Tag Archives: histfic

#BookReview ‘The Wolf Den’ by Elodie Harper #historical #Pompeii

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The Wolf Den by Elodie Harper, first in the Wolf Den trilogy, is a visceral portrait of Pompeii, the wealth, the poverty, the luxury, the corruption, the art and culture. Set in a brothel, this is the story of Amara, a young Greek middle class woman sold into slavery and shipped to Italy. Amara’s story, and of her fellow she-wolves, is not pretty but this is such a dynamic tale, foul-smelling, full of abuse and also love and hope. Elodie HarperI loved the female dynamic. The strength and vulnerability of the women who live and work in the wolf den who band together as sisters, loving, bickering, competitive, supportive. But there is also mistrust and rivalry, dissembling about their real backgrounds.
Pompeii is a city of excess where there is everything to gain or lose and with that goes violence, secrecy, feuds, revenge and betrayal. Between the wealthy, between the brothel owners, the sybarites, the money lenders, the organised crime gangs. Through this minefield, the women of the wolf den must step carefully to survive, to find customers, watching each other’s backs, always searching for a man who is kind but at best not violent. It is a city of feast days, each excessive in their own way; Vinalia, the wine festival, and Saturnalia, celebrating agricultural god Saturn, are both key in the timelines of the novel. The Wolf Den is a fascinating glimpse into the life in Pompeii, Harper writes with such visceral clarity, detailing the violence and beauty with equal brightness. The novel is set in AD74, only five years before the eruption of Vesuvius destroys the city.
Negotiating the path to life improvement, one step at a time, Amara’s life is a pendulum, swinging one day good, the next bad. When bad can mean injury, cruelty, murder and good can mean a word of kindness, a gift of a necklace, a day in the brothel when the cruel master is absent. She makes tiny steps in improving her lot, making sacrifices along the way, always with a clear eye on her goal. To become a freewoman. Along the way, she learns compromise, pragmatism and loyalty, but will she find true love to guarantee survival. It’s a cruel and unequal world that Amara must navigate.
I’m so glad I stumbled upon this trilogy, it’s a rollercoaster emotional read.

Here are my reviews of the first two novels in the ‘Wolf Den’ series by Elodie Harper:-
THE HOUSE WITH THE GOLDEN DOOR #2WOLFDEN
THE TEMPLE OF FORTUNA #3WOLFDEN

If you like this, try:-
‘Frog Music’ by Emma Donoghue
‘The Fair Fight’ by Anna Freeman
‘A Dangerous Business’ by Jane Smiley

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview THE WOLF DEN by Elodie Harper https://wp.me/p2ZHJe-736 via @SandraDanby

COMING SOON… THE NEXT BOOK I REVIEW WILL BE:- Angela Petch

#BookReview ‘The Winter Garden’ by Nicola Cornick @NicolaCornick #historical

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A timeslip novel that slips effortlessly between now and 1605, The Winter Garden by Nicola Cornick is an intriguing mixture of the Gunpowder Plot, garden history, archaeology and spookiness. Nicola CornickLucy, recovering from a viral illness that has forced her to give up her career as a professional violinist, is recuperating at Gunpowder Cottage, home of her absent Aunt Verity. Verity has commissioned a garden archaeologist to investigate links to the original house on the land, said to have belonged to Robert Catesby, one of the Gunpowder plotters, and his wife Catherine. Lucy, weak and depressed, is upset to find her bolthole is not as isolated as she expected. But she soon becomes pulled into the mystery of the garden and the story of the Catesbys. When Lucy gets the chills and sees the figure of a woman in a cloak and the outline of a beautiful winter garden full of snow and frost, she’s unsure if she is hallucinating and on medication that doesn’t agree with her. As Finn, the architect, and Johnny his assistant, explain more about their discoveries, Lucy finds herself pulled into the mystery and becomes a researcher of historical documents. More visions, and a dead bouquet left threateningly in her kitchen, add to the tension.
In both time narratives there is personal grief, loss and the togetherness of family and friends. Lucy is in limbo, emotional and full of indecision. Just like Catherine Catesby. Following the clues, Lucy regains her emotional strength as she asks difficult questions, faces opposition and rediscovers her bravery.
In 1605, Anne Catesby must pick up the pieces after the sudden deaths of her husband William, daughter-in-law Catherine and eldest grandson William. Her grieving son Robert, always a flighty, strong-willed boy, leaves his youngest son Robbie with his mother and disappears to London. Anne, already short of money because of fines imposed on Catholic families such as the Catesbys by King James I, struggles to live from day to day. And in the background is Anne’s brooding brother-in-law Thomas Tresham, Robert’s godfather, who is involved in the mysterious Order of the Knights Hospitallers of St John of Jerusalem. There are hints of lost treasure, which may, or may not, be buried in the garden.
I found the clues at times sketchy and unrealistic and the names of the various houses and estates added to this confusion, though Cornick is constrained at times by historical fact.
An unusual story which kept me returning to the book to read more. There’s a particularly strong cast of supporting characters including Lucy’s sister Cleo, Finn the architect with his dog Geoffrey, and brooding siblings Gabriel and Persis. The two timelines melt into each other as the mystery progresses and I didn’t, as is often the case with dual narrative novels, prefer one story to the other. Cornick is a wonderful novelist who tells a good fictional story built on strong historical foundations and doesn’t allow her historical knowledge to bully its way into the reader’s mind.

Read my reviews of these other novels by Nicola Cornick:-
THE FORGOTTEN SISTER
THE FOURTH QUEEN
THE LAST DAUGHTER
THE OTHER GWYN GIRL
THE SECRETS OF THE ROSE

If you like this, try:-
‘Plague Land’ by SD Sykes #1OSWALDDELACY
‘The Lady of the Ravens’ by Joanna Hickson #1QUEENSOFTHETOWER
‘The French Lesson’ by Hallie Rubenhold

And if you’d like to share a link:
#BookReview THE WINTER GARDEN by Nicola Cornick @NicolaCornick https://wp.me/p2ZHJe-6w1 via @SandraDanby

COMING SOON… THE NEXT BOOK I REVIEW WILL BE:- Patricia M Osborne

#BookReview ‘The Night Ship’ by Jess Kidd #historical #Batavia

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The Night Ship by Jess Kidd is a strange compelling story about two orphaned children separated, but connected, by 361 years. Each thinks they see ghosts, learns legends and fights monsters. Both want to be scared, to seek out the unknown. Jess KiddIn 1628, nine-year old Mayken is aboard the magnificent Batavia, one of a fleet of ships heading from Holland to Batavia in Dutch East India (now Indonesia). She travels with her nursemaid Imke. Mayken’s mother has died of ‘the bloody flux’ and she travels to live with her father, a senior executive in the Dutch East India Company. Mayken has never met him but knows he grows red and white roses at his marble mansion, has chestnut stallions and dapple mares.
In 1989 after the death of his mother, nine-year old Gil goes to live with his grandfather who is a fisherman on the remote Beacon Island off the coast of Australia. It’s a stark place. Gil, who has only the vaguest childhood memories of both his grandfather Joss and of Beacon Island, has never known his father.
Both children explore their new surroundings, making adventures in their limited worlds. The warning ‘don’t go there’ or ‘don’t do that’ becomes an invitation to do exactly that. Both are explorers, brave in the face of the unknown, outsiders living in worlds limited in space bounded by the sea. When brutality strikes, how can they escape. Both are haunted by legend and scary stories, both make unlikely allies and enemies. Mayken discards her rich dress and wears breeches to venture below decks and, as ship’s boy Obbe, assumes a new identity. There she makes friends and enemies amongst the soldiers and sailors; these connections are vital later in the story. Gil knows he cannot leave the island without his grandfather’s permission. He finds a friend in his tortoise Enkidu and dresses up in clothes from Granny Ada’s wardrobe. When he finds a boat, inspired by stories about a shipwreck many years ago and the finds by an archaeological team digging on the island, he dreams of escape.
I loved the fond relationship between Mayken and Imke, particularly the recurring question about how Imke lost her fingertips as Mayken’s suggestions get more bizarre and gruesome. This is a welcome distraction from the bizarre and gruesome things that begin to happen aboard. Is someone making mischief, is it simply sailor’s superstitions or is there a monster aboard? Gil struggles to connect with his silent, brusque grandfather, and becomes the target of the island’s bullies. Each storyline is told only from the child’s viewpoint. Are Mayken and Gil to be trusted as reliable witnesses or has the real world become lost in their imaginations.
The Night Ship is based on the real seventeenth-century story of the voyage, shipwreck and mutiny aboard the treasure-laden ship Batavia. The fictional accounts of Mayken’s life aboard ship and then on the island they call Batavia’s Graveyard and Gil’s life on Beacon Island, the same place, explore community within and the social breakdown of small groups of people.
Slowly, slowly, this story grew on me. First, it seemed simply strange. But then the echoes in the lives of the two children begin to build and I wanted to know their endings. Beautifully-written and born from a wild imagination. This is the third book by Jess Kidd that I’ve read, each so different and impossible to predict. Sometimes a difficult read, this is also a hopeful, magical story with ultimately a positive message about the resilience of human love and kindness in the face of violence, evil and exploitation.

Read my reviews of two other novels by Jess Kidd:-
HIMSELF
THE HOARDER

If you like this, try:-
‘Dangerous Women’ by Hope Adams
‘The Ship’ by Antonia Honeywell
‘Devotion’ by Hannah Kent

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview THE NIGHT SHIP by Jess Kidd https://wp.me/p2ZHJe-5Tw via @SandraDanby

COMING SOON… THE NEXT BOOK I REVIEW WILL BE:- Dinah Jefferies

#BookReview ‘Shrines of Gaiety’ by Kate Atkinson #historical

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Shrines of Gaiety by Kate Atkinson is a sparkling portrayal of London in the 1920s, a heady mixture of madly-themed nightclubs, teenage runaways and the Bright Young Things. It is 1926 and the generation most damaged by the War to End All Wars is dancing to forget. But 1920s London is not as glittering it seems. Though the nightclubs sparkle by night, they are dank and dowdy in daylight. London has a dark, dangerous underbelly. Kate AtkinsonWhen veteran gangland boss Ma Coker is released from Holloway prison, a train of events is set in place. Her six children jostle for her attention, approval and power. The police at Bow Street station are either in her pay or are trying to convict her. Meanwhile, others are plotting the takeover of her rich kingdom – the five nightclubs the Amethyst, the Sphinx, the Crystal Cup, the Pixie and the Foxhole. Each is carefully targetted at specific clientele, each is managed by one of her five eldest children. The Amethyst is the jewel in the crown but Nellie, post-prison, is acting oddly and has taken to sitting alone in the immaculate, unoccupied, pink-decorated flat above the Cup. Is she losing it?
Two young women arrive in the closed world of the Coker family and will change things forever. Fourteen-year-old Freda Murgatroyd has run away from York with her bovine friend Florence, desperate to dance on the stage in London. Gwendolen Kelling, a former librarian and also from York, follows them to London with the aim of returning them to their families. Though Gwendolen’s tweed skirt and plain cardigan may suggest timidity, she is not what she seems.
What a wonderful read this is, this hybrid part-historical, part-literary, part-mystery novel. Atkinson juggles a huge cast and given this it takes a while to settle into the story, but as the pages turn the parties become more hysterical and people begin to die. There are three main viewpoints – Nellie Coker, Gwendolen and Freda – supplemented by Inspector John Frobisher and Nellie’s three eldest children Edith, Niven and Ramsay. But always Atkinson reminds us of the dark side. The Bright Young Things dazzle at the beginning of the evening in beautiful extravagant costumes, but their syringes and drugs become visible at twilight. Meanwhile, Nellie seems to be losing her iron grip on the clubs. When Gwendolen is recruited by Frobisher to visit the Amethyst undercover one night, with a policeman as her dance partner, things spin out of control. There is no sign of Flora or Florence, Gwendolen’s dance partner disappears, a fight breaks out and her beautiful dress from Liberty is covered in blood. The identity of her saviour is unexpected.
The story has been described as Dickensian and I can see why. Atkinson never wastes a sentence and, with a sure hand, she directs this complicated plot full of richly-drawn characters, criminal gangs, two-faced policemen and blotto partygoers. The historical detail stretches from the richest to the poorest, plus there’s a touch of romance and plenty of wry and witty anecdotes to make you chuckle. Some of the minor characters are classics to delight in, particularly Vanda and Duncan aka The Knits.
Excellent.

Click the title to read my reviews of these other books by Kate Atkinson:-
A GOD IN RUINS
BIG SKY #5JACKSONBRODIE
DEATH AT THE SIGN OF THE ROOK #6JACKSONBRODIE
LIFE AFTER LIFE
NORMAL RULES DON’T APPLY
OUR NOBLE SELVES
TRANSCRIPTION
… and try the #FirstPara of EMOTIONALLY WEIRD

If you like this, try:-
‘Fatal Inheritance’ by Rachel Rhys
‘Freya’ by Anthony Quinn
‘The Light Years’ by Elizabeth Jane Howard #1CAZALET

And if you’d like to share a link:
#BookReview SHRINES OF GAIETY by Kate Atkinson https://wp.me/p5gEM4-5PO via @SandraDanby

#BookReview ‘Sacrilege’ by SJ Parris @thestephmerritt #historical #crime

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Everywhere he goes in the England of Queen Elizabeth I, Italian philosopher Giordano Bruno runs into trouble. In Sacrilege, third in this quickly-becoming-addictive series by SJ Parris, Bruno is in Canterbury to help an old friend prove her innocence of murder. And to spy for his master, Sir Francis Walsingham. SJ ParrisWhen the woman he loved in the first book of the series asks for his help, Bruno risks the wrath of Walsingham and heads to Canterbury. Set in turbulent political times, the various historical plots are twisted and complicated. Weary at Bruno’s determination to pursue what he believes is a lost cause, Walsingham charges him with identifying a traitor in the cathedral administration in Canterbury. Parris weaves a fictional plan by Catholics in Britain and France to use the ‘discovered’ bones of Thomas Becket to anoint a new Catholic king when France should invade England. The labyrinthine politics and geography of the inner sanctums of Canterbury cathedral add to the tension. The scenes in the crypt are thrilling as Bruno again and again takes huge risks to discover the truth. When he is charged with murder and a fabricated charge of theft, he realises his contacts at the royal court in London are too far away to help.
Bruno is a foreigner in England, a country where a strange accent and tanned skin make him an instant threat, his guilt automatically assumed. Parris populates her Canterbury with a collection of believable fictional characters, conflicted people who must sometimes take a wrong decision in order to survive or protect a loved one. Throw in an odious servant, a persecuted family of Huguenot weavers, a tremulous canon who has spied for Walsingham but missed some big hints of trouble and an independently-minded young woman not afraid to tell the truth as she sees it.
At times the pace slows to walking speed but turn a page and another chase begins or clue arrives. When the twist arrived at the end I was surprised, then realised I had known all along. Surely a satisfactory conclusion?

Read my reviews of other books in this series:-
HERESY #1GIORDANOBRUNO
PROPHECY #2GIORDANOBRUNO
TREACHERY #4GIORDANOBRUNO
CONSPIRACY #5GIORDANOBRUNO
EXECUTION #6GIORDANOBRUNO
ALCHEMY #7GIORDANOBRUNO

If you like this, try:-
‘The Diabolical Bones’ by Bella Ellis #2BRONTEMYSTERIES
‘Lord John and the Private Matter’ by Diana Gabaldon
‘Or the Bull Kills You’ by Jason Webster #1MAXCAMARA

And if you’d like to share a link:
#BookReview SACRILEGE by SJ Parris @thestephmerritt https://wp.me/p5gEM4-5CC via @SandraDanby

#BookReview ‘Plague Land’ by SD Sykes #historical #plague #histfic

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I’ve realised that when I start reading the first book in new series, I should have different expectations. It will not be a standalone novel so there will be continuing threads, unanswered questions and seemingly unrelated sub-plots which all come good in later books. In other words, I wear my ‘be patient’ hat. Plague Land by SD Sykes is first in the historical mystery Oswald de Lacy series. Set in 1350 in countryside ravaged by the plague, teenager Oswald reluctantly finds himself called home from the monastery to be lord of the manor. For almost the whole of the book, he is out of control of events. SD Sykes

This is a historical mystery with an uncertain, inexperienced young lord at its centre. Oswald’s mother and sister are rude to him, the locals simply ignore him, his servants show a lack of respect. A neighbouring lord and the local churchman see him as easy to manipulate and when he is new to his role, Oswald agrees with them. He longs to return to the monastery with his mentor, Father Peter, who returned to Somershill Manor with Oswald. Sykes does a good job portraying a young adult trying to occupy a mature man’s role. What drives him on is an incurable determination to find the truth and an endearing bravery which makes him ask awkward questions and takes him to places he probably shouldn’t be.
When one young woman from the village, then another, are killed in mysterious circumstances, Oswald doesn’t so much lose control of the situation as never hold control in the first place. Rumours of dog-headed monsters rip through the community despite Oswald’s attempts to engage the villagers in logical analysis. Superstition, fear and myth abound in a countryside empty of people; understandable following the horror of death, disease and poverty of the plague.
Many people are not how or who they seem and Oswald learns the hard way not to take appearances or counsel for granted. His questioning of everything and everyone inevitably leads to conflict, and conflict is the beating heart of fiction.
I connected more with Oswald as the story progressed and he was less naive, and now anticipate reading the rest of the series.

Here are my reviews of other books in this series:-
THE BUTCHER BIRD #2OSWALDDELACY
CITY OF MASKS #3OSWALDDELACY
THE BONE FIRE #4OSWALDDELACY
THE GOOD DEATH #5OSWALDDELACY

If you like this, try:-
‘The Almanack’ by Martine Bailey #1TABITHAHART
‘Winter Pilgrims’ by Toby Clements #1KINGMAKER
‘Gone are the Leaves’ by Anne Donovan

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview PLAGUE LAND by SD Sykes https://wp.me/p5gEM4-5nv via @SandraDanby

#BookReview ‘The Heiress’ by Molly Greeley @MollyJGreeley #historical #romance

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An intriguing premise for this second novel by Molly Greeley which re-imagines the story of a minor character in Jane Austen’s Pride and Prejudice. In The Clergyman’s Wife it was Charlotte Collins, in The Heiress it’s the turn of Anne de Bourgh. Molly GreeleyWell-written in a slightly modernised style of Austen, it is easy to slip into the head of Lady Catherine de Bourgh’s sickly daughter who at first sight seems an unpromising protagonist. But keep reading. Greeley starts with the birth of a daughter to a young married couple. In order for this book to work you have to both forget Austen’s portrayal of Anne, to sink yourself into the life of this delicate child, but also to remember the original. That is the path to enjoying the asides, thoughts and occasionally darting but puzzling urges that Anne experiences growing up. Scenes I looked forward to, critical in Pride and Prejudice, were skirted over here in favour of new material. Familiar characters occur, some more importantly than others – Darcy, Colonel Fitzwilliam, Mr Collins – but this is 100% Anne’s story.
Sickly from birth, Anne is dosed twice daily with laudanum drops. She is protected from exertion, emotions and unspecified dangers of the outside. Playing the piano is too strenuous, novels and poetry too emotional. Then when she is twelve after an unsuccessful treatment of sea bathing, Anne’s life change when a governess arrives. This is not yet the nodding Mrs Jenkinson from Austen but Miss Hall, a young woman determined to teach her unschooled young pupil what she needs to know to be the future mistress of Pemberley and Rosings.
This is a story of laudanum addiction, the tentacles of the drug’s control preventing any small rebellion by Anne, any protestation that she feels healthy before her curative drops are administered and only weak afterwards. Cocooned from emotion, her true personality smothered, Anne lives at a distance from those closest to her. An article in a newspaper is to be the catalyst for change. But change of any kind takes immense courage, needing a confrontation with her controlling mother. Greeley gives Lady Catherine a moment of redemption though as we, and Anne, catch a glint of history that explains the elderly woman portrayed by Austen and challenged so gleefully by Lizzie Bennet.
For Anne to fulfill Miss Hall’s objective of being a fit mistress of the estate of Rosings, she must do more than break free of drugs. She must discover the truth of who she is.
A fascinating exploration of one woman’s search for freedom in a time of female subjugation to men, when females were labelled as delicate with little diagnosis or review, when many women were unable to live alone or manage their own inheritance. At times surprising, the detail of The Heiress is Austen-like but the emotions are of the twenty-first century.

Click here to read my review of THE CLERGYMAN’S WIFE, also by Molly Greeley.

If you like this, try:-
‘Cecily’ by Annie Garthwaite
‘The Cottingley Secret’ by Hazel Gaynor
‘The Almanack’ by Martine Bailey

And if you’d like to share a link:
#BookReview THE HEIRESS by Molly Greeley @MollyJGreeley https://wp.me/p5gEM4-5l4 via @SandraDanby

#BookReview ‘The Forgotten Sister’ by Nicola Cornick @NicolaCornick #historical #Tudor

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The Forgotten Sister by Nicola Cornick is a retelling of the Tudor love triangle of Queen Elizabeth I, Robert Dudley and Dudley’s wife Amy Robsart. The death of Amy has intrigued historians for centuries: did she fall downstairs, or was she pushed? Did her husband arrange her murder so he could marry the queen? Tudor history is mashed together with time travel and all kinds of mystical goings-on. Nicola CornickCornick has fun with her explanation of events, telling the story in dual timelines and mirroring Tudor characters with a contemporary circle of celebrities. At first, I found this irritating and was diverted from the story by trying to match up modern personalities with their Tudor equivalent. But when I stopped doing that, I sank into this easy-to-read story which I read over a weekend.
Lizzie Kingdom is a television personality with a clean-cut image. Her best friend is Dudley Lester, wild boy and former boy band member of Call Back Summer. When Dudley’s wife Amelia falls down the stairs to her death at their country house, Oakhanger Hall, Lizzie is suspected of having an affair with Dudley. Her ‘good girl’ image is in tatters and the press is hunting her. Lizzie’s story races along, she quickly discards her sycophantic group of followers and retreats to a country house she inherited but has rarely visited. And there we start to understand the mystical ability which Lizzie possesses connecting her with events in the past simply by touching an object – known as psychometry, or token object reading.
The romantic sub-plot sparks into life when Lizzie accidentally touches Arthur Robsart, the quiet rather stolid older brother of Amelia. Never before has her psychometric ability worked on a person. Arthur and his sister Anna suspect Lizzie of responsibility for the disappearance in odd circumstances of their younger brother Johnny. With the police seeking her again, this time for possible murder, Lizzie must choose whether to use the ability she has previously used only to remember her dead mother. To say more will give away the plot.
This was a fun read though populated with some unpleasant characters who were difficult to like. I was left wondering what the story would have been like if the viewpoints had been expanded to four. Cornick tells the story only via Amy Robsart and Lizzie Kingdom and shows us nothing of the events as experienced by Queen Elizabeth I [Lizzie’s equivalent] or Amelia Lester [Amy’s modern-day equivalent]. After Amelia’s death, Lizzie is crucified on social media, I was left wondering if Queen Elizabeth knew, or cared about, the gossip surrounding Dudley’s, and her own, guilt in Amy’s death.
A note on the cover, yet again another cover design which, though attractive, bears little connection with the story.

Read my reviews of these other novels by Nicola Cornick:-
THE FOURTH QUEEN
THE LAST DAUGHTER
THE OTHER GWYN GIRL
THE SECRETS OF THE ROSE
THE WINTER GARDEN

If you like this, try:-
‘Kings and Queens’ by Terry Tyler #1LANCHESTER
‘The Lady of the Rivers’ by Philippa Gregory
‘Cecily’ by Annie Garthwaite

And if you’d like to share a link:
#BookReview THE FORGOTTEN SISTER by Nicola Cornick @NicolaCornick https://wp.me/p5gEM4-4JT via @SandraDanby

#BookReview ‘The Last Protector’ by Andrew Taylor @AndrewJRTaylor #Historical

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Fourth in the 17th century crime series by Andrew Taylor, The Last Protector sees the return to London of Richard, Oliver Cromwell’s son, and last Protector of England before the restoration of the king in 1660. And it also heralds the central plot return of Cat Lovett. Ever since the first book in the series, I have waited for Cat to have a key role in the plot again. Andrew TaylorThe story begins as James Marwood, clerk to the Under secretary of State to Lord Arlington, is sent to secretly observe a duel between two lords. Meanwhile Cat, now Mistress Hakesby and married to a frail elderly architect, meets a childhood acquaintance in the street. This is Elizabeth Cromwell, daughter of Richard. Remembering their friendship as a fleeting thing, Cat is confused by Elizabeth’s eagerness to rekindle their relationship. Until, visiting Elizabeth at her godmother’s house, she is introduced to a fellow guest John Cranmore. But a peculiar habit of tapping a finger on the table brings back memories for Cat, to the time when she and her father moved in elevated political circles, and she realizes Cranmore is a false name. Elizabeth, it becomes clear, is seeking a precious object hidden by her grandmother. The object is hidden in the Whitehall sewers beneath The Cockpit, site of the cockfighting pit, theatre and jumble of additional buildings. The Hakesbys have the architectural drawings and Elizabeth needs Cat’s help to instigate her search.
In the bigger picture, Easter holiday riots attacking brothels seem to be politically motivated. Holidays are notorious times for brawls by apprentices, but these riots by the Levellers seem encouraged by bawdy newssheets of questionable origin. The Levellers shout ‘we have been servants, but we will be masters now’. Marwood is attacked and chased around the back alleys of the City while Cat, helping Elizabeth retrieve the mysterious package, is chased and escapes with the help of Ferrus, a mazer scourer, the lowest of the low who clears blockages in the sewers.
Marwood and Cat share little page time but their separate stories and chases become entwined as the troublesome history of Cat’s dissenter father puts her in grave danger. And affecting everything are the political machinations and arguments between crown and government.
An excellent page-turner.

Read my reviews of the other books in this series:
THE ASHES OF LONDON #1FIREOFLONDON… and try the #FirstPara of THE ASHES OF LONDON
THE FIRE COURT #2FIREOFLONDON
THE KING’S EVIL #3FIREOFLONDON
THE ROYAL SECRET #5FIREOFLONDON
THE SHADOWS OF LONDON #6FIREOFLONDON
And a World War Two novel by the same author:-
THE SECOND MIDNIGHT

If you like this, try:-
‘The Wicked Cometh’ by Laura Carlin
‘The Mermaid and Mrs Hancock’ by Imogen Hermes Gowar
‘The Winter Garden’ by Nicola Cornick

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview THE LAST PROTECTOR by Andrew Taylor @AndrewJRTaylor https://wp.me/p5gEM4-4tI via @SandraDanby

#BookReview ‘Dark Fire’ by CJ Sansom #Tudor #detective

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Dark Fire by CJ Sansom is a story of political intrigue, whodunit and a Tudor weapon of mass destruction. Second in the series about Tudor lawyer Matthew Shardlake, Dark Fire combines two criminal mysteries; the appearance and subsequent disappearance of the alchemical formula to make an ancient terrifying weapon, and the impending trial and expected sentencing of a young woman to death by pressing. CJ SansomDespite a tenuous connection between the two cases, and a somewhat meandering pace at times, I enjoyed this book for its further development of Shardlake, first seen in Dissolution. It is 1540, King Henry VIII wishes to anul his marriage to Anne of Cleves, recommended to him by Thomas Cromwell, and marry instead the teenager Catherine Howard. At the beginning of the book Cromwell’s relationship with Henry is weakening and this imposes time pressure on both the novel and on Shardlake. As the novel opens, the lawyer is defending Elizabeth Wentworth, a teenage girl accused by her family of killing her cousin by pushing him down a well. She languishes in the Hole in the cellars of Newgate Prison and refuses to speak. Shardlake, though convinced of her innocence, despairs of being able to help her.
The alchemical formula for Greek Fire, the legendary substance with which the Byzantines destroyed the Arab navies, has been lost for centuries but is discovered in the library of a closed monastery in London by a government official. Cromwell decides to present it to the king as a demonstration of his fealty. He charges Shardlake with finding the Greek Fire within two weeks; to ease this he instructs the postponement of Elizabeth’s case for two weeks. As in Dissolution, Shardlake is once again living every minute under threat of Cromwell’s demands and bad temper. When Shardlake tracks down the official and his alchemist brother, he is too late; both men are dead and the formula is missing. So starts a chase across London.
As always with Sansom, the historical setting is convincingly written with vivid descriptions of the lives of rich and poor, the divisions between them and the melting pot that is the City and its surroundings in Tudor London. As this is the second book of the series, the community around Shardlake is becoming clearer and we see a small group of people who are different. Shardlake with his hunched back; Brother Guy, Moor and apothecary, who is stared at on the streets because of the colour of his skin; Jack Barak, Cromwell’s assistant who is sent to work with Shardlake, is threatened because of his Jewish heritage. Shardlake seems a modern interpretation of a sixteenth century lawyer; he has enlightened views of both race and the role of women, and is becoming disillusioned with religion. These loyalties and views potentially cause trouble for him, adding to the vulnerability that makes him appealing.
A pleasure to read, I am hooked on this series.

And here are my reviews of other novels by CJ Sansom:-
DOMINION
DISSOLUTION #1SHARDLAKE
SOVEREIGN #3SHARDLAKE
REVELATION #4SHARDLAKE
HEARTSTONE #5SHARDLAKE
LAMENTATION #6SHARDLAKE
TOMBLAND #7SHARDLAKE

If you like this, try:-
‘The Western Wind’ by Samantha Harvey
‘The Wicked Cometh’ by Laura Carlin
‘The French Lesson’ by Hallie Rubenhold

And if you’d like to share a link:
#BookReview DARK FIRE by CJ Sansom https://wp.me/p5gEM4-3Ne via @SandraDanby