the boat.
A beautifully-written thoughtful novel showing how very different people can rub along together.
Offshore won the Booker Prize in 1979, a year sandwiched between Iris Murdoch in 1978 for The Sea The Sea, and Rites of Passage by William Golding in 1980. Fitzgerald had been shortlisted the previous year for The Bookshop and would be again in 1988 with The Beginning of Spring. What a golden time that was. Penelope FitzgeraldMy paperback copy of Offshore [above] is an old Fourth Estate edition with a moody photo of the River Thames at dusk.

Read my review of THE BLUE FLOWER, also by Penelope Fitzgerald.

If you like this, try these other Booker-winning novelists:-
Life Class’ by Pat Barker [won the Booker in 1995 with ‘The Ghost Road’]
Mothering Sunday’ by Graham Swift [won the Booker in 1996 for ‘Last Orders’]
The Children Act’ by Ian McEwan [won the Booker in 1998 with ‘Amsterdam’]

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#BookReview ‘Day’ by AL Kennedy @Writerer #WW2

Day, the title of this novel by AL Kennedy, does not refer to a period of twenty-four hours, but to Alfred Francis Day. Alfie. Rear gunner in a Lancaster in World War Two and now extra on the set of a war film. Past and present are mingled together as he starts to remember things he would rather forget. The passages in the bomber are electrifying, in their detail and understanding. The cold, the smell, the fear, how the professionalism of their training kicks in when the action starts. It is totally believable. AL KennedyThe timelines are mixed here as Alfred’s memories are inter-mingled: when Alfred was a member of the bomber crew; his time in a prisoner-of-war camp; and as a film extra in 1949. Where the novel is not so clear, for me, is the intermingling of these three timelines, though after fifty pages everything started to clarify. If you find this, persist and everything will fall into place.
Through Alfred’s memories and his conversations with Ivor, his post-war employer at a bookshop, his bomber crew and the other film extras, we start to piece together the story of his life. It is particularly poignant when he falls in love, heavily, after a fleeting encounter during a bombing raid in London. He meets Joyce in a shelter and from then on she fills his head, when his head should be concentrating on shooting down enemy fighters as his crew drops bombs on Hamburg. ‘Turning his head and turning his head while the heath beyond him dreams, his head pressing back in his pillow and eyes closed and no clear memory he can see, only the wonder that her heartbeat was everywhere in her skin.’
Alfie is a complex character. He is a small man who reads to educate himself. He is nicknamed ‘Boss’ by his flight crew even though he is not the skipper. In flight training, he asks Sergeant Hartnell to show him how to fight and win. ‘Look, son… You’re not the first. Happens quite often in fact. Lads come along and they ask me for help… help with an argument they’ve got to settle back home…’ He tells Alfred his best bet is to hit them from behind with a bit of pipe, but when Alfred gets his chance he throws bricks.
We learn most about him as he remembers his mother and father, both of whom die during the war. In Alfred’s head, his mother and Joyce seem connected and he learns that memories are fickle, the things we would rather forget are the ones that return. ‘Some memories, the ones you’d rather keep – the more you tried to look at them, the more they wore away.’

And here are my reviews of other AL Kennedy novels:-
ALL THE RAGE
SERIOUS SWEET

If you like this, try:-
‘The Paying Guests’ by Sarah Waters
‘The Slaves of Solitude’ by Patrick Hamilton
‘Wake’ by Anna Hope

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My Porridge & Cream read: Carol Cooper

Today I’m delighted to welcome romance novelist Carol Cooper. Her ‘Porridge & Cream’ read is Please Don’t Eat the Daisies by Jean Kerr.

“My ‘Porridge and Cream’ book is Please Don’t Eat the Daisies by American writer Jean Kerr. First published in 1957, it is now out of print but a few copies are still available. I first read it in the 1960s, when I was perhaps about twelve. While I don’t remember the exact circumstances, it was my mother’s paperback copy, costing a princely 35 cents.
Carol CooperI do recall that my mother and I had recently arrived in the United States and were living in a studio apartment in Washington, DC, while she struggled to make ends meet. The book is a series of articles on Jean Kerr’s life as a playwright and parent, and each of the pieces made me roar with laughter at a time when real life wasn’t that funny. When I first read the book, I found it hugely entertaining on such subjects as diets, doctors, family, fashion, moving house, and the rest of everyday suburban life. It was only decades later that I could identify with Kerr’s situation as a writer working from home, and as the harassed mother of irrepressible boys.

It’s the humour that draws me back to the book again and again. It’s still witty, and it’s amazing how little it has dated in the sixty years since it first appeared. A word of warning, though: the film and the TV series weren’t nearly as good.

I tend to pick up Please Don’t Eat the Daisies when I’m tired and want to shut out the world, but don’t feel up to a challenging read. As it’s a loose collection of essays, I can dip in anywhere in the book. Many passages I don’t even need to read. I can recite them verbatim.”

Carol Cooper’s Bio
Carol Cooper is a doctor, journalist, and author. She contributes to The Sun newspaper, broadcasts on TV and radio, and has a dozen non-fiction books to her name. Her debut novel One Night at the Jacaranda got her hooked on writing contemporary fiction. This year, Hampstead Fever was picked for a prestigious promotion in WH Smith travel bookshops around the UK. More fiction is on the way.

Carol Cooper’s books
Carol CooperIt’s the sweltering summer of 2013 and the lives of six Londoners get complicated. As the temperature soars, they’re grappling with money worries, whining children, ailing parents, panic attacks, relationship woes, and temptations along the way. Emotions rise to boiling point, forcing decisions they could regret.
Hampstead Fever is a slice of multicultural London life to make you laugh, cry, and nod in recognition.
‘Hampstead Fever’ by Carol Cooper [UK: Hardwick Press]

Carol Cooper’s links
Website
‘Pills & Pillow-Talk’ blog
Twitter
Facebook
Instagram Carol Cooper

What is a ‘Porridge & Cream’ book? It’s the book you turn to when you need a familiar read, when you are tired, ill, or out-of-sorts, where you know the story and love it. Where reading it is like slipping on your oldest, scruffiest slippers after walking for miles. Where does the name ‘Porridge & Cream’ come from? Cat Deerborn is a character in Susan Hill’s ‘Simon Serrailler’ detective series. Cat is a hard-worked GP, a widow with two children and she struggles from day-to-day. One night, after a particularly difficult day, she needs something familiar to read. From her bookshelf she selects ‘Love in A Cold Climate’ by Nancy Mitford. Do you have a favourite read which you return to again and again? If so, please send me a message via the contact form here.

Carol Cooper

 

‘Please Don’t Eat the Daisies’ by Jean Kerr [UK: Fawcett]

Discover the ‘Porridge & Cream’ books of these authors:-
Shelley Weiner
Catherine Hokin
Judith Field

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
Why does @DrCarolCooper love PLEASE DON’T EAT THE DAISIES by Jean Kerr? http://wp.me/p5gEM4-2Oc via @SandraDanby #reading

#BookReview ‘These Dividing Walls’ by Fran Cooper @FranWhitCoop #historical

A young man arrives in Paris seeking respite from his grief, surrounding himself in the solitude of an attic flat loaned from a friend. Alongside him, his neighbours are happy and unhappy, they are getting by, they are lying to loved ones, lying to themselves. These Dividing Walls by Fran Cooper is a multi-layered story of microcosm and macrocosm, of an apartment block in Paris and its inhabitants, of city-wide anti-immigrant protests. Fran CooperA wave of racist violence enters the centre of Paris and the unfolding events are told through the lives of the residents at Number 37. Their lives converge and depart from each other, some are socially-minded, others watch from behind curtains. The young mother stretched so thin in the care of her three young children that she fears she will break. The banker who lost his job but is too ashamed to tell his wife. The homeless man who sleeps in a doorway on the street nearby. The silver-haired seller of art books who mourns her dead son. A young couple, new residents at Number 37, lock their door and turn off the television. The lives of all these people are affected by the xenophobic hatred which enters their street.
These Dividing Walls is at once a tender story and a violent one. Cooper writes with a love for Paris, a city she knows well, and this knowledge is in every sentence. A fond familiarity with Paris shines off every page, gently done, without shouting. The best book I have read this year.

If you like this, try:-
‘Quartet’ by Jean Rhys
‘An Officer and a Spy’ by Robert Harris
‘Fair Exchange’ by Michèle Roberts

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview THESE DIVIDING WALLS by Fran Cooper @FranWhitCoop http://wp.me/p5gEM4-2KC via @SandraDanby

My Porridge & Cream read: Renita D’Silva

Today I’m delighted to welcome Indian novelist Renita D’Silva. Her ‘Porridge & Cream’ read is the classic To Kill a Mockingbird by Harper Lee.

“The book I keep returning to time and again is To Kill A Mockingbird by Harper Lee. I love every character – Boo Radley, Jem, Atticus, and, especially, Scout: her innocence, her wonderful narrative voice through which she reveals more to the reader than she herself understands.
Renita D’Silva

I first read the condensed version as a teen. Being a voracious reader, I could never find enough to read in the village in India where I grew up. There was a small library – a couple of shelves of worn books with falling apart pages, woodlice ridden spines, crumbly to the touch and smelling yellow, of rot and stale lives. Having read each book multiple times, I was desperate for something different when I found this fat book wedged behind the shelves, forgotten and unloved.

I dusted it off, thrilled to have something new to read. I was ecstatic when I discovered that it was a Readers Digest anthology of four condensed books; one of them, To Kill a Mockingbird. I read the first line (they left that in), Scout’s sweet voice saying, ‘When he was nearly thirteen my brother Jem got his arm badly broken…’ – and I was hooked.

I read that version so many times that I knew sections by heart. I had a huge crush on Atticus – typical bookworm that I was, all my major crushes were from books. I graduated, in time, to nursing infatuations on Mr Darcy and others but my love for Atticus remained constant, made all the more steadfast when I finally watched the movie. Years later, I read the full version of the book and it was like discovering a new side to an old and trusted love. I have re-read the book countless times since then and each time, I find something – a word, a sentence – to cherish within its beloved pages.”

Renita D’Silva’s Bio
Renita D’Silva loves stories, both reading and creating them. Her short stories have been published in The View from Here, Bartleby Snopes, this zine, Platinum Page, Paragraph Planet among others and have been nominated for the ‘Pushcart’ prize and the ‘Best of the Net’ anthology. She is the author of Monsoon Memories, The Forgotten Daughter, The Stolen Girl, A Sister’s Promise and A Mother’s Secret.

Renita D’Silva’s links
Facebook
Twitter
Website

Renita D’Silva’s books
Renita D’SilvaWhat if you discovered that everything you knew about yourself was a lie?
When pregnant Jaya loses her mother, then her baby son Arun in a tragic cot death, her world crashes down. Overcome by grief and guilt, she begins to search for answers – to the enigma of her lonely, distant mother, and her mysterious past in India.
Looking through her mother’s belongings, she finds two diaries and old photographs, carrying the smoky aroma of fire. A young boy smiles out at Jaya from every photograph – and in one, a family stand proudly in front of a sprawling mansion. Who is this child? And why did her mother treasure this memento of a regal family lost to the past?
As Jaya starts to read the diaries, their secrets lead her back to India, to the ruin of a once grand house on a hill. There, Kali, a mad old lady, will unlock the story of a devastating lie and a fire that tore a family apart.
Nothing though will prepare Jaya for the house’s final revelation, which will change everything Jaya knew about herself.
Read my review of A Mother’s Secret.

‘A Mother’s Secret’ by Renita D’Silva [UK: Bookouture]

Porridge & Cream

What is a ‘Porridge & Cream’ book? It’s the book you turn to when you need a familiar read, when you are tired, ill, or out-of-sorts, where you know the story and love it. Where reading it is like slipping on your oldest, scruffiest slippers after walking for miles. Where does the name ‘Porridge & Cream’ come from? Cat Deerborn is a character in Susan Hill’s ‘Simon Serrailler’ detective series. Cat is a hard-worked GP, a widow with two children and she struggles from day-to-day. One night, after a particularly difficult day, she needs something familiar to read. From her bookshelf she selects ‘Love in A Cold Climate’ by Nancy Mitford. Do you have a favourite read which you return to again and again? If so, please send me a message via the contact form here.

Harper Lee

 

‘To Kill a Mockingbird’ by Harper Lee [UK: Arrow]

Discover the ‘Porridge & Cream’ books of these authors:-
Sue Moorcroft
Jane Cable
Claire Dyer

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
Why does @RenitaDSilva love TO KILL A MOCKINGBIRD by Harper Lee? http://wp.me/p5gEM4-2b5 via @SandraDanby #reading

My Porridge & Cream read: Kate Frost

Today I’m delighted to welcome women’s novelist Kate Frost.

Her ‘Porridge & Cream’ read is the classic Chocolat by Joanne Harris. Kate Frost“To be honest, I have more than one ‘Porridge and Cream’ book, and they’re all quite different, but the book I’d happily pick up when feeling ill or run down is Joanne Harris’ Chocolat – a delicious and delightful character-driven novel centred around single mother and chocolatier Vianne Rocher and her young daughter, Anouk. I first read it over a summer, not long after it had been published, so around 2000 or 2001. I’d recently moved in with my boyfriend (now husband) and we’d been to Greece together to meet his parents and the whole of his extended Greek family, so a book set in a French village that immersed its characters in local life with the focus being on food and delicious chocolate creations resonated with me and my first experiences of a Greek family and their abundance of delicious food.

I’ve only read Chocolat two or three times (like I said it’s one of a number of favourites), but it is the perfect book to get pulled into when I’m feeling down. The most recent time I read it was after recovering from a minor operation and the wooziness of a general anaesthetic. It was winter time and cold and grey outside and Chocolat with its luscious descriptions was the perfect antidote to raise my spirits. The setting is what appeals most and the way Joanne Harris weaves smells, textures and tastes throughout the novel is perfect.”

Kate Frost’s Bio
Kate has always made up stories, ever since she started writing at seven years-old when she spent months at home recovering from open heart surgery for a hole in her heart. After working various jobs including in a factory, a cinema, a bookshop, as a Health Advisor and Team Manager at NHS Direct, and a Supporting Artist in the films Vanity Fair, King Arthur and The Duchess, she’s now lucky enough to spend her time running around after her energetic just-turned-three year-old and writing novels. Kate has a MA in Creative Writing from Bath Spa University and has published two women’s fiction novels and a time travel adventure for 9-12 year olds.

Kate Frost’s links
Buy the book
Website
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Kate Frost’s books

Kate Frost

Kate’s debut novel, The Butterfly Storm, was published in 2013 and has recently had a cover revamp. Set in Greece and on the north Norfolk coast it follows Sophie as she escapes an unsatisfying life with her boyfriend, Alekos, and a domineering Greek mother-in-law to be, to come back to the UK to look after her estranged mum after she’s injured in a motorbike accident. Faced with a physical and emotional distance from Alekos, a complicated relationship with her mum, an emerging friendship with a handsome and newly divorced man, and a shock discovery, will Sophie be able to make the tough decision of where she wants to be and, ultimately, who she wants to be with?
‘Butterfly Storm’ by Kate Frost [UK: Lemon Tree Press]

Porridge & Cream

What is a ‘Porridge & Cream’ book? It’s the book you turn to when you need a familiar read, when you are tired, ill, or out-of-sorts, where you know the story and love it. Where reading it is like slipping on your oldest, scruffiest slippers after walking for miles. Where does the name ‘Porridge & Cream’ come from? Cat Deerborn is a character in Susan Hill’s ‘Simon Serrailler’ detective series. Cat is a hard-worked GP, a widow with two children and she struggles from day-to-day. One night, after a particularly difficult day, she needs something familiar to read. From her bookshelf she selects ‘Love in A Cold Climate’ by Nancy Mitford. Do you have a favourite read which you return to again and again? If so, please send me a message via the contact form here.

Joanne Harris

 

‘Chocolat’ by Joanne Harris [UK: Black Swan]

Discover the ‘Porridge & Cream’ books of these authors:-
Rosie Dean
Rachel Dove
JG Harlond

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
Why does #author @Kactus77 love CHOCOLAT by @Joannechocolat #amreading via @SandraDanby http://wp.me/p5gEM4-2py