Browsing at the library I came upon a Mary Stewart novel I hadn’t heard of. Thornyhold. Of course, I couldn’t resist picking it up and putting it on top of my To-Read pile. It’s a small novel, only 212 pages and I read it in two sittings. Published in 1988, Thornyhold is one of Stewart’s last – her first was Madam, Will You Talk? in 1955 – and this is very different from the romantic suspense stories for which she is known and loved. 
Gilly Ramsey inherits Thornyhold, a remote cottage, from her mysterious godmother Geillis. Now alone after the recent death of her father, Gilly plans to start a new life at Thornyhold. As she explores the cottage – its mysterious attic which doubles as a pigeon loft, a still room for drying herbs and making herbal cures – she learns more about her benefactor. There are more questions than answers. As a child, Gilly had always found Geillis enigmatic; she appeared when Gilly seemed to need her, one time producing a crystal ball from her bag. Now, as she meets her new neighbours, Gilly learns the history of the house and her godmother’s reputation as a herbal healer. But was she more, a witch or wise woman? Although odd dreams, a barking dog and strange messages sent by carrier pigeon, unsettle her, Gilly has an inner belief that she belongs at Thornyhold. Nothing will make her leave.
Having recently a read a lot of contemporary novels with dense repetitive emotional description and complicated plots, reading Thornyhold felt like drinking a tall glass of water when desperately thirsty. Such a wonderful turn of phrase, clever and thoughtful, but accurate and never over-done. Gilly meets a neighbour who she describes as having smooth rosy cheeks and ‘the wrong red too thick on a small mouth,’ and I know exactly what she means.
Beautifully written, not a word out of place, not a character too many. Delightful. An instant favourite.
CLICK HERE FOR MORE ABOUT ‘THORNYHOLD’
Click the title to read my reviews of other Mary Stewart novels:-
THIS ROUGH MAGIC
TOUCH NOT THE CAT
THE GABRIEL HOUNDS
If you like this, try these:-
‘The Diabolical Bones’ by Bella Ellis
‘Ferney’ by James Long
‘The Good People’ by Hannah Kent
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THORNYHOLD by Mary Stewart #BookReview https://wp.me/p5gEM4-5Rn via @SandraDanby
International politics, terrorism, drug smuggling form an unstoppable chain of events that move the world, inch by inch, to the edge of horrifying conflict. This is the content of so many dramatic films and books and is the basis for Follett’s story. He makes it powerful by letting the events unfold through the eyes of five people in different countries, each involved in local matters with far-reaching implications. As events spiral, I didn’t want to put the book down. It’s an uncomfortable read, the sensible cautious voices are at times shouted down by the brashest, loudest hard-liners and, like all the best thrillers, it makes you think ‘could this happen’ and ‘what would I do.’
The life of Kiev resident Mila Pavlichenko, young mother and history student, changes when the Nazis invade. Already an accomplished shot with a rifle, she leaves her young son Slavka with her mother and goes off to war. In the 18 months of her time on the frontline as a sniper, the real Mila scored 309 official ‘kills’. She is injured fighting in Sevastapol and, once recovered, is ordered to join a diplomatic mission to the USA to persuade the Americans to join the European war. The action in America is probably the most fictionalised part of The Diamond Eye which is based in part on Mila’s memoir. Quinn states in her Author’s Note that parts of the memoir are clearly Mila’s own voice, other entries seem like Soviet propaganda.
I enjoyed the Jacobean setting, unusual in historical crime novels, but found it slow to get going. Daniel’s introduction – we first meet him imprisoned in Newgate – is negative. Why he’s imprisoned isn’t explained, nor do we learn about his life prior to being locked up. But we do know he’s a magician and this sleight of hand proves useful as the story unfolds. I finished the book with no clear idea who Daniel Pursglove is.
In 1945, Puglia, a young man awakes, injured, disorientated. He doesn’t know who he is or how he came to be in a trullo, a rural stone house, cared for by strangers. The teenage boy Anto explains how his grandfather Domenico saw him fall from a warplane. Called ‘Roberto’ by his rescuers, his memory stubbornly refuses to return. He can speak English and Italian but knows nothing about fishing or farming. As he helps them in their daily routines, gathering food, catching fish, tending vegetables, repairing the trullo, his nights are full of confusing dreams.
Holden, a former journalist, has done her research to portray the middle-aged American divorcee. Wallis arrives in London in 1928 with her second husband Ernest, determined to be a part of the party scene. Scrimping and saving, and with the quick mind and equally quick tongue of her mother, she learns to deal with the snubs, putdowns, cold shoulders and snobbishness, all the time backed by her steady husband. After a difficult childhood raised alone by her mother without much money, followed by an abusive first marriage, Wallis now reads the Court Circulars and newspaper stories about the parties of the Bright Young Things and longs to have fun. But she hadn’t bargained on the British class system. With her own sense of chic and by altering cheap dresses herself, Wallis catches the eye of Coco Chanel who offers some salutary advice.
This is a raw town of crime, racism, jealousy, blackmail and abuse. A detailed examination of the available facts, and a mysterious note she finds in her father’s diary, lead Eliza to places she cannot go. Fettered by conventions of the time, Eliza soon realises she needs a male companion to enter the disreputable parts of town. An outsider herself she chooses another outsider, German itinerant worker Axel Kramer, to help her. He can gain admittance to places where she should not be seen or is barred from entering. Alternating with Eliza’s investigations are two other passages – the hunt for Aboriginal crewman Balarri who is automatically assumed guilty of murder, and passages from her father’s diary in which he writes nature observations and notes about his pearl shelling business.
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