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#BookReview ‘Transcription’ by Kate Atkinson #WW2

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Few of the characters in Transcription by Kate Atkinson are who they seem to be. A novel of the Second World War, Transcription suggests that the ripples of wartime secrecy spread out through the following years so that outstanding lies and betrayals are eventually repaid. Many years later. Kate AtkinsonIn 1940, Juliet Armstrong intends to join one of the women’s armed forces when she receives a letter on government notepaper and is summoned to an interview. After being informed by telegram that she has got the, still unspecified, job, Juliet boards a bus which takes her to Wormwood Scrubs prison, now converted into government offices. There she works in Registry, shuffling files around, until Perry Gibbons says, ‘I need a girl’ and Juliet finds herself working for Perry’s MI5 counter-fascism team at a flat in Dolphin Square.
Told across two timelines, 1940 and 1950 – with a brief glimpse at 1981 in the prologue and epilogue – Transcription has a huge cast of characters, most of whom I confused and, I suspect, Atkinson wishes me to confuse. Some characters are spies with cover names, some are only described and have no name while others seem innocent, too innocent to actually be innocent. If this is all confusing, it is meant to be. That is Atkinson’s point. This is a story about the importance of truth and how lies, which seem pragmatic and normal in wartime, are still lies. And that the most obvious traitors are not always the ones to be worried about.
The 1940 storyline covers the MI5 operation. At first, Juliet’s job is type up transcripts of bugged conversations between fascist supporters in the next door flat; later she takes on the persona of Iris to infiltrate a group of fascist agitators. Sometimes she fluffs her lines, sometimes she is impulsive and gets into trouble. At all times she feels isolated and unsure of the value of what she is doing. She is also a young woman and looks for signs of interest from the men surrounding her. In 1950, while working in the Schools Department of the BBC making educational radio programmes with titles such as ‘Can I Introduce You To?’ and ‘Have You Met?’, she sees familiar faces from her wartime days and the past revisits her.
Atkinson excels at the small detail which makes these workplaces convincing, creating believable relationships between Juliet and radio engineer Cyril at Dolphin Square, and with junior programme engineer Lester Pelling at the BBC. I enjoyed this book but wouldn’t describe it as a page turner. I’m not sure I liked Juliet but she held enough fascination for me as I tried to figure out what she did and didn’t believe in. I was never totally sure if I believed in her.
The Author’s Note at the end of the book is fascinating and perhaps would have served better as a Foreword. So, in summary, not my favourite Atkinson novel but not a bad one either.

Click the title to read my reviews of these other books by Kate Atkinson:-
A GOD IN RUINS
LIFE AFTER LIFE
BIG SKY #5JACKSONBRODIE
DEATH AT THE SIGN OF THE ROOK #6JACKSONBRODIE
NORMAL RULES DON’T APPLY
SHRINES OF GAIETY

If you like this, try:-
‘The Heat of the Day’ by Elizabeth Bowen
‘After the Party’ by Cressida Connolly
‘Shelter’ by Sarah Franklin

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#BookReview ‘A Daughter’s Hope’ by @MargaretKaine #saga #romance

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The daughter mentioned in the title of A Daughter’s Hope by Margaret Kaine is Megan Cresswell, strictly-raised, religious, sheltered, young, dowdy. Set in the post-WW2 Potteries district around Stoke-on-Trent still suffering from continued wartime poverty and hardship, Megan is free after the death of her mother to make her own way in life. But the harsh reality of being an adult and enduring a hand-to-mouth existence soon makes her realise she must she find a husband to survive. Margaret Kaine Ever the realist, pragmatic Megan allows her friends to give her a makeover of hair, clothes and make up, before setting off to visit nearby churches on Sundays in search of a suitable husband. Along the way, Megan meets new friends and learns things about herself. As she explores the real world, she wonders why her strict father trapped her in such a narrow world and why her mother didn’t protest on her daughter’s behalf. And she begins to question whether finding a husband is her only option. As she explores beyond the geographical and social bubble in which she was raised, Megan begins to question her place in the world and to confront the puzzles of her childhood.
Romance is not my normal genre – and there is a handsome love interest who looks set to break Megan’s heart – but this book is so much more. Kaine’s portrayal of her native Potteries comes alive off the page. It is not often that a novel is set in an industrial setting; it reminded me of The House at Silvermoor by Tracy Rees which is set in a South Yorkshire coal mining village. Kaine’s description of the hand painting at the potbank, and the production methods, is a fascinating insight into pottery manufacturing in the Fifties. Kaine is a skilled portrayer of character; I particularly enjoyed Megan’s fellow workers on the potbank and the household dynamics of Celia Bevington, who becomes something of a fairy godmother.
This is the first novel by Margaret Kaine that I have read and I will seek out more.
A Daughter’s Hope was previously published as Song for a Butterfly.

If you like this, try:-
‘The Heat of the Day’ by Elizabeth Bowen
‘Pattern of Shadows’ by Judith Barrow
‘The House at Silvermoor’ by Tracy Rees

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#BookReview ‘The Guest List’ by Lucy Foley #crime #thriller

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The Guest List by Lucy Foley is a cracking crime mystery set on an isolated Irish island. The guests are there for the wedding of the year – magazine entrepreneur Jules Keegan is marrying reality TV star Will Slater. What follows is a closed room mystery recognisable from Agatha Christie novels. From the beginning you wonder, who in this group of thirty-somethings is going to be killed? Who is the killer and why? Lucy FoleyFoley expertly plays with our expectations, manipulating our first impressions of the characters as they are introduced. Old friends. Family. School days rituals. Hidden jealousies. Secret wrongs. The atmosphere on the exposed windswept island with its treacherous bogs, cliffs, caves and haunting churchyard is cranked up to full notch. We experience the weekend wedding almost hour by hour as each key character tells their own story, with the narrative chopping forwards to the present during the ceremony and reception. This switching of viewpoint and timeframe can be very sudden but it does ramp up the tension. The murder takes place quite late in the timeline making this more a psychological thriller, building up to the killing you know will happen.
The basic plot questions are – how well does Jules know her husband-to-be? What exactly happened on the stag weekend? What were the rituals at the public school attended by the groom and ushers? And why is Olivia, Jules’s sister and bridesmaid, clearly not coping with life? The options for victim and murderer are extended beyond the bridal group with Charlie, Jules’ best friend, and his wife Hannah; and bridal organiser and host Aoife and chef husband Freddie. Foley presents lots of hints about the past and secret resentments, I guessed a couple quite early on but this didn’t stop me turning the pages.
Read this over a weekend when you need an easy-to-read distraction.

Read my reviews of these other Lucy Foley novels:-
THE INVITATION
THE PARIS APARTMENT

If you like this, try:-
‘The Animals at Lockwood Manor’ by Jane Healey
‘Chosen Child’ by Linda Huber
‘Summer House with Swimming Pool’ by Herman Koch

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#BookReview ‘The Distance Between Us’ by Maggie O’Farrell #contemporary

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Two strangers, both with troubled personal lives, are thousands of miles apart. The Distance Between Us by Maggie O’Farrell is about Stella in London and Jake in Hong Kong and how these two people so far distant, geographically and emotionally, can come together. This novel is basically a romance with two layers of mystery intertwined. Maggie O’FarrellIt starts at Chinese New Year when Jake is caught in a horrendous crowd crush with his girlfriend Mel and her friend Lucy. Mel is badly injured, Lucy is dead. When a doctor tells Jake that Mel will not live through the night, he agrees to her wish to marry.
In London, Stella is walking home across Waterloo Bridge when she sees a solitary figure walking towards her, a red-haired man. The sight of him triggers a flight instinct and she flees home to Scotland. Not to her family in Edinburgh and Musselburgh, but to work in a remote country hotel. She avoids the telephone calls from her sister Nina. The truth behind Stella’s panic and the significance of the red-haired man is a long time coming, too long really.
In Hong Kong, Mel survives and Jake travels to the UK with her to stay with her family. Jake thinks this is a visit, planning to return to his job in Hong Kong as a film production assistant. But Mel wants a white wedding. Saying he wants to travel to Scotland to research the identity of his father, he was raised in Hong Kong by his British mother, Jake heads north in search of a village called Kildoune. His mother gave him this surname, named after the father he has never known. Kildoune, it turns out, is not a village but a hotel. The hotel where Stella now works. And so the two storylines come together. As with any romance, the two main characters come together, step away, and dance around each other as Stella’s history is unveiled.
A note about the chapter-less structure. The storyline skips back and forth from viewpoint to viewpoint, present day to past, so quickly I felt dizzy at times. It was confusing for the first third or so of the book and I wished for conventional chapters, after that it remained mildly irritating.
The Distance Between Us is O’Farrell’s third novel but it feels more like an earlier novel, perhaps written before her successful debut After You’d Gone. The storyline of Jake’s hunt for his father is left unfinished; the character development of Nina is thin which makes her behaviour as an adult difficult to understand; and I lost track of the family histories of both Jake and Stella with parents, grandparents and friends making a total of too many characters that don’t contribute to the main narrative.
CLICK HERE TO READ MORE ABOUT THIS BOOK

Read the first paragraph of AFTER YOU’D GONE.

If you like this, try these:-
‘The Roundabout Man’ by Clare Morrall
‘Another You’ by Jane Cable
‘Summertime’ by Vanessa Lafaye

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#BookReview ‘Mum & Dad’ by Joanna Trollope #familysaga

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I remember reading Joanna Trollope’s novels in the Eighties – The Choir, A Village Affair, A Passionate Man, The Rector’s Wife – and loving them. Somehow, I stopped reading her and I can’t remember why. These weren’t strictly her first novels, she’d previously published a number of historical novels under the pen name Caroline Harvey. So now I come to Mum & Dad. I devoured it in a couple of days, partly because it is set in a part of Spain I know very well, and partly because Trollope is a master storyteller. Joanna TrollopeWhen her husband Gus has a stroke, Monica’s three children descend to their parents’ vineyard in Southern Spain. Gus and Monica have lived near Ronda for twenty-five years; it is their home, but they are distanced from their children who have children of their own, busy lives and marital tensions. The eldest Sebastian runs a cleaning company with his wife, Anna, who has never got on with her mother-in-law. Katie is a lawyer who, with husband Nic, must deal with a bombshell dropped by one of their three daughters at an inconvenient time. And Jake, with partner Bella and toddler Mouse, seems to deal lightly with the truth and is oddly eager to move to Spain and help out his father.
The problem is, Monica is not sure any more what she wants. She loves her house in Spain but struggles with her irascible grumpy husband; she is terrified of what his stroke will do to his personality, and to their life. Their life there seems so settled. They run the vineyard and their house with the help of Pilar and a team of Spanish workers. Gus is proud of the awards his wines have won, and Monica loves her early morning cup of tea looking at the view south to Gibraltar. But now all this is under threat. Each of the three children arrives at the vineyard with their own ideas of what is best for Monica and Gus, and for themselves. What none of them anticipate is the way long-held resentments, jealousies and misunderstandings will affect what happens next.
Trollope is a master at showing the complexities of ordinary people, the things they don’t know about themselves, and the way families inter-act by sticking with good and bad habits ingrained by time as the normal way of communicating. When something happens, like Gus’s stroke, those habits are broken. Trollope turns a magnifying glass on petty jealousies, unrealistic expectations and lies told that are bigger than they first seem. She gets under the skin of how families react to challenges, how choices made by one member of the family affect everyone else, and where responsibilities lay.
The solution found at the end is perhaps a little too easy but this is a positive story about how lack of communication and the fissures this causes over the years, can be rectified with a little forgive and forget.
You can expect to read a lot more reviews here of Joanna Trollope’s books as I starting re-read them from the beginning.
CLICK HERE TO READ MORE ABOUT THIS BOOK

Here are my reviews of other Trollope novels:-
A VILLAGE AFFAIR
THE CHOIR

If you like this, try:-
‘The Cheesemaker’s House’ by Jane Cable
‘The Language of Flowers’ by Vanessa Diffenbaugh
‘The Little House’ by Philippa Gregory

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#BookReview ‘The Testimony of Taliesin Jones’ by @Rhidianbrook #books

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A small quiet book in which an eleven year old Welsh boy asks questions fundamental to life. The Testimony of Taliesin Jones by Rhidian Brook is the story of Taliesin and his questions about how God fits into his life. “At night the questions come: why am I here and not there? Why am I me and not them? Before I was me, where was I?” It is a novel about growing up, about change, uncertainty and belief, set in Cwmglum, a small rural community in West Wales. Rhidian BrookTaliesin’s father is a sheep farmer, his older brother Jonathan has recently gained a girlfriend and learned how to swear convincingly. Their mother left home last year and now lives in West Haven with Toni the hairdresser. “The events of last year linger around the rooms in petrified time. When Taliesin’s mother left, the clocks in the house all stopped. It was she who set the pendulum swinging and it was always her who turned the key of the carriage clock that ticked a furious little tick on the mantelpiece in the sitting room.” Everything that was safe and predictable in Taliesin’s life is suddenly different. And warts are growing all over his hands.
Influenced by the books he reads – his latest book is Lord of the Flies – he asks questions, his thoughts peppered with quotes from books he has read. He is anxious, bullied at school, and must find a way to tell his piano teacher Billy Evans that he can’t read music and has been pretending while muddling through by listening. And then he sees Billy, who is also a healer, straighten the back of a bent old woman. When Billy makes Taliesin’s warts disappear, Taliesin wants to heal too and sets up a group at school called The Believers.
I fell for this book from the first page in which Taliesin explores his latest book, an atlas, sent by his mother for his birthday. “He opens the book and releases a smell of paper, a fresh smell that reminds him of exercise books distributed at the beginning of a new school year: green for Geography, pink for Biology, grey for Religious Education.”
This is a book about faith, but it is about so much more. A boy looking for his place in the world, trying to make sense of things, as we all do. It is a simple story, sometimes touching, sometimes funny, with a depth that makes it stay with you afterwards.

Read my review of another Rhidian Brook novel:-
THE AFTERMATH

If you like this, try:-
‘Love is Blind’ by William Boyd
‘The Museum of You’ by Carys Bray
‘Rush Oh!’ by Shirley Barrett

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#BookReview ‘The Glass House’ by Eve Chase #historical #mystery

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This story takes place in a forest and I could smell the humus rich soil, see the ferns, hear the rustlings of small mammals and imagine the blending of shadows and sunlight. In The Glass House by Eve Chase, the mysterious happenings in a forest have ramifications across the decades. Shame, deceit, secrets and love are bound-up together in a group of people whose lives are coloured forever by what happened in the Forest of Dean in 1971. Eve ChaseWhen nanny Big Rita drives her boss’s wife, Jeannie Harrington and Jeannie’s two children Hera and Freddy to their country house in the West of England, they enter a different world. Leaving behind Jeannie’s husband Walter at their sugar-white stucco house in Primrose Hill, and her own unhappy memories, Rita is cautious about the mysterious forest with its rustling noises and the feeling of being watched. She spends every hour with the children while Jeannie, recovering after the loss of a baby, spends her time in bed. And then Hera finds a baby girl abandoned in the woods. This is the catalyst for a number of things happening at once, things that upset the status quo and challenge Rita’s place in the Harrington family and what she wants for her own life. Most disturbing to her equilibrium is local woodsman Robbie Rigby.
The second timeline is set now and is told by Sylvie who has just left her husband and moved into a flat beside a canal in Kensal Town. Sylvie is taking time to find her feet away from husband Steve and teenage daughter Annie who is staying with her grandmother beside the sea in Devon. But two incidents quickly challenge Sylvie’s perceptions about what actually matters to her.
And there is a delicious hint in the short Prologue – a report in a Gloucestershire newspaper in 1971 about a body found in the forest near Foxcote Manor.
I found the structure slightly messy with varying pace which at times was rather slow. I was longing for some connections to be made so the story could move on. Looking back at my review of Chase’s The Vanishing of Audrey Wilde, I made a similar comment. The last scenes seemed to tie up loose ends rather too quickly and neatly in comparison with the earlier speed of the story, but that’s just my personal preference. Eve Chase writes a great sense of place; Foxcote Manor seems a real house set in a real forest.
As Robbie explains to Rita, ‘when a giant tree crashes down in a forest, light and air rush into the cleared space, dormant seeds flower, and new life scrambles up, taking its chance.’ That’s basically what happens to the people in The Glass House.
Incidentally, the glass house mentioned in the title, and featured on the lovely cover, refers to a terrarium. Rita owns one in 1971 and her care of the plants living in it – she gives them names – mirrors her care of the two children, but also symbolises the fragility and transparency of the lives of the Harrington family at Foxcote Manor.

Read my reviews of these other novels by Eve Chase:-
THE BIRDCAGE
THE VANISHING OF AUDREY WILDE

If you like this, try:-
‘Good Me Bad Me’ by Ali Land
‘The Doll Funeral’ by Kate Hamer
‘The Invitation’ by Lucy Foley

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Great Opening Paragraph 127… ‘The Road’ #amreading #FirstPara

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“When he woke in the woods in the dark and the cold of the night he’d reach out to touch the child sleeping beside him. Nights dark beyond darkness and the days more gray each one than what had gone before. Like the onset of some cold glaucoma dimming away the world. His hand rose and fell softly with each precious breath. He pushed away the plastic tarpaulin and raised himself in the stinking robes and blankets and looked toward the east for any light but there was none.”
Cormac McCarthyFrom ‘The Road’ by Cormac McCarthy

Try one of these #FirstParas & discover a new author:-
‘Affinity’ by Sarah Waters
‘The Secret History’ by Donna Tartt
‘Enduring Love’ by Ian McEwan

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#BookReview ‘The Rescue Man’ by Anthony Quinn #WW2 #historical

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The Rescue Man, debut novel of Anthony Quinn, is slow moving tale of a man changed by war. Set in Liverpool throughout World War Two, it is clearly a love letter to the city by Liverpool-born Quinn. It focusses on a love triangle between a historian and two photographers. Anthony Quinn Tom Baines is a quiet architectural historian in his late thirties. He lives in the past, researching a book about Liverpool’s buildings which he somehow never manages to finish. In 1939, his mentor recommends he research a misunderstood Liverpool architect, Peter Eames who mysteriously committed suicide leaving his work never properly recognised.
When war breaks out Baines volunteers as a rescue man, working in teams to extract people and bodies from the bombed buildings he was supposedly cataloguing for his book. This experience, and the people he works with, have a profound impact and slowly his life changes. His language coarsens, thanks to mixing with the men on his team, and in response to his publisher’s request to speed up his research of the city’s buildings before they are destroyed by bombs, he meets husband and wife photographers Richard and Bella.
The romance is a long time coming and the first half of the book seems to meander along without urgency, Tom is a quiet, academic unassuming man and I had to work at sticking with the book. I wondered what there was in him which attracted the bright flower, Bella.
Tom Baines says, ‘It was only when war came and I started doing rescue woke that I sort of… woke up.’ Unfortunately the book is a third through before we reach 1940 and the bombing of Liverpool and two-thirds through before the pace picks up. There is a sense of time being suspended until the final quarter of the book is reached and, as the brutality of the bombing clears street after Liverpool street and many of the historic buildings Baines was meant to catalogue are reduced to rubble, Tom hits crisis point.
The pace is not helped as the story of Peter Eames is told via diary extracts which are stop start with substantial gaps. The themes of wartime destruction – not only of buildings, but of trust between family, lovers and friends – are mirrored between the Eames and Baines timelines. Architect Eames builds, rescue man Baines negotiates the rubble left by the Luftwaffe’s bombing raids. And both are key players in love triangles where trust is betrayed and marriage vows broken.
This is Anthony Quinn’s debut novel and though thoughtful like his later books, it lacks their narrative pace. If you are familiar with Liverpool, which I’m not, it will be a more fulfilling read. There is no doubt about Quinn’s beautiful writing, simply that the subject – and the perhaps over-use of the Liverpool setting – did not hold me. Not his best book but well worth reading if you know his later work such as Freya.

Read my reviews of these other books by Anthony Quinn:-
CURTAIN CALL
FREYA
HALF OF THE HUMAN RACE
MOLLY & THE CAPTAIN
OUR FRIENDS IN BERLIN
THE STREETS

If you like this, try:-
‘The Slaves of Solitude’ by Patrick Hamilton
‘Homeland’ by Clare Francis
‘Life After Life’ by Kate Atkinson

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#BookReview ‘The Love Child’ by Rachel Hore @Rachelhore #historical #romance

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The Love Child by Rachel Hore is not just an adoption story of birth mother and daughter, it is a story of women’s lives between the wars when shame and public expectation, not love, governed family decisions. Rachel HoreIn 1917 Alice Copeman, a 19-year old nurse, falls in love with a soldier home on leave. They expect to marry but he is killed. No one else knows of their relationship, it is wartime and everything happened so quickly. But Alice is pregnant.
Mourning for Jack, Alice is forced by her father and stepmother to give the child up for adoption. In the Essex seaside town of Farthingsea, Edith and Philip Burns long for their own child. When they adopt a baby girl Irene, they expect their family to be happily complete. But Irene feels different from her parents and grows frustrated at the lies told about her birth; in particular she struggles to connect with her mother Edith and often feels rejected. At school she is bullied. At home she feels second rate to her younger brother, conceived by Edith and Philip after they adopted Irene. Things improve for Irene when she makes friends with a boy from the disreputable artistic part of town; Tom lives with his single mother and he too is different. Both Tom and his mother are positive influences on Irene.
This is a story told in two strands – Alice and Irene – first as each makes her own way in the world, and then as their paths come closer together. Alice’s story – qualifying as a doctor and working as a GP – is fascinating and a glimpse of a time when female doctors were starting to appear. Irene is also independent, leaving Farthingsea to work in London at an art gallery. In these inter-war years it was still difficult for independent women to make their own way. Old-fashioned standards and expectations prove a challenge for both Alice and for Irene and often at the hands of other women.
A little slow to start, not helped as the storyline jumps around from year to year, it settled down halfway through. At times I confused Irene’s adoptive mother Edith with Alice’s stepmother Gwen, both are sharp-edged women whose words can wound.
This is a novel of love, separation, shame and mother and daughter dynamics; it ultimately shows how the road to love can take many diversions and twists along the way. Both Alice and Irene are rather self-contained and defensive, afraid of being hurt, but they are also capable of being loved if they allow their self-protection to drop. This is a reflective and sensitive portrayal of the adoption dilemma when the hunger of one individual for the truth may cause pain to others.
A note about the cover; I could see no link between the story and a rowing boat at sunset.

Click the title to read my reviews of two other books by Rachel Hore:-
A BEAUTIFUL SPY
A WEEK IN PARIS
ONE MOONLIT NIGHT
THE HIDDEN YEARS

If you like this, try:-
‘The Collaborator’s Daughter’ by Eva Glyn
‘The Last Day’ by Claire Dyer
‘The House on the Shore’ by Victoria Howard 

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#BookReview THE LOVE CHILD by Rachel Hore @Rachelhore https://wp.me/p5gEM4-4xa via @SandraDanby