Tag Archives: book review

#BookReview ‘All Among the Barley’ by Melissa Harrison #nature

All Among the Barley by Melissa Harrison is set in a small world, the world of Wych Farm and the village of Elmbourne, in the inter-war years. The story is introduced by Edith June Mather, now an old lady, and transitions into the story of one summer when she was a teenager. Hanging over the first few pages is an unspoken warning that events so long in the past can be forgotten or recalled in error and that Edith may not be a reliable storyteller. Melissa HarrisonBut All Among the Barley  is more than a coming-of-age tale; it is a story of society adapting to change, a story which resonates today. It is 1933 in East Anglia and Edie Mather is thirteen years old, a clever well-read child who longs to fit in. She lives on the family farm where hardship is an everyday fact. Edie, balancing between childhood and womanhood, is unsure of what she should do with her life, unaware she has choices and at times overwhelmed by her seeming lack of power. Superstitions become real to her. This is a book combining the pragmatic facts of daily farm life, the looming presence of anti-semitism and fascism, with teenage volatility, fantasy and a little witchery. Into this tight-knit rural world walks city reporter Connie FitzAllen who is writing about the loss of the old rural ways. Connie becomes a catalyst for change for the whole community, not just Edie, and in ways not at first obvious. Despite initial distrust of strangers, the locals and Edie’s family become used to Connie’s presence and she becomes a stand-in older sister for Edie, dispensing advice and pushing behavioural boundaries.
Writing about nature with as light a hand as the flight of the birds she describes, Harrison combines agricultural change, rural poverty, the rise of anti-semitism, and the changing role of women. The role models available to Edie are her mother, who worked the land in place of men during the Great War but reverted to being a housewife afterwards; her sister Mary, married young and with a baby she is not sure she loves; and Connie, who tells Edie there is life outside Elmbourne. Harvest time approaches and decisions must be made; Edie’s father must sell his crop at the right time to get the best price while Edie, uncertain whose advice to listen to, receives a job offer based in the nearby town. In the heat of summer, reality merges with imagination and Edie loses the ability to judge what is real.
A beautiful and tragic novel flawed only by its slow descriptive pace and a rather sudden ending. I was left with the feeling that perhaps the author tackled too many issues for such a calm, contemplative novel.

If you like this, try:-
‘Ghost Wall’ by Sarah Moss
‘The Call of the Curlew’ by Elizabeth Brooks
‘Elmet’ by Fiona Mozley

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
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#Bookreview ‘Call of the Curlew’ by Elizabeth Brooks #historical #WW2

Call of the Curlew by Elizabeth Brooks has the most fantastic sense of place. It is a haunting, atmospheric read that I didn’t want to put down. Tollbury Marsh is an ever-present character in the story too, quiet, empty, natural and ‘where a body could sink under that earth, slowly and inexorably, like an insect in a pot of glue.’ Elizabeth BrooksAn elderly woman sees a sign she has been awaiting and prepares to take her last walk, across the snowy marshes and into the sea. She imagines the freezing water creeping up her legs, planning how she will use her walking stick, loading her pockets with stones from the garden wall. And then she realises she has the wrong day, it is New Year’s Eve tomorrow, not today and she is a day too early. When a stranger appears, her plans are disrupted and the past must be faced.
Virginia Wrathmell arrives at Salt Winds, a house on the edge of the marshes, as a newly adopted orphan when she is ten. It is New Year’s Eve 1939. Her new parents, Clem and Lorna, seem ill at ease together and Virginia watches them from the banisters, trying to understand the adult tension which dominates the house. When a neighbour visits, Virginia takes an instant dislike to the way Max Deering’s eyes linger on her and this first impression of him does not improve as the weeks pass. The catalyst for change comes when a German fighter plane crashes on the marshes and Clem sets out with rope and torch to help. The wartime story is spliced with Virginia in 2015, her plans to wade into the marshes on hold. Slowly the mystery is unveiled; of what happened in the war that left such a lasting mark on Virginia so many decades later.
This is the first novel by Brooks that I have read. She writes with a poetic description that is engaging, particularly when describing the marshes and the natural world. ‘The stars were starting to poke through the sky, like silver pins through lilac silk.’ But she also writes with an eye to mystery and is adept at tantalising the reader. This is not a thriller, I hesitate to call it a mystery because the pacing is not intense. Rather this is an elegiac read about a delicate new family in wartime facing situations that would split apart the strongest of people.
Excellent.

If you like this, try:-
Shelter’ by Sarah Franklin
Life After Life’ by Kate Atkinson
The Good People’ by Hannah Kent

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview CALL OF THE CURLEW by Elizabeth Brooks https://wp.me/p5gEM4-3y2 via @SandraDanby

#BookReview ‘The Seven Sisters’ by Lucinda Riley #romance

In its scope, The Seven Sisters by Lucinda Riley reminds me of Eighties family mega-stories, paperbacks as thick as doorstops. This is the first in a series; the first five are already published. I recommend suspending your ‘instinct for the literal’ and throwing yourself into the world of the book. Some of the story set-up seems unrealistic – unbelievable wealth, mysterious father, beautiful adopted sisters – this is not a normal world. But I quickly became caught up in the historical story. Lucinda RileyPa Salt has died suddenly; he is the fabulously wealthy, secretive, reclusive adoptive father to six sisters whose origins are a mystery. Only when he has gone do they realise they should have asked him for information. Each of the sisters is given a clue and a letter. Also in the envelope is a triangular-shaped tile. The Seven Sisters is the story of the eldest D’Aplièse sister. Maia’s clue is a map reference that takes her to a crumbling mansion in Rio de Janeiro in Brazil where she meets an enigmatic elderly woman.
The book came alive for me with the story, eighty years earlier, of Izabela Rosa Bonifacio. Izabela, daughter of a nouveau riche coffee merchant in Rio, is facing an arranged marriage. Desperate to see more of the world before she settles down to a stifling life of marriage to a husband she doesn’t love, she persuades her father and fiancé to allow her to travel to Paris with her friend, Maria Elisa, daughter of architect Heitor da Silva Costa. This section of the novel enthralled me; the design and sculpting of the Cristo sculpture for the top of the Corvocado mountain, all based on historical fact.
I connected with Izabela in a way I didn’t with Maia. Maia uncovers the story of Izabela with the help of Brazilian author Floriano Quintelas, whose latest novel Maia has translated into French. In the course of her research, Maia must face the shadows of her own past, her regrets and shame, in order to move on. I enjoyed Izabela’s story but at the back of my mind I queried its relevance to Maia; Izabela was too old be her mother. I missed a direct connection to Maia and this frequently took me out of the world of the story.
That connection does come but as the story finished I was left with almost as many questions as at the beginning. The last chapter is devoted to the second sister, Ally, with new mysteries for the second book in the series.

Read my reviews of some of the other novels in Lucinda Riley’s ‘Seven Sisters’ series:-
THE STORM SISTER #2SEVENSISTERS
THE SHADOW SISTER #3SEVENSISTERS
THE PEARL SISTER #4SEVENSISTERS
THE MOON SISTER #5SEVENSISTERS
THE SUN SISTER #6SEVENSISTERS
THE MISSING SISTER #7SEVENSISTERS

… plus my reviews of these standalone novels, also by Lucinda Riley:-
THE BUTTERFLY ROOM
THE GIRL ON THE CLIFF
THE LOVE LETTER

If you like this, try:-
‘The Ship’ by Antonia Honeywell
‘Yuki Chan in Bronte Country’ by Mick Jackson
‘The Sapphire Widow’ by Dinah Jefferies 

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview THE SEVEN SISTERS by Lucinda Riley https://wp.me/p5gEM4-3IB via @SandraDanby

#BookReview ’Ghost Wall’ by Sarah Moss #contemporary #mystery

Ghost Wall by Sarah Moss is a beautifully written short novel, more a novella at 160 pages. Set in the Nineties it is the story of a re-enactment conducted by a family and a university professor and his students who live in the woods in Northumberland to recreate the lifestyle of Iron Age man. Class issues run throughout; accent, education, north/south, but it is also a time of changes embodied in the character and changing sensibilities of seventeen year old Silvie. Sarah MossTold completely through the viewpoint of Silvie it juxtaposes the harsh Iron Age life with her own upbringing by authoritarian self-taught father Bill and bland mother Alison who has surrendered to her husband’s will, with the life of the Iron Age bog people. In almost a closed room setting more familiar from crime fiction, the group is thrown into close proximity living in difficult conditions with minimal food. As the story progresses the group becomes divided. The two adult men disappear to work on their ‘projects’ while Silvie’s mum stays in camp to cook and sit around. This leaves the students to their own devices to forage, harvest mussels and skinny dip. It is a haunting story as Silvie tries to mollify her father, who demands exacting behaviour and manners, while student Molly struggles to understand Silvie’s subservience. Tensions grow as Molly encourages Silvie to defy her father. Bill is a traditionalist, he admires Britain’s distant past as a preferred alternative to the modern world.
Ghost Wall is a creeping tale as your nerves tauten waiting for Silvie to be in trouble again, at times I wished for more about her parallel Bog girl. There are clever moments of relief such as the girls’ visit to the local Spar shop for cake and ice cream to relieve the tedium of gruel and rabbit. I was left with the feeling that Moss tried to shoehorn too many issues into a small space – class, male chauvinism, racism, idealism, sexuality, even Brexit, so I was left feeling she had a list of things to mention.
This is an unusual novel, beautifully written. A chilling read. Tense, but not a thriller. The climax when it happens is over quickly and I was left wanting more; the last page came as a surprise and I felt rather disappointed.
CLICK HERE TO READ MORE ABOUT THIS BOOK AT AMAZON

And here’s my review of another novel by Sarah Moss:-
SUMMERWATER

If you like this, try:-
‘Elmet’ by Fiona Mozley
‘The Good People’ by Hannah Kent
‘The Western Wind’ by Samantha Harvey

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview GHOST WALL by Sarah Moss https://wp.me/p5gEM4-3As via @SandraDanby

#BookReview ‘Fatal Inheritance’ by Rachel Rhys #romance #glamour

Fatal Inheritance by Rachel Rhys is a mystery set in the South of France three years after the end of World War Two. This is a glamorous place of sun and colours and beauty but which hides wartime shade and recriminations, canker beneath the luxury and smiles. Rachel RhysWhen Eve Forrester receives a solicitor’s letter promising ‘something to her advantage’, she leaves her husband in England and travels to Cap d’Antibes. Clifford disapproves of her journey, he thinks it inappropriate, a waste of time, doubts the veracity of the will of this mysterious Mr Guy Lester who Eve does not know. But Eve defies her husband and goes anyway, curious, listening to the inner voice which tells her there is more to life. This is a novel where you want to shout to the heroine, to encourage her onwards, to have strength to take a new path.
Eve inherits a part-share in the Villa La Perle at Cap d’Antibes, near neighbours are the Duke and Duchess of Windsor. Eve, in her ‘make do and mend’ clothing, is thrown into a glamorous social whirl of people she finds awkward, dismissive and arrogant. Rhys draws a layered picture of society where obvious wealth may hide troubled finances, make up and lipstick covers bruises, and smiles hide venom. It is a place where the locals avoid people and businesses which ‘helped’ the German occupiers, where memories of the war are fresh. In the middle of this, Eve struggles to understand her inheritance while delaying Guy Lester’s family from signing papers to sell the villa. And all the time, Eve wonders what Clifford is doing at home, knowing he disapproves of her being there, knowing he worries about the cost.
An entertaining novel in a beautiful, flawed setting – neatly mirroring the flawed people – not quite suspense, not quite a romance in the conventional sense. Rhys writes about women particularly well, not just Eve but the housekeeper Mrs Finch, actress Gloria Hayes, and fellow tourist Ruth Collett. I liked Eve, disliked her husband, and chuckled when the ‘love interest’ switched between surly to over-attentive. If I have one query, it is the solution to the mystery which comes rather out of left-field and left me feeling a little cheated. The ending, though, is unbelievably poignant. A great beach read.

And here’s my review of MURDER UNDER THE TUSCAN SUN, also by Rachel Rhys

If you like this, try:-
‘The Night Child’ by Anna Quinn
‘The Audacious Mendacity of Lily Green’ by Shelley Weiner
‘The Paying Guests’ by Sarah Waters

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview FATAL INHERITANCE by Rachel Rhys https://wp.me/p5gEM4-3qA via @SandraDanby

My Porridge & Cream read: @janedavisauthor #books #literaryfiction

Today I’m delighted to welcome novelist Jane Davis. Her ‘Porridge & Cream’ read is The Prince of Tides by Pat Conroy.

“My list of favourite novels may change, but it is always topped by Pat Conroy’s, The Prince of Tides. Ignore the terrible film version – the book has everything. Family secrets, flawed characters, a doomed love affair.

“I read it for the first time many years before I contemplated writing, but it was books like this (and here I include the novels of John Irving and Michael Chabon) that must have sowed the seed.

“The first thing to say is that my choice is not your typical comfort read. The quote ‘We read to know that we are not alone’ is attributed to at least three different people. Perhaps that’s because it’s a universal truth. I find myself drawn to books about misfits and underdogs. (My latest ‘new favourite book’, Leonard and Hungry Paul by Ronan Hession, considers how gentle people survive in a world that is fast-paced and competitive.)

Jane DavisThe Prince of Tides has the power to transport the reader from the very first line.

My wound is geography. It is also my anchorage, my point of call.

“We know immediately that it is a novel about place. In fact, it’s a story where the setting is key. What unfolds in this epic and multi-layered family saga couldn’t have happened anywhere else. We know that a man is torn. Place is part of the narrator. It’s impossible for him to separate himself from it, and his family is part of its history. He is damaged, and it pains him to remain, but he cannot tear himself away.

I grew up slowly beside the tides and marshes of Colleton.

“To me, those lines are hypnotic. They seem to be saying, ‘Breathe. Pace yourself.’ Trust is established – or lost – so quickly. I can hear the narrator’s voice. He’s speaking directly to me. I don’t yet know the name Tom Wingo, but already I’m committed to accompanying him wherever his journey takes him. It is that simple.

“Because the story is told partly through conversations with Tom’s sister’s Savannah’s psychiatrist, it’s a story in which cause and effect is very much in evidence. In order to save his sister, Tom must break the promise that his mother extracted from her three children: never to reveal what happened on the island that night a man they refer to as “Callanwolde” escaped from prison. The call to action happens at a point when Tom has just learned that his wife is having an affair with a colleague, and so we meet him at what is already a low ebb. This may be a challenging read, but it’s also a story of survival, healing, honour and redemption. There is a sense that order is restored, and that is where the ‘comfort’ comes from.

“Odd though it may seem, I have never read another book by Pat Conroy. The Prince of Tides is so perfect, I’d be afraid of being disappointed. Instead, I return to it time and time again and never fail to uncover something that I’ve missed.”
Amazon UK

Jane Davis’s Bio
After her first novel Half-Truths and White Lies won an award established to find ‘the next Joanne Harris’, it took Jane a little while to work out that all she really wanted to be was a slightly shinier version of herself. Seven further novels followed, which straddle contemporary, historical, literary and women’s fiction genres, and have earned her comparisons to authors such as Kate Atkinson, Maggie O’Farrell and Jodi Picoult. Jane’s favourite description of fiction is ‘made-up truth’.

Jane Davis’s links
Website
Facebook 
Twitter
Pinterest
Get a FREE copy of her time-slip, photography-themed eBook, I Stopped Time, when you sign up to her mailing list

Jane Davis’s latest book
Jane DavisIt has taken conviction to right the wrongs.
It will take courage to learn how to live again.
For the families of the victims of the St Botolph and Old Billingsgate disaster, the undoing of a miscarriage of justice should be a cause for rejoicing. For more than thirteen years, the search for truth has eaten up everything. Marriages, families, health, careers and finances.

Finally, the coroner has ruled that the crowd did not contribute to their own deaths. Finally, now that lies have been unravelled and hypocrisies exposed, they can all get back to their lives.

If only it were that simple.
Amazon UK

What is a ‘Porridge & Cream’ book? It’s the book you turn to when you need a familiar read, when you are tired, ill, or out-of-sorts, where you know the story and love it. Where reading it is like slipping on your oldest, scruffiest slippers after walking for miles. Where does the name ‘Porridge & Cream’ come from? Cat Deerborn is a character in Susan Hill’s ‘Simon Serrailler’ detective series. Cat is a hard-worked GP, a widow with two children and she struggles from day-to-day. One night, after a particularly difficult day, she needs something familiar to read. From her bookshelf she selects ‘Love in A Cold Climate’ by Nancy Mitford. Do you have a favourite read which you return to again and again? If so, please send me a message.

Discover the ‘Porridge & Cream’ books of these authors:-
Rob V Biggs loves ‘Wind in the Willows’ by Kenneth Grahame
Linda Huber loves ‘A Cry in the Night’ by Mary Higgins Clark
Sue Moorcroft loves ‘A Town Like Alice’ by Nevil Shute

 And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
Why does author @janedavisauthor re-read A PRINCE OF TIDES by PAT CONROY? #books https://wp.me/p5gEM4-3Br via @SandraDanby

#Book review ‘The Turn of Midnight’ by Minette Walters #historical

You just know when the book you’ve just started reading is going to be 5*. For me, not many are. I read lots of good 3* and 4* books. I reserve 5* sparingly for the special ones. The Turn of Midnight by Minette Walters is one of those. It ticks so many boxes. Thriller, history, surprises, great characters and a tantalising bit of love from afar; Walters is a master storyteller. Minette Walters This is a story of a grim period in British history. The Black Death. Medieval England. Gruesome detail, and yet I stayed up late to finish it. Why, because she makes me love the characters and manages that delicate balancing act of giving me just enough historical detail to be interesting but not too much that it becomes tedious.
The Turn of Midnight is the sequel to The Last Hours which tells the story of the Black Death and its impact on the small Dorsetshire demesne of Develish. After the death of her husband from the plague his widow Lady Anne quarantines the demesne, introduces cleanliness routines and organises her healthy family, servants and serfs into a self-supporting and mutually-respectful society; unheard of in 1348. Woven into this story of survival is a romantic thread as Lady Anne and Thaddeus Thirkell, an illegitimate serf born on the demesne who Lady Anne has educated over the years to a standard of education greater than anyone else in the community excepting herself. Where The Last Hours is something of a closed room story with a tight-knit cast of characters and one location, The Turn of Midnight sees Thaddeus and a group of young men venture out into Dorsetshire to assess the dangers of the plague and the survival of other villages. When they return with a story of death, desertion and dereliction, a plan is formed to buy the neighbouring demesne of Pedle Hinton and so provide a home and farmland for the Develish citizens, the number of which has grown with the number of healthy wanderers they have adopted. But outside the demesne moat there are many enemies: bandits thieving and preying on the vulnerable, Norman soldiers who hate the English serfs, English serfs who hate anyone Norman, and corrupt priests, stewards and lords who swear they are acting in the name of God.
The plan is risky. Lady Anne and Thaddeus know that, although not robbing living people, they are taking possessions and gold which is not rightly theirs. It culminates in a struggle of religion, power and prejudice. Will common sense and the right of the people triumph? Whilst Lady Anne fights a battle against prejudice of her sex where she is better educated than the men who accuse her, Thaddeus similarly fights against prejudice of his worker roots and foreign tall dark physique.
Walters lives in Dorset and this shows in her sweeping creation of medieval Dorsetshire, she writes of the countryside, nature and the seasons with such surety you know she knows it well. This is a story of the first breaths of social mobility in a time of class hierarchy that prevented starving serfs from eating food meant for their lords, even though those lords are dead or have fled. Lady Anne’s common sense approach brings survival, health, basic education and hope for the future.
Excellent.

Read my reviews of two other historical novels by Minette Walters:-
THE LAST HOURS #1BLACKDEATH
THE PLAYERS
THE SWIFT AND THE HARRIER

If you like this, try:-
The French Lesson’ by Hallie Rubenhold
The Ashes of London’ by Andrew Taylor
Foxlowe’ by Eleanor Wasserberg

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview THE TURN OF MIDNIGHT by Minette Walters https://wp.me/p5gEM4-3xR via @SandraDanby

#Bookreview ‘The Marriage Plot’ by Jeffrey Eugenides #romance

The title of this, the third novel by Pulitzer Prize-winning author Jeffrey Eugenides, refers to the entanglements of three students and the plotting of Victorian romance novels. The Marriage Plot tells of the romantic, sexual, philosophical, religious and literary coming togethers/going aparts of a literature student Madeleine Hanna, scientist Leonard Bankhead and theology student Mitchell Grammaticus at Brown University in 1982 America. Jeffrey EugenidesIt is a tale of youthful assumptions, experimentations, dreams and disappointments. Perhaps it is a tale which will strike a chord with people of the same age as Madeleine, Leonard and Mitchell, rather than those who are older.
None of the three main characters are particularly likeable and at times the book gets bogged down in literary theory, philosophy, science and religious theory. Leonard is brilliant but a manic depressive, something which colours the entire book. The portrayal of his illness is convincing and shows the knife edge of pharmaceutical dosage needed to maintain a healthy mental balance. Leonard yo-yo’s back and forth, coping and not coping, at times allowing his manic tendencies to win. Madeleine accuses him of liking being depressed all the time. Mitchell is the idealistic one who goes to India to work for Mother Theresa’s Calcutta hospice and confronts some unpalatable truths. In comparison, Madeleine seems rather spoiled. Both men dote on her however and this is the spine which holds the story together: who will Madeleine finally choose?
Eugenides describes mundane things so beautifully. “Outside, the temperature, which had remained cold through March, had shot up into the fifties. The resulting thaw was alarming in its suddenness, drainpipes and gutters dripping, sidewalks puddling, streets flooded, a constant sound of water rushing downhill.” Simple writing at its best. But at other times the writing feels manic and not just in Leonard’s sections. There is an authorial indulgence with many clever asides from the plot and characters. I soon learned to read these parts slightly out-of-focus, not worrying for example that I didn’t grasp Leonard’s sections on yeast or Mitchell’s constant references to Something Beautiful for God, Malcolm Muggeridge’s book about Mother Theresa. The last third of the book passed much quicker than the first two.
The Marriage Plot is ambitious, as Middlesex was, and rightly so, but is perhaps the inevitable ‘difficult’ book after such a huge success. This will not deter me from reading Eugenides again.

Click the title to read the first paragraph of MIDDLESEX, also by Jeffrey Eugenides.

If you like this, try these:-
‘If I Knew You Were Going to Be This Beautiful, I Never Would Have Let You Go’ by Judy Chicurel
‘A Sudden Light’ by Garth Stein
‘Barkskins’ by Annie Proulx

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview THE MARRIAGE PLOT by Jeffrey Eugenides via @SandraDanby http://wp.me/p5gEM4-2yP

#BookReview The Indelible Stain by Wendy Percival #genealogy #mystery

When the key character of a novel goes on holiday or visits a picturesque place, you know something is going to happen. Genealogist Esme Quentin in The Indelible Stain by Wendy Percival goes to Devon to help a friend archive the records of a local charity for underprivileged children. Second in the Esme Quentin genealogical mysteries, this is an enjoyable story of convict history set in a beautiful Devon location. But beneath that beauty lurk fraud, lies and revenge. Hatred and bitterness reach from the past to the current day. Wendy PercivalUp early on her first morning, Esme takes a walk on the wild beach and finds a body. The woman, just alive, seems to have fallen from the cliffs. Her last words, spoken to Esme, are key to the mystery which follows. “I lied,” she says. Beside her body is an old sepia photograph. The police don’t take seriously Esme’s concerns that the woman’s last words combined with the mystery photograph indicate foul play, so Esme decides to identify the family in the photograph.
Meanwhile, Neave Shaw is worrying about her mother who has disappeared after sending a confused, possibly drunken, email. Worried and not understanding her grandmother’s dismissive attitude to Bella’s disappearance, Neave presses for answers but is interrupted by a knock on the door. It is the police. Neave arrives in Warren Quay and asks Esme for help in understanding why her mother died. Esme quickly puts a name to one of the people in the sepia photograph: Sarah Baker, a thief who was transported as a convict in 1837. Sarah’s story adds a fascinating layer of history to this whodunnit and whydunnit mystery. But what is Sarah’s link to Neave’s dead mother? And did Bella fall or was she pushed? Esme’s research into Sarah’s convict history is helped by the presence of the Mary Ann, a restored nineteenth-century sailing ship with an on-board museum about the history of convict transportation.
The last few pages move at top speed as Esme discovers hidden identities and double-crossings and races to find Neave to warn her of danger. She knows that whoever killed Bella to protect the secret will not hesitate to kill again. I would have liked to read more about Sarah Baker’s journey on a convict ship to Australia and her life there, showing some of the facts rather than having Esme discover them in a dry record search. So much tantalising history lies beneath the surface of this story. I found some elements confusing at times as the story moves so fast and also because of the number of aliases and marriages; this might have been eased by merging or dropping some minor characters, for example Ruth/Maddy, Dan/Felix. But Percival’s characterisation of some minor characters was spot on; I particularly liked retired schoolteacher Miss Hodge and Neave’s irascible grandmother Gwen.
This is a well-paced genealogical thriller enriched by its Australian and Irish links and demonstrating how the resentment of wrongdoing can persevere across the generations.

Here’s my review of the first in the Esme Quentin series, BLOOD-TIED.

If you like this, try these:-
The Seven Deaths of Evelyn Hardcastle’ by Stuart Turton
Foxlowe’ by Eleanor Wasserberg
‘The Witchfinder’s Sister’ by Beth Underdown

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview THE INDELIBLE STAIN by Wendy Percival https://wp.me/p5gEM4-3xs via @SandraDanby

#BookReview ‘The Silence of the Girls’ by Pat Barker #historical #myths

What a tumult of emotions this book unleashes. The Silence of the Girls by Pat Barker is a re-telling of the Trojan War from the viewpoint of Briseis, a captured Trojan queen who is enslaved in the Greek camp and claimed by Achilles as a prize of war. No matter that he killed her husband and brothers; that was the way things worked. Women were chattels without a voice, without feelings. Pat BarkerThis is not a simple retelling of a myth, it is a comment on the danger of male-dominated warfare fuelled by anger, hate and a sense of competition while the women are treated as possessions. The first action of a conquering army was to slaughter all babies and pregnant women, to prevent more males being born which may be future enemies. Barker has long written about war, and about women; now she combines the two with a microscopic focus on Briseis. It is an emotional story, overwhelming at times. Some women adapt, others collapse; some fall in love with their captors. The details of daily life are steeped in realism – the butchering, the piss, the blood – and Barker makes you believe it all.
Structurally, the [albeit, short] sections that didn’t work for me were those told by Achilles. I was disappointed to leave Briseis and resented the intrusion of a male voice. In preference I would have preferred to hear from other women – Hecamede perhaps, Ritsa or Iphis – in the style of Barker’s first novel Union Street where the stories of the women intertwine so by the end of the book you have a full picture.
At the beginning I worried about getting my Homer and classical history references straight, but realised this was taking me away from Briseis’s story. As soon as I stopped trying to remember The Iliad, I became entirely wrapped up in the book. Pat Barker never disappoints. She writes with passion, anger and earthiness about war and is a writer who never shirks from the difficult stuff.
This is the first book in the Women of Troy trilogy.

Read my reviews of other Pat Barker novels:-
THE WOMEN OF TROY #2WOMENOFTROY
LIFE CLASS #1LIFECLASS
TOBY’S ROOM #2LIFECLASS
NOONDAY #3LIFECLASS
ANOTHER WORLD
BLOW YOUR HOUSE DOWN
DOUBLE VISION
UNION STREET

If you like this, try:-
‘The House of Names’ by Colm Tóibín
‘Glorious Exploits’ by Ferdia Lennon
‘White Chrysanthemum’ by Mary Lynn Bracht

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview THE SILENCE OF THE GIRLS by Pat Barker https://wp.me/p5gEM4-3An via @SandraDanby