Tag Archives: Sandra Danby

My top 5… novels in an English setting

Some of our best-loved novels have a strong sense of place. Setting can be an additional character. These are the books which, for me, create immediately for me the landscape in which they are set. map page 13-9-13
‘Waterland’ by Graham Swift
waterland 13-9-13

“For, flood or no flood, the Leem brought down its unceasing booty of debris. Willow branches; alder branches; sedge; fencing; crates; old clothes; dead sheep; bottles; potato sacks; straw bales; fruit boxes; fertiliser bags. All floated down on the westerly current, lodged against the sluice-gate and had to be cleared away with boat-hooks and weed-rakes.”

‘Tess of the d’Urbervilles’ by Thomas Hardy
tess of the d'urbervilles 13-9-13

“The river had stolen from the higher tracts and brought in particles to the vale all this horizontal land; and now, exhausted, aged, and attenuated, lay serpentining along through the midst of its former spoils.

Not quite sure of her direction Tess stood still upon the hemmed expanse of verdant flatness, like a fly on a billiard-table of indefinite length, and of no more consequence to the surroundings than that fly. The sole effect of her presence upon the placid valley so far had bee to excite the mind of a solitary heron, which, after descending to the ground not far from her path, stood with neck erect, looking at her.”

‘Ferney’ by James Long
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“They were out of the tourist danger zone now, leaving the last of the Stourhead lakes behind as the narrow road took them through the stone cottages of Gasper on a long detour north, climbing up the side of the ridge. The cedars above them supported their high green copy of the hill’s contour on trunks that offered inviting summer shade, broken here and there by logging tracks and the timber corpse piles awaiting collection. Gally looked at the logs as they passed, at the sawcut cross-section of their ringed history, and momentarily envied them the certainty of that physical record.”

‘Jane Eyre’ by Charlotte Bronte
jane eyre 13-9-13

“On the hilltop above me sat the rising moon; pale yet as a cloud, but brightening momently; she looked over Hay, which, half lost in trees, sent up a blue smoke from its few chimneys; it was yet a mile distant, but in the absolute hush I could hear plainly its thin murmurs of life. My ear, too, felt the flow of currents; in what dales and depths I could not tell: but there were many hills beyond Hay, and doubtless many becks threading their passes. That evening calm betrayed alike the tinkle of the nearest streams, the sough of the most remote.”

‘Rebecca’ by Daphne du Maurier
rebecca by daphne du maurier 13-9-13

“We topped the hill before us and saw Lanyon lying in a hollow at our feet. There to the left of us was the silver streak of the river, widening to the estuary at Kerrith six miles away. The road to Manderley lay ahead. There was no moon. The sky above our heads was inky black. But the sky on the horizon was not dark at all. It was shot with crimson, like a splash of blood. And the ashes blew towards us with the salt wind from the sea.”

Honourable mentions to:- Dracula by Bram Stoker [Whitby], The Poldark Series by Winston Graham [Cornwall], Melvyn Bragg’s A Time to Dance [Lake District], Death in Holy Orders by PD James [the Fens, again]

I can only judge My Top 5 based on what I’ve read. If you think I’ve missed a novel with an electrifying English setting, I’d love to hear your recommendations.

Great opening paragraph… 40

haruki murakami - norwegian wood 10-6-13“I was 37 then, strapped in my seat as the huge 747 plunged through dense cloud cover on approach to Hamburg airport. Cold November rains drenched the earth, lending everything the gloomy air of a Flemish landscape: the ground crew in waterproofs, a flag atop a squat airport building, a BMW billboard. So – Germany again.”

‘Norwegian Wood’ by Haruki Murakami [translated from the Japanese by Jay Rubin]

Great Opening Paragraph… 39

arundhati roy - the god of small things 10-6-13“May in Ayemenem is a hot, brooding month. The days are long and humid. The river shrinks and black crows gorge on bright mangoes in still, dustgreen trees. Red bananas ripen. Jackfruits burst. Dissolute bluebottles hum vacuously in the fruity air. Then they stun themselves against clear windowpanes and die, fatly baffled in the sun.”
‘The God of Small Things’ by Arundhati Roy

Great Opening Paragraph… 38

iris murdoch - a severed head 10-6-13“’You’re sure she doesn’t know?’ said Georgie.

‘Antonia? About us? Certain.’

Georgie was silent for a moment and then said, ‘Good.’ That curt ‘Good’ was characteristic of her, typical of a toughness which had, to my mind, more to do with honesty than with ruthlessness. I liked the dry way in which she accepted our relationship. Only with a person so eminently sensible could I have deceived my wife.”
‘A Severed Head’ by Iris Murdoch

Great Opening Paragraph… 36

sylvia plath - the bell jar 10-6-13“It was a queer, sultry summer, the summer they electrocuted the Rosenbergs, and I didn’t know what I was doing in New York. I’m stupid about executions. The idea of being electrocuted makes me sick, and that’s all there was to read about in the papers – goggle-eyed headlines staring up at me on every street corner and at the fusty, peanut-selling mouth of every subway. It had nothing to do with me, but I couldn’t help wondering what it would be like, being burned alive all along your nerves.”
‘The Bell Jar’ by Sylvia Plath

Great Opening Paragraph….35

room - GOP 5-6-13
“Today I’m five. I was four last night going to sleep in Wardrobe, but when I wake up in Bed in the dark I’m changed to five, abracadabra. Before that I was three, then two, then one, then zero. ‘Was I minus numbers?’ “
‘Room’ by Emma Donoghue

Great Opening Paragraph 34

Lolita by vladimir nabokov 5-6-13“Lolita, light of my life, fire of my loins. My sin, my soul. Lo-lee-ta: the tip of the tongue taking a trip of three steps down the palate to tap, at three on the teeth. Lo. Lee. Ta.”
‘Lolita’ by Vladimir Nabokov

Great opening paragraph…33

julian barnes - the sense of an ending 30-4-13“I remember, in no particular order:
– a shiny inner wrist;
– steam rising from a wet sink as a hot frying pan is laughingly tossed into it;
– gouts of sperm circling a plughole before being sluiced own the full length of a tall house;
– a river rushing nonsensically upstream, its wave and wash lit by half a dozen chasing torchbeams;
– another river, broad and grey, the direction of its flow disguised by a stiff wind exciting the surface;
– bathwater long gone cold behind a locked door.
This last isn’t something I actually saw, but what you end up remembering isn’t always the same as what you have witnessed.”
‘The Sense of an Ending’ by Julian Barnes

Great opening paragraph…32

john McGahern - that they may face the rising sun 10-6-13“The morning was clear. There was no wind on the lake. There was also a great stillness. When the bells rang out for Mass, the strokes trembling on the water, they had the entire world to themselves.”
‘That They May Face the Rising Sun’ by John McGahern

Great Opening Paragraph… 30

lynne reid-banks - the L-shaped room 10-6-13“There wasn’t much to be said for the place, really, but it had a roof over it and a door which locked from the inside, which was all I cared about just then. I didn’t even bother to take in the details – they were pretty sordid, but I didn’t notice them so they didn’t depress me; perhaps because I was already at rock-bottom. I just threw my one suitcase on to the bed, took my few belongings out of it and shut them all into one drawer of the three-legged chest of drawers. Then there didn’t seem to be anything else I ought to do so I sat in the arm-chair and stared out of the window.”
‘The L-Shaped Room’ by Lynn Reid-Banks