Tag Archives: historical fiction

#BookReview ‘The Horseman’ by Tim Pears #historical #Devon

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The Horseman by Tim Pears is an account of the slow, meandering life on an estate farm in rural Devon. It is 1911 when, for modern readers, the sinking of the Titanic is not far away and the Great War looms. Two children, born into very different worlds, grow up not far apart; both have a strong love of horses. This novel is billed as a coming-of-age tale but it is also a description of rural farming methods. Tim Pears Told in a month-by-month format, the seasons unfold in a remote Devon valley where the passing of time is marked by the weather and the tasks undertaken on the farm. There is a long list of characters and at the beginning I confused who was who, but gradually they settled into their roles. Leopold Sercombe is the youngest son of the master carter working on the tenant farm of a large estate. He longs to escape school every day to run home and help his father with the horses; these are working animals, cart horses and cobs, they are almost characters. We are there as Noble gives birth; as Leo’s father shares one of the secrets of his trade, the use of dried tansy to give his horses a glossy coat; and the day Leo is given a chance to break Noble’s unnamed colt. “The boy watched the colt, his young lean muscular beauty in motion, then turned and walked towards the fence. There was but one spectator there, sitting on the top pole, feet resting on the lower, a youth in a Homburg hat, shirt, breeches, and riding boots of a sort worn by the master and his kind.” Lottie, daughter of the master, the owner of the estate, challenges the way Leo is handling the colt. And so begins their shared love of horses.
This is a 4* book for me. Why not 5*? Because the relationship between the two children takes a long time to start happening and then ends explosively which seems out of kilter with the spirit and pace of the story; because the slow, slow pace of the story and the passages of overly detailed description at times felt like sections for a ‘how to use farm machinery book’. But Leo is an entrancing character; his gentle authority with horses, his silences and thoughtful behaviour, make it essential to read The Wanderers, second in the trilogy.

Here’s my review of RUN TO THE WESTERN SHORE, also by Tim Pears.

If you like this, try:-
‘Barkskins’ by Annie Proulx
‘Anderby Wold’ by Winifred Holtby
‘Housekeeping’ by Marilynne Robinson

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#BookReview ‘The Almanack’ by Martine Bailey @MartineBailey #historical #mystery

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In 1751, eleven days were lost as Britain aligned with the Gregorian calendar and this is the year in which Martine Bailey sets her third novel, The Almanack. An original mixture of historical mystery, detective novel and romance, it has time as its theme throughout. The passing of time and the fixedness of the past, the slippery unpredictability of the future, and the way our choices made today can impact on the time to come. Martine BaileyTabitha Hart is travelling north from London, home to a village near Chester, summoned by a plea from her mother. On route she is robbed and arrives at Netherlea in shredded clothing to find her mother recently drowned. Tabitha left Netherlea in disgrace and her return is not welcomed by village gossips and officials but she refuses to ignore worries about the nature of her mother’s death. Consulting her mother’s Vox Stellarum, the Chester almanack, she discovers handwritten notes outlining her fears of someone called ‘D’. A childhood friend now village constable, widower Joshua Saxton, offers solid, reliable support as Tabitha struggles to stay in the village, caring for Bess, the baby daughter she left behind with her mother. It is clear Joshua is fond of Tabitha but she does not return his affections; awkwardness complicated when she meets Nat Starling, lodger at Eglantine Hall, a writer of ‘penny oracles, horoscopes and dream lore.’ Tabitha starts to make connections between her mother’s suspicions and the predictions in the printed almanac, written by De Angelo. Could this be the ‘D’ who threatened her mother? But there are many people in the village with the initial ‘D’. Who can she trust?
Almanacks, or printed yearbooks, not only contained a calendar, festival dates, seasonal notes, sunrise and sunset times, planetary alignments, historical facts and other country lore but also riddles, predictions and horoscopes. Exactly the sort of thing hack Nat Starling writes to scratch a living. The theme of time breathes in every chapter, together with the lost eleven days in 1751 that confused the established seasonal calendar. Although the past cannot be changed, memories of the past may vary between people and written records can be amended to tell a different version of the truth. Lies told in the past may in the future be deemed historical fact. And so Starling thinks on the river of time: ‘If he was standing here in the now, then to the left, downriver, the past was disappearing away into the night. Time past could never be changed: what was done was done. If only the past did not stay fixed like dead flies in amber. If only he could live his life again.’
A thoroughly enjoyable historical mystery, there is so much detail in this book it will repay reading. I did not fully engage with the riddles – one precedes each chapter – based on original riddles, with the answers written at the back of the book. Bailey manages the twists and turns of the plot, efficiently hiding the identity of ‘D’ until I finally guessed correctly just before the end.
This is Bailey’s third novel, first in the Tabitha Hart series, and another brilliant read, evidence of her mastery of her period and intricate plotting.

And here are my reviews of other novels by Martine Bailey:-
THE PROPHET #2TABITHAHART
AN APPETITE FOR VIOLETS
THE PENNY HEART

If you like this, try this:-
‘The Cursed Wife’ by Pamela Hartshorne
‘Orphans of the Carnival’ by Carol Birch
‘Dark Aemilia’ by Sally O’Reilly

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#BookReview ‘Blackberry and Wild Rose’ by Sonia Velton @Soniavelton #historical #Huguenot

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Blackberry and Wild Rose, the debut novel of Sonia Velton, is entrancing. So many novels are hyped prior to publication but disappoint on reading. This does not. Carefully imagined and cleverly plotted, it kept me reading until the end. It reminded me of Tracy Chevalier’s early novels in which the reader is immersed in a historical world down to the smallest detail. Sonia VeltonBlackberry and Wild Rose tells the story of two women in eighteenth century Spitalfields, London, where the houses are full of weavers and looms clatter every hour of daylight, set alongside the everyday noise, bustle and smells of market stalls, shops, inns and bawdy houses. In 1768, Sara Kemp arrives in Spitalfields from the country, sent away from home by her mother for something she does not understand. Obviously alone and lost, she is taken up by Mrs Swann and put to work in her brothel. Esther Thorel is an Englishwoman married to a Huguenot master of silk. Dissatisfied with her life with a husband obsessed by his business, Esther paints naturalistic flowers which she longs to see reproduced in silk. Dismissed by her husband, instead she fulfils the role expected by her husband and does good works with other Huguenot wives. When the paths of the two women cross one day outside the Wig and Feathers tavern, the lives of many people change. Sara, trying to escape Mrs Swann, must pay an unaffordable sum of money for her freedom. Esther pays the debt and employs her as maidservant in her household. Esther’s husband Elias is unaware of Sara’s background. Both women are blind to each other’s plight. Esther sees Sara as a charitable case, simply helped; Sara despises Esther’s inability to see the truth in front of her nose. It is apparent that there is one set of rules for men, another for women. Though so different, Sara and Esther are essentially trapped by their sex and by their roles, and dependent on the prosperity of the Thorel silk business.
Eighteenth century silk weaving was a highly competitive business, threatened by the import of light, cheap printed cottons imported by the East India Company. As the margins of the masters, including Thorel, are cut, the wages of their journeymen weavers are cut too. The weavers gather together in ‘combinations’, early trade unions, to press their case. Some are militant, issuing ultimatums. Some are violent. As this instability threatens the Thorel livelihood, Esther and Sara individually set off on paths which lead them into a conflict which ends in death. Both must make decisions; to tell the truth and suffer, or to lie and survive.
The woman are credible, contradictory, selfish, generous, often peevish and unlikeable. They are not modern women, with the morals and expectations of modern life, placed into a historical setting. Although both are independent and often wilful, they are eighteenth century women and so may not be to the taste of some readers. The men are similarly selfish, ambitious, deceitful and nasty – with one or two exceptions – and utterly believable. These are not stereotypes, there are characters which redeem faith in human nature, but this is not a novel in which the role of women is enhanced from the factual truth of the time. The story ends with a trial at which the judge says, ‘I understand that all this is difficult for you – a servant and a woman – to understand…’ But the men in this story underestimate the women at their peril.
The story of Esther, silk designer, is loosely based on the real Anna Maria Garthwaite, whose patterns and silks can be seen in London’s Victoria & Albert Museum. The title of the novel is one of Esther’s designs. Excellent.

If you like this, try:-
‘The Cursed Wife’ by Pamela Hartshorne
‘The Mermaid and Mrs Hancock’ by Imogen Gowar Hermes
‘The Penny Heart’ by Martine Bailey

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#BookReview ‘Dissolution’ by CJ Sansom #Tudor #detective

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Oh my goodness why have I taken so long to read the Shardlake series by CJ Sansom? I was absolutely gripped by Dissolution, first in this Tudor series of mysteries featuring Matthew Shardlake, commissioner for Thomas Cromwell. And now I want to read all the others. CJ SansomIt is 1537. Henry VIII is king and supreme head of the Church of England. A year has passed since Anne Boleyn was beheaded and her successor as queen, Jane Seymour, has just died following childbirth. Cromwell’s team of investigators, or commissioners, are reviewing every monastery across the land. The dissolution of these institutions is expected as Catholic worship is reformed and anglicised. Lawyer Shardlake is sent by Cromwell to the monastery of Scarnsea on the Sussex coast where the investigating commissioner Robin Singleton has been murdered. Cromwell wants a quick solution to the murder so he can tell the king the problem and solution at the same time, and so puts pressure on Shardlake to find the murderer within days.
Shardlake is a great central character; a hunchback, as a boy he turned to his studies when sports and girls seemed impossible. ‘My disability had come upon me when I was three, I began to stoop forward and to the right, and no brace could correct it. By the age of five I was a true hunchback, as I have remained to this day.’ At Scarnsea, Shardlake needs all his bravery and perseverance to unravel Singleton’s murder. There is only one person he can trust, his servant Mark Poer. Everyone else is a suspect. Sansom twists a variety of motives to make every person at Scarnsea a potential murderer and as the story is told totally from Shardlake’s viewpoint, we must consider each piece of new evidence with him. Everyone at the monastery knows their way of life is threatened and some monks fear the changes. But there have been sexual misdeeds in the past, drinking, gambling and, Shardlake comes to suspect, financial fraud too.
When the snow falls, Scarnsea is cut off from the outside world. Shardlake’s investigation is systematic, interviewing monks, examining correspondence, visiting the crime scene, checking financial records, considering potential scenarios. There is a creepiness about the monastery which made me shiver as Shardlake shivered, and not not just from the extreme cold. Threat is ever present, made gloomier by the adjacent marshes.
Dissolution is a terrific book. The historical setting and details are authentic; Shardlake is a compelling protagonist, caught as he is between light and shade, between what he wants to do and what he knows he should do; and the murderer is not obvious.

And here are my reviews of other novels by CJ Sansom:-
DOMINION
DARK FIRE #2SHARDLAKE
SOVEREIGN #3SHARDLAKE
REVELATION #4SHARDLAKE
HEARTSTONE #5SHARDLAKE
LAMENTATION #6SHARDLAKE

If you like this, try:-
‘The Last Hours’ by Minette Walters #1BLACKDEATH
‘The Witchfinder’s Sister’ by Beth Underdown
‘The Ashes of London’ by Andrew Taylor #1FIREOFLONDON

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#BookReview ‘The Clockmaker’s Daughter’ by Kate Morton #historical #romance

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Kate Morton is strongest when writing about houses, houses with history, atmospheric, beautiful, brooding houses. Birchwood Manor in The Clockmaker’s Daughter is haunted by what happened there. A death, a theft, a drowning. The truth is a complicated tale of twists and turns, Morton gives us numerous characters from slices of history from a Pre-Raphaelite group of artists to National Trust-like ownership today. Kate Morton
The mystery starts from page one, the Prologue, told in the voice of an unknown woman remembering her arrival at Birchwood Manor with Edward. When the rest of the house party leave, ‘I had no choice; I stayed behind.’ Is she a ghost? Cut straight to today and archivist Elodie who unpacks an old leather satchel finds inside a photograph of a woman and an intriguing sketchbook. Leafing through the pages she stops dead, seeing a drawing of a house she knows though she has never been there. It featured in a bedtime story told by her mother. Is it a real place? Does it have magical powers as local tales suggest? ‘It is a strange house, built to be purposely confusing. Staircases that turn at unusual angles, all knees and elbows and uneven treads; windows that do not line up no matter how one squints at them; floorboards and wall panels with clever concealments.’
The mysteries of the drawing, the house, the girl in the photograph and a missing blue diamond are told in multiple viewpoints from 1862 to today. Four big mysteries to unravel means complicated threads woven between the years and the characters and I was tempted to keep notes of who said what and lost track of the year, a couple of times. At the end, I was left with a couple of outstanding questions but nothing to spoil my enjoyment of the book. I found the title rather misleading as Birdie the clockmaker’s daughter, though being one of the key characters, is not the only essential component. The house though is at the centre of everything.
We follow the story of Elodie, whose mother died when she was six and who is about to be married. Of Birdie, who lost her mother when she was four and was left with a baby farmer and trained as a pickpocket. Of Ada Lovegrove who is essentially abandoned by her parents who bring her from India and dump her at Birchwood House, now a school for young ladies. Of Leonard Gilbert, survivor of the Great War, who comes to Birchwood to write a biography of the Pre-Raphaelite artist Edward Radcliffe. Of Jack Rolands who is living now at Birchwood and seems to be searching for something. Of Lucy Radcliffe, Edward’s little sister, and my favourite character. Lucy, a curious little girl, encouraged by her brother to improve her mind by reading, was ‘learning fast that she knew a lot less about her own motivations than she did about the way the internal combustion engine worked.’
Piece by piece, Elodie unravels the true story. The story switches quickly between narrators which can be disorientating and it is only towards the end that some links fit into the bigger picture which makes it a little frustrating. Morton does not write short novels, this is 592 pages, and at times I wanted to cut superfluous detail to get to the meat of the story. A beautiful cover, though.

And here’s my review of another novel by Kate Morton:-
THE DISTANT HOURS

If you like this, try
‘The Man Who Disappeared’ by Clare Morrall
‘The Silent Companions’ by Laura Purcell
‘The Ballroom’ by Anna Hope

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#BookReview ‘All Among the Barley’ by Melissa Harrison #nature

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All Among the Barley by Melissa Harrison is set in a small world, the world of Wych Farm and the village of Elmbourne, in the inter-war years. The story is introduced by Edith June Mather, now an old lady, and transitions into the story of one summer when she was a teenager. Hanging over the first few pages is an unspoken warning that events so long in the past can be forgotten or recalled in error and that Edith may not be a reliable storyteller. Melissa HarrisonBut All Among the Barley  is more than a coming-of-age tale; it is a story of society adapting to change, a story which resonates today. It is 1933 in East Anglia and Edie Mather is thirteen years old, a clever well-read child who longs to fit in. She lives on the family farm where hardship is an everyday fact. Edie, balancing between childhood and womanhood, is unsure of what she should do with her life, unaware she has choices and at times overwhelmed by her seeming lack of power. Superstitions become real to her. This is a book combining the pragmatic facts of daily farm life, the looming presence of anti-semitism and fascism, with teenage volatility, fantasy and a little witchery. Into this tight-knit rural world walks city reporter Connie FitzAllen who is writing about the loss of the old rural ways. Connie becomes a catalyst for change for the whole community, not just Edie, and in ways not at first obvious. Despite initial distrust of strangers, the locals and Edie’s family become used to Connie’s presence and she becomes a stand-in older sister for Edie, dispensing advice and pushing behavioural boundaries.
Writing about nature with as light a hand as the flight of the birds she describes, Harrison combines agricultural change, rural poverty, the rise of anti-semitism, and the changing role of women. The role models available to Edie are her mother, who worked the land in place of men during the Great War but reverted to being a housewife afterwards; her sister Mary, married young and with a baby she is not sure she loves; and Connie, who tells Edie there is life outside Elmbourne. Harvest time approaches and decisions must be made; Edie’s father must sell his crop at the right time to get the best price while Edie, uncertain whose advice to listen to, receives a job offer based in the nearby town. In the heat of summer, reality merges with imagination and Edie loses the ability to judge what is real.
A beautiful and tragic novel flawed only by its slow descriptive pace and a rather sudden ending. I was left with the feeling that perhaps the author tackled too many issues for such a calm, contemplative novel.

If you like this, try:-
‘Ghost Wall’ by Sarah Moss
‘The Call of the Curlew’ by Elizabeth Brooks
‘Elmet’ by Fiona Mozley

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#Bookreview ‘Call of the Curlew’ by Elizabeth Brooks #historical #WW2

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Call of the Curlew by Elizabeth Brooks has the most fantastic sense of place. It is a haunting, atmospheric read that I didn’t want to put down. Tollbury Marsh is an ever-present character in the story too, quiet, empty, natural and ‘where a body could sink under that earth, slowly and inexorably, like an insect in a pot of glue.’ Elizabeth BrooksAn elderly woman sees a sign she has been awaiting and prepares to take her last walk, across the snowy marshes and into the sea. She imagines the freezing water creeping up her legs, planning how she will use her walking stick, loading her pockets with stones from the garden wall. And then she realises she has the wrong day, it is New Year’s Eve tomorrow, not today and she is a day too early. When a stranger appears, her plans are disrupted and the past must be faced.
Virginia Wrathmell arrives at Salt Winds, a house on the edge of the marshes, as a newly adopted orphan when she is ten. It is New Year’s Eve 1939. Her new parents, Clem and Lorna, seem ill at ease together and Virginia watches them from the banisters, trying to understand the adult tension which dominates the house. When a neighbour visits, Virginia takes an instant dislike to the way Max Deering’s eyes linger on her and this first impression of him does not improve as the weeks pass. The catalyst for change comes when a German fighter plane crashes on the marshes and Clem sets out with rope and torch to help. The wartime story is spliced with Virginia in 2015, her plans to wade into the marshes on hold. Slowly the mystery is unveiled; of what happened in the war that left such a lasting mark on Virginia so many decades later.
This is the first novel by Brooks that I have read. She writes with a poetic description that is engaging, particularly when describing the marshes and the natural world. ‘The stars were starting to poke through the sky, like silver pins through lilac silk.’ But she also writes with an eye to mystery and is adept at tantalising the reader. This is not a thriller, I hesitate to call it a mystery because the pacing is not intense. Rather this is an elegiac read about a delicate new family in wartime facing situations that would split apart the strongest of people.
Excellent.

If you like this, try:-
‘Shelter’ by Sarah Franklin
‘Life After Life’ by Kate Atkinson
‘The Good People’ by Hannah Kent

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#BookReview ‘The Sapphire Widow’ by Dinah Jefferies @DinahJefferies #historical #romance

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When Dinah Jefferies writes about Ceylon, you can smell it and sense it. The blossom, the flowers, the birds, she is excellent at evoking setting. The Sapphire Widow is not her strongest book, but it is nevertheless an enjoyable read. Whatever it may lack in plot – a weakness I think because the main character is the wronged one, rather than with a secret of her own to hide – it is a fascinating glimpse of mid-Thirties Ceylon and a beautiful seaside town. Dinah JefferiesIt is 1936 in Galle on the southernmost tip of Ceylon. Louisa Reeve and her husband Elliot seem to have it all except, after a series of miscarriages, a child. Louisa, who wonders if she will ever be a mother, is often alone as Elliot spends his spare time sailing with friends and on a cinnamon plantation in which he is an investor. But when tragedy hits Louisa discovers Elliot’s life, investments and hobbies were not as he told her. As she deals with one lie after another, Louisa continues to develop Sapphire, the retail emporium originally planned with Elliot and which provides the novel’s title.
Given the title I expected the gemstone business of Louisa’s father, and where Elliot worked, to be prominent in the plot. It is however lightly sketched and I felt rather short-changed. The description of the cinnamon plantation is fascinating though, as is the Galle setting, though at times it felt as if local history was being shoehorned in. Towards the end the plot went a little haywire, not what I was expecting. Frustrating, I was left feeling there was a deeper, more emotional story to be told.
An interesting read but not her finest.

And here are my reviews of some of Dinah Jefferies’ other novels:-
DAUGHTERS OF WAR #1DAUGHTERSOFWAR
THE HIDDEN PALACE #2DAUGHTERSOFWAR
NIGHT TRAIN TO MARRAKECH #3DAUGHTERSOFWAR
THE TEA PLANTER’S WIFE
THE TUSCAN CONTESSA

If you like this, try these:-
‘Beneath an Indian Sky’ by Renita d’Silva
‘The Gift of Rain’ by Tan Twan Eng
‘Quartet’ by Jean Rhys

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#BookReview ‘The Turn of Midnight’ by Minette Walters #historical

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You just know when the book you’ve just started reading is going to be 5*. For me, not many are. I read lots of good 3* and 4* books. I reserve 5* sparingly for the special ones. The Turn of Midnight by Minette Walters is one of those. It ticks so many boxes. Thriller, history, surprises, great characters and a tantalising bit of love from afar; Walters is a master storyteller. Minette Walters This is a story of a grim period in British history. The Black Death. Medieval England. Gruesome detail, and yet I stayed up late to finish it. Why, because she makes me love the characters and manages that delicate balancing act of giving me just enough historical detail to be interesting but not too much that it becomes tedious.
The Turn of Midnight is the sequel to The Last Hours which tells the story of the Black Death and its impact on the small Dorsetshire demesne of Develish. After the death of her husband from the plague his widow Lady Anne quarantines the demesne, introduces cleanliness routines and organises her healthy family, servants and serfs into a self-supporting and mutually-respectful society; unheard of in 1348. Woven into this story of survival is a romantic thread as Lady Anne and Thaddeus Thirkell, an illegitimate serf born on the demesne who Lady Anne has educated over the years to a standard of education greater than anyone else in the community excepting herself. Where The Last Hours is something of a closed room story with a tight-knit cast of characters and one location, The Turn of Midnight sees Thaddeus and a group of young men venture out into Dorsetshire to assess the dangers of the plague and the survival of other villages. When they return with a story of death, desertion and dereliction, a plan is formed to buy the neighbouring demesne of Pedle Hinton and so provide a home and farmland for the Develish citizens, the number of which has grown with the number of healthy wanderers they have adopted. But outside the demesne moat there are many enemies: bandits thieving and preying on the vulnerable, Norman soldiers who hate the English serfs, English serfs who hate anyone Norman, and corrupt priests, stewards and lords who swear they are acting in the name of God.
The plan is risky. Lady Anne and Thaddeus know that, although not robbing living people, they are taking possessions and gold which is not rightly theirs. It culminates in a struggle of religion, power and prejudice. Will common sense and the right of the people triumph? Whilst Lady Anne fights a battle against prejudice of her sex where she is better educated than the men who accuse her, Thaddeus similarly fights against prejudice of his worker roots and foreign tall dark physique.
Walters lives in Dorset and this shows in her sweeping creation of medieval Dorsetshire, she writes of the countryside, nature and the seasons with such surety you know she knows it well. This is a story of the first breaths of social mobility in a time of class hierarchy that prevented starving serfs from eating food meant for their lords, even though those lords are dead or have fled. Lady Anne’s common sense approach brings survival, health, basic education and hope for the future.
Excellent.

Read my reviews of these other historical novels by Minette Walters:-
THE LAST HOURS #1BLACKDEATH
THE PLAYERS
THE SWIFT AND THE HARRIER

If you like this, try:-
‘The French Lesson’ by Hallie Rubenhold
‘The Ashes of London’ by Andrew Taylor #1FIREOFLONDON
‘Foxlowe’ by Eleanor Wasserberg

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#BookReview The Indelible Stain by Wendy Percival #genealogy #mystery

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When the key character of a novel goes on holiday or visits a picturesque place, you know something is going to happen. Genealogist Esme Quentin in The Indelible Stain by Wendy Percival goes to Devon to help a friend archive the records of a local charity for underprivileged children. Second in the Esme Quentin genealogical mysteries, this is an enjoyable story of convict history set in a beautiful Devon location. But beneath that beauty lurk fraud, lies and revenge. Hatred and bitterness reach from the past to the current day. Wendy PercivalUp early on her first morning, Esme takes a walk on the wild beach and finds a body. The woman, just alive, seems to have fallen from the cliffs. Her last words, spoken to Esme, are key to the mystery which follows. “I lied,” she says. Beside her body is an old sepia photograph. The police don’t take seriously Esme’s concerns that the woman’s last words combined with the mystery photograph indicate foul play, so Esme decides to identify the family in the photograph.
Meanwhile, Neave Shaw is worrying about her mother who has disappeared after sending a confused, possibly drunken, email. Worried and not understanding her grandmother’s dismissive attitude to Bella’s disappearance, Neave presses for answers but is interrupted by a knock on the door. It is the police. Neave arrives in Warren Quay and asks Esme for help in understanding why her mother died. Esme quickly puts a name to one of the people in the sepia photograph: Sarah Baker, a thief who was transported as a convict in 1837. Sarah’s story adds a fascinating layer of history to this whodunnit and whydunnit mystery. But what is Sarah’s link to Neave’s dead mother? And did Bella fall or was she pushed? Esme’s research into Sarah’s convict history is helped by the presence of the Mary Ann, a restored nineteenth-century sailing ship with an on-board museum about the history of convict transportation.
The last few pages move at top speed as Esme discovers hidden identities and double-crossings and races to find Neave to warn her of danger. She knows that whoever killed Bella to protect the secret will not hesitate to kill again. I would have liked to read more about Sarah Baker’s journey on a convict ship to Australia and her life there, showing some of the facts rather than having Esme discover them in a dry record search. So much tantalising history lies beneath the surface of this story. I found some elements confusing at times as the story moves so fast and also because of the number of aliases and marriages; this might have been eased by merging or dropping some minor characters, for example Ruth/Maddy, Dan/Felix. But Percival’s characterisation of some minor characters was spot on; I particularly liked retired schoolteacher Miss Hodge and Neave’s irascible grandmother Gwen.
This is a well-paced genealogical thriller enriched by its Australian and Irish links and demonstrating how the resentment of wrongdoing can persevere across the generations.

Here’s my review of the first in the Esme Quentin series, BLOOD-TIED.

If you like this, try these:-
‘The Seven Deaths of Evelyn Hardcastle’ by Stuart Turton
‘Foxlowe’ by Eleanor Wasserberg
‘The Witchfinder’s Sister’ by Beth Underdown

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview THE INDELIBLE STAIN by Wendy Percival https://wp.me/p5gEM4-3xs via @SandraDanby