Tag Archives: historical fiction

#BookReview ‘The Burning Chambers’ by Kate Mosse #historical

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The story starts in winter, 1562, in the South of France. In a prison in Toulouse, a man is being tortured, while in Carcassonne a young woman awakes from a bad dream, a sad memory. The Burning Chambers by Kate Mosse is heavy on atmosphere and historical detail and, like Mosse’s Languedoc trilogy, is slow to start. Despite my confusion, and I admit to being confused in parts for two-thirds of the book, I read on because Mosse is an expert storyteller who spins a tale and reels you in so you sit up late at night reading just one more chapter. Sometimes though, I wished she would cut some of the detail. Kate MosseThis is a story of religious war, of prejudice and violence, of loyalty and love, and principally a woman and a man who find themselves on opposite sides of the religious divide. Minou Joubert is a Catholic, the daughter of a bookseller who believes in selling books of all faiths for everyone to buy freely. When she receives an anonymous letter, sealed with a family insignia she does not recognize and comprising only five words ‘SHE KNOWS THAT YOU LIVE’, she is mystified. That same day, fate crosses her path as Huguenot convert Piet Reydon flees capture. And so starts this spiraling and twisting story of a fight for control of Toulouse between Catholics and Huguenots, the mysterious quest of Minou’s fragile father Bernard, Minou’s mysterious letter, a Bible, traitors who smile and friends who are taciturn. Letter forgotten, Minou and her young brother Aimeric are sent to Toulouse for their safety. There they stay with their mother’s aunt but find themselves in a bad-tempered house where Huguenots are hated and their uncle is a political agitator. Toulouse seems more dangerous than Carcassonne or is the danger following Minou?
Minou is a great heroine and I await the next installment of the series with curiosity. The Prologue and Epilogue hint that this is not a standalone book, set in 1862 in South Africa, a woman is seeking answers in a graveyard. Is this the beginning of book two?

And here are my reviews of other novels by Kate Mosse:-
CITADEL #3LANGUEDOC
THE CITY OF TEARS #2JOUBERT
THE TAXIDERMIST’S DAUGHTER

If you like this, try:-
‘In Another Life’ by Julie Christine Johnson
‘Fair Exchange’ by Michèle Roberts
‘The French Lesson’ by Hallie Rubenhold

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview THE BURNING CHAMBERS by Kate Mosse https://wp.me/p5gEM4-3wV via @SandraDanby

#BookReview ‘The Fire Court’ by Andrew Taylor @AndrewJRTaylor #historical

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In order to fully appreciate The Fire Court by Andrew Taylor, you need to read The Ashes of London first. Otherwise, references and subtleties will pass you by. This is definitely a trilogy to read in order. The threats and risks are not always clear on the page and I had a couple of ‘oh, now I get it’ moments. But as with the first book, Taylor writes about post-Fire London with all the smoke, heat and rotting smells vivid on the page. Andrew TaylorThe first chapter sets up the central mystery to be solved. James Marwood’s elderly confused father wanders in the city and follows a woman he believes to be Rachel, his deceased wife. He is brought home by a kindly roadsweeper. Marwood listens to his father’s confused ramblings and fears his wits are disappearing. The next day, Nathaniel Marwood is dead and his son attempts to recreate his father’s movements to see if there was truth in his ramblings; into the heart of the rookery at Clifford’s Inn to see if there really is a chamber of the ant and inside it, a sinful woman. Instead he meets an objectionable man called Gromwell.
Two women are key to Marwood’s story. Jemima, Lady Limbury, stays close to the house and struggles to be familiar with her husband Philip who is busy with affairs of business. Except the wealth of the marriage belongs to Jemima and Philip unfortunately lets money slip through his fingers. Jemima dislikes the company he keeps, particularly a slimy lascivious man called Gromwell. The second woman is Catherine Lovett, my favourite character from The Ashes of London. We first see her sitting in the chamber at the Fire Court, the chamber set up to resolve legal, property and construction issues between freeholders, leaseholders and tenants with the aim of rebuilding London fast. Cat is taking shorthand notes, practicing her skill, though really she longs to design buildings for her mentor, the infirm Simon Hakesby. Jemima and Cat do not meet for most of the novel when the two sides of the mystery finally become entangled. I admit to being impatient about this, I found Jemima’s storyline less than captivating though at the end I wished I had grasped her significance a little earlier. Taylor’s novels move fast but are dense with detail and I need to read both these books again before attempting the third.
At the centre of the story is the rebuilding of London after the Great Fire. Amongst the rubble there is destitution, opportunity, greed and hopelessness. It is a toxic mix, a dangerous place in which to start asking awkward questions. Which is exactly what James Marwood does. In the first book he was asking questions for two masters, in The Fire Court he seeks answers to his father’s puzzle. And when his life is in danger, he realises there must truth woven in his father’s nonsense words after all.
No word yet on when book three will follow, but I will definitely be reading it. Taylor is a new author for me and I look forward to exploring his other books. He is a historical writer rich in his period but with the twists and turns of a thriller. He creates mysteries that you want to puzzle out.

Read my reviews of the other books in this series:
THE ASHES OF LONDON #1FIREOFLONDON… and try the #FirstPara of THE ASHES OF LONDON
THE KING’S EVIL #3FIREOFLONDON
THE LAST PROTECTOR #4FIREOFLONDON
THE ROYAL SECRET #5FIREOFLONDON
THE SHADOWS OF LONDON #6FIREOFLONDON

And a World War Two novel by the same author:-
THE SECOND MIDNIGHT

If you like this, try:-
‘The Last Hours’ by Minette Walters #1BLACKDEATH
‘Dark Aemilia’ by Sally O’Reilly
‘Under a Pole Star’ by Stef Penney

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview THE FIRE COURT by Andrew Taylor @AndrewJRTaylor https://wp.me/p5gEM4-3re via @SandraDanby

#BookReview ‘Three Sisters, Three Queens’ by Philippa Gregory #Tudor

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‘What is the point of love if it does not make us kind?’ Three Sisters, Three Queens by Philippa Gregory is a story of three women, princesses all, who marry for duty, for their country but who long to marry for love. It is a not a tale of sisterly love, more of sisterly rivalry, envy and spitefulness. The three women become sisters of England, Scotland and France but each knows despair and great unhappiness, they are alternately supportive to each other and shamelessly selfish. Philippa GregoryThe three women are Margaret, older sister of Henry VIII; Mary, his younger sister; and Katherine of Aragon, his first wife. All women have been raised to do their duty, to behave correctly, to smile when in pain, to nod to their husband when they disagree, and to always put themselves second. It is a story of English and Scottish politics, the switching of allegiances, the lies and flattery, the convenient silences. The story is told by Margaret, married young to James IV of Scotland, who is horrified after their wedding to be presented with a mob of children, his illegitimate sons and daughters. She appeals to Katherine for advice who tells her to swallow her anger and humiliation and get on with being a good queen to her husband.
The novel tends to repetition and could be shorter, and it is true that in the early pages Margaret is rather mean-spirited and complains repetitively about what she wants and what her sisters have that she doesn’t. But as the pages turned I got more involved in her story, the twists and turns, riches and poverty, love and betrayal, lies and more lies. It is not Gregory’s best Tudor novel, but it is still a fascinating account of a little known queen and sheds a light on complicated Scottish politics of the time. That, and the manipulation of the English/Scottish borders by Henry VIII and his lords, makes modern politics look lily white.
I did expect the viewpoints of each of the three sisters, which the title does imply, but in fact the story is told completely by Margaret aided by letters she receives from her sisters.

Read my reviews of these other Philippa Gregory novels:-
THE LADY OF THE RIVERS
THE LITTLE HOUSE

Read the #FirstPara of THE OTHER BOLEYN GIRL, also by Philippa Gregory.

If you like this, try these:-
‘The Leviathan’ by Rosie Andrews
‘Kings and Queens’ by Terry Tyler #1LANCHESTER
‘The Lady of the Ravens’ by Joanna Hickson #1QUEENSOFTHETOWER

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview THREE SISTERS, THREE QUEENS by Philippa Gregory http://wp.me/p5gEM4-2yg via @SandraDanby 

#BookReview ‘The Ashes of London’ by Andrew Taylor @AndrewJRTaylor #Historical

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1666 and a fire starts in London, soon to devastate the medieval City of London. Watching the flames, a young man notices a boy in a ragged shirt who is standing so close as to risk to his life. When he pulls the boy to safety, he finds it is not a boy but a young woman. She bites him and escapes, though he intends only to help. And so are introduced the two key characters in The Ashes of London by Andrew Taylor. Andrew TaylorThis is not a novel about the Fire of London, rather a political mystery involving murder in the turbulent years following the execution of King Charles I, the English Civil War, the Commonwealth and subsequent Restoration of King Charles II. In the ruins of St Paul’s a body is found, differing from other mortalities for its thumbs tied together behind the man’s back. This is the sign of those who committed Regicide by signing the death warrant of Charles I. Though in hiding, these traitors are still active, lurking in the shadows.
The account of London burning is written vividly, so vivid I could imagine myself there, smell the charred timber and smoke. We see it through the eyes of two people. James Marwood, clerk, son of a traitor, is required by his superiors to investigate on their behalf. Catherine Lovett, a wealthy young woman lodges with the family of her mother but secretly searches for her father, a Regicide. Her position becomes precarious when her uncle seeks to marry her to a suitable man, one she detests. She flees and, at risk of discovery, Cat hides her identity with a false name. She is a bright woman who adapts to her changing circumstances, has a great presence of mind and is not afraid to defend herself when threatened. I particularly enjoyed her interest in architecture, something which brings her into the wider circle of Master Hakesby and Dr (Christopher) Wren as the new design for St Paul’s takes shape. She has a skill of fine draughtsmanship, and helps Master Hakesby who suffers from the ague.
We learn the story as seen by Marwood and Cat; the author controls what we know and don’t know. As they are aware of other things happening outside their circle, but not of the detail – of surviving traitors helping each other, of powerful men borrowing and lending money, of the scientifically-minded Charles II and his circle of influencers – so the reader realizes more is going on behind the scenes than is written on the page. Which adds to the mystery. This was a complex political time. We watch Marwood tread a delicate path as he tries to protect his elderly weak-witted Regicide father from persecution whilst also obeying his employer, Master Williamson, editor of The London Gazette. It is a time of whispers, gossip in the coffee houses, of secret meetings and spies standing behind screens the better to eavesdrop.
The paths of Marwood and Cat almost cross a number of times and as neither knows the true identity or intentions of the other, the reader is in a privileged position. When they do meet, the outcome is unexpected.
This is not a page-turning thriller or a crime novel, more a historical mystery. Taylor takes time to develop his characters and to show his location, the Restoration context is fascinating. Though a slow-burn I read this book quickly, finishing it and wanting to read its sequel, The Fire Court. That is always a good sign.

Try the #FirstPara of THE ASHES OF LONDON here.

Read my reviews of the next books in this series:
THE FIRE COURT #2FIREOFLONDON
THE KING’S EVIL #3FIREOFLONDON
THE LAST PROTECTOR #4FIREOFLONDON
THE ROYAL SECRET #5FIREOFLONDON
THE SHADOWS OF LONDON #6FIREOFLONDON

And a World War Two novel by the same author:-
THE SECOND MIDNIGHT

If you like this, try:-
‘The Witchfinder’s Sister’ by Beth Underdown
‘The Last Hours’ by Minette Walters #1BLACKDEATH
‘The Western Wind’ by Samantha Harvey

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview THE ASHES OF LONDON by Andrew Taylor @AndrewJRTaylor https://wp.me/p5gEM4-3p2 via @SandraDanby

#BookReview ‘Our Friends in Berlin’ by Anthony Quinn #WW2

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Our Friends in Berlin by Anthony Quinn tells a story of London in World War Two seldom told. It is a spy novel but not a thriller. It focuses on the individuals concerned and has a deceptive pace which means the threats, when they come, are more startling. Jack Hoste is not who he seems to be. He is not a tax inspector; he is not looking for a wife. He is a special agent who tracks down Nazi spies. And at night he is an ARP warden. Anthony Quinn The juxtaposition of Hoste’s life of secrets is set nicely against that of Amy Strallen who works at the Quartermaine Marriage Bureau. Ordinary life does go on in London during the Luftwaffe bombing and Amy must match clients together, a matter of instinct rather than calculation. In order to be matched with the right person, clients are asked to tell the truth about what they are seeking, truths which may have been disguised or hidden until now. Client requests include ‘a lady with capital preferred’ and ‘not American’. Then one day she meets a new client who seems oddly reluctant to explain what he is looking for. The client is Jack Hoste and he doesn’t want a wife, he is searching for Marita Pardoe, a suspected Nazi sympathiser and friend of Amy in the Thirties. What unfolds is a story of spying, gentle romance, betrayal, fanaticism and the life of living in a bombed city.
Jack and Amy seem to run on parallel tracks, veering towards and then away from each other, both romantically unsure, both allow the real world to get in the way. And get in the way it does, in the shape of Marita. Quinn is excellent at building characters, he makes you care for them and that’s what keeps you reading. In a time of war, decisions are often made recklessly but Jack and Amy draw back from doing this. Both are people of honour, making the secrets they must keep and the lies they must tell all the more pertinent. The nature of truth is a theme wriggling its way through every page.
Anthony Quinn is a favourite author of mine, his novels are each quite different and I will read everything he writes. I read this one quickly.

Read my reviews of these other novels also by Anthony Quinn:-
CURTAIN CALL
FREYA
HALF OF THE HUMAN RACE
MOLLY & THE CAPTAIN
THE MILLIONAIRE WALTZ
THE RESCUE MAN
THE STREETS

If you like this, try:-
‘Mrs Sinclair’s Suitcase’ by Louise Walters
‘The Paying Guests’ by Sarah Waters
‘The Heat of the Day’ by Elizabeth Bowen

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview OUR FRIENDS IN BERLIN by Anthony Quinn https://wp.me/p5gEM4-3pl via @SandraDanby

#BookReview ‘Tulip Fever’ by Deborah Moggach #historical

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Amsterdam in the 17th century was a time when commerce was king and the sale of tulip bulbs made some people very rich and others bankrupt. This is the setting for Tulip Fever by Deborah Moggach, when Rembrandt and Vermeer painted some of the most-recognised art of our time. Sophia’s husband Cornelis is rich, thanks to tulips, and he celebrates his wealth by commissioning a joint portrait to be painted. It is a decision which changes their lives. Deborah MoggachThe deft switching of viewpoints – and each chapter is a single voice, Sophia, Cornelis, Jan [the painter], Maria [their servant] and Willem [Maria’s lover] – allows for a new take on each situation. The plot moves quickly, things are hinted at and passed over but relevant later. It is the sort of novel which seems simple but has hidden depths. The language can be so sensual. “Jacob van Loos is not painting the old man’s mouth. He is painting Sophia’s lips. He mixes pink on his palette – ochre, grey and carmine – and strokes the paint lovingly on the canvas. She is gazing at him. For a moment, when the old man was talking, her lips curved into a smile – a smile of complicity. He paints the ghost of this, though it is now gone.”
The reader must remain vigilant to catch everything. After four chapters I realised the significance of the quotation at the head of each chapter, and went back to the beginning again. They shed fresh light on the story being told. For example, “‘Trust not to appearances.’ Jacob Cats, Moral Emblems, 1632.” And, another chapter heading, by the same author, ‘Stolen waters are sweet, and bread eaten in secret places is pleasant.’
In places, Moggach’s description echoes Dutch paintings of the period: “Sophia stands at the window. She is reading the letter. Through the glass, sunlight streams on to her face. Her hair is pulled back from her brow. Tiny pearls nestle in her headband; they catch the light, winking at the severity of her coiffure. She wears a black bodice, shot with lines of velvet and silver. Her dress is violet silk; its pewtery sheen catches the light.” Certainly an understanding of art of the period will help a reader get more from the text.

Read my review of these other novels by Deborah Moggach:-
SOMETHING TO HIDE
THE BLACK DRESS
THE CARER

Read the first paragraph of THESE FOOLISH THINGS [now THE BEST EXOTIC MARIGOLD HOTEL] here.

If you like this, try:-
‘The Miniaturist’ by Jessie Burton
‘An Appetite for Violets’ by Martine Bailey
‘Girl in Hyacinth Blue’ by Susan Vreeland

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview TULIP FEVER by Deborah Moggach via @SandraDanby http://wp.me/p5gEM4-2sv

#BookReview ‘Christmas Pudding’ by Nancy Mitford #satire #historical

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Christmas Pudding is another between-the-wars comedy of manners by Nancy Mitford. With scathing observation at times as sharp as Jane Austen, Mitford introduces a new character, Lord Lewes: ‘He was tall, very correctly dressed in a style indicating the presence of money rather than of imagination, and had a mournful, thin, eighteenth-century face.’ This is her second novel and features some of the personalities featured in her first, Highland Fling, though familiarity with the first is not essential for enjoyment. Nancy MitfordThe action takes place over one month around Christmas, the pudding of the title refers to Mitford’s mixture of personalities in two house parties in the Cotswold countryside. Paul Fotheringay, whose debut literary novel has been heralded as a comic farce, is desperate to escape London and find inspiration for his next book. Wanting to be taken seriously as an author, he settles on a biography of Victorian poet, Lady Maria Bobbin. When he is refused access to the diaries by the current Lady Bobbin he conjures a plot with her teenage son Bobby to masquerade as Bobby’s tutor over the Christmas holidays and so gain secret access to the diaries. And so Paul becomes part of a love triangle at the Bobbin’s home Compton Bobbin, involving Bobby’s sister Philadelphia and the honest, boring but reliable Lord Michael Lewes. The second house party, at the rather kitsch over-furnished Mulberrie Farm, is held by former prostitute and now society lady Amabelle Fortescue. Mitford’s characters move in the same overlapping social circles so it is inevitable that Amabelle and her guests Sally and Walter Monteath will socialize with some of the guests at Compton Bobbin.
Love is the central theme, true love, idealised love, upper-class arranged marriage and marriage for pragmatic facing-old-age reasons. As has always occurred in aristocratic circles, marriage is approached with a healthy dose of pragmatism making romantic love seem frothier and more idealised than ever.
This is light-hearted fiction and limited in its observation of characters; there is no upstairs/downstairs contrast here, which would enrich the social commentary. But the old and young are perfectly capable of condemning themselves out of their own mouths. Reading this novel will not change your life, but it will amuse you and the ending is not the easy way-out you may expect. My one criticism is that there are slightly too many peripheral characters with their own strings of plot.

Read my reviews of these other novels by Nancy Mitford:-
HIGHLAND FLING
LOVE IN A COLD CLIMATE
PIGEON PIE
THE BLESSING
THE PURSUIT OF LOVE
WIGS ON THE GREEN

Read the first paragraph of THE PURSUIT OF LOVE here.

If you like this, try these:-
‘Sweet Caress’ by William Boyd
‘A Death in the Dales’ by Frances Brody
‘Mothering Sunday’ by Graham Swift

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview CHRISTMAS PUDDING by Nancy Mitford http://wp.me/p5gEM4-2UO via @SandraDanby

#BookReview ‘Poor Caroline’ by Winifred Holtby #historical

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I can’t help but think this novel would be helped by a better title. Poor Caroline is such a negative sounding title for this, the fourth novel by Yorkshire author Winifred Holtby. From the first page, it is clear this is a fond but sharp satire of the inter-war years showing how the expectations of people can on the surface appear aligned but in reality are self-serving. Winifred HoltbyCaroline Denton-Smyth, honorary secretary of the Christian Cinema Company, works hard in the belief that her company is doing good. But the people on the board of directors each have their own reason for being involved with the company, reasons that are not admitted and which diverge hugely from Caroline’s intentions. One hopes to leverage connections with the chairman to gain entrance for his son to Eton. Another wishes to sell his new type of film. Caroline has so many ideas but little success. At the age of 72 she has no money and is dependent on loans from long-suffering relatives. But she is always hopeful. This is the story of Caroline, her fellow directors, and the Christian Cinema Company. Holtby tells the story of each person in turn so the full picture, and the extent of Caroline’s folly, becomes evident. You can’t help but feel simultaneously sorry for her and exasperated with her inability to see the truth.
It is a while before we meet the eponymous heroine. First we learn of her death, as some distant relatives return from her funeral. In her will, Caroline left bequests of money she didn’t have. “Oh, you can’t alter people like Caroline. She always thought she knew better than anyone. She was always going to do something extraordinary.”
Two scenes in particular stayed with me. The description of the odious Clifton Roderick Johnson’s screenwriting class is a classic. He spits instructions to his paltry four students. ‘They did not know, and indeed Mr Johnson hardly knew, that their lecturer who spoke so confidently of technique, cuts, drama and royalties had himself been able to sell for performance only one scenario and a set of captions.’ And the storm at film inventor Hugh Macafee’s derelict warehouse when he continues to work despite the efforts of two fellow directors to evacuate him before a wall collapses.
This novel requires patience, to allow the author time to draw the full scenario so the true manipulations, fraud, dissembling and love, can unfold.

Click the title to read my review of ANDERBY WOLD, also by Winifred Holtby.

If you like this, try:-
‘Miss Pettigrew Lives for a Day’ by Winifred Watson
‘Curtain Call’ by Anthony Quinn
‘Highland Fling’ by Nancy Mitford

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview POOR CAROLINE by Winifred Holtby https://wp.me/p5gEM4-3nn via @SandraDanby

#BookReview ‘Days Without End’ by Sebastian Barry #historical

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There is not a word out of place in this harrowing and beautiful tale of love, war, duty and sacrifice. Days Without End by Sebastian Barry deservedly had award success in 2016/2017. I already knew Barry could write about war, having read and loved A Long Long Way set in the Great War. What is different about Days Without End is the relationship between Thomas McNulty and John Cole. Barry tells the epic story of the Indian and Civil wars in America, combined with a heart-stopping tale of love. Sebastian BarryThe story is the first person narrative of Thomas, an Irish émigré fleeing the Irish famine. He arrives in a young America with so many disparate groups, contrasted and never seeming to connect: men, women; officers, foot soldiers; gay, straight; white, black; American, Irish immigrant; army, native Indian; north, south. Barry does not shy from telling the reality of the American wars, the brutality, the atrocities of army against Indians and vice versa; but also the comradeship and solidity of men fighting alongside each other. There is betrayal on both sides, brutality on both sides, and soldiers hating and turning on each other. At the core of this though is the story of Thomas and John Cole, who meet as boys and perform a cross-dressing act on stage before signing up for the army. It is not all about war. There are three sections of ordinary life when we see the ordinary life of the two men, finding a role for themselves and fitting into society.
Much was written at the time this novel was published about how Barry dedicated this book to his son. The portrayal of the men’s relationship is gentle, fond and loving, but the single thing which struck me most was their absolute loyalty to each other.
Full of beautiful prose, plot twists and turns, savage cruelty and betrayal, poignant loyalty at the expense of self, it feels like a slow-moving story but I didn’t want to put it down. Highly recommended.
The story is continued in the sequel, A Thousand Moons.

Read my reviews of these books also by Sebastian Barry:
A THOUSAND MOONS #2DAYSWITHOUTEND
A LONG LONG WAY
OLD GOD’S TIME
THE NEWER WORLD
THE WHEREABOUTS OF ENEAS MCNULTY… and try the #FirstPara of THE WHEREABOUTS OF ENEAS MCNULTY

If you like this, try:-
‘Barkskins’ by Annie Proulx
‘At the Edge of the Orchard’ by Tracy Chevalier
‘My Name is Yip’ by Paddy Crewe

And if you’d like to share a link:
#BookReview DAYS WITHOUT END by Sebastian Barry https://wp.me/p5gEM4-3oB via @SandraDanby

#BookReview ‘Beneath an Indian Sky’ by Renita D’Silva @RenitaDSilva #historical #India

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Women’s ambition, women’s capability to lie and manipulate, and women’s ability to love, cherish and recover. Beneath an Indian Sky by Renita D’Silva is the cautionary tale of Sita and Mary and how their lives, from childhood to old age, are entwined in India. It is a symmetrical story, but the permutations of its angles and consequences are not clear until the end. Be patient, relax into the story, because the ending is worth it. Renita D’Silva1925, India. Sita’s parents despair of her acting like a girl so, to encourage more restrained behavior, they arrange for her to become friends with Mary. Mary’s parents encourage individuality, freedom and learning, but Mary secretly envies the rules and ordered life of Sita’s home. And so the two girls become friends. Until in 1926 something happens which splits them apart.
This is a tale of opposites; two little girls who, despite being different, become friends. What happens when they grow up turns into a darker more difficult story about friendship, honesty, betrayal, loss, anguish and regret. Renita D’Silva takes you to another world, India pre- and post-partition, with all its scents, colours, flavours, wealth and poverty. She is a magical writer of the setting into which she lays an emotional story of the twists and turns of women’s treachery and ability to heal.
The girls are born into an India where women must defer to their husbands and sons, where endless wealth and dirt-grovelling poverty exist side-by-side; where women do not always support each other and mistakes are not forgotten. Behind the story is a ‘be careful what you wish for’ moral that applies to both girls. Intertwined with their story is the modern one of Priya, a documentary film-maker, who lives in London and is unable to have a child.
I really enjoyed this book, read quickly over a weekend. Be warned, secrets have a way of being found out.

Read my reviews of these other novels by Renita D’Silva:-
A DAUGHTER’S COURAGE
A MOTHER’S SECRET
THE GIRL IN THE PAINTING
THE ORPHAN’S GIFT
THE SECRET KEEPER
THE SPICE MAKER’S SECRET
THE WAR CHILD

If you like this, try:-
‘White Chrysanthemum’ by Mary Lynn Bracht
‘The Tea Planter’s Wife’ by Dinah Jeffries
‘A Life Between Us’ by Louise Walters

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview BENEATH AN INDIAN SKY by Renita D’Silva @RenitaDSilva https://wp.me/p5gEM4-3jl via @SandraDanby