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#BookReview ‘All Our Squandered Beauty’ by Amanda Huggins @troutiemcfish #grief

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At 122 pages, All Our Squandered Beauty by Yorkshire writer Amanda Huggins packs a powerful punch. It is a sensitively managed novella of a teenager navigating young love, relationships and sex while pulled underwater by grief for the father who died when she was young. His disappearance at sea has never been explained, his body never found; but gossip is becoming history. Kara Bradshaw, believing he would never leave her, hangs on to memories of time they spent together, sure of his love. Amanda HugginsIt is 1978 at Elmwick Bay in Yorkshire. Kara’s youth was punctuated by life beside the sea, gathering sea glass from the sand, identifying the birds flying overhead, watching stars in the night sky, tales of local legends and folklore. All occupations she enjoyed with her father. Now as a seventeen-year-old, Kara hangs out with bikers at Charelli’s café and the amusement arcade but fancies her art teacher, Leo. A thread running throughout the book is that all is not always as it seems, something Kara must understand if she is to accept the past and move on into adulthood. But first she must acknowledge her grief and let her father go.
A promising artist, Kara cannot wait to leave school for university in London. But her best friend Louise seems happy to settle for a life at home with her boyfriend, and Kara’s mother has moved inland where the sea is out of sight. Kara knows her boyfriend Marty would like to marry her and have babies, but she wants more. More love, more life, just more. Huggins writes with delicacy about a fragile teenager who knows what she wants but not why, seeking a path of learning without a father to guide her. Seven years have passed since villagers gossiped that Ged Bradshaw hadn’t really died at sea but ran away with Lola Armitage. Kara sees Lola everywhere, follows her only to discover it is someone she has never seen before.
Kara, unable to understand she still grieves for her father in hundreds of small ways, is seeking definitive answers to unanswerable questions. She looks for escape and finds it in art teacher Leo who offers her place at a summer art school in Greece, funded by the Philip Patou Art Foundation. Kara jumps at the chance. What she finds in Greece is not what she expected. Huggins is a successful travel writer and her description of the island of Lyros is beautiful, seen through the eyes of artist Kara who compares it with her seaside hometown.
This coming-of-age story passes quickly, I read it in two sittings and was left curious. I longed to see more – of Kara’s childhood and of the woman she will become. All Our Squandered Beauty is the story of one summer in her life, interwoven with reminiscences of her father. Huggins’ writing is, as always, delightful, her technical skill invisible on the page leaving the reader to dwell on the emotions. The short fiction form doesn’t allow the exploration in depth of all Huggins’ themes, and hopefully she is turning her attention to a novel.

Read my reviews of other work by Amanda Huggins:-
Novellas
CROSSING THE LINES
THE BLUE OF YOU
Short stories
AN UNFAMILIAR LANDSCAPE
BRIGHTLY COLOURED HORSES
EACH OF US A PETAL
SCRATCHED ENAMEL HEART
SEPARATED FROM THE SEA
Poetry
THE COLLECTIVE NOUNS FOR BIRDS

If you like this, try:-
‘A Week in Paris’ by Rachel Hore
‘The Last Day’ by Claire Dyer
‘The Cheesemaker’s House’ by Jane Cable

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#BookReview ‘Jack’ by Marilynne Robinson #classic #Americanwriters

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Jack by Marilynne Robinson is fourth in her Gilead series, following Gilead, Home and Lila and is a love story. Jack Boughton is the troubled son of Presbyterian minister, and Della, the attractive, black, high school teacher, daughter of a Methodist minister. This is a novel about the quality of love, its consequences, and whether sometimes loving someone means saying goodbye. Marilynne Robinson The story starts with such a brave scene for any author to write – a two-hander between Jack and Della as they meet accidentally at night. They are locked in a graveyard in St Louis and spend the night walking in conversation about life, their families, themselves, the world. A disreputable white man and a successful attractive black woman, in 1950s America. The conversation ebbs and flows, jumping from subject to subject as a real discussion does. They do not talk about love, but throughout the course of a number of chaste meetings, they fall in love.
It is sublime prose to sink into and absorb. Such small, familiar detail brings Jack and Della instantly to life. They are real and you care for them. The graveyard scene is long, so long I wondered if it took up the whole book.
We have heard of both these characters in the earlier Gilead books. We know Jack is a bad ‘un, as told by others. This is the first time we see into his head.
Robinson has a beautiful way of summarising truths that are easy to identify with. When Jack is with Della in the cemetery, he thinks, ‘Forever after, the thought of her would be painful, because it had been pleasant. Strange how that is.’ Jack is a mixture of insecurities, resentments, injuries and injustices brought upon himself and also by his strict religious upbringing by his pious pastor father.
Not a long book or a quick read, but absorbing. I totally understand why Jack falls for Della, wanting to save and protect her; I’m less sure why she loves him given the risks and dangers of a mixed marriage at that time. He loves his wisecracks and makes jokes at inappropriate times, misjudging the mood and causing silences. Their discussions range from Hamlet to theology, end-of-life world scenarios to poetry.
If you are new to Gilead, please don’t start with this book. Read them in order to get the most enjoyment of these complex stories of the Boughton and Ames families from Gilead, Iowa.

Read my reviews of Robinson’s other novels:-
GILEAD
HOME
HOUSEKEEPING
Try the #FirstPara of GILEAD here.

If you like this, try:-
‘Offshore’ by Penelope Fitzgerald
‘The Gustav Sonata’ by Rose Tremain
‘Time Will Darken It’ by William Maxwell

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#BookReview ‘Islands of Mercy’ by Rose Tremain #historical

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In Bath, England in 1865, such are Jane Adeane’s nursing skills that she is known as the Angel of the Baths. Islands of Mercy by Rose Tremain is about Jane’s destiny to make something of herself, a journey which involves choosing between a tempestuous love affair with another woman and marriage to a respectable doctor. Being the Angel of the Baths is not enough for her and this impacts on the lives of everyone around her. Rose Tremain Islands of Mercy is in fact three stories in one, lightly linked together by the merest connection and fleeting physical meeting. The story starts with Clorinda Morrissey who arrives in Bath from Ireland. ‘She was not beautiful, but she had a smile of great sweetness and a soft voice that could soothe and calm the soul’. By selling a ruby necklace, a family heirloom, Clorinda sets up what becomes a highly popular tea room. It is in this tea room that she first sees Jane Adeane who is taking tea with a man. Jane leaves abruptly and Clorinda is curious why. The man concerned is Doctor Valentine Ross, medical partner of Jane’s father Sir William Adeane and brother of naturalist Edmund Ross, currently pursing butterflies in the Malay Archipelago. In this scene, all three storylines are kickstarted.
The narrative moves back and forth from Bath to London, Dublin and Ireland’s west coast to Borneo. Each place is drawn vividly, Tremain is excellent at settings. In her descriptions of heterosexual and homosexual relationships, she explores the social limitations of the time on the free expression of love for men and women. While Jane can explore her own feelings for another woman only in extreme secrecy and risk of rejection by society, in Borneo a rich ‘rajah’ and his dependent servant live openly. Can Jane make her own way in the world or must she be conventional and marry a man. And can Clorinda’s independence at the tea shop continue or will she come to regret her sale of the ruby necklace. Is money necessary for happiness.
This is an unpredictable read. As Jane’s father Sir William comments, ‘We are overtaken by flashes of lightning and brilliant storms, and we can only submit.’ All the characters act on impulse and not all their decisions make sense, in particular Valentine’s behaviour changes so rapidly he seems a different man.
I was left with mixed feelings. As a Tremain fan dating back to The Colour, I wanted to enjoy this book more than I did. The writing, as always, is of the highest quality but it feels like three novels squeezed into one. I wanted to read more about Clorinda’s story, or concentrate on Jane, rather than go to Borneo which felt like an interruption to the main narrative.
CLICK HERE TO READ MORE ABOUT THIS BOOK AT AMAZON

Read my reviews of these other novels by Rose Tremain:-
LILY
THE GUSTAV SONATA

If you like this, try:-
‘At Mrs Lippincote’s’ by Elizabeth Taylor
‘Stanley and Elsie’ by Nicola Upson
‘Blackberry and Wild Rose’ by Sonia Velton

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#BookReview ‘The Winter of the Witch’ by Katherine Arden @arden_katherine #fantasy #folklore

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What a barnstorming end to a trilogy this is. The Winter of the Witch is the final part of the Winternight trilogy by Katherine Arden, a bewitching at times bewildering combination of Russian history, folklore, magic and fantasy. It’s the sort of book with depths that reward re-reading, weaving connections with the first two books into a finale that is both satisfying and heart-wrenching. Katherine ArdenThese are books about fitting in, and not fitting in, of being different, and finding your own way in a complicated sometimes mystifying world. Arden sets her tale in medieval Russia, adds layers of magic and Russian myth, woven together with the true story of the Battle of Kulikovo in 1380. She handles such a complex mixture with an assured, inspired hand. In my 2017 review of the first book, The Bear and the Nightingale, I described it as ‘not an easy read, but rewarding’ and I repeat that again for The Winter of the Witch. You have to pay attention, make connections, take fictional leaps of imagination, but you are rewarded.
As Vasya’s magical powers grow, so do the dangers to the traditional ways of life in old ‘Rus. No longer a girl but a hardened fighter, a young woman determined to do what is right, but still not immune to doubt, indecision and to love. As she performs more magic she knows she is danger of losing her grip on real life, of descending into madness, but must decide whether to save herself or to save those she loves. Vasya is an inspiring heroine, throwing herself into adventures against the will and advice of those around her, finding allies in unexpected places and facing enemies with a brave heart. My favourite characters included Solovey, Vasya’s magnificent bay stallion, and Ded Grib, the tiny mushroom chyert.
Moscow is burning and Vasya is to be burnt at the stake as a witch. If she can escape, she must leave behind everyone and everything she loves. Meanwhile a dark priest in Moscow is evangelising the people against the old ways and the chyerti, the folklore spirits,  while the Tatars are threatening war against ‘Rus. Grand Prince Dimitri must unite the Russian princes to defend their lives.
I’m sad to finish these books but now I will revisit them again, this time reading them back-to-back in the hope of understanding more of the complex layers of folklore. The world-building reminds me of Tolkien and Pullman in its depth and breadth.

Read my reviews of the other books in this trilogy:-
THE BEAR AND THE NIGHTINGALE #1WINTERNIGHT
THE GIRL IN THE TOWER #2WINTERNIGHT

And also by Katherine Arden:
THE WARM HANDS OF GHOSTS

If you like this, try:-
‘Children of Blood and Bone’ by Tomi Adeyemi #1LEGACYOFORISHA
‘La Belle Sauvage’ by Philip Pullman #1THEBOOKOFDUST
‘In Another Life’ by Julie Christine Johnson

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#BookReview ‘The Skylark’s Secret’ by Fiona Valpy @FionaValpy #WW2

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Aultbea, a small fishing village on the shores of Loch Ewe on the west coast of Scotland, was transformed during World War Two into a Royal Navy base for the Arctic convoys. Into this true history Fiona Valpy weaves the fictional story of Flora Gordon in The Skylark’s Secret. Fiona ValpyIn 1977, Lexie Gordon returns to Loch Ewe from London after the death of her mother Flora. Lexie arrives home a single mother to baby Daisy, her West End singing career broken because of her damaged vocal chords. She feels a failure, gossiped about by the locals, seen as an outsider. Living in her mother’s cottage, she becomes curious about the father she never met and who her mother never spoke freely about.
In this dual timeline story, the narrative alternates clearly between Lexie in the Eighties and Flora in 1940-1944. Flora lives with her widowed father, Iain, gamekeeper for local estate Ardtuath House, in a quiet village where the toughest enemy is the weather. Then one day a fleet of warships arrive, the first of many. Loch Ewe is to become the temporary base for the Home Fleet. As thousands of navy ratings and officers arrive, Iain and Flora hope her brother Ruaridh will be aboard one of the destroyers. The convoys are to change life by the loch forever. Flora and her two friends Bridie and Mairi enlist in the Wrens as drivers. Laird’s son Alec also returns home with an English girlfriend. When Alec admits his lifelong love for Flora, the two young people must face the disapproval of the intimidating laird. With both Alec and Ruaridh on separate ships accompanying the Arctic convoy of merchant ships sailing for Russia, Flora fears for their lives. Meanwhile, a group of evacuees arrive from Glasgow, including two ragamuffins who lodge with bossy but kind-hearted Moira Carmichael.
Valpy unravels the story of Flora’s war years, the hardships, the danger, the exhilarating moments of freedom when the two young men arrive home safe. But always on the horizon is the next convoy which must face the twin dangers of Arctic ice and marauding U-boats. In 1978, Lexie must make a place for herself and Daisy in the community which includes her mother’s old friend Bridie, Lexie’s schoolfriend Elspeth, and fisherman Davy. She feels a stranger and takes to walking the hills, remembering times with her mother, trying to find her place in the world.
This is a story of wartime courage, romantic entanglements, fear, grief and gratitude for sacrifices made. A well-researched book that shows that research with a light hand on the page, allowing the fictional story room to breathe. Excellent.

Here’s my review of another Fiona Valpy novel:-
THE SKY BENEATH US

If you like this, try:-
‘Mrs Sinclair’s Suitcase’ by Louise Walters
‘The Paying Guests’ by Sarah Waters
‘Another You’ by Jane Cable

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#BookReview ‘The Missing Pieces of Nancy Moon’ by Sarah Steele #mystery

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If you’re looking for a little escapism, a trip to the Riviera of the Sixties, then The Missing Pieces of Nancy Moon by Sarah Steele is for you. A family mystery spanning two generations is unravelled by Flo, Nancy Moon’s great-niece, who treads in her aunt’s footsteps across Europe following the clues. It all starts with a photograph. Sarah Steele Told in two timelines, it is Nancy’s story that came alive for me and I would have been happy if the book had focussed solely on Nancy. Brimming with nostalgia for life in the 1960s, the Riviera, Paris, Nice, Venice, Capri, Steele tells of Nancy’s trip as companion to Pea, a teenage girl sidelined by her distracted artist father and disinterested step-mother. It is clear Nancy is running from something and, though this is billed as a historical romance, it is essentially a tale of grief and moving on.
Clearing her grandmother’s house after her death, Flo finds a photograph of her grandma Peggy and three friends. One is a complete stranger. The next discovery is a cache of dressmaking envelopes. Each is dated and inside are cut-out dress pieces and other momentoes left by Great-Aunt Nancy, photographs, postcards and oddments. Flo has never heard of Nancy Moon. Why was she never spoken of? Flo, grieving not only for the death of Peggy but for the break-up of her marriage and the loss of a baby, decides to follow Nancy’s trail across Europe.
The motif of dressmaking patterns is underlined by Steele’s beautiful descriptions of Sixties dresses, swimsuits and fabrics. We see Nancy wearing the original version of the home-made garment, and then Flo following in her footsteps wearing a contemporary version of the same outfit. At the beginning there are so many characters introduced that it’s disorientating. It took me a while to unravel them until halfway through when I realised I simply wanted to read Nancy’s story.
So, an intriguing story idea weakened by the sudden switching of narrator and timeline intended to introduce mystery. The simple addition of chapter headings with the year and location would help. In truth I figured out the mystery very early on. How much stronger this would be as a single viewpoint, traditional historical narrative without the coincidences and neat solutions of Flo’s storyline.
I was pleased I stuck with the story, despite the slow beginning. There is plenty to admire in the writing and the locations are beautiful, a real piece of escapism for armchair travellers.

If you like this, try:-
‘The Lost Letters of William Woolf’ by Helen Cullen
‘On a Night Like This’ by Barbara Freethy
‘The Art of Baking Blind’ by Sarah Vaughan

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#BookReview ‘The End of the Day’ by Bill Clegg #contemporary

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Three girls grow up living near each other in Wells, Connecticut. Dana. Jackie. Lupita. Each in a different social class. With or without wealth. With or without expectations. Privilege, no privilege. One betrayal touches their lives and has ramifications for the next generation. The End of the Day by Bill Clegg is about the fragility of loyalty when teenage bonds are tested by love, jealousy, indiscretions, secrets and lies. ‘To end a friendship, it just takes someone willing to throw it away.’ Because when a decision is taken, more than one life is affected. Bill CleggClegg has written a genealogical story wrapped up in two timelines, the years not defined but basically the Sixties and the Noughties. An elderly woman, frail and confused, sets out from New York on an excursion. Another old woman wakes in her family home to a beautiful passage of memories. A taxi driver in Hawaii ignores the repeated messages left on her mobile phone. These three are connected by a youthful flirtation, a pregnancy, arrangements made and lies told, assumptions made. A fascinating story, characters so believable, but the details lacking in clarity – perhaps because so many lies have been told. In the Noughties are mother and son Alice and Hap. Hap’s life takes two momentous turns when his father is seriously ill in hospital, the same hospital where his wife has just given birth to their baby daughter. A little girl still, significantly, without a name.
The first half is a slow read with beautiful writing that at times edged towards the self-indulgent. The book, though not long, felt long. I wanted occasional clarity of story and shorter paragraphs. I was unclear about the different houses featured – the childhood homes of Jackie and Dana and the area in which they lived. Perhaps the author knows it so well he forgot to be clear for the reader. The story moves location and year without specification which can be disorientating.
In re-reading the notes I wrote after finishing the book, I found I had twice written ‘lacking clarity’. The story is a sad one, of connections made, lost, and unknown, but for me it could be more touching with a clearer narrative spine. That said, the story stayed with me days after I finished it – always a good sign. The parallels between the generations, the vulnerability of a baby dependent on adults for the truth of its origins, the duty to protect and the urge to run from an old life. An okay story wrapped up in exquisite writing.

Here’s my review of DID YOU EVER HAVE A FAMILY?, Bill Clegg’s first novel.

If you like this, try:-
‘A Sudden Light’ by Garth Stein
‘Summertime’ by Vanessa Lafaye
‘We Are Water’ by Wally Lamb

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#BookReview ‘The Streets’ by Anthony Quinn #historical #sociology

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The Streets by Anthony Quinn is part sociology, part history, part mystery, part political discussion. Set in the 1880s, it sets a fictional tale within true history, the sort of thing hated by historians themselves who fear that readers will believe it is all true. They should credit we readers with the ability to recognize fiction from fact. This is a story encompassing poverty, pride, crime, corruption, community and, almost, eugenics. Anthony QuinnDavid Wildeblood has a new job. He is an inspector, a fact-collector, charged with touring the North London borough of Somers Town, conducting interviews and collating information to be published in Henry Marchmont’s weekly news sheet The Labouring Classes of London; living conditions, work, income, religion, diet, pastimes, crime, health etc. Marchmont is based on Henry Mayhew’s London Labour and the London Poor and Charles Booth’s Life and Labour of the People of London. At first Wildeblood is an outsider and woefully naïve, until he stumbles on costermonger Jo. Soon Wildeblood learns the argot, the alleys to avoid, and how to best submit his report to Marchmont’s loyal assistant Mr Rennert. Then he stumbles onto a scheme in which criminal landlords defraud their tenants, refuse to repair their properties then clear the streets for redevelopment leaving the inhabitants homeless. When a local man organizes a protest, he is later found drowned in the river. Wildeblood is warned by a reporter friend, Clifford Paget of The Chronicle, that his life may be in danger but he continues to investigate.
Wildeblood’s time in Somers Town is juxtaposed with his, albeit tenuous, relationship with his wealthy godfather Sir Martin Elder and Kitty, his daughter. The two stories come together as he recognizes a connection between a social charity providing poor city dwellers with a day trip to the countryside, and what is happening in Somers Town. The tentacles of property exploitation, fraud and social engineering spread around London. At times the sociology and politics of the author intruded into my head and the exposition distracted me from the story but, like all Quinn’s novels, the characters are a delight.
The description of The Streets as a ‘thriller’ though, is misleading. This is a thoughtful considered novel. Well-researched, it feels as if this book is close to the author’s heart; perhaps too close. For me, it was a slower, worthy read, compared with his other novels and less accessible.

Read my reviews of these other novels also by Anthony Quinn:-
CURTAIN CALL
FREYA
HALF OF THE HUMAN RACE
MOLLY & THE CAPTAIN
OUR FRIENDS IN BERLIN
THE RESCUE MAN

If you like this, try:-
‘The Walworth Beauty’ by Michèle Roberts
‘The Penny Heart’ by Martine Bailey
‘Birdcage Walk’ by Helen Dunmore

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#BookReview ‘The Midnight Library’ by @matthaig1 #contemporary

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I loved the concept of The Midnight Library by Matt Haig as soon as I read the blurb. A young woman finds herself in the mysterious midnight library where she can choose a book, live a version of her life as it might have been and so mend the regrets and disappointments she has with her life already lived. Matt HaigNora Seed has had a horrible day and wishes she was dead. She has let everyone, including herself, down. Her brother isn’t talking to her. She’s lost her job. And her cat is dead. ‘Every move had been a mistake, every decision a disaster, every day a retreat from who she’d imagined she’d be. Swimmer. Musician. Philosopher. Spouse. Traveller. Glaciologist. Happy. Loved.’ She has a long list of things she can’t do and no list of what she has achieved.
Instead of dying Nora meets the enigmatic Mrs Elm, librarian at Nora’s school nineteen years ago. Between life and death, explains Mrs Elm, there is a library. ‘Every book provides a chance to try another life you could have lived. To see how things would be different if you had made other choices.’ In a kind of literary Sliding Doors combined with It’s a Wonderful Life, Nora walks into lives she may have lived. Each life contains people and places Nora knows but who she feels out-of-touch with or is assumed to have a knowledge or skill she doesn’t possess. Consequently, she spends a fair amount of time fibbing and winging her way through situations, trying to keep her rather strange secret and lying to people she is supposed to care about. The deal with the midnight library is that if she feels disappointment in the life she is sampling, she will be returned to the library.
In a predictable character curve, in each life Nora visits she learns something about herself. Some lives we see in detail, others in half a page. This left me unsatisfied. I wanted more, for her to stay longer in situations, to see what she learned. I was left feeling this is a novel combined with a mental health guide to living with depression and regrets. Matt Haig is a successful non-fiction author about the subject but sadly I finished this novel feeling I had bought a novel and been given a self-help guide. In some places, the exposition got in the way of Nora’s story. That said, Haig has a light hand at writing comedy and there are some wonderful moments that made me chuckle. One being Nora’s telephone conversation with her film star boyfriend. The other is when she finds out what being a ‘spotter’ in the Arctic really means.

Read my reviews of these other Matt Haig novels:-
THE HUMANS
HOW TO STOP TIME

If you like this, try:-
‘In the Midst of Winter’ by Isabel Allende
‘The Lie of the Land’ by Amanda Craig
‘The Perfect Affair’ by Claire Dyer

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#BookReview ‘Charlotte Brontë A Life’ by Claire Harman #biography

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How did Charlotte Brontë create the character of Jane Eyre? Was Villette really based on a doomed love affair in Brussels? How much of the real author is in these novels? If you have read Charlotte Brontë’s books, you will have asked yourself these questions. The biography Charlotte Brontë: A Life by Claire Harman provides some fascinating answers. Claire HarmanThis is the first biography of Brontë I have read and I wish I had read it sooner. Harman tells the enthralling story of the family whose losses, grief, hardship, isolation and disappointments populate the novels of the three sisters – Charlotte, Emily and Anne. It is impossible to write about Charlotte without writing about the family, and particularly about Emily, Anne and brother Branwell. Everyone knows the headline facts about the Brontës – Haworth parsonage, mother and siblings dying, Branwell’s addiction, and the imaginary kingdoms of Angria and Dondal in which the children lose themselves. But Harman makes the history accessible, telling the life of Charlotte in chronological order starting briefly with her father Patrick.
There are clear references to real life appearing in the novels and Harman casts light on the writing process of Charlotte and her sisters. For a novelist, this is required reading. Some of Charlotte’s experiences written about in letters appear directly in her novels, along with paragraphs lifted from journals and lines and passages lifted from works earlier abandoned. Harman extensively quotes Elizabeth Gaskell – who wrote the first biography of Charlotte Brontë published in 1857, based largely on Charlotte’ letters sent to her friend Ellen Nussey – and Charlotte’s correspondence with friends and her London publisher.
It is a tragic story but Harman is never over-sentimental. She is excellent at pairing characters, incidents and emotions in the novels with Charlotte’s real life.
A must read for anyone who is a fan of the Brontë novels.

If you like this, try:-
‘The Girl at the Window’ by Rowan Coleman
‘Miss Austen’ by Gill Hornby
‘The Vanished Bride’ by Bella Ellis #1BronteMysteries

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