Tag Archives: historical fiction

#BookReview ‘Master of Shadows’ by Neil Oliver #historical

Master of Shadows starts with a historical note about 1453 and the advance of the Ottomans on the eastern Christian empire of Constantinople. Rumoured to be among the city’s defenders was a Scot called John Grant. Author Neil Oliver takes the real life Grant and fictionalizes him in this, his debut novel; a novel rich in detail, historical context, colours and smells. Neil OliverIt starts with disparate snapshots: a boy lies in a meadow and feels invisible; a stranger arrives at a Scottish village; a woman, chopping wood, feels threatened; a young girl leaps from a high wall, expecting to die.
A Moorish solider, tall and imposing with his curved blade, arrives in Scotland at the castle of a Lord. Secretly he is seeking a specific woman. He had fought in wars alongside her husband and promised to keep her and their son safe if he should die. Badr becomes a surrogate father to the boy and teaches him everything he knows, later they fight side-by-side in battle. Leña lives amongst nuns. Given her name – which means ‘firewood’ in Spanish – I thought was a Spanish woman but in the memories of her childhood we learn she, too, has been to Scotland, and speaks French. So the mystery continues. The storylines are many and intriguing and for a long time I puzzled over how they connected. It is a story about the connections of blood, the duty owed to family. It is a long book (448 pages) but never seemed so long to be off-putting. There were passages a little too ‘history heavy’ for me, but I’m sure some readers will gobble it up.
All-in-all, a great debut. Not all historians can tell a page-turning fictional story, for some it takes three or four novels before they hit their stride, so I’m looking forward to Oliver’s next novel.

If you like this, try:-
‘The Surfacing’ by Cormac James
‘Gone Are The Leaves’ by Anne Donovan
‘The Warlow Experiment’ by Alix Nathan

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#BookReview ‘How to be Both’ by Ali Smith #art #historical

I admire Ali Smith, own quite a few of her books, so it was without hesitation that I stared to read How to be Both knowing it is an ‘experimental’ novel, a twisting, spiralling tale which has been shortlisted, longlisted, and won awards up the ying-yang. Ali SmithI wasn’t prepared for the first 20-30 pages [it’s difficult to be accurate on a Kindle] which completely lost me. Complete non-sequiturs, verse, stream of consciousness. Rambling, with little context. If it had been an unknown author I would have run out of patience, but it’s Ali Smith so I stuck with it and fell into the story of Francescho. The writing is beautiful, atmospheric, still a little short on fact for me: a child [boy or girl?] with artistic talent, whose father is a skilled brickmaker. The story of the child Francescho twists and twirls with that of the adult Francescho, a Renaissance painter of frescoes, who in his own quiet way challenges the status quo.
If you love books about artists, you will enjoy this one. In a brothel, Franchescho paints the women rather than laying with them, and becomes known for this. As he paints, he remembers the words of ‘the great Alberti’. “The great Alberti says that when we paint the dead, the dead man should be dead in every part of him all the way to the toe and finger nails, which are both living and dead at once : he says that when we paint the alive the alive must be alive to the very smallest part, each hair on the head or the arm of an alive person being itself alive : painting, Alberti says, is a kind of opposite to death…”
Just at the point when you wonder where Francescho’s story is going, Part Two starts. And what a contrast. 21st century. George is a modern-day teenager, grieving for her mother, remembers a visit they made to Italy because her mother was drawn to see a fresco by an unknown artist. There, they discover elements of the fresco which we saw Franchescho paint, their modern-deay interpretation, and Franchescho’s reason for painting them.
Through George’s eyes, and through her conversations with Mrs Rock, the school counsellor, we see the binary nature of the world: boy/girl, truth/lies. Is this the ‘both’ of the title? Mrs Rock says a truth teller is “usually someone with no power, no social status to speak of, who’d take it upon themselves to stand up to the highest authority when the authority was unjust or wrong, and would express out loud the most uncomfortable truths, even though by doing this they would probably even be risking their life.”
This is a book to read and read again. Complex, challenging and beautiful, this is not an easy read, it demands concentration, but it is worth it.

Click the title to read my reviews of other books by Ali Smith:-
AUTUMN #1SEASONALQUARTET
WINTER #2SEASONALQUARTET
SPRING #3SEASONALQUARTET
SUMMER #4SEASONALQUARTET
COMPANION PIECE #5SEASONALQUARTET

If you like this, try:-
The Miniaturist by Jessie Burton
The Signature of All Things by Elizabeth Gilbert
‘Girl in Hyacinth Blue’ by Susan Vreeland

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview HOW TO BE BOTH by Ali Smith http://wp.me/p5gEM4-1HE via @SandraDanby

#BookReview ‘A God in Ruins’ by Kate Atkinson #WW2

If the best recommendation for a novel is that, once you finish it, you want to start reading it all over again, then this is my recommendation for A God in Ruins by Kate Atkinson. The story of Teddy Todd reeled me in until I was reading late into the night.

Kate AtkinsonTeddy is brother to Ursula Todd, who featured in Atkinson’s Life after Life, but this is not a sequel. More a companion piece, one book informs the other but stands up fully on its own. Read either first, it doesn’t matter. This is a book about war – the Second World War, the daily grind of Teddy’s life as a bomber pilot – and the effect this experience has on the rest of his life. War doesn’t happen and then go away, it colours lives and affects them until death, mostly unnoticed or misunderstood by relatives. And so we see Teddy’s life, told in a chopped up manner with excerpts from his childhood, war, early marriage and fatherhood, and as a much-loved grandfather. I don’t think I’m giving much away here to say he survives the war, but Atkinson’s descriptions of his bomber sorties are realistic, we feel the cold, the fear, the near-misses, the camaraderie, the determination and discomfort. Reading the bibliography at the back of the book, her research was thorough but it never shouts out from the page. Details are included because they are important to Teddy’s life, not because they happened.
Kate Atkinson remains a ‘go to’ author for me, I buy every book she writes.

Read my reviews of these other books by Kate Atkinson:-
BIG SKY #5JACKSONBRODIE
DEATH AT THE SIGN OF THE ROOK #6JACKSONBRODIE
LIFE AFTER LIFE
NORMAL RULES DON’T APPLY
OUR NOBLE SELVES
SHRINES OF GAIETY
TRANSCRIPTION

… and try the #FirstPara of EMOTIONALLY WEIRD

If you like this, try:-
‘The Aftermath’ by Rhidian Brook
‘The Light Years’ by Elizabeth Jane Howard
‘After the Bombing’ by Clare Morrall

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#BookReview A GOD IN RUINS by Kate Atkinson via @SandraDanby http://wp.me/p5gEM4-1IK

My ‘Porridge & Cream’ read: JG Harlond

Welcome to the first in a new series in which one author chooses his/her ‘Porridge & Cream’ book. What is a ‘Porridge & Cream’ book? It’s the book you turn to when you need a familiar read, when you are tired, ill, or out-of-sorts, where you know the story and love it. Where reading it is like slipping on your oldest, scruffiest slippers after walking for miles. Where does the name ‘Porridge & Cream’ come from? Cat Deerborn is a character in Susan Hill’s ‘Simon Serrailler’ detective series. Cat is a hard-worked GP, a widow with two children and she struggles from day-to-day. One night, after a particularly difficult day, she needs something familiar to read. From her bookshelf she selects Love in A Cold Climate by Nancy Mitford. Today I am pleased to welcome historical novelist, JG Harlond.

“My ‘Porridge & Cream’ novels are the House of Níccolò series by the late Scots author Dorothy Dunnett. In the 1970s I became hooked on her 16th century Game of Kings series featuring the exquisite Francis Crawford of Lymond. Then in the 1980s, Dunnett began the 15th century House of Níccolò series about a flawed Flemish apprentice Claes, who becomes a Venetian banker with his own mercenary army; he’s successful in everything but with his family and the one woman he loves. The gifted, but not good-looking Claes/Níccolò, travels the world, seeking answers and finding trouble. JG Harlond

“The first book is Níccolò Rising, which I read while living in Italy and studying part-time in a Medici building. Later we moved to Holland and I was able to visit Bruges then other locations in the European novels. I was intrigued by the sophistication of the financial manoeuvring behind the Medici banking network, and disturbed by how Níccolò’s life is shaped by a father and grandfather, who refuse to accept him. The stories essentially chart how Níccolò seeks his legitimacy while desperately trying to find his own son. In the process he becomes involved in manipulating the international politics of Christendom and beyond.

“I pick up one of these books every year or so. This month it was Race of Scorpions, about the would-be King of Cyprus and the start of the sugar industry. Why – because aspects of the story relate to research for my next Ludo da Portovenere novel (although this is circa 17th century), but mostly because I was stressed by deadlines for other work and I needed a comfort read. What stays in my memory are the settings. I like separating the narrative layers, as well; trying to work out what Níccolò is up to. What pulls me back most though, is the quality of Dunnett’s writing. And yes – as an author, I am very influenced by Dunnett’s plots, characters and prose.”

About The Chosen Man by JG Harlond [Penmore Press] 
JG Harlond

Early spring 1635, a storm and pirate raid interrupt rogue Italian merchant Ludovico da Portovenere’s routine voyage from Constantinople to Amsterdam, disrupting his plans and entangling others in a secret commission that has life-changing, devastating results for all concerned.  Power and intrigue in international politics and the domestic sphere, The Chosen Man is a fictional version of what may have caused the Dutch scandal known as ‘tulip mania’; it also shows us how decisions made in high places can have terrible repercussions on innocent lives.

JG Harlond’s Bio
JG Harlond grew up in the West of England, studied and worked in various countries and is now settled in rural Andalucía, Spain. For the best part of 30 years, she taught in International schools in Europe. Encouraged by positive reviews for her first work of fiction, Jane re-wrote it as The Empress Emerald then completed a linked prequel, The Chosen Man. She is currently working on The Chosen Man trilogy, charting the international espionage and adventures of the charismatic rogue Ludo da Portovenere around 17th century Europe. Jane writes fiction for Penmore Press and educational material for OUP.

JG Harlond’s links
Website
Facebook
Love historical fiction? Find new historical novelists at The Historical Writers Association
JG Harlond’s publisher, Penmore Press

porridge_and_cream__rainyday_111_long

 

What is a ‘Porridge & Cream’ book? It’s the book you turn to when you need a familiar read, when you are tired, ill, or out-of-sorts, where you know the story and love it. Where reading it is like slipping on your oldest, scruffiest slippers after walking for miles. Where does the name ‘Porridge & Cream’ come from? Cat Deerborn is a character in Susan Hill’s ‘Simon Serrailler’ detective series. Cat is a hard-worked GP, a widow with two children and she struggles from day-to-day. One night, after a particularly difficult day, she needs something familiar to read. From her bookshelf she selects ‘Love in A Cold Climate’ by Nancy Mitford. Do you have a favourite read which you return to again and again? If so, please send me a message via the contact form here.

 

Discover the ‘Porridge & Cream’ books of these authors:-
Judith Field
Jane Lambert
Shelley Weiner

JG Harlond

 

‘Níccolò Rising’ by Dorothy Dunnett [UK: Penguin]

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
Why does author @JaneGHarlond love RACE OF SCORPIONS by Dorothy Dunnett? #books via @SandraDanby http://wp.me/p5gEM4-1Jz

#BookReview ‘All Change’ by Elizabeth Jane Howard #historical #WW2

All Change is a leap forward in time; the fourth book in ‘The Cazalet Chronicles’ by Elizabeth Jane Howard left us in 1947 but this, the last in the series, runs from June 1956 to December 1958. Much has changed in the 11 years after VE Day: Queen Elizabeth succeeds to the throne after the death of her father King George VI, there are eight million refugees within Germany’s borders, President Eisenhower is elected. And in the world of the Cazalets, there is death too. Elizabeth Jane HowardThis final book is an examination of the nature of love that persists despite pain and trouble. The cousins experience difficulties in love – affairs, divorce, misguided attachments and betrayal – while their parents are fractured by the failure of the family timber business. Suddenly there is no money: houses must be sold, servants let go after years of service, meals cooked and houses cleaned without help. Family love persists through this dark time and, as throughout the war, the Cazalet family emerges out the other side, shaped differently for the next decade.
Reading the last book in a well-loved series is always a mixed feeling: delight and loss. So it is with wonder that I consider how Elizabeth Jane Howard wrote this final book of the series when she was 90, completing it before she died in January 2014.

Read my reviews of the other books in ‘The Cazalet Chronicles’:-
THE LIGHT YEARS #1CAZALET
MARKING TIME #2CAZALET
CONFUSION  #3CAZALET
CASTING OFF #4CAZALET 

If you like this, try:-
‘The Garden of Angels’ by David Hewson
‘One Moonlit Night’ by Rachel Hore
‘Dear Mrs Bird’ by AJ Pearce

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview ALL CHANGE by Elizabeth Jane Howard via @SandraDanby http://wp.me/p5gEM4-1CK

#BookReview ‘Casting Off’ by Elizabeth Jane Howard #historical #WW2

Casting Off by Elizabeth Jane Howard starts in July 1945 as Hugh Cazalet must decide what to do as Miss Pearson, his secretary for 23 years, resigns. But the end of the European war is in sight. When this book ends, war is over and there are more engagements, marriages and divorces, births and deaths in the Cazalet family. This is the fourth book in a five-book series. Elizabeth Jane HowardThe title refers not just to ending relationships, but to letting go of war-time life. This is more complicated than anticipated. Longing for something for so long, does not make it easy to live through when it happens. Change is challenging. Post-war life is not all it is expected to be, in some ways it is harder.  Though the privations of rationing continue, often harsher than during the war itself, possibilities for new life unfold like a flower in bloom. But there are no easy answers.
The three cousins are grown-up. Polly, Louise and Clary now face life as young adults, their idealism tainted by the sadness and disappointments of war. But there are surprises in store for Clary, while the Cazalet brothers must make a business decision which affects the financial future of the whole family. Can they still afford the Sussex home, the anchor for the family throughout the war, and home to The Duchy and The Brig? And where will this extended war-time family now live, separated from one another?
Expecting happiness after the end of the war, ordinary life disappoints as the trials and disappointments continue. Louise’s friend Stella explains: “… when anyone becomes more than a certain amount unhappy they get cut off. They don’t feel any comfort or concern or affection that comes from other people – all of that simply disappears inside some bottomless pit and when people realize that, they stop trying to be affectionate or comforting. Would you like some grey coffee, or some pink-brown tea?”
Howard’s characters are so clearly drawn that they became real people for me, while I read these books. They feel like real friends. That is a huge achievement for any novelist.

Read my reviews of the other books in ‘The Cazalet Chronicles’:-
THE LIGHT YEARS #1CAZALET
MARKING TIME #CAZALET
CONFUSION  #3CAZALET
ALL CHANGE #5CAZALET 

If you like this, try:-
‘Life After Life’ by Kate Atkinson
‘The Heat of the Day’ by Elizabeth Bowen
‘While Paris Slept’ by Ruth Druart

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview CASTING OFF by Elizabeth Jane Howard http://wp.me/p5gEM4-1CH via @SandraDanby

#BookReview ‘Girl in Hyacinth Blue by Susan Vreeland #historical #art

‘The front cover of Girl in Hyacinth Blue by Susan Vreeland features a painting by Dutch master Jan Vermeer called ‘The Painter in his Studio’. In it we see the back of a painter, brush in hand, studying a young girl in blue, holding a book, who stands by a window.  This real painting was the inspiration for Vreeland’s novel. Susan VreelandScene-by-scene  the story takes you back in time, following through the centuries the owners of the painting which author Susan Vreeland imagines Vermeer was painting . First, we meet a maths master who has a secret. A painting, inherited from his father, which came to him in the Second World War. The painting is passed from owner to owner, sometimes as an inheritance or gift, sometimes as payment of a debt, sometimes stolen. Vreeland tells us the story of each owner, what the painting meant to them and how it affected their lives: for some it means quick money, or guilt, or beauty, or a hidden secret. Effectively this is a series of short stories, linked by the painting.
It is a charming tale, set mostly in the Holland of dykes, poverty and farms. The painting illuminates the lives of everyone who owns it, no matter how briefly. A charming story about how a painting is viewed differently by everyone who sees it, starting with the artist’s intentions as he conceives and executes it. Vermeer says: “A man has time for only a certain number of paintings in his lifetime… He’d better choose them prudently.”
If you enjoyed Tracy Chevalier’s Girl with a Pearl Earring or Jessie Burton’s The Miniaturist, you will enjoy this.

If you like this, try:-
‘The Glassmaker’ by Tracy Chevalier
‘Disobedient’ by Elizabeth Fremantle
‘The Figurine’ by Victoria Hislop

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview GIRL IN HYACINTH BLUE by Susan Vreeland http://wp.me/p5gEM4-1mi via @SandraDanby

#BookReview ‘Summertime’ by Vanessa Lafaye #Florida #historical

From the first chapter, Summertime by Vanessa Lafaye is steeped in its setting. Florida, 1935. Racial divides, love [extra-marital and long lost], the US mistreatment of its Great War veterans, and the threat of the elements dominate this tale of Heron Key. Vanessa LafayeLafaye is a debut novelist but she handles her explosive material with assurance, taking time to build the story as the town prepares for the annual beach barbeque on Independence Day. With the weather reports showing a hurricane approaching, tensions build between the townsfolk and the war veterans camped nearby in cockroach-infested mouldy conditions.
Lafaye took her inspiration from two real events, the Labor Day Hurricane in 1935, and the appalling way the US Government treated its war veterans. Heron Key is fictional as are the characters, but some of the things which happen during the hurricane are based on real-life reports. This is a wonderful meld of fiction and fact, handled by skilled storyteller. Lafaye handles the suspense as if she has been telling stories like this all her life.

And here’s my review of AT FIRST LIGHT, also by Vanessa Lafaye.

If you like this, try:-
‘The Knife with the Ivory Handle’ by Cynthia Bruchman
‘The Last Runaway’ by Tracy Chevalier
‘The Other Eden’ by Sarah Bryant

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview SUMMERTIME by ‪Vanessa Lafaye‪ via @SandraDanby http://wp.me/p5gEM4-1v2

#BookReview ‘The Seventh Miss Hatfield’ Anna Caltabiano @caltabiano_anna #mystery #suspense

The Seventh Miss Hatfield by Anna Caltabiano opens with the auction of a painting in 1887 and then switches to 1954 as a girl sits on a doorstep. Cynthia is 11 and aware of her mother’s demands for good behaviour combined with initiative, knowing she is a disappointment. So when a parcel is wrongly delivered, she shows independence by taking it to the house opposite. There she meets a new neighbour, Rebecca Hatfield. Cynthia doesn’t go home again. Anna Caltabiano This is a tale of immortality and time travel. Where immortality means you can still die, of illness or accident, and time travel comes via a large mysterious clock owned by Miss Hatfield. Cynthia – and it is key that we are told her original name only a few times – drinks a glass of lemonade containing a drop of a mysterious substance and everything changes. “I felt as if I was slipping away into some strange dimension where I recognized nothing – not my surroundings, or my feelings, but most terrifyingly of all, not even myself.” Miss Hatfield has a task for Cynthia to do, a task which involves theft and time travel. The task, of course, does not go to plan.
The fine detail is excellent but I found the bigger picture lacking, as if the author was carried away by Cynthia/Margaret’s flirtation with Henley and lost sight of the where this fit into the flow of the narrative. I was impatient for the mystery to move on. Cynthia/Margaret is a girl things happen to, rather than her being a proactive heroine. She spends quite a lot of time waiting for the time to be right, waiting for things to settle down, before she can complete her task. I just wanted her to get on with it. She accepts her new life with minimal heartache or disbelief, demonstrates little longing for her parents and the life she left in 1954 and no cynicism about what Miss Hatfield tells her. She ages instantly from teenager to adult, but we are shown none of the insight this would bring as so ably demonstrated in the film Big. Then I did a bit of Googling and found out that Anna Caltabiano is 17, and I understood. When I read a book for review, I read with a notebook and pen by my side and quite early on I wrote down ‘feels like a young author?’ Despite the ‘literary’ front cover, this is a book written by a teenager for teenagers about young love. If I had known, I would not have chosen to read it and I became a bit more forgiving of the writing style. Another example of a cover design being misleading.
That this novel was written by a 17-year old is admirable and explains the style: lots of explanation of the action of the ‘I understood Henley did this because…’ style. Lots of re-stating the obvious, which should have been edited out. It is clear that Caltabiano was in love with Henley.
This is the first novel of a trilogy. I think I’m too old to read the others, it’s a long time since I was a teenager. But if you know one who likes stories about puppy love combined with time travel, they’ll probably love this. Caltabiano is a talented writer and I will watch out for future novels, but in a few years’ time.

If you like this, try:-
‘The Quick’ by Lauren Owen
‘An Appetite for Violets’ by Martine Bailey
‘Ferney’ by James Long

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview THE SEVENTH MISS HATFIELD by Anna Caltabiano @caltabiano_anna via @SandraDanby http://wp.me/p5gEM4-1af

#BookReview ‘The Knife with the Ivory Handle’ by Cynthia Bruchman #historical

A black man takes shelter in a train carriage amongst the animals. He has been shot and has no tongue. Two children are travelling from a Brooklyn orphanage to Illinois to start a new life on a farm. All three are on the same train. And so begins The Knife with the Ivory Handle, a lyrical tale by Cynthia Bruchman, of Illinois in 1900 which knits together the stories of Annette and Jonathan, Casper and priest Father Kelly. Cynthia BruchmanIt is clear from the first chapter that the author has intimate knowledge of this period in history. The Brooklyn orphanage is a real place on the page – the nuns, daily routine and quiet corridors – as is St Bede’s Abbey later in the book. The Spring Valley Race Riot of 1903 did happen, and the locations from Bureau, LaSalle and Kane Counties are real places. Cynthia Bruchman [below] writes with confidence, placing her story and characters in a setting she researched for her Masters degree. But do not think I mean that the book is full of unnecessary historical detail, the research is not a heavy presence but colours the story of Annette, Jonathan, Casper and Father Kelly. It is the characters I care about. Will Jonathan become an artist? What do the old woman’s cards of fortune mean and what does the future hold for Annette? Does Father Kelly’s destiny lie in the priesthood? And will Casper ever get home to his wife and son Clementine and Petey? There is just enough exposition to help us understand the characters, with enough left unsaid to create intrigue.
The children are particularly well-drawn. Jonathan knows his sister is hungry. “He knew all of her moods by observing her eyes and hands and feet. These parts expressed how she felt inside quite thoroughly, although she was unaware of it.” Annette and her brother were left at the orphanage by their father when she was four, their mother had died during childbirth. Annette tries to remember that day. “Her father rippled in her mind like a gray shirt on a clothes line.”
This is a period of American history of which I know little and I read this novel quickly. It is an intricate tale told with subtlety and enough twists to be surprising.

If you like this, try:-
‘Summertime’ by Vanessa Lafaye
‘An Appetite for Violets’ by Martine Bailey
‘Rush Oh!’ by Shirley Barrett

And if you’d like to tweet a link to THIS post, here’s my suggested tweet:
#BookReview THE KNIFE WITH THE IVORY HANDLE by Cynthia Bruchman http://wp.me/p5gEM4-17s via @SandraDanby