Three girls grow up living near each other in Wells, Connecticut. Dana. Jackie. Lupita. Each in a different social class. With or without wealth. With or without expectations. Privilege, no privilege. One betrayal touches their lives and has ramifications for the next generation. The End of the Day by Bill Clegg is about the fragility of loyalty when teenage bonds are tested by love, jealousy, indiscretions, secrets and lies. ‘To end a friendship, it just takes someone willing to throw it away.’ Because when a decision is taken, more than one life is affected. 
Clegg has written a genealogical story wrapped up in two timelines, the years not defined but basically the Sixties and the Noughties. An elderly woman, frail and confused, sets out from New York on an excursion. Another old woman wakes in her family home to a beautiful passage of memories. A taxi driver in Hawaii ignores the repeated messages left on her mobile phone. These three are connected by a youthful flirtation, a pregnancy, arrangements made and lies told, assumptions made. A fascinating story, characters so believable, but the details lacking in clarity – perhaps because so many lies have been told. In the Noughties are mother and son Alice and Hap. Hap’s life takes two momentous turns when his father is seriously ill in hospital, the same hospital where his wife has just given birth to their baby daughter. A little girl still, significantly, without a name.
The first half is a slow read with beautiful writing that at times edged towards the self-indulgent. The book, though not long, felt long. I wanted occasional clarity of story and shorter paragraphs. I was unclear about the different houses featured – the childhood homes of Jackie and Dana and the area in which they lived. Perhaps the author knows it so well he forgot to be clear for the reader. The story moves location and year without specification which can be disorientating.
In re-reading the notes I wrote after finishing the book, I found I had twice written ‘lacking clarity’. The story is a sad one, of connections made, lost, and unknown, but for me it could be more touching with a clearer narrative spine. That said, the story stayed with me days after I finished it – always a good sign. The parallels between the generations, the vulnerability of a baby dependent on adults for the truth of its origins, the duty to protect and the urge to run from an old life. An okay story wrapped up in exquisite writing.
BUY THE BOOK
Here’s my review of Did You Ever Have a Family? also by Bill Clegg.
If you like this, try:-
‘A Sudden Light’ by Garth Stein
‘Summertime’ by Vanessa Lafaye
‘We Are Water’ by Wally Lamb
And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
THE END OF THE DAY by Bill Clegg #bookreview https://wp.me/p5gEM4-523 via @SandraDanby
In 1921, a British soldier is killed on a hillside outside Dublin. In 2015, former police detective Jayne Sinclair, turned genealogy investigator, takes on a new client. The Irish Inheritance by MJ Lee is the first in the Jayne Sinclair series, weaving together stories of the Easter Rising in 1916 and the subsequent Irish War of Independence, with the unravelling of secrets kept for a century.
Second in the series about probate researcher turned genealogy detective Anna Ames, File Under Fear by Geraldine Wall takes off running from where the previous book left off. This is a well-written, page-turning series that combines family history, crime, family and secrets. But for me, the touchstone that makes it special is the sub-plot of Anna’s home life and her husband Harry’s dementia. If you haven’t read book one in the series, I suggest you start there to see the full emotional depth.
Anna Ames is a trainee probate genealogist working for Triple H, Harts Heir Hunters, and File under Family is the first in a series of genealogy mysteries about Anna by Geraldine Wall. When Margaret Clark dies Anna is charged with finding her missing heir, daughter Briony. The trail leads abroad and unleashes an international social media campaign, reveals sexual abuse in prison and considers how enthusiasm can conflict with client confidentiality.
When the key character of a novel goes on holiday or visits a picturesque place, you know something is going to happen. Genealogist Esme Quentin in The Indelible Stain by Wendy Percival goes to Devon to help a friend archive the records of a local charity for underprivileged children. Second in the Esme Quentin genealogical mysteries, this is an enjoyable story of convict history set in a beautiful Devon location. But beneath that beauty lurk fraud, lies and revenge. Hatred and bitterness reach from the past to the current day.
The America Ground by Nathan Dylan Goodwin is based on a fascinating piece of local history, indeed Goodwin’s own family history, and made into a historical thriller. On April 28, 1827, a woman is murdered in her bed. Eliza Lovekin is the second to be killed, Amelia Odden is to be next. This is the story of Eliza, her daughter Harriet and a piece of ground in Hastings, East Sussex, which for a short period of time was claimed as a piece of the United States of America.
This is a combination of genealogical mystery, murder investigation and historical examination of the Nazis. Bloodline by Fiona Mountain, the second Natasha Blake mystery, covers a lot of ground from its seemingly innocuous starting point when Natasha hands in her report to a client. But nothing is mentioned lightly in this book, everything has a meaning. Natasha is not sure why Charles Seagrove requested this particular family tree, but knows he is unrelated to any of the people featured.
This is an unusual mix of genealogy mystery and history, centred on the glamorous Pre-Raphaelite artists and Lizzie Siddal, the girl in the famous ‘Ophelia’ painting. Ancestry detective Natasha Blake meets a mysterious, beautiful young woman, Bethany, who is re-enacting the Lizzie Siddal scene for a photographer. Bethany confides in Natasha her fear that her family is cursed following the deaths of her sister and mother. After asking Natasha to research her family tree, Bethany goes missing. Has she run from a failing love affair, committed suicide, or has she been murdered?
There’s a new genre appearing in mystery, thriller and general fiction sections: #genealogylit. Involving a combination of old-fashioned mystery, family history, detective fiction and combined historical and modern-day settings, #genealogylit has grown from the love of family history research and television programmes such as Who Do You Think You Are? and Long Lost Family. The Marriage Certificate by Stephen Molyneux is another example of #genealogylit, combining family secrets with turn of the century British history: the Boer War, the Great War, the merchant navy, the changing role of women and attitudes to illegitimacy. Unlike other #genealogylit however, it is not a crime novel, there is no murder.
sandra danby 