Great Opening Paragraph 119… ‘Peter Pan’ #amreading #FirstPara

“All children, except one, grow up. They soon know that they will grow up. And the way Wendy knew was this. One day when she was two years old she was playing in a garden, and she plucked another flower and ran with it to her mother. I suppose she must have looked rather delightful, for Mrs Darling put her hand to her heart and cried, ‘Oh, why can’t you remain like this for ever!” This was all that passed between them on the subject, but henceforth Wendy knew that she must grow up. You always know after you are two. Two is the beginning of the end.”
JM BarrieFrom ‘Peter Pan’ by JM Barrie

Try one of these #FirstParas & discover a new author:-
A Month in the Country’ by JL Carr 
These Foolish Things’ by Deborah Moggach 
‘I Capture the Castle’ by Dodie Smith

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#Books #FirstPara PETER PAN by JM Barrie https://wp.me/p5gEM4-3Jw via @SandraDanby

#BookReview ‘The Long View’ by Elizabeth Jane Howard #historical #marriage

The Long View by Elizabeth Jane Howard is not so much a ‘what happens next’ novel as ‘what has happened in the past to lead to this situation’ story. It is a novel about choices and where they can lead. Howard tells the story, backwards from 1950 to 1926, of the marriage of Antonia and Conrad Fleming. As the story starts, the marriage seems doomed and you cannot help but wonder how these two people ever got married in the first place. In fact, once I finished it I was tempted to read it again from back to front. Elizabeth Jane HowardThe first paragraph is a masterful example of scene setting. It opens with a dinner party to celebrate the engagement of Julian Fleming to June, who has secretly spent the afternoon alone at the cinema. As Antonia considers the complicated marital affairs of her son – and her daughter, Deirdre, who is pregnant by a man who does not love her – I wondered how her own marriage must have shaped her children’s handling of relationships and how hers, in turn, was shaped by her parents. I found Conrad an almost totally unsympathetic character, indeed in the first part he is referred to simply as Mr Fleming. ‘One of his secret pleasures was the loading of social dice against himself. He did not seem for one moment to consider the efforts made by kind or sensitive people to even things up; or if such notions ever occurred to him, he would have observed them with detached amusement, and reloaded more dice.’
This is very much a novel of its time in which middle-class women had limited choices. As a young woman, Antonia lacks the strength to break out. She is timid, feeling she has proved unsatisfactory for both her mother and father. ‘She grew up, therefore, feeling, not precisely a failure so much as an unnecessary appendage.’ Her mother bemoans her lack of interests [Antonia does have interests, simply not those of her mother] and her father her lack of intellect [but without stimulus of career or education]. We see the transition from hopeful, eager young girl experiencing first love, to weary, middle age when the ‘trees ahead so horribly resembled the trees behind, and the undergrowth of their past caught and clung and tore at them as they moved on.’
This is Howard’s second novel. I am most familiar with her later ‘Cazalet Chronicles’ series and there are some key comparisons to be made in the writing style. Sentences in The Long View are longer, paragraphs longer, and the style not as simple and nuanced as the later books. Viewpoint also shifts within paragraphs, a technique she changed for the Cazalets. This is not to say this spoiled my enjoyment of The Long View, it is perhaps an observation for writers rather than readers, but it shows an interesting development in the author’s writing style. And I particularly enjoyed the descriptions of Antonia’s horse rides in Sussex, countryside in which the Cazalet’s house, Home Place, is set.

Read my reviews of ‘The Cazalet Chronicles’, also by Elizabeth Jane Howard:-
THE LIGHT YEARS #1CAZALET 
MARKING TIME #2CAZALET
CONFUSION  #3CAZALET
CASTING OFF #4CAZALET
ALL CHANGE #5CAZALET

If you like this, try:-
‘The Past’ by Tessa Hadley
‘Offshore’ by Penelope Fitzgerald
‘Mothering Sunday’ by Graham Swift

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview THE LONG VIEW by Elizabeth Jane Howard https://wp.me/p5gEM4-2ZS via @SandraDanby

A poem to read in the bath… ‘The Unaccompanied’ by Simon Armitage #poetry

The Unaccompanied is Simon Armitage’s first poetry collection in more than a decade during which he wrote drama, translation, travel articles and prose poetry. This collection doesn’t disappoint. It’s a mixture of familiar Yorkshire moors and sea, urban depression, Nature and human nature, globalisation and social media. His poems are accessible; at times witty and sad, they set the big questions of life against the small familiar details of every day.

Simon Armitage

Simon Armitage [photo: Paul Wolfgang Webster]

My favourite poem from this collection is ‘The Unaccompanied’. A walker at night stops to listen to the sound of singing, songs about mills and mines, myth and the mundane. It is a poem about heritage, about traditions spanning generations, from father to son, of the fathers that went before. It reminded me of traditional fishermen’s choirs, still popular on the East Yorkshire coast.

Because of copyright restrictions I am unable to reproduce the poem in full, but please search it out in an anthology or at your local library.

‘Wandering slowly back after dark one night
above a river, towards a suspension bridge,
a sound concerns him that might be a tune
or might not; noise drifting in, trailing off.’

Amazon

Simon Armitage

 

Read these other excerpts, and perhaps find a new poet to love:-
A thousand years, you said’ by Lady Heguri
Runaways’ by Daniela Nunnari
Digging’ by Seamus Heaney

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
A #poem to read in the bath: ‘The Unaccompanied’ by Simon Armitage https://wp.me/p5gEM4-3Rb via @SandraDanby

#BookReview ‘Those Who Are Loved’ by Victoria Hislop @VicHislop #Greece #historical

Those Who Are Loved by Victoria Hislop is the story of Themis Koralis from 1930 to 2016. Set in Greece it tells the troubled history of the country through the Second World War, occupation, Civil War and military dictatorship. They are harsh years; the country, its people and families are divided by beliefs, poverty and wealth. It is a long book, 496 pages, and a lot of history is covered. Victoria HislopThemis has two brothers – Panos and Thanasis – and a sister, Margarita; they live with their grandmother in the Athens district of Patissia. Their father is a merchant seaman and hardly comes home, their mother Eleftheria is in a psychiatric hospital; both appear briefly. Central to the home is Kyría Koralis. I enjoyed the descriptions of these early years in the apartment, the meals, the squabbling teenagers, Themis and her friendship with Fotini. But political beliefs are dividing the country and as the arguments grow in the Koralis apartment, they also divide the siblings. The divisions only get worse under German occupation, leading Panos and Themis to support the communists in the fight against the Nazis. Thanasis however becomes a policeman. Margarita, working in a dress shop, is secretly in love. Their political views, forged as teenagers, impact on the rest of their lives.
At times I struggled with this book, other sections I enjoyed. Perhaps this is because the linear narrative is driven by historical events which Hislop felt bound to include, and is not dynamic or character-driven. There are many peripheral characters who disappear without another mention and I found the middle section particularly slow, as if Themis is treading water before reaching the next phase of her life. The novel is effectively the life story of Themis, the history of Greece during her lifetime and its effect on her, and it includes a fascinating account of the post-WW2 communist rebellion in Greece, my knowledge of which was rather hazy. At times it is difficult reading and it is certainly thought-provoking; extreme views with two uncompromising sides unable to meet in the middle, quickly deteriorating to violence, cruelty and abhorrent behaviour.
Hislop is my go-to author for novels set in Greece. I finished Those Who Are Loved wishing she had chosen a specific phase of Themis’s life to concentrate on rather than the full 86 years. For me though, her subsequent novels cannot rival her debut The Island which I really must re-read again.

Read my reviews of other these books by Victoria Hislop:-
THE FIGURINE
THE STORY
THE SUNRISE

If you like this, try:-
Sweet Caress’ by William Boyd
Freya’ by Anthony Quinn
Quartet’ by Jean Rhys

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview THOSE WHO ARE LOVED by Victoria Hislop @VicHislop https://wp.me/p5gEM4-40c via @SandraDanby 

My Porridge & Cream read Lexi Rees @lexi_rees #books #children

Today I’m delighted to welcome children’s author Lexi Rees. Her ‘Porridge & Cream’ read is The Hitchhiker’s Guide to the Galaxy by Douglas Adams.

“Thanks so much for inviting me to share my Porridge and Cream book. I actually have a special bookcase for my ‘permanent collection’ – the books I go back to over and over again – and it’s hard to narrow it down to just one but, for a pure comfort read, I’m going to go with Hitchhikers Guide to the Galaxy by Douglas Adams. I’m sure you know it: “So long, and thanks for all the fish” etc; but in a nutshell, Arthur Dent, in his dressing gown, gets whisked onto a spaceship when Earth is demolished for a hyperspace bypass.”Lexi Rees

“I vividly recall stumbling across the radio series on my way home from school one day in the 1980s. My dad and I sat in the car outside the house laughing our heads off so it has happy family memories, and it still makes me laugh. I listened to the rest of the series on the radio, then got a copy from the library. My own copy is from 1992. By the way, I also love the 2005 movie version – no book vs. movie arguments from me. It probably won’t surprise anyone, but Red Dwarf is my Porridge and Cream TV series. Why I don’t write sci-fi is a mystery!”
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Lexi ReesLexi’s Bio
Lexi Rees writes action packed adventures for children. When not writing, she’s usually covered in straw or glitter, and frequently both. The first book in The Relic Hunters Series, Eternal Seas, was awarded a “loved by” badge from LoveReading4Kids and is currently longlisted for a Middle Grade readers award from Chanticleer. It’s best described as fantasy with a hint of dystopia. The sequel, Wild Sky, will be published in November and a Creative Writing Workbook will be out in October. She also runs a free club for kids designed to encourage a love of reading and writing.

Lexi’s links
Website
Facebook
Twitter
Instagram

Lexi’s latest book
Lexi ReesSuch a small parcel shouldn’t cause experienced smugglers much trouble. But, as Finn and Aria discover, this is the most dangerous delivery of their lives. Battered by storms and chased across the globe by an evil warlord, they enlist the help of a strange witch-doctor. Together, they struggle to solve the mystery while the fate of an ancient civilisation depends on them, and time is running out…
Eternal Seas [The Relic Hunters book 1] is a thrilling adventure for children aged seven to twelve.
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What is a ‘Porridge & Cream’ book? It’s the book you turn to when you need a familiar read, when you are tired, ill, or out-of-sorts, where you know the story and love it. Where reading it is like slipping on your oldest, scruffiest slippers after walking for miles. Where does the name ‘Porridge & Cream’ come from? Cat Deerborn is a character in Susan Hill’s ‘Simon Serrailler’ detective series. Cat is a hard-worked GP, a widow with two children and she struggles from day-to-day. One night, after a particularly difficult day, she needs something familiar to read. From her bookshelf she selects ‘Love in A Cold Climate’ by Nancy Mitford. Do you have a favourite read which you return to again and again? If so, please send me a message.

Discover the ‘Porridge & Cream’ books of these authors:-
Toni Jenkins’ choice is ‘Eat Pray Love’ by Elizabeth Gilbert
Jane Davies chooses ‘The Prince of Tides’ by Pat Conroy
The Shell Seekers’ by Rosamunde Pilcher is chosen by Carol Warham

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
Why does children’s author @lexi_rees re-read THE HITCHHIKER’S GUIDE TO THE GALAXY by Douglas Adams? #books https://wp.me/p5gEM4-40i via @SandraDanby

#BookReview ‘Friends in Low Places’ by Simon Raven #historical

Friends in Low Places by Simon Raven, second in the ‘Alms for Oblivion’ series, starts in April 1959 with an old character and a new. Widow Angela Tuck has taken up with a sleazy con man. Mark Lewson, who steals from Angela and then loses her money at the casino, is a loathsome character and she can’t wait to be rid of him. Rippling throughout the novel is the seemingly impossible plan hatched by Angela’s gambler friend to help her. He charges Lewson with buying or stealing a letter that incriminates the British Government in a scandal concerning Suez. Simon RavenThis is an enjoyable read about a bunch of charlatans and is a window on the behavior of a group of the English upper class in the Sixties, when the reverberations of the Suez Crisis continued to ripple throughout society. At the heart is the manipulation by everyone concerned during the selection process by the local Tory party to choose its parliamentary candidate for Bishop’s Cross. When the mysterious letter about the Suez scandal becomes available, a chase is on to first, possess the letter; and second, to use it as a bargaining chip for the candidature. The Suez errors are never defined, and perhaps by modern standards they would seem small beer, but the manipulations, double-crossing and blackmail seem, unfortunately, very believable today. Behind the smiles are knives. Do not take anyone at face value.
As well as Angela Tuck, familiar characters from the first book reappear, including rival parliamentary candidates Somerset Lloyd-James and Peter Morrison. Journalist Tom Llewellyn also features again, marring the daughter of the grandly named conservative minister Sir Edwin Turbot who may, or may not, be involved in the Suez scandal. Turbot’s friend Lord Canteloupe [the more outrageous the name, the more outrageous the satire] is put in charge of entertaining the working class population. His Westward Ho! caravan park is a political fudge designed for publicity purposes, which unwittingly becomes the hideout for a couple on the run from the law. This is a whirlwind of political shenanigans, sexual shenanigans, two-timing, betrayals and marriages of convenience.
Raven has a wonderful turn of phrase. For example, ‘Sir Edwin turned up his eyes and stuck his spoon into the middle of his peach melba, with the air of a soldier planting a sabre to mark a fallen comrade’s newly filled grave.’
Much easier to read than The Rich Pay Late, first in the series, I think because many of the same characters appear and I felt familiar with them. Well-written, humorous in places but not shocking when compared with modern politics.
CLICK HERE TO READ MORE ABOUT THIS BOOK

And here’s my review of the first book in the same series:-
THE RICH PAY LATE [ALMS FOR OBLIVION#1]

If you like this, try:-
All Among the Barley’ by Melissa Harrison
Union Street’ by Pat Barker
Pigeon Pie’ by Nancy Mitford

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview FRIENDS IN LOW PLACES by Simon Raven https://wp.me/p5gEM4-3Xy via @SandraDanby

First Edition: ‘Five on a Treasure Island’ by Enid Blyton #oldbooks #bookcovers

In the midst of World War Two, Enid Blyton [below] continued writing. The first of her Famous Five series, Five on a Treasure Island, was published on September 11, 1942, in London by Hodder & Stoughton [below]. Next in the series was Five Go Adventuring Again, published in 1943.

Enid Blyton

[photo: Wikipedia]

Enid Blyton

Illustrator of the first edition was Eileen A Soper, who illustrated her own books and those for Elisabeth Gould as well as Blyton. Her series of designs of children and animals were used for a china series by Paragon China in the 1930s.

Enid BlytonThe current Hodder Children’s edition [above] dates from 2017.
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The story
Three children – Julian, Dick and Anne – spend their summer holidays with their Aunt and Uncle at Kirrin Cottage, in the village of Kirrin. There they meet their tomboy cousin Georgina, who prefers to be called George, and George’s dog Timmy. And so they become five. Exploring the nearby Kirrin Island, a storm descends and stirs up an old shipwreck from beneath the waves. Exploring the wreck, the five find a treasure map in a box and decide to find the gold. But when Uncle Quentin sells the box to an antique dealer, he wants the gold too.

Other editions

Films
The 1957 film, Five on a Treasure Island, starred Rel Grainger, Gillian Harrison, Richard Palmer and John Bailey, with Daga as Timmy. Watch it at You Tube.
Or watch the part one of the first episode of the 1995 television series, starring Jemima Rooper, Marco Williamson, Paul Child, Laura Petela and Connal as Timmy.
Read more about the Famous Five, and Enid Blyton’s other books, here.

If you like old books, check out these:-
Ulysses’ by James Joyce
The Hobbit’ by JRR Tolkien
Watership Down’ by Richard Adams

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
First Edition: FIVE ON A TREASURE ISLAND by Enid Blyton #oldbooks #bookcovers https://wp.me/p5gEM4-3VL via @SandraDanby

#BookReview ‘Bright Center of Heaven’ by William Maxwell #historical #classic

This is the first novel by William Maxwell, author of Pulitzer finalist So Long, See You Tomorrow and fiction editor of The New Yorker magazine. He was there from 1936-1975 and worked with Cheever, Updike, Salinger and Nabokov, among others. Not a novel published singly, I found Bright Center of Heaven in an American anthology of Maxwell’s early work. This is a quiet read though ambitious in its subject matter, and well worth spending time with before reading Maxwell’s later works. William Maxwell He follows the time-honoured structure of placing a group of people in one place over a limited time period and observing what happens. It is a contemplative novel and, although it does work to a climax, it is more an insight into the mind of each character as events unfold.
Widow Mrs West and her two teenage sons Thorn and Whitey live at Meadowland, a dilapidated farm that they can no longer afford to run, with her husband’s sister Amelia and her son Bascomb, German cook Johanna and farmer Gust. Thorn feels close to the land to the ten-acre field gifted to him by his father on his sixth birthday. Now Thorn helps Gust to work the fields. Gust is all that remains of the farm in its agricultural days when talk around the dinner table was of crop yields and mechanisation. Whitey runs errands for his mother ‘Muv’ and tends to his canoe. Into this quiet rural world come the summer lodgers – a teacher, artist, pianist and actress – and with it the dinner conversation changes. It changes again when Mrs West’s invitation becomes known; Jefferson Carter, a Harvard-educated New York intellectual who is black, is coming to visit.
It took me a while, at least halfway through, before I figured out the relationships and identities. Each person’s viewpoint is shown, their outward behaviour explained by inner worries. There is an intricate network of connections between them as well as individual stories, invisible from the outside, which Maxwell reveals piece by piece. Carter does his job as the catalyst for trouble around the dinner table. First he is blanked by Amelia, a hypochondriac Southern lady, old before her time; next, he argues with teacher Paul. Carter’s bewilderment and growing anger at this group of people serves to add a voice from outside Meadowland, another view of the world; he is as convinced he is correct about racial equality, as they are. “These seven people,” he thinks, “had no meaning beyond themselves, which was to say that they had no meaning at all. They did not express the life of the nation. They had no visible work. They were all drones and winter would find them dead.”
Bright Center of Heaven was published in 1934 [the same year as F Scott Fitzgerald’s Tender is the Night], before Maxwell joined The New Yorker, and was out of print for almost 70 years until this Library of America edition published in 2008. It is the beginning of Maxwell the novelist, a sensitive writer who takes his time and needs to be read without hurry. His are delicate stories without shouting. Maxwell was later unimpressed by Bright Center of Heaven, describing it as“hopelessly imitative” and “stuck fast in its period.” In The Paris Review he said, “My first novel… is a compendium of all the writers I loved and admired.” Virginia Woolf is a particular influence. Ten years after the novel’s publication, he reread it and wrote, “I… discovered to my horror that I had lifted a character—the homesick servant girl—lock, stock, and barrel from To the Lighthouse.”

Try my reviews of these other novels by William Maxwell:-
THE FOLDED LEAF
THEY CAME LIKE SWALLOWS
TIME WILL DARKEN IT

And read the first paragraphs of TIME WILL DARKEN IT and THE CHATEAU.

If you like this, try:-
‘Barkskins’ by Annie Proulx
‘Housekeeping’ by Marilynne Robinson
‘A Thousand Acres’ by Jane Smiley

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
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#Bookreview ‘File under Fear’ by Geraldine Wall #genealogy #mystery

Second in the series about probate researcher turned genealogy detective Anna Ames, File Under Fear by Geraldine Wall takes off running from where the previous book left off. This is a well-written, page-turning series that combines family history, crime, family and secrets. But for me, the touchstone that makes it special is the sub-plot of Anna’s home life and her husband Harry’s dementia. If you haven’t read book one in the series, I suggest you start there to see the full emotional depth. Geraldine Wall Anna’s new contract sounds boring: to write a business report on Draycotts, the company which makes Drakes lurid orange and green drink, analysing how the family members coordinate together to run a successful business. But there is a secret element to her contract, to locate a missing person for CEO Gerald Draycott. This case sees Anna physically and emotionally intimidated and encompasses bullying, illegal smuggling and rape. An intense story with red herrings and wrong assumptions made about family members, the actual crimes being committed and in which Anna questions who to trust. Backing her up are her very likeable family and the multi-talented more-than-workmate Steve. Some of the resolutions fall into place a little conveniently at the fast-paced ending, but this is a satisfying tale.
What makes this series so different, and adds the emotional depth in spades, is Harry’s illness and how the family and friends cope. Sometimes they struggle but ultimately they manage the reality of their life with compassion, humour and love. This series is maturing nicely.

Here’s my review of the first in this series by Geraldine Wall:-
FILE UNDER FAMILY #1ANNAAMES

If you like this, try:-
Run’ by Ann Patchett
Shadow Baby’ by Margaret Forster
Deadly Descent’ by Charlotte Hinger

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview FILE UNDER FEAR by Geraldine Wall https://wp.me/p5gEM4-3Ue via @SandraDanby

#BookReview ‘The Warlow Experiment’ by Alix Nathan #historical

This is a story of two men. One plays at being a god. The other grabs a chance to escape poverty. The Warlow Experiment by Alix Nathan is about power, ambition, control, the disintegration of respect and vanishing of common sense. What a breath of fresh air this book is; it is so unusual. The country gentleman who conducts the experiment, Powyss, is an isolated character. He has no family and, when he has the idea of experimenting with the life of another man, thinks he is doing good by supporting the man’s family. In truth he seeks the approbation of the Royal Society. Alix NathanWarlow is a farm labourer who scrapes a living at the edge of starvation, struggling to feed this family. When he sees an advertisement asking for a man to take part in Powyss’s experiment, he sees it as an escape. So what is the experiment? Powyss is a man who experiments with exotic seedlings and plants. He sources them from abroad and studies them, experimenting with conditions – soil, temperature, water – to see which flourish in the climate of the Marches climate. It is a short step for him to wonder how a man would fare without seeing a human face for seven years. A cellar is converted in Powyss mansion, furnished with carpets, bedstead and comfortable mattress, an organ, books, writing equipment and a dumb waiter lift which is the only means of communication with above. He is forbidden to talk to anyone; his needs are communicated by notes sent up in the lift. But Powyss forgets to vary Warlow’s conditions, whose surroundings remain the same. He is below ground with no natural light; the only sign of changing daylight and season is from the frogs that find their way into his cellar via a grating. At the beginning both men are happy with the scheme; both think they benefit. Powyss makes his observations; Warlow escapes his grinding life of work and poverty. He was knocked around by his father, and now knocks around his own kids. He longs for something better and decides that when he gets out, he will have earned enough money not to work and so will drink all day instead. Neither man realise what they have undertaken.
The story is told by three people; Powyss, Warlow and Catherine, a servant in the Powyss household. I would also like to have heard the first hand story of Mrs Warlow, who has quite a part to play. The beginning of Warlow’s viewpoint reminds me of Emma Donoghue’s Room; the repetition of simple detail as he studies his surroundings, he focuses on the functional. He is barely literate but, as Powyss impresses on him that it is part of his job to write a journal, Warlow begins to write. Nathan’s portrayal of the early attempts of this uneducated man to write, the bad spelling, the stumbling expression, are convincing; later I wanted his stream of consciousness ramblings to be more concise. The imprisonment represents only the first part of the story; there is more to tell than the experiment itself. The servants in Powyss household become uncomfortable with their part in the proceedings, they also observe Mrs Warlow as she visits the house to receive the payment from Powyss promised as part of Warlow’s contract. Unknown to her, Mrs Warlow becomes the subject of a secondary report into the ‘lateral effects’ on the man’s family.
A sub-plot sets this story in its time. Revolution rumbles on in France and there are demonstrations in London against the King and prime minister Pitt. Head gardener Abraham Price is a rebel who seduces housemaid Catherine with talk of improvement, of rights, of freedom without masters. This country mansion in the Marches reflects the class tensions in the country – rich/poor, vote/no vote. Powyss receives the latest information about politics and uprisings in letters from his London correspondent. In exchange for boxes of fruit, Fox is the only voice Powyss hears from outside his insular world. He questions the morality of the experiment but Powyss refuses to listen; he also fails to see how the servants observe the experiment with dislike. He is a naïve man who fails to understand he is destined to be part of the experiment too.
This is such an unusual subject and in an Author’s Note, Nathan explains where she got the idea. She read a report of a man in 1797 who conducted such an experiment as that of Powyss. She was intrigued and wrote two short stories, one from the viewpoint of each man. After that, she realised there was a bigger story to tell. I’m glad she did. It is an unusual, absorbing read. It deserves time to be read, so please don’t rush it.

If you like this, try:-
The Quick’ by Lauren Owen
The Night Child’ by Anna Quinn
Master of Shadows’ by Neil Oliver

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview THE WARLOW EXPERIMENT by Alix Nathan https://wp.me/p5gEM4-3UJ via @SandraDanby